Sony A550 Review

August 20, 2010 | Mark Goldstein | Rating star Rating star Rating star Rating star Half rating star

Introduction

The Sony A550 is a mid-range 14.2 megapixel DSLR camera offering enhanced Live View, Auto HDR functionality and high-speed continuous shooting capabilities. Slotting in above the A3- series cameras and below the A700, the Sony Alpha A550 employs a new Exmor CMOS sensor for better low-light images with an increased ISO range of 200-12800. The A550 offers 7fps continuous shooting when using the optical viewfinder or 4fps in Live View mode using the 3 inch tilting LCD screen, while the new Auto HDR mode promises to capture a huge range of shadow and highlight detail in landscapes, interiors and other scenes. The Quick AF Live View of the A3x0 series has been carried over, and is joined by a new Manual Focus Check Live View mode which assists with fine-tuning your composition and focus. A 9-point AF Sensor with eye-start auto-focus, SteadyShot anti-shake system, built-in dust reduction, face detection, smile shutter, a pop-up flash and up to 950 shot battery life complete the A550's headline specs. The Sony A550 costs £689 / €849 / $950.

Ease of Use

The Sony A550 is the highest model in the A5- series of Sony DSLR cameras, with the cheaper 12 megapixel A500 sitting below it, which offers slower 5fps continuous shooting, a lower-resolution LCD screen but slighty better 1,000 shot battery life. The two cameras are otherwise identical, so most of the comments that we made about the A500 apply equally to the A550.

The two A5- cameras are positioned above the entry level A330 and A380 models. Unlike those two cameras which featured a complete design overhaul with smaller, lighter plastic body and uncomfortable handgrip, the A550 is bigger, better built (although still made of plastic) and has a much more pronounced handgrip that markedly improves the handling, particularly if you have medium-to-large hands. I much preferred using the A550 compared to the A330/A380, predominantly because of the chunkier handgrip.

Another side-effect of utilising a slightly bigger body is that the A550 doesn't suffer from having too few controls, one of our other main criticisms of the A330/A380. Whereas Sony's designers had to re-think the control layout and philosophy of those cameras and reduce the number of external controls so much that they became less intuitive to use, the A550 reinstates some key controls, making it much easier to operate. The separate Drive Mode, ISO and Display buttons are back, no longer mapped onto the four-way controller, which can now function once again as the quick AF point selector in the Local AF area mode.

You can also choose Wide to let the camera choose the most appropriate AF point from the 9 choices, or use the central AF sensor and recompose if needed. This age-old focus-recompose technique is much faster than selecting an off-centre focus point on the Sony A330, and works every time except when dealing with extremely shallow depth of field. Alternatively, you can use the AF button in the centre of the four-way navigation pad to focus on whatever is in the centre of the frame, and hold it down not only while recomposing but also while releasing the shutter too (so that pressing the shutter button does not cause the camera to refocus).

The AEL (autoexposure lock) button is also back, logically positioned for operation with your right thumb. Of probably less importance is the omission of the SteadyShot switch - the A330 retains the sensor-shift image stabilisation feature, but now you need to enter the main shooting menu to activate or deactivate it. Given that about the only time you will want to deactivate it is when you mount the camera on a tripod, the omission of an external switch for this particular function seems a logical decision. The power switch is back in a logical place surrounding the shutter release button, and the control wheel falls naturally under your right forefinger. All of these small changes add up to make the A550 a much more enjoyable camera from a handling point of view than the cheaper A330 / A380 models.

Sony A550 Sony A550
Front Rear

One button which we'd rather have seen removed is the nearly useless 'Smart Teleconverter'. Only active when shooting JPEG in Live View, the 'Smart Teleconverter' button acts as a 1.4x / 2x digital zoom when shooting JPEGs in Live View mode, delivering a cropped image. When shooting RAW and / or outside Live View mode, the button is idle. Thankfully, pushing this button in these cases no longer prompts the camera to display the arrogant "Invalid operation" message we criticised the older A300 for. The A550 says, "Smart teleconverter not available when shooting with OVF. Select Live View." or, "Smart teleconverter not available when shooting RAW. Select any image quality other than RAW" instead. These messages are certainly more civilised than the old one, but the real solution would be to make this button reprogrammable to do something more useful than its current function.

