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Monday, April 30, 2007

GE Cameras Available May 1st

GE Digital CamerasGeneral Electric digital cameras, first announced at PMA back in March, will be available for the first time on the Home SHopping Network (HSN). On May 1 HSN will introduce the GE G1 as “Today’s Special.” “The significance of our partnership with HSN is underscored by the fact that May is National Photo month,” said Rene Buhay, vice president of sales North America for General Imaging. GE cameras are expected to be on store shelves later in May.

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Capture One PRO 3.7.7

Phase OnePhase One have released version 3.7.7 of Capture One PRO, which adds camera support for the Leica DIGILUX 3, Fuji S5, Nikon D40, Pentax K10D, Pentax K100D and Olympus E-400

Website: Capture One PRO 3.7.7 (Windows)

Website: Capture One PRO 3.7.7 (Mac)

Ulead VideoStudio 11

Ulead VideoStudio 11Ulead VideoStudio 11 and Ulead VideoStudio 11 Plus are the newest versions of Corel’s award-winning consumer video editing and DVD authoring software. VideoStudio now includes the industry’s first AVCHD editing solution, whilst the Plus version provides an end-to-end solution for capturing, editing, authoring and burning HD DVD videos. Ulead VideoStudio 11 costs $89.99 USD for the standard version and $129.99 USD for the Plus version.

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Genuine Fractals 5 Now Shipping

Genuine Fractals 5Genuine Fractals 5 and Genuine Fractals Print Pro 5 Photoshop plug-ins are now shipping. Genuine Fractals 5 enables you to enlarge digital images over 1000% with no loss in image quality. “Perfect for any photographer who needs to make sharp large format and poster sized prints as well as graphic designers, this complete overhaul of Genuine Fractals makes it easier than ever to produce prints with no loss of sharpness or details from their digital image files.” said Craig Keudell, president of onOne Software. Pricing for Genuine Fractals 5 is $159.95 for new users and $69.95 for users upgrading from a previous version bought before December 18, 2006.

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Nikon Wildlife Photography Weekend

Nikon Wildlife Photography WeekendNikon has once again teamed up with the London Wetland Centre to offer a special wildlife photography weekend at the London Wetland Centre on Saturday 12th and Sunday 13th May. As part of the weekend’s activities, wildlife photographer Chris Packham will be hosting a talk each day and leading a number of special wildlife walks around the reserve. John McDonald, Nikon’s Solutions Manager, will give a lecture on photography technique on both days to enable you to develop your wildlife photography and learn some useful hits and tips. Throughout the weekend Nikon specialists will be on hand to answer questions and there will also be the opportunity to try out the latest photography and sport optics equipment.

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Digi-Slave Flex-Ring 6400

Digi-Slave Flex-Ring 6400The new Digi-Slave Flex-Ring 6400 is a powerful, versatile LED ring light ideal for macro photography. Equipped with 64 oversized, super-bright white LEDs, 32 in the ring and two flexible arms with 16 each, the Digi-Slave 6400 features a variable power dial to quickly and easily optimize the light output. A larger inner diameter makes the Flex-Ring 6400 perfect no matter the lens size of your digital camera. It can be used as a continuous light source, and can also be triggered from a standard PC or hot-shoe sync. This compact, lightweight Digi-Slave Flex-Ring 6400 ring light is perfect for any kind of close-up photography and takes 4AA batteries or an optional power adapter. Contact SR Inc. at http://www.srelectronics.com for more information.

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Xerox Invents Color Language

XeroxXerox are working on a new “Color Language” that will allow users to adjust colours in a document simply by describing it. Users can type “make the sky a deeper blue” or give a voice command “make the background carnation pink” and the software does the work. “You shouldn’t have to be a color expert to make the sky a deeper blue or add a bit of yellow to a sunset.” said Geoffrey Woolfe, principal scientist in the Xerox Innovation Group. Wolfe found that common words used to distinguish different shades and colors could be mapped to the technical language of color created by engineers.

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Leica M8 Review at The Online Photographer

Leica M8The Online Photographer have reviewed the Leica M8 digital rangefinder camera, which has a 10 megapixel sensor, focal factor of 1.33x and an ISO range of 160-2500.

“To sum up from above, the M8 doesn’t quite make it for me as an M camera. It’s physically similar to the film versions but misses the gestalt, perhaps unavoidably. To me it ends up feeling more like a weird replica of an M than a real one. And it’s a decent but not great digital camera, bettered by average DSLRs in both operability and, to a lesser extent, image quality.”

Website: The Online Photographer - Leica M8 Review - Part 1
Website: The Online Photographer - Leica M8 Review - Part 2

Latest Prices / User Reviews

Adobe Photoshop CS3 Review at PCMag

Adobe Photoshop CS3PCMag have reviewed Adobe Photoshop CS3, a major upgrade offering new innovations in editing power and productivity for designers and photographers.

“Just about anyone who’s serious about using a computer as an art tool has Photoshop, or wishes to have it. This 800-pound graphical gorilla has been tooling up for a refresh for quite some time now, and the early signs were quite good, as my review of the beta showed. With Photoshop CS3, Adobe has delivered on that early promise—and then some.”

Website: PCMag - Adobe Photoshop CS3 Review

FujiFilm S5 Pro Review at TrustedReviews

FujiFilm S5 ProTrustedReviews have reviewed the FujiFilm S5 Pro digital SLR camera.

“So does it work? Does the S5 Pro actually produce better colour and tonal range than an equivalent SLR with a conventional CCD? The short answer is yes, but at a price. I found that in exact comparison shots with the Nikon D40x which I still have, and with my own Sony A100, the S5 produced roughly two stops of extra dynamic range, with enhanced shadow detail and highlights.”

Website: TrustedReviews - FujiFilm S5 Pro Review

Website: Read our FujiFilm S5 Pro Review

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