The Nikon D90 is the world’s first DSLR camera that shoots High Definition video. Replacing the D80 model, the new 12.3 megapixel Nikon D90 can shoot 1280x720 pixel, 720p video at 24fps with mono-sound for up to 5 minutes. Compared to a camcorder, the larger image sensor on the D90 offers higher image quality, a shallower depth of field and better ISO performance in low-light conditions. The D90 also offers advanced features such as Live View, Scene Recognition, Active D-Lighting, Picture Control and an ISO sensitivity range of 100-6400. There’s also a 3-inch LCD screen with 170? viewing angle and 920,000 dots, viewfinder with 96% frame coverage, Live View shooting with new Face Priority mode, and 850 picture battery life. The Nikon D90 will be available in September for £699.99 / €959.00 / $999.95 body only, or £849.99 / €1164.00 / $1,299.95 with the new 18-105mm F/3.5-5.6G ED VR kit lens. Nikon also unveiled the GP-1, a new GPS device that allows you to geo-tag your photos (price and availability to be confirmed). We have exclusive pictures of the D90 in action from yesterday’s UK press launch.
Nikon UK Press Release
NIKON’S NEW D90 TAKES YOU TO THE MOVIES
27th August 2008: Nikon UK today announces another great step forward in its mid-class DX-format D-SLR range: the D90.
As the world’s first D-SLR with movie function, this remarkable camera offers truly cinematic results, stunning image quality and innovative high-performance features inherited from Nikon’s new-generation DX-format flagship D300. The D90 will open new doors for photography enthusiasts of any level.
With 12.3 megapixels, the newly-designed DX-format CMOS image sensor and Nikon’s proprietary EXPEED image processing concept, the D90 is a quality-guarantee. Advanced features such as Live View, Scene Recognition, Active D-Lighting, Picture Control and an ISO sensitivity range of 200-3200 (ISO 6400 equivalent on Hi1 and ISO 100 equivalent on Lo1), allows creativity in almost any setting. And to ensure all these features are easy to use, they are packed in an ergonomic body with an intuitive operational layout.
Toru Uematsu, Senior Manager Product Planning at Nikon Europe B.V says: “The D90’s combines imaging technology inherited directly from our D300 and innovative features like Live View, D-Movie, Scene Recognition and Picture Control - once again confirming Nikon’s leadership in cutting edge imaging technology. Add its innovative, high-performance features such as the CMOS image sensor, and the extremely wide ISO sensitivity range, we are convinced that this new camera will appeal to all passionate photographers looking for the next step in creativity.”
Stunning image quality
The D90’s EXPEED technology has been optimised to realise the high-quality, high-speed image processing capability for which Nikon’s professional D-SLRs are renowned. The D90 delivers images with extraordinary detail and expanded enlargement capacity, thanks to its improved DX-format CMOS image sensor and an effective 12.3 megapixels. The ISO sensitivity ranges from 200-3200 (ISO 6400 equivalent on Hi1 and ISO 100 equivalent on Lo1) providing low-noise images that are rich in detail and offer tonal gradation beyond expectation. It also enhances the performance of other powerful features such as Live View and the new Face Detection System. To address the issue of lost detail in high-contrast lighting situations, Active D-Lighting adjusts the contrast between images’ light and dark areas by localising tone control as an image is captured. And for extra creativity, Picture Control allows you to customise the look and mood of your images by choosing from six settings, including new Portrait and Landscape modes.
A helping hand
First introduced on Nikon’s D3 and D300 flagship cameras, the D90’s Scene Recognition System uses a 420-pixel RGB sensor to analyse scene and colour information of the subject being photographed. Based on these readings, the camera optimises its focus, exposure and white balance just before the shutter is released. The D90 also recognises human faces to render up to five faces with newfound sharpness and accuracy and more natural skin tones in your images. In the camera’s 11-point AutoFocus mode, it uses the subject’s colour information to maintain a sharp focus as the subject moves in the frame.
