Apple iPhone 12 Pro Max Review

November 27, 2020 | Amy Davies | Rating star Rating star Rating star Rating star

Introduction

This year's new iPhone announcement brought us not one, but four different models. Designed to appeal to different customers, in terms of the specs, the best of the the quartet is the iPhone 12 Pro Max, which has a number of appealing camera features.

In previous years, both the 'Pro' model and the 'Pro Max' model have featured the same camera setup, but this year, Apple has diverted a little from the usual path to bring a different setup for the larger model.

Compared to the iPhone 12 Pro, the Max brings with it a larger sensor for the main camera, a 2.5x zoom lens (as opposed to a 2x lens), and of course, this being the Max, a much bigger screen and overall size. We think it's likely that the iPhone 12 Pro will be the most common device bought by the average consumer, but for photographers looking for the best of the best, they'll probably be wondering whether they should consider spending a little bit more to get the Max model.

So to give a little bit more detail about those cameras; you get a standard (1x) lens offering an equivalent of 26mm, with an f/1.6 aperture, alongside a telephoto (2.5x) offering - 65mm equivalent, with an f/2.2 aperture, and an ultra-wide angle lens (0.5x) - 13mm equivalent, with an f/2.4 aperture. It's important to note that behind the 26mm lens, there's a larger sensor than that found on the iPhone 12 Pro, while it also benefits from sensor-shift optical image stabilisation, which the standard version does not offer.

Other key features for the iPhone 12 Pro include Portrait mode, Panorama mode, Night mode portraits and the introduction of Apple ProRAW. This function is not available as standard at the time of writing, but you can access raw shooting by installing Apple's public beta of iOS 14.3, which suggests that the full release is fairly imminent.

As well as these features, there's been a number of other improvements when compared to last year's iPhone 11 Pro / Max. Two of the camera improvements include the addition of Dolby Vision HDR video recording up to 60fps, plus a LiDAR scanner, which is said to improve portraits taken in Night mode, as well as boost the speed of focusing in low light scenarios.

There are other improvements which are worth considering over last year's 11 Pro Max, which have little to do with the camera. The biggest of those is the addition of 5G compatibility, which gives you super fast downloads, plus high-quality streaming. You will need to use the phone in an area which has 5G coverage, as well as have a provider that includes it as part of your SIM/contract deal.

In terms of size, the iPhone 12 Pro Max is larger than the iPhone 12 Pro, but compared to the iPhone 11 Pro Max, while it is a couple of mm taller than its predecessor, it's narrower and slimmer. It weighs the same as the older model. The screen also now includes a Ceramic Shield front, which is designed to 4x better at withstanding drops - good news for anyone with a clumsy disposition. It's also slightly more water resistant than before, too.

The as-standard storage capacity of the iPhone 12 Pro Max has been increased from last year's models. You now get a minimum of 128GB (compared to 64GB last year). You can also purchase 256 and 512GB models - remember with Apple products, there's no way to physically increase the storage capacity.

Those who are new to Apple products might want to consider that a charging cable or headphones are no longer included in the box when you buy the phone. Apple says this is to reduce waste, since many people buying the product already have these items - but it's something to consider if you are either new or have lost/damaged your existing chargers/headphones. A Lightning - USB C cable is included in the box, which means you don't even get a 'standard' USB charger, either.

At the time of writing, the iPhone 12 Pro Max price is £100 more than the standard iPhone 12 Pro, starting at £1099 for the 128GB version, rising to £1,399 for the 512GB version. There are four different colours to choose from; Graphite (black), Silver, Gold and Pacific Blue.

Ease of Use

Apple iPhone 12 Pro Max

Although each iteration of iPhone may be slightly different in terms of aesthetics, Apple tends to keep its designs fairly similar year on year. The biggest news for the iPhone 12 series is the re-introduction of a squared off / angular design, which means that the edges are flat, rather than rounded off. This gives it a more utilitarian appearance, but a - perhaps unintended - benefit for photographers is that you can balance the camera on its side on a sturdy surface.

As a Max model, you of course expect the iPhone12 Pro Max to be large. Whether you consider that a good thing or a bad thing will likely depend on personal preference. It's great for viewing your photos, using apps or watching videos etc, but it's less ergonomic when doing things such as texting or calling - especially if you have smaller hands. It's also quite difficult to fit the iPhone 12 Pro Max into a small jeans pocket - which may or may not be a deal breaker depending on your point of view (or size of your pockets).