The optical viewfinder (OVF) of the Sony A550 delivers 0.80x magnification and 95% frame coverage. The nine autofocus points are permanently marked on the focusing screen, and are therefore always visible in the viewfinder. The active AF point lights up in red when in use, and if focus is acquired, a green focus confirmation dot appears on the left side of the in-finder LCD; similarly to other manufacturers' models.

One of the main highlights of the Sony A550 is its Live View implementation. None of the currently manufactured competitor DSLR models - the 'non-SLR' Micro Four Thirds cameras aside - can auto-focus quickly in live view mode, and that's because competing DSLRs get the live view feed off the main imaging chip, which means their mirror must be raised while in this mode, blocking light from reaching their AF sensors. So they either have to temporarily lower their mirror for auto-focusing, which is loud and interrupts the live view, or resort to contrast-detect AF, which their lenses are not optimised for.

Sony A550 Sony A550
Front Pop-up Flash

Sony have circumvented this problem by using a secondary imager. While the solution is not new - secondary-sensor Live View debuted in the Olympus E-330 of 2006, where it was called Live View Mode A - Sony took a fresh look at it and came up with their own version. Given that no other manufacturer - not even Olympus - offers this in any of its current models, it was logical of Sony to continue using it in the A550. The benefit of secondary-sensor Live View is that autofocus is just as fast, and shutter lag is just as short as when using the OVF, unlike in the case of competing models that offer main-sensor Live View. The main downside of Sony's solution is a much lower Live View frame coverage (90%). We suspect that the properties of the secondary sensor might also be behind the fact that the Sony A550 does not offer a video mode.

One big improvement to Sony's Live View mode is the new ability to magnify into the live image for accurate manual focusing in macro and tripod shooting. Simply press the MF Check LV button when in Live View mode to allow critical assessment of focus and fine detail. The live image in this mode offers an improved 100% field coverage, assisted by framing grid lines for precise composition, and you can also select the 7x/14x zoom function for close-up confirmation of focus by using the AEL button. Also new to the A550 is the addition of Face Detection technology, which as on most compact cameras recognises faces and applies the proper focus, exposure and white balance, and Smile Shutter mode, another compact camera feature which automatically takes the shot when your subject smiles.

The LCD on which Live View is delivered has also been improved on the A550, now featuring a 3-inch, high-resolution 921,600-dot affair that tilts up and down. A tilting LCD is always a better choice for a Live View capable DSLR than a fixed one, though some competing models from Nikon, Olympus and Panasonic go even further by offering full LCD articulation. The brightness of the screen can be set manually, but it can also adapt to ambient light levels automatically. Outdoors visibility is average - we've seen much worse (more reflective) LCDs on some competitors, but would still like to see some improvement to the antiglare coating. Switching between Live View and the optical viewfinder is done by way of a mechanical switch to the right of the pentamirror housing, a simple and elegant solution.

Sony A550 Sony A550
Rear Rear

The Sony A550 has a pop-up flash with a guide number of 12 (in metres at ISO 100). There is a mechanical button to raise the flash or you can raise it manually by hand. The pop-up flash can also act as a TTL controller for wirelessly slaved external flash units. External flashguns can of course also be mounted to the camera itself via the hot shoe. Be reminded that it is not of the standard variety - non-dedicated flashguns and other hotshoe-mounted accessories such as PocketWizards physically cannot be mounted without a separately sold hot shoe adapter.

The Sony A550 offers the sensor-shift image stabilisation system we already touched upon (which Sony now calls SteadyShot Inside). This works very well for providing camera stabilisation at relatively slow shutter speeds - see a demonstration in the Image Quality section of this review - but it's less effective at the other function Sony has tasked it with; namely, shaking off any dust particles that may have settled on the sensor during a lens change. Apparently the anti-shake system was simply not designed to move the sensor fast enough to shake off the dust - Sony really need to make some improvements here.