Once you’ve got the composition you want, the D90 incorporates image-editing functions that make it easy to enhance images within the camera. There are several new retouch options: ‘Distortion Control’ adjusts lens aberration, ‘Straighten’ corrects the inclination of the image, whilst ‘Fisheye’ produces optical effects similar to that of a fisheye lens. There are also ample options for viewing and selecting the right shot, including 72-frame playback, calendar playback and histogram display for a magnified portion of the image.
Live and living
The D90 is the first mid-class D-SLR to offer a movie function, allowing you to capture creative movie clips in motion JPEG at superb quality levels. Compared to the average camcorder, the far larger image sensor on the D90 offers higher image quality, a shallow depth of field and exceptional ISO performance while recording in low-light conditions. NIKKOR’s wide range of lenses offers great variety from fisheye to wide-angle to super-telephoto, adding more scope for creativity and emotional impact to your movies. Movies can even be played on the camera with sound, thanks to its uniquely powerful speaker / microphone system.
The D90 has been designed with an eye-level pentaprism viewfinder, offering some 96% frame coverage. However, when looking through the viewfinder isn’t practical, simply press the D90’s Live View button and the 3-inch LCD with 170? viewing angle and approx. 920k-dot LCD support your Live View shooting with three contrast-detect AF modes: Face Priority, Wide Area and Normal Area. When you’re not sure which camera settings are appropriate, try the advanced scene modes like Active D-Lighting and Picture Control for beautiful, crisp images every time.
Get every shot
There are few things more annoying than a flat battery as you’re about to capture that winning shot, so Nikon has made the D90’s extremely efficient, allowing you to capture approximately 850 images on a single charge of the camera’s battery. Accurate exposures rely on precise shutter release, so the D90’s electronically timed shutter mechanism has been specifically engineered for long, accurate service and has undergone exhaustive 100,000 shutter-release cycle testing. For ever-ready shooting, the impressive 0.15-seconds start-up time, 65-millisecond shutter release time and its 4.5 fps means you won’t lose that crucial shot. And with a thumbnail display of up to 72 images, Pictmotion slideshows with soundtrack, the option of image tagging through geotags with GPS, instant online upload to ‘my Picturetown’ and HDMI-compatibility, sharing and organising your images has never been easier.
D90 body only: £699.99 / €959.00
D90 + 18-105mm F/3.5-5.6G ED VR: £849.99 / €1164.00
Sales start date: September 2008
Digital SLR Camera Nikon D90
Nikon D90 Feature Highlights
Newly designed Nikon DX-format CMOS image sensor with wide ISO sensitivity range
The D90’s 12.3 effective megapixels provides outstanding resolution, delivering images with extraordinarily defined detail. The extremely wide sensitivity range of ISO 200 to 3200 delivers incredibly low-noise throughout which can be increased to Hi 1 (ISO 6400 equivalent) and decreased to Lo 1 (ISO 100 equivalent) to expand shooting versatility. The camera also employs an Image Sensor Cleaning function that works to free image-degrading dust particles from the sensor’s optical low-pass filter.
EXPEED for smooth tones, rich colours and fine details
Nikon’s comprehensive digital image-processing EXPEED technology is optimised for the D90 to realise the high-quality, high-speed image processing capability EXPEED also contributes to the outstanding performance of other powerful features such as Live View and the new Face Detection System.
D-Movie: the world’s first D-SLR movie mode
In a world first for D-SLRs, the D90 offers a movie function, allowing you to shoot HD720p (1,280 x 720 pixels), 640 x 424 pixels or 320 x 216 pixels movies at the professional smoothness of 24 frames per second in motion JPEG format. The D90’s sensor, which is much larger than the sensor of a typical camcorder, ensures higher image quality and exceptional low-noise, high ISO sensitivity performance, even during movie shooting. Capturing creative movie clips or the drama of life’s moving moments is further enhanced by the wide selection of incredibly sharp NIKKOR interchangeable lenses that are available, from fisheye to wide-angle to super-telephoto. And Micro NIKKOR lenses bring the magic of extreme close-up imagery to movie making.