In terms of using the iPhone 12 Pro and the iPhone 12 Pro Max, the two devices are largely the same. The phone's native camera app can be launched directly from the lock screen, simply by holding down the camera icon.

If you've already unlocked the phone, you can tap the camera icon found at the bottom right hand corner of the screen, or, if you hold down the camera icon, you'll have the option to choose from a number of different options; Take Portrait Selfie (shoot with the front-facing camera, with portrait mode enabled), Take Portrait (portrait mode, but with the rear-facing camera), Record Video and Take Selfie (the front facing camera in its standard mode). By default, the native app will launch in the standard mode.

If you find that you're often using a particular mode, or with particular settings enabled, you can head into the iPhone's main menu and set the camera to remember the last-used settings. For most people, they'll probably find that most photos are taken with the standard Photo mode, though.

Apple is well-known for the simplicity of its native camera app, and while there are a few more options than you would have found a few years ago, it's still a relatively simple affair. That can be considered a good thing, as it means there's not lots of different settings to get to grips with, but advanced photographers can find it a little frustrating to not have greater control.

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If that's a problem you have, you can rectify it quite easily with a large number of different advanced camera apps available that give you such control - but you won't be able to access any of those apps directly from the home screen for quick shooting.

Despite its simplicity, there's a number of different features to take note of and understand. You can move between the various shooting modes by swiping left or right on the screen - alternatively, you can tap the words which represent the different modes. You'll find the stills modes to the right of Photo; Portrait (shallow depth of field effect) and Pano (panorama). To the left are the video options, which are Video, Slo-Mo (slow motion), and Time-Lapse.

In the standard Photo mode, you'll see the different iPhone lenses which you can choose between, displayed at the bottom of the screen. There's 0.5, 1 and 2. Whichever lens you have selected will add an x to the number, as well as turn the lettering yellow. At the top of the screen, you'll see a few icons, including a flash icon which you can set to on or off, and the Live Photo icon, which looks like a bullseye.

If you switch this setting on, you'll record a short video clip with every still image you take. If you're shooting in low light, the Night mode icon will also appear - this is not something you can manually select, it only appears if the phone believes there's not enough light in the scene.

A new feature for the iPhone 12 Pro mode is the addition of raw format shooting. You will first need to enable the format from the iPhone main menu. The format options also give you the choice between 'most compatible' (JPEG) or 'High Efficiency' (HEIF), for your non-raw files.

It's worth switching to most compatible if you think you're likely to be exporting and sharing your files regularly, but High Efficiency is good for those who like to take a lot of shots - you can always convert individual files to JPEGs if necessary. By enabling Apple ProRAW, the phone will capture DNG files which give you greater scope to edit them in post-production.

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Going back to the camera app, if you have raw shooting enabled, you'll now also see a RAW icon at the top of the screen. By default, raw is switched off - indicated by a line through the word 'RAW'.

You'll need to remember to switch this on if you want to create a raw file. This is perhaps a bit of a faff, but it saves you from taking up lots of space on your phone when just taking ordinary snaps or record shots.

Once you activate raw shooting, then Live Photos will automatically be switched off - so you have to make a decision about which you'd prefer. It's also worth noting that the phone only records one type of file at a time - not raw and JPEG/HEIF simultaneously. The knock-on effect of that is that some applications won't work with images you've taken - such as Instagram.

It's possible that this issue will be rectified when the full version of the iOS software is released and/or Instagram updates its app to accept DNG files. If you want to upload an image to Instagram, you'll need to convert it to JPEG first.

In the middle of the top of the screen, you'll see a small arrow. You can either tap this, or swipe upwards on the main screen to be shown some extra settings which you can adjust. There's flash again here, which gives you further control to set between 'Auto', 'On' and 'Off', as well as the same options for Live Photos. You can also choose a different aspect ratio from the standard 4:3, with 16:9 and 1:1 options also available.

A relatively new addition is exposure compensation - this is also available for older iPhones running the latest iOS. There's a timer option, which allows you to set a self-timer of either 3 seconds or 10 seconds, while finally there's an option for adding different filters to your images.

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If you are shooting in Night mode, then a Night mode icon will also appear - from here, you an adjust the length of time the phone will shoot for - perhaps selecting longer if you have some way to steady the phone. If you've got RAW enabled, you'll also see the raw option here too.

When it comes to focusing, you can either let the iPhone decide for itself where it wants to focus, or you can tap around the screen to select a different focus point. Tapping at different points will also affect metering, so it's useful if you're presented with a high-contrast scene and you need to find the point at which the light is balanced most pleasingly.