Other long-standing Sony DSLR technologies present on the A550 include a pair of eye proximity sensors beneath the viewfinder that automatically shut down the LCD when raising the camera to your eye (provided you are not in Live View mode), and Minolta's legacy Eye-start AF technology. In the field, I found the eye-start autofocus system to be somewhat useful, though not necessarily faster than the more traditional solutions.

Sony A550 Sony A550
Memory Card Slot Battery Compartment

The innovative help guide display is a useful tool which teaches beginners about the effects of aperture and shutter speed, both by way of a text guide and via icons such as stick figures. This approach is certainly better than simply throwing in an auto mode and a host of scene modes (which is not to say the A550 lacks any of these, but the inclusion of the help guide does mean it goes a step further).

The Sony A550 has slots for SD/SDHC and Memory Stick PRO Duo memory cards. Dual card slots are always welcome, though the A550 unfortunately has one of the least useful implementations of the concept I have seen to date. The camera cannot record simultaneously on both cards, cannot copy images from one to the other, and cannot even switch automatically to the second card when the first one fills up. To do that, you need to open the sliding cover that hides the memory card compartment and manually move a small mechanical switch to the desired position. The USB and HDMI OUT ports are located on the left side of the camera along with a port for the optional Remote Cable for hands-free operation of the shutter release. Battery life is around 950 shots if exclusively using the optical view finder, or 475 shots for the Live View mode, both very impressive for this class of camera.

In use, the Sony A550 proved to be pleasingly quick. Start-up was nearly instant, autofocus with the kit lens was fairly speedy if not quite as quiet as with an SSM lens. Thanks to the secondary-sensor approach, there was no noticeable AF speed penalty when shooting in Live View. The camera's burst mode is a pretty impressive 7 frames per second (fps) in the speed-priority continuous mode, 5fps with the optical viewfinder, or 4fps in Live View. The latter value is actually much better than anything the competition's DSLRs can produce in Live View. Image playback speeds were also acceptable. Magnifying into an already captured image does take a couple of seconds though. Maximum image magnification is 12x, but there is little point in going beyond the default 6.1x setting as the image progressively falls apart at higher values.

The A550 is a pleasingly easy-to-use DSLR camera for both beginners and more experienced photographers alike - now let's take a look at the Image Quality.

Image Quality

All of the sample images in this Review were taken using the 14 megapixel Fine JPEG setting, which gives an average image size of around 5.5Mb.

The Sony A550 produced images of excellent quality during the review period. The Sony A550's first impressive feature in terms of image quality is the extensive and very usable ISO range of 200-12800. ISO 200-800 is noise-free, whilst ISO 1600 and 3200 produce more than acceptable results, and even ISO 6400 is OK for emergency use (though we'd avoid the headline grabbing ISO 12800 setting).

The second one is the effective Dynamic Range Optimizer function, which extracts more detail from the shadow and highlight areas in an image, without introducing any unwanted noise or other artifacts. The High Dynamic Range mode combines two shots taken at different exposures to produce one image with greater dynamic range than a single image would produce. It only works for JPEGs and for still subjects, but does produce some very effective results.

The 14 megapixel images are soft straight out of the camera using the default creative style and ideally require some further sharpening in an application like Adobe Photoshop, or you can change the in-camera sharpening to one of six different levels. The built-in flash worked well indoors with no red-eye and good overall exposure. The night photograph was excellent, with the maximum shutter speed of 30 seconds and the Bulb mode offering lots of scope for creative night photography. The built-in SteadyShot anti-shake system works well when hand-holding the camera at slower shutter speeds.

Overall then an impressive performance - just make sure that you either increase the in-camera sharpening level for JPEGs, or you're happy to post-process the images in Photoshop later.

Noise

There are 7 ISO settings available on the Sony A550. Here are some 100% crops which show the noise levels for each ISO setting for both JPEG and RAW files.

JPEG RAW  

ISO 200 (100% Crop)

ISO 200 (100% Crop)

 
 

ISO 400 (100% Crop)

ISO 400 (100% Crop)

 
 

ISO 800 (100% Crop)

ISO 800 (100% Crop)

 
 

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

 
 

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

 
 
     

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

 
 
     

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

 
 

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are soft at the default sharpening setting and benefit from some further sharpening in a program like Adobe Photoshop. Unfortunately you can't change the in-camera sharpening level.