Scene Recognition System integrated with Face Detection System
The D90 precisely reads the colours and brightness information of each scene from the 420-pixel RGB sensor, and applies this to auto focus, auto exposure and auto white balance. The D90 also recognises human faces using the new Face Detection System, data which is incorporated during calculation, resulting in faces with newfound definition and accuracy as well as enabling face priority AF in Live View mode and immediate zoom into people’s faces in playback zoom.
Easy-to-use Live View mode
One press of the Live View button activates the D90’s Live View mode, delivering a bright, crisp image to the 3-in., approx. 920k-dot colour LCD and allowing comfortable shooting without looking through the viewfinder. There are three contrast-detect AF modes that let you focus on any point in the frame: Face priority AF automatically detects up to five faces and focuses on that calculated to be the closest. Wide area AF offers a large AF area suitable for handheld shooting, and normal area AF provides focus with pinpoint accuracy when using a tripod. And when Nikon VR image stabilisation lenses are in use, photographers will enjoy the benefit of a VR-smoothed image, even in Live View mode.
Picture Control System: Customize the visual style of your images
Nikon’s Picture Control System enables users to customise the look and mood of images. Six original setting options are available — Standard, Neutral, Vivid, Monochrome, Portrait and Landscape — for easy customisation of image preferences.
Active D-Lighting for smooth tone reproduction in high-contrast lighting
The D90’s Active D-Lighting accurately restores details in the shadows and highlighted areas, which are often lost in high-contrast lighting situations, by localizing tone control while shooting. There are four levels, including the new “Extra High.” Active D-Lighting can be used manually or set to Auto mode. It is also possible to bracket your pictures, allowing the capture of one image with Active D-Lighting and one without.
Versatile, practical 11-point AF system
Thanks to the Multi-CAM 1000 autofocus module, the D90’s 11-point AF system offers fast and precise autofocus coverage across the frame with the most sensitive AF sensor operating from the centre. In addition, the D90 features versatile AF-area modes to handle most shooting situations: Single-point AF is recommended for stationary subjects, dynamic-area AF for moving subjects, auto-area AF for spontaneous shooting and 3D-tracking (11 points) AF for when you want to change the composition after focusing on your subject.
Bright pentaprism viewfinder featuring frame coverage of approx. 96%
The D90 has a precise eye-level pentaprism viewfinder with approximately 96% (centered) frame coverage and an easy-to-view 19.5 mm eyepoint (at -1.0 m-1). The built-in 16-frame superimposed grid display can be activated to assist in the creation of better-balanced compositions.
Advanced Scene Modes for superior image quality
The D90 features Advanced Scene Modes: Portrait, Landscape, Close-up, Sports and Night Portrait. These modes not only adjust exposure and image processing, but also judge the optimum Active D-Lighting and Picture Control settings to obtain the best results. The D90 also recognises if VR (Vibration Reduction) is on or off and minimises noise even in dimly lit scenes.
Extensive palette of in-camera Retouch Menus
The D90’s designers incorporated a wide variety of image editing functions, making it easy for users to enhance images within the camera. The D90 introduces several new retouch options: Distortion Control adjusts lens aberration, Straighten corrects inclination of the image, while Fisheye produces optical effects similar to a fisheye lens.
Engineered for precision and durability
Accurate exposures rely on precise shutters and the D90’s electronically timed shutter mechanism was specifically engineered for long, accurate service. To ensure this, D90 shutters, assembled in D90 bodies, underwent exhaustive 100,000 shutter-release cycle testing.
- Gives you quick response, with 0.15-second start-up, 65 ms shutter release time lag and 4.5 fps continuous shooting.
- 3-in., approx. 920-k dot high-resolution LCD monitor with wide viewing angle that lets you change composition of the frame during shooting from various angles and easily confirm your image during playback.
- Built-in flash with 18mm lens coverage, Guide Number of approx. 18/59 (ISO 200, m/ft., 20°C/68°F) and Nikon’s original i-TTL flash control; works as a commander; controlling up to two groups of remote Speedlights.
