Tuesday, August 11, 2015
NYC-based fashion photographer Emily Soto has shot a series of photographs with the Lomography Petzval lens, which will be on display at the Lomography Gallery Store Soho from 20th August - 10th September. Soto is known for her unique style and professional aptitude and she is one of the top names requested by fashion editors.. Concurrent with her "Petzval Portraits" exhibition, she will discuss her work and experience using the New Petzval Art Lens in her work onThursday 27th August at 6pm. The Lomography Gallery Store Soho is located at 3 Newburgh Street, London, W1F 7RE.
This week we've been busy testing out the new Sony A7R II full-frame mirrorless camera with a variety of native lenses from Sony and Zeiss. We've published sample images from no less than 13 different lenses:
Most of these lenses were supplied by our friends at Hireacamera - they're definitely worth checking out if you want to hire or rent camera kit in the UK.
Monday, August 10, 2015
Samyang has announced a new line of professional video-cinema lenses. The Samyang Xeen range currently consists of three lenses in 24mm, 50mm, and 85mm focal lengths. On a Super 35 sensor, the lenses will give an equivalent view of 35mm, 75mm, and 155mm, which are focal lengths that are commonly used in a variety of cinema and video productions. Three more lenses are planned for release next year for a complete set of six lenses. All Xeen lenses feature a maximum aperture of T1.5, Multi-Nano-Coatings and "outstanding resolving power," and all of them are available in 5 fittings: Canon, Nikon, Sony E, Micro Four Thirds and PL- Each lens has an RRP of £1,600.
Thursday, August 6, 2015
Tamron have just released the new 18-200mm F/3.5-6.3 Di II VC lens. Billed as the World's lightest superzoom lens in its class, the Tamron 18-200mm F/3.5-6.3 Di II VC weighs in at a mere 400 grams, allowing for greater portability than any of its predecessors. Featuring 16 elements in 14 groups, the 18-200mm VC uses an LD (Low Dispersion) lens element to minimise chromatic aberrations, and boasts the manufacturer's Vibration Compensation technology, which allows photographers to take sharp hand-held shots at shutter speeds that are critically slow for the focal length used. The suggested retaill price is £169.99 / $249.00.
Tuesday, August 4, 2015
The AF-S Nikkor 24-70mm f/2.8E ED VR is Nikon's first full-frame professional standard zoom with vibration reduction and electromagnetic aperture control. Offering up to four stops of image stabilisation, the Nikon AF-S Nikkor 24-70mm f/2.8E ED VR is constructed of 20 elements arranged in 16 groups - including a number of aspherical and ED glass elements as well as a new ASP/ED element - and features an iris diaphragm with 9 rounded aperture blades. Nikon's exclusive nano crystal coating is also employed to reduce flare and ghosting. The lens has a minimum focus distance of 38cm and a maximum reproduction ratio of 1:3.6, and is equipped with a Silent Wave Motor for fast and quiet auto focus. Just like its predecessor, the new lens is gasketed and sealed to provide a degree of protection against the elements. The AF-S Nikkor 24-70mm f/2.8E ED VR lens will become available later this month, at an MSRP of £1,849.99 / €2,499.00 /$2,399.95.
The AF-S Nikkor 200-500mm f/5.6E ED VR is a new super telephoto zoom lens for Nikon's FX-format digital SLR cameras. The optical construction featurs 19 elements in 12 groups (including three ED glass elements) and a 9-bladed iris diaphragm with electromagnetic aperture control for maintaining consistent exposures during high-speed continuous shooting. The lens has a close-focus point of 2.2m (measured from the sensor plane), and a maximum reproduction ratio of 1:4.5. The Vibration Reduction (VR) feature offers up to 4.5 stops of image stabilisation, and features the latest Sport VR mode for shooting subjects that move quickly and unpredictably. Weighing in at approximately 2300g including the supplied tripod collar, the Nikon AF-S Nikkor 200-500mm f/5.6E ED VR will become available next month, at a manufacturer's suggested retail price of £1,179.99 / €1,599 / $1,399.95.
The AF-S Nikkor 24mm f/1.8G ED is a new ultra-wide-angle lens for Nikon's 35mm film and digital SLR cameras. Featuring 12 elements in 9 groups (including two ED glass and two aspherical elements, and lens elements with Nano Crystal Coat) plus an iris diaphragm with 7 rounded blades, the Nikon AF-S Nikkor 24mm f/1.8G ED has a minimum focus distance of 23cm and a maximum reproduction ratio of 1:5. Compatible with standard 72mm screw-on filters, the lens measures 83.0x77.5mm and weighs in at 355 grams. Supplied with an HB-75 bayonet hood and a CL-1015 lens case, the AF-S Nikkor 24mm f/1.8G ED will go on sale next month, priced at £629.99 / €849 / $749.95.