Original (100% Crop)

Sharpened (100% Crop)

   

File Quality

The file quality settings available on the Sony A550 are Standard and Fine for JPEGs, plus there is the option of shooting in RAW. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

14M Fine (4.18Mb) (100% Crop) 14M Standard (2.93Mb) (100% Crop)
   
12M RAW (14.2Mb) (100% Crop)  
 

Flash

The flash settings on the Sony A550 are Off, Auto, Fill-flash, Slow Sync, Rear Sync and Wireless, with a Red-eye Reduction option in the main menu. These shots of a white coloured wall were taken at a distance of 1.5m.

Off - Wide Angle (28mm)

Fill-flash - Wide Angle (28mm)

ISO 64 ISO 64
   

Off - Telephoto (82mm)

Fill-flash - Telephoto (82mm)

ISO 64 ISO 64

And here are some portrait shots. As you can see, neither the Flash On or the Auto/Red-eye Reduction settings caused any red-eye.

Fill-flash

Fill-flash (100% Crop)
   

Red-eye Reduction

Red-eye Reduction (100% Crop)

Night

The Sony A550's maximum shutter speed is 30 seconds and there's also a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 200.

Night Shot

100% Crop

Anti Shake

The A900 has a SteadyShot INSIDE function, which is an improved version of Minolta's Anti Shake technology; an image stabiliser that is built into the camera body itself rather than the lens, adjusting for external hand-shake by counter-moving the CCD in a compensating manner. Crucially, it works with any lens that you attach to the camera, removing the need to buy more expensive lenses with anti-shake. This allows you to take hand-held photos at shutter speeds that are critically slow for the focal length used. SteadyShot is activated with a sliding switch on the back of the camera, which requires a reassuringly firm flick of the thumb, meaning that accidental activation or deactivation isn't a problem. The crops below are from two photographs taken at 1/5 second at 28mm and 82mm. As you can see, anti-shake does make a difference at shutter speeds like this. Importantly though, it won't help when even longer exposure times are required – in those cases, switch off SteadyShot and use a sturdy mount such as a tripod.

Shutter Speed / Focal Length

Anti-Shake Off (100% Crop)

Anti-Shake On (100% Crop)
1/5th sec / 28mm
1/5th sec / 82mm

Dynamic Range Optimizer

D-Range Optimiser (DRO) is Sony's solution to improve shadow detail in photos taken in contrasty light. The selectable settings are Off, Auto and Advanced Level 1-5. Especially the last of these, the ability to set DRO to one of five levels, is very effective, as our examples show.

Off (100% Crop)

Advanced Level 1 (100% Crop)
   

Advanced Level 2 (100% Crop)

Advanced Level 2 (100% Crop)

   
Advanced Level 4 (100% Crop)

Advanced Level 5 (100% Crop)

High Dynamic Range

High Dynamic Range Optimiser (HDR) is Sony's solution for capturing more contrast than a single exposure can handle by combining two exposures into one image. The selectable settings are Off, Auto and 1-3 EV, as shown in the examples below.

Off (100% Crop)

1.0EV (100% Crop)

   

1.5EV (100% Crop)

2.0EV (100% Crop)
   

2.5EV (100% Crop)

3.0EV (100% Crop)

Creative Styles

Sony's Creative Styles are akin to Canon's Picture Controls in being preset combinations of different sharpness, contrast, saturation and brightness settings. The default Creative Styles include Standard, Vivid, Neutral, Portrait, Landscape and Black-and-White, and are accessed by pressing the 'C' button, unless another function has been assigned to it. They can also be changed on the interactive status screen. There are other "image styles" available, some of which – such as 'Sunset' and 'Autumn' – are almost like scene modes in that they override the white balance setting too. Within each Creative Style and "image style", the user can fine-tune the sharpness, saturation, contrast etc. settings. Shown here are the six default Creative Styles for illustration.

