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New Sports Photography Workshop

Zoltan Arva-Toth | Events | March 10, 2011 | 2 Comments
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World class Sports Illustrated photographer Peter Read Miller has announced he will conduct his annual Sports Photography Workshop in Denver, Colorado from 4-10 April 2011. In addition to receiving expert tutelage from Miller, attendees will also receive additional instruction from other industry notables including Steve Fine, Director of Photography at Sports Illustrated, Grant Leighton, advertising / portrait photographer and instructor at the University of Colorado, photographer / videographer Max Morse, and Shawn Cullen, lighting technician at Sports Illustrated. Tuition for the workshop is $1,495 and includes all instruction, one-on-one portfolio review with Peter Read Miller, and all model / location fees.

Press Release

WORLD CLASS SPORTS ILLUSTRATED PHOTOGRAPHER PETER READ MILLER TO CONDUCT ANNUAL SPORTS PHOTOGRAPHY WORKSHOP IN DENVER, APRIL 4-10

Students Learn Techniques for Shooting Sports, Lighting Athletes and Applying Both to Live Sporting Events during Weeklong Workshop

Los Angeles, CA – March 8, 2011—World Class Sports Illustrated Photographer Peter Read Miller has announced he will conduct his annual Sports Photography Workshop in Denver, Colorado on April 4-10, 2011.  The workshop, now in its 7th year and limited to only 25 attendees, will provide a personal and hands-on approach to teaching a variety of shooting and lighting techniques that have helped Miller’s photos grace more than 100 Sport Illustrated covers.  Workshop participants will have an opportunity to apply their new skills to live sporting events throughout the weeklong workshop.  Photographers interested in learning more about the workshop or registering to attend can visit Peter Read Miller Sports Photography Workshop.

In addition to receiving expert tutelage from Miller, attendees will also receive additional instruction from other industry notables including Steve Fine, Director of Photography at Sports Illustrated, Grant Leighton, advertising / portrait photographer and instructor at U. of Colorado (Denver), photographer / videographer Max Morse, and Shawn Cullen, lighting technician at Sports Illustrated.

Learning to take better “action” photographs is only one aspect of the workshop.  Attendees will also learn how to properly light subjects using strobes—in the studio and on location—arena lighting and how to set up and use remote cameras.

“It’s very rewarding for me to see the quality of work students are producing toward the end of the workshop and their enthusiasm and passion for photography makes the entire experience both educational and a lot of fun,” explains Peter Read Miller.  “Everyone leaves the workshop a better sports photographer and some have gone on to find work with professional sports teams, Getty Images and other newswires.”

Tuition for the workshop is $1,495 and includes all instruction, one-on-one portfolio review with Peter Read Miller, and all model / location fees.  Workshop attendees are responsible for their own travel arrangements including air and hotel.  Special hotel rates have been made with the Marriott in Denver.



 

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#1 Digital cameras are good for the environment

We can take a lot more pictures at much lower cost with digital cameras versus film cameras. We can also more easily manipulate and share those photos since they're all in the digital realm. . Any time you take your pictures to a photo processing center, that film is run through batches ofchemicals. These chemicals are environmental hazards, and once they are used to process film, those chemicals must be discarded. These chemicals include both developersolutionsand fixer solutions.digital camerause is having a positiveenvironmental impact. With digital photography, we no longer need to use all of those chemical solutions for developing photographs. As far as the inkjet ink chemistry goes there are solvents in those inks and those solvents should not be touched in their liquid form because they will absorbed through the skin and are probably carcinogenic. But once they dry, they're fairly safe to handle.
Regardless of the inkjet ink chemicals, the net effect of digital photography is undoubtedly positive from an environmental standpoint.
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1:17 pm - Thursday, March 10, 2011

#2 John

This guy has got some pretty good sports photographs if your interested

http://timclayton.photoshelter.com/gallery-list

10:45 pm - Tuesday, April 12, 2011

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