Tuesday, July 28, 2015
Nikon today announced that the total production of Nikkor and 1 Nikkor lenses for interchangeable-lens cameras has surpassed the 95-million mark. As the 85 millionth interchangeable Nikkor lens was manufactured in January 2014, this means that Nikon produced no less than 10 million interchangeable lenses in a bit more than 1.5 years. Earlier this year Nikon announced the AF-S Nikkor 300mm f/4E PF ED VR – the fixed focal length telephoto lens was the first Nikkor lens that adopted a PF lens element, making it the world's lightest lens in its class (read review). Helping Nikon reach the production milestone were the two new professional super-telephoto lenses; the AF-S Nikkor 500mm f/4E FL ED VR and AF-S Nikkor 600mm f/4E FL ED VR. Also contributing to this achievement was the AF-S DX Nikkor 16-80mm f/2.8-4E ED VR DX-format zoom lens (read review).
Friday, July 17, 2015
Sigma has revealed the suggested retail price and launch date of the full-frame Sigma 24-35mm F2 DG HSM Art lens. Featuring a constant maximum aperture of f/2, the Sigma 24-35mm f/2 DG HSM Art lens has 18 elements in 13 groups and an iris diaphragm with 9 rounded blades. The lens incorporates large-diameter aspherical lens elements, which require advanced technologies to manufacture; one FLD (“F” Low Dispersion) glass and seven SLD (Special Low Dispersion) glass elements, of which two are aspherical lenses. With a minimum focusing distance of 28cm and a maximum magnification ratio of 1:4.4, this lens is suitable for close-up shooting, environmental portraits with an attractive bokeh and deep-focus landscape photography. The Sigma 24-35mm f/2 DG HSM Art lens will become available in late July for £949.99 / $999.00. (In the UK, this launch date is valid for Sigma- and Canon-mount versions of the lens only. The availability of the Nikon variant has yet to be communicated.)
Thursday, July 16, 2015
Panasonic is developing the LEICA DG 100-400mm / F4.0-6.3 telephoto zoom lens. Offering an effective focal range of 200-800mm in 35mm terms, this is the first LEICA DG zoom lens in the lineup. The LEICA DG 100-400mm / F4.0-6.3 will have a splash/dust-proof design, POWER O.I.S. (Optical Image Stabilizer), and excels in size and weight. Details of the product specifications, the date of release and the price of the LEICA DG 100-400mm / F4.0-6.3 are yet to be advised.
Panasonic is developing a LUMIX G 25mm F1.7 single focal length lens. This lens is a 50mm (35 mm camera equivalent) single focal length lens with large diameter. Details of the product specifications, the date of release and the price of the Panasonic LUMIX G 25mm F1.7 are yet to be advised.
Thursday, July 9, 2015
Schneider Kreuznach have released two new leaf shutter lenses for medium-format cameras. The Schneider Kreuznach 35mm LS f3.5 ultra-wide lens has an angle of view of 89° when mounted to a 645 format camera body, making it equivalent to a 22mm lens in a 35mm system. The optical formula comprises 11 elements in 8 groups. The Schneider Kreuznach 120mm LS Macro offers a maximum reproduction ratio of 1:1, allowing users to capture a subject as small as 56x42mm on a standard 645 format camera. This lens is constructed of 9 elements in 8 groups, and offers a minimum focus distance of 37cm / 1.3ft. Both lenses allow photographers to use flash sync speeds up to 1/1600s.
Wednesday, July 8, 2015
Canon today announced the achievement of a new lens-manufacturing milestone with the production of the company’s 110-millionth EF-series interchangeable lens. Over the past 28 years, since the launch of the company’s proprietary EF lenses and EOS SLR cameras in March 1987, Canon has developed a wide range of innovative technologies and world’s firsts, such as the lens-based Ultrasonic Motor (USM), Image Stabiliser (IS) technology, and a multi-layered diffractive optical (DO) element. Recent innovations have seen the EF range extend into new fields, with the launch of the company’s EF Cinema lenses for digital cinematography in January 2012, and EF-M lenses for its compact system camera, the EOS M, in September 2012. More recently, Canon’s EF 11-24mm f/4L USM (pictured) became the world’s widest rectilinear zoom lens for 35mm full-frame cameras.