- Highly efficient energy-saving design allows approx. 850 images on a single charge of the Rechargeable Li-ion Battery EN-EL3e. (CIPA standard, with AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR, with 50% of pictures taken with flash)
- Extensive playback functions offer ample options for viewing and selecting the right shot, including 72-frame playback, calendar playback and histogram display for magnified portion of the image.
- Versatile Pictmotion menu creates slideshows combining five choices of both background music and image effects.
- Compatible with HDMI (High-Definition Multimedia Interface) output.
- Supports the Nikon Creative Lighting System when using the SB-900, SB-800, SB-600 Speedlight, or Wireless Close-up Speedlight System R1C1; ensures accurate exposures via i-TTL flash control.
- Multi-Power Battery Pack MB-D80 (Optional, in common with the D80) gives you the choice of using one or two Rechargeable Li-ion Batteries EN-EL3e or six R6/AA-size batteries to extend battery life.
- New optional Remote Cord MC-DC2 enables shutter release and long time exposures (bulb) remotely.
- With the new optional GPS Unit GP-1, location information such as latitude, longitude, altitude and time is automatically recorded to each image’s EXIF data.
- Included Nikon ViewNX image browsing and editing software lets you organize, label and select images as well as perform RAW image editing adjustments and conversions.
- Optional Capture NX 2 photo-editing software features patented U-Point® technology and powerful tools for quick and easy photo editing including enhanced RAW (NEF) Editing
Type Single-lens reflex digital camera
Lens mount Nikon F mount (with AF coupling and AF contacts)
Effective picture angle Approx. 1.5 x lens focal length (Nikon DX format)
Effective pixels 12.3 million
Image sensor 23.6 x 15.8 mm CMOS sensor
Total pixels 12.9 million
Dust-reduction system Image Sensor Cleaning, Image Dust Off reference data (optional Capture NX 2 required)
Image size (pixels) 4,288 x 2,848 [L], 3,216 x 2,136 [M], 2,144 x 1,424 [S]
File format • NEF (RAW)
• JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression
• NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Picture Control System Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; storage for up to nine custom Picture Controls
Media SD memory cards, SDHC compliant
File system DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif 2.21 (Exchangeable Image File Format for Digital Still Cameras), PictBridge
Viewfinder Eye-level pentaprism single-lens reflex viewfinder
Frame coverage Approx. 96% horizontal and 96% vertical
Magnification Approx. 0.94 x (50mm f/1.4 lens at infinity; -1.0 m-1)
Eyepoint 19.5 mm (-1.0 m-1)
Diopter adjustment -2 to +1 m-1
Focusing screen Type B BriteView Clear Matte screen Mark II with focus frame (framing grid can be displayed)
Reflex mirror Quick-return type
Depth-of-field preview When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (other modes)
Lens aperture Instant return, electronically controlled
Compatible lenses • DX AF Nikkor: All functions supported
• Type G or D AF Nikkor: All functions supported (PC Micro-Nikkor does not support some functions). IX-Nikkor lenses not supported.
• Other AF Nikkor: All functions supported except 3D colour matrix metering II. Lenses for F3AF not supported.
• AI-P Nikkor: All functions supported except 3D colour matrix metering II and auto focus.
• Non-CPU: Autofocus not supported. Can be used in exposure mode M, but exposure meter does not function. Electronic rangefinder can be used if lens has a maximum aperture of f/5.6 or faster.
