Olympus µ[mju:]-III Wide 100
Review Date: 20th October 2003
Introduction
The
Olympus µ[mju:]-III Wide 100 is an advanced compact camera with a wide
28mm-100mm zoom lens, autofocus system with 11 autofocus-points, 3-way Auto
Exposure (AE) system for accurate exposure of images and six different flash
modes. With a retail price of £169.99, the Olympus µ[mju:]-III
Wide 100 is positioned at the more expensive end of the compact camera market.
Do all those features justify that cost? Read on to find out.
Price
The Olympus µ[mju:]-III Wide 100 has a recommended retail price of £169.99.
The best UK price that I could find was £149.99 at Foto
First Direct. The RRP of £169.99 positions this camera at a point
in the marketplace where compact cameras end and the cheapest 35mm SLRs
start. 2-megapixel digital compact cameras can also be found in this price-range,
so the µ[mju:]-III Wide 100 has quite a lot of competition.
Features
The main selling point of the Olympus µ[mju:]-III Wide 100 is its wide
28mm lens. The 28 -100mm 3.6x wide angle zoom lens is a lot wider than the
usual 35mm+ lens that are found on most compact cameras. All of the other
Olympus compact cameras with zoom lenses, for example, are 38mm at the wide
end of the range. The largest available aperture is f4.6 when the lens is
set to 28mm and f11.9 when set to 100mm - respectable enough at the short end,
but
very
slow
at the long end.
The Olympus µ[mju:]-III Wide 100 has a Multi-Wide AF system with 11
autofocus-points for precise autofocusing, and a 3-way Auto Exposure (AE)
system for accurate exposure of images. As with most compact cameras, these
settings are automatic - you can't select a particular focus point, for example.
You can, however, choose Spot mode instead of the AE mode, which is useful
for tricky lighting conditions, providing you know how to use it correctly.
Film loading, advance and rewind are all automatically handled by the camera,
although you can choose to rewind the film before all the frames have been
exposed.
The built-in flash unit, which pops up whenever the camera turns on, offers
6 selectable modes - Auto, Red-eye Reduction, Off, Fill-in, Night Scene and
Red-eye Reduction Night Scene. The flash takes between 0.5 and 5.5 seconds
to recycle before it can be used again, and coverage when using ISO 400 film
is up to 9.2m at the wide-angle lens setting and up to 3.6m at the telephoto
setting.
Olympus claims that the Olympus µ[mju:]-III Wide 100 has an all-weather
construction for care-free use on rainy days. In my view the camera has a plastic
construction and I would quickly store it away in a coat pocket if
it began to rain.
Design
Ease of Use
For a compact camera, the Olympus µ[mju:]-III Wide 100 actually seems
quite big, maybe to accommodate the zoom lens. It's certainly bigger than the
Olympus µ[mju:] 400 Digital camera that I've
recently reviewed and the Olympus
µ[mju:] II fixed lens camera that I personally own. I could just about
fit the camera into a trouser or coat pocket without it being too obtrusive.
As with most compact cameras, the Olympus µ[mju:]-III Wide 100 is pretty
straight-forward to use, partly because there aren't that many controls on
the camera. You slide the lens cover across (a feature used on most Olympus
compacts) and the lens zooms out to its widest setting. The bulit-in flash
unit also pops-up, even when the flash setting is off, which I personally found
a bit annoying. I'd prefer it if the flash unit only appeared when I wanted
it to. It also has a rather flimsy feel to its construction, feeling as though
it
would
easily
snap
off
if you
caught it on something.
The lens zooms out quite a long way when it is set to the longest focal length
of 100mm (see the photographs above in the Design section).
The operation of the lens when zooming is pretty noisy, and I definitely
wouldn't try any close-range candid street photography with this camera. It
takes about 2 seconds to zoom from the widest to longest settings, and the
switch used to operate the zoom feels responsive enough. The Olympus designers
have positioned this switch next to the shutter button, which meant that I
found it difficult to quickly zoom the lens and take a picture, as I used my
index finger to either use the zoom or press the shutter. This is fine for
photographs of static subjects, but not for those situations where you want
to frame the subject by zooming and be ready to capture that fleeting moment.
There is a small LCD panel on the back of the camera which displays the current
settings and the battery life. Underneath are three very small buttons that
control the flash, self-timer/remote control (an optional accessory) and
the exposure mode (spot or AE). There is also a small button which rewinds
the film midroll - this is recessed and requires a sharp point like a pencil
tip to operate it, which isn't very user friendly on the rare occasions that
you will want to use this feature.