Standard

Vivid
   

Portrait

Landscape
   

Sunset

Black-and-White

Sample Images

This is a selection of sample images from the Sony A550 camera, which were all taken using the 14.2 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Sony A550 enables users to capture RAW and JPEG format files. We've provided some Sony RAW (ARW) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

Product Images

Sony A550

Front of the Camera

 
Sony A550

Front of the Camera / Flash Raised

 
Sony A550

Front of the Camera

 
Sony A550

Front of the Camera

 
Sony A550

Isometric View

 
Sony A550

Isometric View

 
Sony A550

Rear of the Camera

 
Sony A550

Rear of the Camera / Turned On

 
Sony A550

Rear of the Camera / Image Displayed

 

Sony A550

Rear of the Camera / Main Menu

 
Sony A550

Rear of the Camera / Function Menu

 
Sony A550

Rear of the Camera / Live View

 
Sony A550

Rear of the Camera

 
Sony A550

Rear of the Camera

 
Sony A550

Rear of the Camera

 
Sony A550

Rear of the Camera

 
Sony A550

Top of the Camera

 
Sony A550

Bottom of the Camera

 
Sony A550

Side of the Camera

 
Sony A550

Side of the Camera

 
Sony A550

Front of the Camera

 
Sony A550

Front of the Camera

 
Sony A550

Memory Card Slot

 
Sony A550

Battery Compartment

Conclusion

Virtually identical to the A500 model, the Sony A550 marks a return to form for Sony in the mid-range DSLR market after the backwards step of the A330 / A380 models, offering more megapixels, faster 7fps burst shooting and a better LCD screen than its cheaper sibling.

Live View mode is an area where we didn't expect too many improvements, but Sony have made several advances that puts their system even further ahead of their main rivals. Face Detection and Smile Shutter may be squarely aimed at beginners, but they are useful technologies for the uninitiated, while the new Manual Focus Check Live View is a real boon to accurate focusing for macro shooting. The A550 makes a great choice for a compact camera user looking to upgrade to the scary world of DSLR photography, with the excellent 920k dot screen a real pleasure to use.

Equally excellent is the A550's image quality, with the 14.2 megapixel CMOS sensor and improved BIONZ processor combining to produce great looking images all the way up to ISO 3200, equalling the A500's performance. The Dynamic Range Optimizer reliably improves shadow detail and highlights, while the new High Dynamic Range Optimiser combines two exposures into one image and produces quite natural HDR images (if you could ever call HDR images 'natural').

Our main criticisms of the Sony A550 are what it doesn't offer, namely a large and bright optical viewfinder and any form of video recording. The first issue is a necessary by-product of the excellent Live View system, which leaves the OVF rather small when compared to other DSLRs, even those with a similarly sized sensor. Manual Focus Check Live View partially alleviates this problem, but is no substitute for a better OVF.

The second issue is also presumably a technical limitation of Sony's Live View, and one that is even more pressing now that many competitors offer 720p video and even full 1080p. It's obviously not a problem if you have no interest in using your DSLR for moving images, but Sony must be losing customers lured away by all the excitement surrounding video on a DSLR. With the Photokina photography show literally around the corner, it surely can't be too long before Sony introduce a range of video-capable DSLR cameras...

The final downside is the significantly higher price compared to the A500. If you don't need the slightly faster burst mode or 2 more megapixels, the A500 is a safer bet despite that gorgeous screen. Even so, despite these shortcomings, there's no denying that the A550 is another user-friendly DSLR camera from Sony that delivers excellent results for both beginners and shutterbugs alike, and is still easily worthy of our Highly Recommended award.

4.5 stars

Ratings (out of 5)
Design 4.5
Features 4.5
Ease-of-use 4.5
Image quality 4.5
Value for money 3.5

Review Roundup

Reviews of the Sony A550 from around the web.

dpreview.com »

However, the launch of the A500 and A550 make it clear not only that Sony wasn't aiming for existing DSLR users with its 2XX / 3XX series but also that it intends to break the entry level market down into more segments than any other manufacturer has before tried. So now, in the sub $900 market, Sony offers five DSLRs - the price conscious A230, the simplified A330 and A380 live view cameras and the A500 /A550 for the more experienced DSLR user.
Read the full review »

whatdigitalcamera.com »