Type Electronically controlled vertical-travel focal-plane shutter
Speed 1/4,000 to 30 s in steps of 1/3 or 1/2 EV, Bulb
Flash sync speed X = 1/200 s; synchronizes with shutter at 1/200?s or slower
Release modes Single-frame, continuous low speed, continuous high speed, self-timer, delayed remote, quick-response
Frame advance rate Continuous high speed: up to 4.5 fps, continuous low speed: 1-4 fps
Self-timer Can be selected from 2, 5, 10 and 20 s duration
Metering TTL exposure metering using 420-pixel RGB sensor
Metering method • Matrix: 3D colour matrix metering II (type G and D lenses); colour matrix metering II (other CPU lenses)
• Center-weighted: Weight of 75% given to 6-, 8-, or 10-mm circle in center of frame
• Spot: Meters 3.5-mm circle (about 2% of frame) centered on selected focus point
Range (ISO 100 equivalent, f/1.4 lens, 20°C/68°F)
• Matrix or center-weighted metering: 0-20 EV
• Spot metering: 2-20 EV
Exposure meter coupling CPU
Exposure modes Auto modes (auto, auto [flash off]), Advanced Scene Modes (Portrait, Landscape, Sports, Close-up, Night Portrait), programmed auto with flexible program (P), shutter-priority auto (S), aperture-priority auto (A), manual (M)
Exposure compensation ±5 EV in increments of 1/3 or 1/2 EV
Exposure bracketing 2 or 3 frames in steps of 1/3, 1/2, 2/3, 1 or 2 EV
Exposure lock Luminosity locked at detected value with AE-L/AF-L button
ISO sensitivity (Recommended Exposure Index)
ISO 200 to 3200 in steps of 1/3 EV, can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 100 equivalent) below ISO 200, or to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 6400 equivalent) over ISO 3200, ISO sensitivity auto control available
Active D-Lighting Can be selected from Auto, Extra high, High, Normal, Low or off
Active D-Lighting bracketing 2 frames
Autofocus Nikon Multi-CAM 1000 autofocus module with TTL phase detection, 11 focus points (including 1 cross-type sensor) and AF-assist illuminator (range approx. 0.5-3 m/1 ft. 8 in.-9 ft.10 in.)
Detection range -1 to +19 EV (ISO 100 equivalent, 20°C /68°F)
Lens servo • Autofocus: Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status (AF-A)
• Manual (M): Electronic rangefinder supported
Focus point Can be selected from 11 focus points
AF-area modes Single-point AF, dynamic-area AF, auto-area AF, 3D-tracking (11 points) AF
Focus lock Focus can be locked by pressing shutter-release button halfway (Single-servo AF) or by pressing AE-L/AF-L button
Built-in flash Auto, Portrait, Close-up, Night Portrait modes: Auto flash with auto pop-up
P, S, A, M: Manual pop-up with button release
Guide number (m/ft.) at 20°C/68°F
• At ISO 200: Approx. 17/56, 18/59 with manual flash
• At ISO 100 equivalent: Approx. 12/39, 13/43 with manual flash
Flash control • TTL: i-TTL balanced fill-flash and standard i-TTL flash for digital SLR using 420-pixel RGB sensor are available with built-in flash, SB-900, SB-800, SB-600 or SB-400
• Auto aperture: Available with SB-900, SB-800 and CPU lenses
• Non-TTL auto: Supported flash units include SB-900, SB-800, SB-28, SB-27 or SB-22s
• Range-priority manual: Available with SB-900 and SB-800
Flash modes Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync
Flash compensation -3 to +1 EV in increments of 1/3, or 1/2 EV
Flash bracketing 2 or 3 frames in steps of 1/3, 1/2, 2/3, 1 or 2 EV
Flash-ready indicator Lights when built-in flash or SB-900, SB-800, SB-600, SB-400, SB-80DX, SB-28DX, or SB-50DX is fully charged; blinks for 3 s after flash is fired at full output in i-TTL or auto aperture modes
Accessory shoe Standard ISO 518 hot-shoe contact with safety lock
Nikon Creative Lighting System (CLS)
Advanced Wireless Lighting supported with built-in flash, SB-900, SB-800, or SU-800 as commander and SB-900, SB-800, SB-600 or SB-R200 as remotes;
Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Colour Information Communication and FV lock supported with all CLS-compatible flash units
White balance Auto (TTL white-balance with main image sensor and 420-pixel RGB sensor); 12 manual modes with fine-tuning; colour temperature setting; preset manual white balance
White balance bracketing 2 or 3 frames in steps of 1, 2 or 3
AF modes Face priority AF, wide area AF, normal area AF
