Samyang 24mm f/1.4 ED AS UMC Review
Sharpness
The sharpness tests for this review were carried out using a real-world subject rather than a test chart. The Samyang 24mm f/1.4 ED AS UMC lens was attached to a Canon 5D Mark III body, which in turn was mounted on a sturdy tripod. Self-timer mode was activated. Slight tonal changes are due to slight changes in natural light during the session.
The full frame at 24mm
Both center and edge sharpness are outstanding between f/2 and f/11, with some softness evident wide open at f/1.4. At f/16 and f/22 sharpness is beginning to drop off a little.
| Aperture | Centre Crop | Edge Crop |
| f/1.4 |
![]() |
![]() |
| f/2 |
![]() |
![]() |
| f/2.8 |
![]() |
![]() |
| f/4 |
![]() |
![]() |
| f/5.6 |
![]() |
![]() |
| f/8 |
![]() |
![]() |
| f/11 |
![]() |
![]() |
| f/16 |
![]() |
![]() |
| f/22 |
![]() |
![]() |
Share this review
Entry Tags
wide-angle, lens, 24mm, landscape, prime, f2.8, wide angle, journalism, journalists, photojournalist, architecture, ultra-wide, ultrawide, 24 mm, samyang, manual focus, mf, Samyang 24mm f1.4 ED AS UMC Review




Canon PowerShot SX500 IS
Panasonic Lumix DMC-TZ40
Samsung NX1000
Canon PowerShot SX50 HS
Fujifilm X20
Canon EOS 700D Review
Ricoh GR Review
Panasonic Lumix DMC-LF1 Review
Nikon Coolpix S3500 Review
Sony NEX-3N Review

