The Sony a550 is the newest mid-level of Sony's recent releases, with an array of top features including high sensitivity to ISO 12800. We test out if the a550 is a true performer or more a gap-filler in the What Digital Camera Sony Alpha a550 review...
Read the full review »

steves-digicams.com »

The Sony DSLR A550 is Sony's second model we've seen to hold a spot in their mid-level dSLR line of cameras. The A550 and A500 are very similar in features, with the A550 offering increased resolution at 14.2 Megapixles of resolution, and 921,600 pixels packed into the 3-inch tilting LCD, along with the A550's increased burst ratings up to 7fps. This model also has the new Exmor CMOS imaging sensor and Sony's fast BIONZ image processor to improve the ease of shooting and get clearer images.
Read the full review »

Specifications

Lens Mount
Sony α mount YES
Compatibility with A-Mount bayonet lenses from Minolta and Konica Minolta YES
Lens Compatibility
All types of Sony α lenses YES
Minolta & Konica Minolta α/MAXXUM/DYNAX lenses YES
Image Sensory
Image sensor type CMOS Sensor
Image sensor colour filter R, G, B, Primary color
Size (mm) 23.4 x 15.6 (APS-C size)
Camera
Total sensor Pixels (megapixels) Approx. 14.6
Effective Pixels (megapixels) Approx. 14.2
Automatic White Balance YES
White balance: preset selection Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash
White balance: custom setting YES
White balance: types of color temperature 2500 - 9900 k with 19-step Magenta / Green compensation
White balance bracketing 3 frames, Selectable 2 steps
ISO Sensitivity Setting ISO200 - 12800 equivalent
SteadyShot INSIDE
System: Sensor-shift mechanism YES
SteadyShot INSIDE scale (in viewfinder) YES
Camera-Shake warning (in viewfinder) YES
SteadyShot INSIDE capability Approx. 2.5 EV - 4 EV decrease in shutter speed (varies according to shooting conditions and lens used)
SteadyShot INSIDE compatibility All Sony DSLR lenses and A-Mount bayonet lenses from Minolta and Konica Minolta
*SteadyShot INSIDE was previously known as Super SteadyShot  
Anti-Dust
Double anti dust system (anti-static coating and CCD shift mechanism) YES
Auto Focus System
TTL phase-detection system YES
Sensor 9 points with centre cross sensor
Sensitivity Range (at ISO 100 equivalent); EV 0 - 18
Eye Start AF System (on off selectable) YES
AF Area: Wide focus area YES (auto with 9 areas)
AF Area: Spot YES (center cross sensor)
AF Area: Local focus area selection YES (9 local areas)
AF Modes Continuous, Single Shot, Automatic, Manual Focus
Predictive Focus Control YES (with moving subjects in AF-A and AF-C)
Focus Lock YES (with Shutter button or AF button)
AF Illuminator YES (with built-in flash)
AF Illuminator range (meters) Approx. 1-5
Auto Exposure System
Light metering type TTL
Light metering cell 40-segment honeycomb-pattern SPC
Light metering: Multi segment YES
Light metering: Spot YES
Light metering: Center weighted YES
Exposure: Automatic YES
Exposure: Program Auto YES
Exposure: Shutter priority YES
Exposure: Aperture priority YES
Exposure: Manual YES
Exposure: Scene selection YES
AE Lock YES
Exposure compensation YES (+/-2.0 EV, 0.3 EV step)
AE Bracketing With 0.3 EV / 0.7 EV increments, 3 frames
Shutter
Type Electronically-controlled, vertical-traverse, focal-plane type
Shutter Speed Range (seconds) 1/4000 - 30 and bulb
Flash Sync Speed (With Super Steady Shoot Off); second 1/160
Flash Sync Speed (With Super Steady Shoot On); second 1/160
Flash
Built-in-Flash Guide Number (in meters at ISO 100) 12
Flash Metering System ADI / Pre-flash TTL flash metering
Flash Compensation +/-2.0 EV (0.3EV steps)