Focus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face priority AF is selected)
Image size (pixels) 1,280 x 720/24 fps, 640 x 424/24 fps, 320 x 216/24 fps
File format AVI
Compression format Motion-JPEG, with monaural sound
LCD monitor 3-in., approx. 920k-dot (VGA), low-temperature polysilicon TFT LCD with 170° viewing angle, approx. 100% frame coverage, and brightness adjustment
Playback function Full-frame and thumbnail (4, 9 or 72 images or calendar) playback with playback zoom, movie playback Pictmotion, slide show, histogram display, highlights, auto image rotation, and image comment (up to 36 characters)
USB Hi-Speed USB
Audio video output Can be selected from NTSC and PAL; simultaneous playback from both the audio video output and on the LCD monitor available
HDMI output Type C HDMI connector; camera monitor turns off when HDMI cable is connected
Accessory terminal • Remote Cord MC-DC2 (Optional)
• GPS Unit GP-1 (Optional)
Supported languages Chinese (Simplified and Traditional), Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Spanish, Swedish
Battery One Rechargeable Li-ion Battery EN-EL3e
Battery pack Multi-Power Battery Pack MB-D80 (optional) with one or two Rechargeable Li-ion Battery EN-EL3e or six R6/AA-size alkaline, Ni-MH, lithium or nickel-manganese batteries (Battery Holder MS-D200 is required when using R6/AA-size batteries.)
AC adapter AC Adapter EH-5a (optional)
Tripod socket 1/4 in. (ISO 1222)
Dimensions (W x H x D) Approx. 132 x 103 x 77 mm/5.2 x 4.1 x 3.0 in.
Weight Approx. 620 g/ 1 lb. 6 oz. without battery, memory card, body cap or monitor cover
Humidity Less than 85% (no condensation)
Supplied accessories (may differ by country or area)
Rechargeable Li-ion Battery EN-EL3e, Quick Charger MH-18a, Eyepiece Cap DK-5, Rubber Eyecup DK-21, USB Cable UC-E4, Audio Video Cable EG-D2, Camera Strap AN-DC1, LCD Monitor Cover BM-10, Body Cap, Accessory Shoe Cover BS-1, Software Suite CD-ROM
• PictBridge is a trademark. • HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. • Products and brand names are trademarks or registered trademarks of their respective companies.
Wednesday, August 27, 2008
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. I wish they cut out the gimmickery out of serious cameras - keep that for the Coolpix - rathr a deliver high speck DSLR at a lower price (which they cout the video and sound recording nonesense.
If I wanted to shot in Video I buy a video camera, but I am still photographer so I buy a DSLR. How difficuilt is that to comprehend.
Foxfire at 03:37pm on Wednesday, August 27, 2008
I think you are missing the point Foxfire.
It's not so much as a DSLR taking movies but the fact you will be able to take such high quality short movie clips using a plethora of wonderful lenses.
This opens up the DSLR's into being a very creative movie tool.
Imagine using a 180 degree lens on a street shot and then using this same lens for video...... or the same lens on a hill top with an object travelling from one end to the other.
It's limit in use is only as far as the camera owners imagination.
Mike Paterson at 07:21am on Thursday, August 28, 2008
well, it's amazing how often we will begin to notice the "Convenienvce" of SHOOTING-VIDEO above that archaic 2MP limtation of most-all video cams...& to do that with a much-much-better lens... but without carrying any more bulky-gear
Ron at 09:27am on Friday, August 29, 2008
I'm with Foxfire here. I still wonder why all phones need to include a stupid camera that is so useless that only contributes to increasing price.
Ron... what monitor will you be using to display over that "archaic" 2MP limitation videos? I wonder if you have an 8Mpx TV set at home =) Did you check what's the maximum resolution of current HD Tv Sets?
at Mike,... 180degree lens... you sure mean fisheye? there are fisheyes for camcorders, you don't need to wait for Nikon to release this camera! how long does it last on batteries recording video?
Just like a phone camera is limited for photography, a photography camera will be rather limited for video recording I'm afraid.
I buy what I need at 03:48am on Saturday, August 30, 2008
Convergence is almost upon us!
DSLRCAMCORDER will be a full-fledged thing soon enough.
