Nikon D50 Review
Review Date: August 15th 2005
Image Quality
All of the sample images in this review were taken using
the JPEG Fine (3008 x 2000) mode, which gives an average image
size of around 2.5Mb.
Noise
There are four different ISO settings available on the Nikon
D50 which you can select at any time. Here are some 100% crops
which show the noise levels for each ISO setting:
The noise levels look very good at ISO 200-800, with some
noise and RGB artefacts starting to appear at ISO 1600. Overall
though the Nikon D50 exhibits little noise at any of the settings
and is useable throughout the ISO range.
Sharpening
Here are two 100% crops which have been Saved as Web - Quality
50 in Photoshop. The right-hand image has had some sharpening
applied in Photoshop. The out-of-the camera images at the
default Optimize Image setting of Normal are very soft with
post-processing bringing out a lot of extra detail.
File Quality
The Nikon D50 has four different file quality settings available,
with Fine being the default option. Here are some 100% crops
which show the quality of the various options, with both the
pixel and file size shown in brackets.
Chromatic Aberrations
I had to look hard to find any examples of chromatic aberrations
in the review shots taken with the Nikon D50. They were only
apparent in very high-contrast situations, such as the roof
structure and bright white sky in the examples below. When
they did appear, chromatic aberrations were at the edges of
the frame and not too obvious at all.
Macro
The Nikon D50 offers a Macro scene mode, but as the D50 is
a digital SLR it is the lens that determines how close you
can get to the subject, not the camera body. The standard
18-50mm kit lens allows you to focus on a subject that is
28cms away from the camera respectively. The first image shows
how close you can get to the subject (in this case a compact
flash card). The second image is a 100% crop.
Flash
The flash settings on the Nikon D50 are pretty standard -
Front-curtain Sync (normal sync), Red-eye Reduction, Red-eye
Reduction with Slow Sync, Slow Sync and Rear-curtain Sync.
These shots of a white wall were taken at a distance of 1.5m.
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Auto Flash - Telephoto (82mm) |
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And here are some shots of yours truly. As you can see, neither
the Flash On or Red-Eye Reduction setting caused any amount
of red-eye, and the exposure was fine.
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Flash On (100% Crop) |
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Flash - Red-Eye Reduction (100%
Crop) |
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Night Shot
The Nikon D50 maximum shutter speed is 30 seconds and there
is also a Bulb setting (allowing you to open the shutter for
as long as you like), which is great news if you're interested
in night photography. The shot below was taken with a shutter
speed of 15 seconds, aperture of f/8 at ISO 200. I've included
a 100% crop of the image to show what the quality is like.
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100% Crop |
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Overall Image Quality
The Nikon D50 produced images of excellent quality during
the review period. The 6 megapixel JPEG photos were quite
soft out of the camera at the default setting and benefit
from further sharpening in an application like Adobe Photoshop.
Alternatively you can increase the sharpening setting on the
camera or shoot in RAW mode and sharpen the files later on
your computer. The Nikon D50's best performance was with chromatic
aberrations, which simply did not appear in any of the test
shots! It also handled noise well, with ISO 200-800 displaying
little noise and the fastest setting of ISO 1600 also being
very useable. Macro performance was average with the supplied
18-55mm lens, although with this camera being a DSLR you could
always treat yourself to a dedicated macro lens. The built-in
flash got the exposure right indoors and there was no evidence
of redeye. With a maximum shutter speed of 30 seconds and
a Bulb setting, the Nikon D50 offers great potential for creative
night shots.
PhotographyBLOG
is a member of the DIWA
organisation. Our test results for the Nikon D50 have been
submitted to DIWA
for comparison with test results for different samples of
the same camera model supplied by other DIWA
member sites.
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