Built-in-Flash Recycling Time (approx. time in seconds) 4
Flash Mode Autoflash, Fill-flash, Rear flash sync. High Speed sync. with optional compatible accessory flash
Wireless flash mode YES (with optional compatible accessory flash)
Slow Synchronization YES
Red-Eye Reduction YES
Flash Popup Auto
Automatic Flash YES (with AUTO and Scene selection mode)
Viewfinder
Type Fixed eye-level, penta-Dach-mirror
Focusing Screen Spherical Acute Matte
Field of View (%) 95
Magnification (with 50mm lens at infinity) 0.80x
Eye Relief Approx.19mm from the eyepiece lens
Diopter Adjustment -2.5 to +1.0 diopter
Live View
Type YES - Quick AF and Manual Focus Check Live View
Other Smart Tele Converter / Face detection / Smile shutter *with Quick AF LV mode
LCD screen
Screen Size 3
Monitor Type Xtra Fine LCD
LCD Total Dot Number 921.600
LCD on/off YES
Brightness adjustable YES
Tilting screen YES - 2 way tilt
Recording
Drive Mode Single, Continuous, Speed-priority Continuous, 10 seconds and 2 seconds Self-timer, Continuous-advance AE bracketing, White Balance Bracketing, Remote commander
Continuous-Advance Rate (approx. frames per second at maximum) Max.5 fps with viewfinder, max. 4 fps in live view mode (approx.) , max. 7 fps in speed-priority continuous mode
Number of Continuous Advance JPEG (L size, Fine): 32 images, RAW: 14 images, RAW+JPEG: 7 images
Recording Media Memory Stick PRO Duo™, Memory Stick PRO-HG Duo™, SD memory card, SDHC memory card
Recording Format JPEG (DCF Ver.2.0?Exif Ver.2.21, MPF Baseline) compliant, DPOF compatible, RAW (Sony ARW 2.1 format), RAW + JPEG
RAW (pixels) 4592 x 3056
Image Size L - JPEG (pixels) 4592 x 3056 (14M)
Image Size M (pixels) 3344 x 2224 (7.4M)
Image Size S (pixels) 2288 x 1520 (3.5M)
Still Image quality RAW, RAW+JPEG, Fine, Standard
Noise Reduction (Long exp.NR) On/Off, available at shutter speeds longer than 1 second
Noise Reduction (High ISO NR) On/Off, available at the ISO set to 1600 or above
Delete Function Single, multiple, or all frames in a folder
Color Space (sRGB) YES
Color Space (Adobe RGB) YES
Color mode/DEC/Creative styles Standard, Vivid, Portrait, Landscape, Sunset, B/W
Dynamic Range Optimizer Off, Auto, Advanced: Level
Date/Time Print With PictBridge
Playback/Edit
Information Display YES
White/Black Out Alert YES
Index Playback YES (9, 4)
Enlarge (Maximum magnification) L size: 14x, M size: 11x, S size: 7.2x
Image Rotation YES
Auto Image Rotation YES
General
Battery Remaining Indicator YES
InfoLITHIUM Battery Indicator YES (in %)
Histogram Indicator YES
Exif 2.21
Exif Print YES
PictBridge YES
Menu Language English / French / German / Spanish / Italian / Portuguese / Dutch / Russian / Swedish / Danish / Norwegian / Finish / Polish / Czech / Hungarian
Zone Matching NO
Depth-of-Field Preview NO
PRINT Image Matching III YES
Remote Release Terminal YES
IR Remote Control YES (with RMT-DSLR1)
DPOF(Digital Print Order Format) YES
Indicator of remaining memory space (CF) YES
Beep Sound On/Off selectable
File Number Memory On/Off selectable
Folder Name Mode Standard and Date
Operating Temperature (degrees C) 0 - 40
Jacks
Video Out NO
HD/HDMI™ Out HDMI™ mini connector (Type C), BRAVIA Sync (Sync menu), PhotoTV HD
USB 2.0 Hi-Speed YES
USB Mode Mass Storage (PC connection) / PTP(PictBridge)
Power/Others
Battery System NP-FM500H
Supplied Battery NP-FM500H
Stamina (battery life in CIPA condition) Approx. 950 images with viewfinder, approx. 480 images in live view mode
Weight (g) Approx. 599
Dimensions
Width (mm) 137
Height (mm) 104
Depth (mm) 84

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