Olympus have fitted the µ[mju:]-III Wide 100 with a tripod socket, but
unfortunately they've placed it so near to the right-hand side of the camera
that it's practically useless. I'm not sure how many of these cameras will
ever be mounted on a tripod anyway, so I'd question its inclusion anyway. The
final feature of note is the dioptre adjustment knob, an essential feature
for spectacle
wearers, which is positioned just to the left of the viewfinder. Unfortunately
it protrudes further than the viewfinder and you can feel it sometimes
against the inside of the bridge of your nose when looking through your right
eye.
Image Quality
I used Kodak Royal Supra ISO 200 print film during the Review and had the
film processed at The Strand, London branch of Jessops.
As this is a review of the Olympus µ[mju:]-III Wide 100 camera, rather then Kodak Royal
Supra film, I'll concentrate on the aspects of image quality that are directly
attributable to the camera.
The µ[mju:]-III Wide 100 had a tendency to under-expose slightly, resulting
in photographs that looked saturated but which lacked some shadow detail.
On
a few occasions the camera got the exposure absolutely wrong, as
shown in Sample
3 on the left. In this image the µ[mju:]-III Wide 100 seems to
have exposed for the white sign, resulting in a very bright street sign with
a very
under-exposed
background. The Auto Exposure (AE)
system is way off the mark in this example. Furthermore, I can see on the print
that there is an unwanted purple haloing effect around the edges of the sign,
making it glow - it definitely wasn't glowing when I took the photograph!
On
the other hand, the µ[mju:]-III Wide 100 handled some tricky lighting situations well. The
bright sky in the photograph shown on the left initially fooled the Olympus µ[mju:]
400 Digital camera that I reviewed a couple of weeks ago; it only got the
exposure right when I used the Spot mode to take a reading off the building.
The digital
camera was fooled by the bright sky and under-exposed the building, creating
a silhouette. The µ[mju:]-III Wide 100 was not fooled by the bright sky,
even though this photo was taken using its default metering mode. The µ[mju:]-III
Wide 100 has delivered a very pleasing exposure with an even balance between
the building and the sky; you can just about see the cloud formations.
So overall the µ[mju:]-III Wide 100 produced exposures that were a
bit hit and miss in the bright, sunny outdoor conditions in which this Review
was
conducted.
It wasn't as consistent as the Olympus
IS-500 film camera that I reviewed last
week; some exposures were actually more pleasing, but some were disastrous.
The lens delivered fairly sharp
images
with some noticeable barrel or pin-cushion distortion at either end of the
28-120mm zoom range, but nothing too serious. Overall I was just about satisfied
with the
images
that
the combination
of the IS-500 camera and µ[mju:]-III Wide 100 film delivered, but I'd
be worried about trusting the camera's exposure system in the future.
Sample Images
I scanned all of the prints on my Black Widow 4830 Pro flatbed scanner at
72 dpi using the default settings. This initially created a problem - all of
the scans were far too dark. To give you a better idea of what the prints actually
look like, I used the Levels tool in Photoshop to set the midtones of each
print to a setting of 1.50, so that the Input Levels was set to 0 ; 1.50 ;
255. I then cropped them, resized them to 300x200 pixels and saved them for
the Web as JPEGs with a Quality setting of 60.
Conclusion

(out of 5
stars)
With it's champagne finish, sliding lens cover and extensive specification,
the µ[mju:]-III Wide 100 certainly aims to impress. It does feel well-built,
which is important for a camera that will spend most of its life in a pocket
or slung in a bag. It's certainly
not the smallest compact camera in the world, but that is actually a plus point
for me, as it sits comfortably in your hand and is quite a tactile, easy-to
use camera.
The 28mm lens is definitely the highlight of this camera, allowing
you to cram more of the scene into your photographs. Unfortunately it seems
to have
come at a cost - £169.99 of cost to be exact. The µ[mju:]-III
Wide 100 is faced by exactly the same competition as the Olympus
IS-500 that
I reviewed last week; cheap 35mm SLRs which offer all the benefits of the
most
popular
photographic
format, and cheap digicams which offer the thrill of being able to
see your photos instantly. I enjoyed using the µ[mju:]-III Wide 100,
but I didn't enjoy using it so much that I would pay the high price tag that
comes with it. And even that 28mm lens isn't enough to convince me otherwise...
Related Links
Olympus
UK - Olympus µ[mju:] Series
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