Krumpet at 05:43am on Saturday, August 30, 2008
@Foxfire and I buy what I need;
If you don't like a feature that a camera has, DON'T USE IT. Better yet, don't buy the camera. If you are concernded about price, take note, the Nikon D80 was released at the same price as the D90 ($999 body only) Only difference is that the D90 is a lot more camera and it can shoot HD video. I'm sorry but, your argument is moot.
sab0900 at 01:43pm on Tuesday, September 02, 2008
Since my first post [Post number 2] I've had conversations with a few of my friends in the professional photography business on Movie Mode using DSLR cameras.
We all agree that having the mode finally on the DSLR is positive move.
Again it's not so much as taking a standard movie which makes this a positive point but in what professional equipment that is available for this format of camera and the creativeness of the shooting.
Yes, the camcorder does have add-on items but these are only a fraction of quality that a professional lens can achieve.
With this type of camera and quality equipment you should be able to shoot some very interesting footage [again not standard movie footage i.e. home movies].
Above, in Post 2 as an example I did mention lens with an ultra-wide field of view and this was challenged by poster "I buy what I need".
The difference here though is the quality of the two formats and what can be achieved by the professional version for the DSLR.
Remember, there's more to a lens than just it's field of view.
I have a small collection of lens from close up, to fixed, wide and ultra-zoom.
Add to these with my additional accessories and it makes the DSLR Movie Mode an instrument of inventiveness.
Mike Paterson at 11:04pm on Tuesday, September 02, 2008
agree with sab0900.
1. If you don't like it, then don't use it. No one's telling you that having a movie mode in your DSLR means you MUST take video as well.
2. It is still to be seen whether this movie mode actually makes the D90 a "less than 100%"-performing camera (or at least I haven't stumbled upon any analysis on the web), but from what's written in the D90 specs, I say it is already a great offering of a camera to have - with or without video.
A discussion with my photographer/movie-maker friend yields these findings:
1. 5 minutes is long enough for creative movie-making purposes. Of course you won't get an hour long clip of your dog wiggling its tail, but not all of us are as talented as you are...
2. With video, auto focus may not always be your best friend - a misfocusing camcorder can be just as bad as a misfocused photo. Learning to focus properly with video can be very beneficial for self-development
3. the different lenses available to use: the possibilities are, dare I say, limitless.
Nikon D90? US$999. But the creativity you can get by having a movie mode in it? priceless.
billybee at 06:43am on Wednesday, September 03, 2008
I'm with the first poster: come on Nikon, release a serious DSLR at a lower price and cut out the gimmicks.
And once again, the prices are unfair. At present exchange rates, buyers in the USA are getting it for £650, against £700 in the UK and £800 in Europe! WHY? Why should Europe subsidise the USA?
jeffp at 11:46am on Saturday, November 15, 2008
Just imagine to use nikon telephoto zoom lenses and make nice HD videos from of your neighbor through his sleeping room window.... yeah, the D90 video feature is pretty cool ;-)
interarte.org at 11:12pm on Monday, December 15, 2008
Well Im sure even top end SLRs will be offering video
You cant stop progress.......
Some fold here are going to be mighty upset when you can make a phone call from your SLR :)
Barry at 01:12pm on Friday, December 19, 2008
Have just come onto this blog page cos having been doing some research into the D90. I am totally and utterly amateur, but from what I can gather this camera is not for people who are interested in just still photography so why go on about it - they obviously need the model one step up. But for me it seems to be the perfect model. Alot of my shots tend to be water based so I have a waterproof video camera plus a sports GoPro and I was using an old Fujipix for 'dry' shots, but now need something where I can get some really good shore based shots of action on the water - the fact it has a video mode is a bonus for me cos the video camera I have is too grainy when I give it more than half the zoom. The video side is really an extra and I would still have gone for this camera if it did not have it, but the fact it is there I am sure there will be many times when I will be happy I have it and also saves carting around extra cameras.
Bunty at 12:11pm on Friday, May 08, 2009
I bought d 90. how?
dody dwi setiadi at 05:51am on Saturday, July 24, 2010