Nikon D300S vs D7100 - Key Differences
In some markets, Nikon is touting the recently announced Nikon D7100 as its new flagship DX camera. Therefore - having compared the D7100’s specifications to those of its most obvious forebear the D7000 - we were curious to find out how it stacked up against Nikon’s last truly pro-oriented DX model, the venerable Nikon D300S (read review). The two cameras share a number of components - such as a 0.94x pentaprism viewfinder with 100% frame coverage, a shutter unit capable of a maximum shutter speed of 1/8000s and rated for 150,000 actuations, a weather sealed construction and an auto focus module with 51 focus points - and a legion of features; but there are some rather significant differences too. The Nikon D7100 comes with a 24-megapixel sensor that does away with the low-pass filter, a new LCD screen, a newly developed OLED display inside the viewfinder, an updated AF system whose centre point can be used with lens-teleconverter combinations as slow as f/8, a so-called “1.3x crop mode,” a 2016-pixel RGB metering sensor, and Full HD video with a number of frame rate options. At the same time the D7100 makes do with a much smaller raw buffer, slower continuous shooting speed and less robustly built body, and lacks the dedicated AF-ON button and PC sync terminal of the D300S. In addition, it uses a different battery and charger and is incompatible with the D300S’s optional MB-10 portrait grip. Upgrading from a Nikon D300S to a D7100 thus involves a number of compromises in addition to the obvious benefits.
In order to help you get a clearer picture of how they compare to each other specifications-wise, we have compiled a handy little table summarising the key differences between the two models, based on information available to us at the time of writing.
| Key Differences | Nikon D300S | Nikon D7100 |
| Sensor | 12-megapixel CMOS With AA filter |
24-megapixel CMOS Without AA filter |
| Image processor | Expeed | Expeed 3 |
| Native sensitivity range | ISO200/24° to ISO3200/36° | ISO100/21° to ISO6400/39° |
| AF points usable through f/8 | 0 | 1 |
| AF sensitivity range | -1EV to +19 EV | -2EV to +19EV |
| “1.3x” crop mode available? | No | Yes |
| Exposure bracketing | 2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV | 2 to 5 frames in steps of 1/3, 1/2, 2/3, 1, 2, or 3 EV |
| Continuous shooting speed (JPEG or 12-bit raw) |
7fps 8fps with MB-D10 grip |
6fps at full resolution 7fps in “1.3x” crop mode |
| Continuous shooting speed (14-bit raw) |
2.5fps | 6fps |
| Buffer size (14-bit raw, lossless compression) |
30 | 6 (8 in “1.3x” crop mode) |
| Metering sensor | 1,005-pixel RGB | 2016-pixel RGB |
| In-finder status display | LCD | OLED |
| Rear display | 3”, 921k-dots | 3.2”, 1,229k-dots |
| Wi-Fi connectivity | Via Eye-Fi cards | Via Eye-Fi cards or WU-1a Wi-Fi adapter |
| Movie | HD 1280x720 / 24fps VGA 640x424 / 24fps QVGA 320x216 / 24fps |
Full HD 1,920x1,080 / 60i Full HD 1,920x1,080 / 50i Full HD 1,920x1,080 / 30fps Full HD 1,920x1,080 / 25fps Full HD 1,920x1,080 / 24fps HD 1,280x720 / 60 fps HD 1,280x720 / 50 fps |
| Built-in microphone | Mono | Stereo |
| In-camera HDR exposure blending? | No | Yes |
| “Spot White Balance” in Live View? | No | Yes |
| Mode dial | No | Yes |
| Dedicated AF-ON button | Yes | No |
| PC sync terminal | Yes | No |
| Top-mounted ISO/WB/QUAL button cluster | Yes | No |
| Memory card slots | 1x SD 1x CF |
2x SD |
| Connection ports | 10-pin Terminal HDMI USB Stereo microphone input NTSC PAL |
Remote/GPS terminal HDMI USB Stereo microphone input WR-1/WR-R10 terminal |
| Battery | EN-EL3e | EN-EL15 |
| Bundled charger | MH-18a | MH-25 |
| Optional battery grip | MB-D10 | MB-D15 |
| Main magnesium alloy parts | Entire chassis (practically) | Top and rear plates |
| Weight | 840g | 675g |
| Dimensions | Width: 5.8 in. (147mm) Height: 4.5 in. (114mm) Depth: 2.9 in. (74mm) |
Width: 5.3 in. (135.5mm) Height: 4.2 in. (106.5mm) Depth: 3.0 in. (76mm) |
Do note that the table highlights the key differences only - there’s a number of interface changes as well, from the omission of the D300S’s physical AF area mode selector and metering mode selector to the inclusion of a D4-style live view mode switch and top-mounted movie record button as well as a completely new customisable “i” button on the rear plate; making the transition somewhat difficult for current D300S users.
NB: The image showing the two cameras side by side is not to scale.
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