Review Roundup
Reviews of the Fujifilm X-E1 from around the web.
Fuji has been on fire with its mirrorless cameras. Starting with the ground-breaking X100, and carrying through to the unique X-Pro1, Fuji has been pushing the bar in compact, rangefinder-style devices. Now, with the release of the X-E1, the company is aiming to bring their line to a broader, more main-stream audience. I recently had a chance to spend a couple of days with a production-level sample.
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I’ve been watching the mirrorless market evolve from its beginning. Small and light cameras have become a top priority for me in the last few years, and it was one of the original reasons I switched from a Canon 5D (the first one) to a Leica M8 back in 2007. I’m a woman who never carries a purse and who hates lugging around a camera bag, so if it doesn’t easily sling over my shoulder and fit in my pocket, it doesn’t come with me. I have always been a fan of what Olympus has been doing, but have also been watching Fuji closely.
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When Fujifilm announced the new X-E1 camera I couldn’t help wonder where it sat in relation to the fantastic X-Pro1 that I had now grown to know and love. The X-E1 features all the power of the X-Pro1 but in a streamlined, reduced specification package and at its current price point is going to have a lot of photographers particularly excited.
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The Fuji X-E1 is the second Fuji SLD and it aims directly at the high-end market with its unique 16 megapixels X-Trans CMOS sensor and very mechanical retro design. It uses an 1.5X crop sensor with a 3:2 aspect ratio, just like the majority of DSLRs, except that forgoes an anti-alias filter thanks to its unique color-filter-array which is not prone to Moire artifacts.
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