Responding to customer demand to provide more lenses for mobile phones, Lensbaby have announced a new Creative Mobile Kit featuring the LM-20 and LM-30 lenses, a new magnetic kickstand, an iPhone Mount and an improved iOS app for iPhone 5 and up. The new LM-20 lens is designed for LM-10 shooters that desire a larger sweet spot of focus, surrounded by subtle, gradually increasing blur. Lensbaby's new LM-30 creates images with a sharp centre image surrounded by reflections. Shooters can use the lens to transform interesting details into intriguing, abstract patterns, create a surreal mood or make a unique visual frame within a photo. The included kickstand is great for options such as taking a timed selfie, hands free viewing of photos or videos and propping up the phone on a desktop or airplane. The improved iOS app makes it easy to move the sweet spot of focus in both still and video mode. Photographers can also lock exposure and white balance, adjust sharpness, and more. The Creative Mobile Kit is available for $89.95, while the original LM-10 costs $59.95
Monday, July 6, 2015
Accessories being the lifeblood of the photography business, not to mention essential tools for photographers themselves, UK distributor Intro2020 offers a many and varied selection – covering 26 brands and product lines in all. Here’s part 2 of our round up of their new products for summer 2015…
Thursday, July 2, 2015
The AF-S NIKKOR 600mm f/4E FL ED VR is a new full-frame super telephoto lens for Nikon SLRs. With a weight of "merely" 8.3lb / 3810g (vs. the 11.5lb / 5060g of its predecessor), the lens features two fluorite lens elements and four ED elements, as well as an electromagnetic diaphragm, which helps with maintaining consistent exposure during high-speed burst shooting of fast action. The addition of fluorite lens elements to the optical formula helps reduce chromatic aberration, and plays a key role in the overall weight reduction. Additionally, the new design promises "significantly improved" AF tracking performance. The lens features the latest incarnation of Nikon’s Vibration Reduction technology, with automatic tripod detection to counteract vibrations when mounted on a tripod. For pros shooting fast and erratic moving sports or subjects, using the SPORT VR mode will yield a more stable viewfinder image whether handholding the lens. The AF-S NIKKOR 600mm f/4E FL ED VR will be available in mid-July for the SRP $12,299.95 / £9,649.99 / €12,999.00.
The Nikon AF-S NIKKOR 500mm f/4E FL ED VR is a new super telephoto lens for Nikon SLR cameras with an FX sized sensor. The 'E' designation in the product name denotes an electromagnetic diaphragm which helps maintain consistent exposure during high-speed burst shooting of fast action. The lens weighs in at 6.8lb / 3090g, which may sound heavy - but is actually significantly lighter than the 8.5lb / 3880g of its predecessor. The optical formula of this lens combines two fluorite elements and three Extra Low Dispersion (ED) glass elements to further reduce chromatic aberration while providing superior sharpness and color accuracy. Additionally, the new design is claimed to "significantly improve" AF tracking performance. For enhanced durability, the lens is gasketed against the elements and has a fluorine coating on a front protective meniscus element to make it easier to remove dirt, moisture and smudges. The supplied tripod collar boasts completely new bearings for smoother switching between horizontal and vertical orientation. To make the lens easier to carry, the tripod mount has been repositioned closer to the rear, a change that also enables the included one-piece hood to be easily reversed. The new AF-S NIKKOR 500mm f/4E FL ED VR will be available in mid-July for a suggested retail price of $10,299.95 / £8,149.99 / €10,999.00.
The AF-S DX Nikkor 16-80mm f/2.8-4E ED VR is a stabilised 24-120mm equivalent standard zoom for Nikon cameras with DX sized sensors. The optical formula comprises 17 elements in 13 groups, and features a seven-bladed electro-magnetic diaphragm that creates a nearly circular aperture. The new AF-S DX NIKKOR 16-80mm F/2.8-4E ED VR is the first Nikon DX-format lens to wear the gold “N” emblem to indicate the presence of Nikon’s exclusive Nano Crystal Coat. This advanced optical coating significantly reduces instances of ghosting and flare for the highest quality images, the company says. The front and rear elements also integrate a fluorine coating to make it easier to remove dirt, moisture and smudges from the lens surface. For fast, accurate and quiet AF performance, the 16-80mm also features Nikon’s Silent Wave Motor (SWM) technology. The minimum focus distance lets you get as close as 0.35m. The new Nikon AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR will be available in July for a suggested retail price of $1,069.95 / £869.99 / €1179.00. The lens is supplied with a dedicated HB-75 bayonet hood.
Wednesday, July 1, 2015
Canon have filed a patent that suggests the company may be working on a 35mm full-frame compact system camera. The patent, which was filed on 13 December 2013 and published a few days ago, describes an adapter which would allow Canon EF and EF-S lenses to be mounted on an as-yet-nonexistent full-frame Canon mirrorless camera. Of course, patented solutions do not always end up being implemented in a commercially available product (far from it); but still - this could mean that Canon are considering to launch an FF-CSC to compete with the likes of the Sony A7R II.
Monday, June 29, 2015
Meyer Optik USA has launched a Kickstarter campaign to reintroduce the Trioplan f2.8/100 lens, known for its ‘soap bubble’ bokeh and sharp focus. The Trioplan lens was first manufactured in 1916 in Görlitz, as the brainchild of Hugo Meyer. The new lens will also be hand-made in the same city, at the site of the original Meyer Optik company. The updated Trioplan is manufactured using high-end coated glass made by Schott, features an iris diaphragm of 15 steel blades for a near-circular aperture, and comes in Canon, Nikon, Fuji X, Sony-E, MFT and M42 mounts. The optical construction follows a classic triplet design and the image circle has a diameter of 44mm, making the lens suitable for 35mm full-frame cameras. Backers of the campaign can purchase the lens at an early-bird discount price of $899. Delivery is expected for December.