You can also lock metering by holding down your finger on the screen, after which you can choose a different focus point - this is most useful if you're shooting close-ups, where a different focus point is most useful.

After tapping a focus point, you will also see a sun icon appear. When it does, sliding your finger up and down the screen will adjust exposure, making the scene darker or lighter - it's essentially a quicker / different way to access the exposure compensation option from the pull-up menu.

A particularly useful feature which first made an appearance with the iPhone 11 series is the ability to show you what's outside the frame that you're shooting. The phone does this by making use of whichever lenses you're not shooting with at the time.

For example, if using the 1x lens, it will use the 0.5x lens to display what's going on either side of your composition. The same happens if you're shooting at 2.5x, with the 1x lens used to show you either side of the frame. You won't see anything when shooting with the 0.5x lens, since obviously the camera can't get any wider. This setup is particularly handy if you're trying to avoid people in your shot, for example.

Apple iPhone 12 Pro Max

You can also set the phone to record this extra data and keep it ready for adjusting your photos in the editing section of the phone - the data will only be kept for 30 days as standard unless you use it.

Portrait mode is something we've had on iPhones for a few generations now, with each version promising to be a little better than the last. Despite its name, you can use it for other subjects too - with varying results. You can use either the 1x or 2.5x lens for your portraits, with the 1x option being most useful for including more of the subject's background / context.

If you activate the swipe up menu, again you'll get a few extra options to choose between ,including flash, exposure compensation, timer, filters, and the choice of a different aperture (effect). The widest available here is f/1.4, and the narrowest f/16. If you don't make a choice, then the phone will automatically select one for you.

Different 'Lighting' effects can also be activated, so you have Natural Light, Studio Light, Contour Light, Stage Light, Stage Light Mono and High Key Light Mono. These are all worth trying out if you have a particular fondness for that type of effect.

A new addition for Portrait mode, for the iPhone 12 series, is the ability to combine it with Night mode. Once again, this is not something that you can choose to manually control, but rather something that will automatically activate once the phone believes there is not enough light in the scene.

Once you've taken your Portrait, you can edit it in playback. This gives you the option to choose a different aperture, or a lighting effect. This is very useful if it's not quite come out the way you want it to - it's not possible to choose a different focus point, however, which is perhaps a little disappointing.

Apple iPhone 12 Pro Max

Other editing options are available - for Portrait shots or otherwise - including the ability to adjust exposure, contrast, highlights and so on. More basic edits, such as rotating, cropping and adding filters are also there. If you have been shooting in raw format, these edits are available in the phone itself, or you can of course use something like Photoshop on your computer to make further edits.

If you've been shooting with Live Photos enabled, there are further editing options available, which can be useful. You can choose a different frame, if perhaps the one you chose at the time of editing wasn't quite what you were hoping for. You can also create special effects, such as the effect of a Long Exposure, which is created by blending together several frames from a Live Photo.

When using the Video mode, there are fewer shooting options available. You can switch the flash on or off (or set it to auto in the swipe up menu), and you can also add some exposure compensation. Frame rates and resolution can be set at the top of the screen - tap 4K, and it'll switch to HD, and vice versa.

If you tap the number (60), it'll flip between the different frame rates available - 24, 30 and 60 for 4K, or just 30 and 60 for HD. If for some reason you want to shoot in 720p, that's something you'll have to switch on from the phone's main menu. Any of the three lenses can be used to record video, and you can also switch between them while recording.

In order to activate Dolby HDR video recording, again, you'll need to head into the phone's main menu. Dolby HDR can only be viewed on compatible devices, such as other iPhones, and Macs running the Catalina OS or later. It's therefore worth considering whether or not you want to switch it on - or perhaps just switch it on for certain videos.

If you're shooting Slo-Mo, you can either shoot at at HD or 720p, at either 240 or 120fps. Once again, the different options can be accessed by tapping at the top right hand corner of the screen.

Image Quality

Each year, Apple produces a new iPhone which betters the last one in terms of image quality. This year, Apple has essentially done that not once, but twice. The iPhone 12 Pro built on the success of the iPhone 11 series, while the 12 Pro Max goes one step further to bring a number of other improvements. That said, unless you're pixel peeping to quite an extreme length, being able to spot the difference between the two models is fairly tricky.

Taking it as a standalone camera, images from the iPhone 12 Pro Max show great colours and lots of detail. They look especially good when viewing them on the screen of the phone itself, and when shared on social media sites such as Instagram. When examining them a little closer on a computer screen, they're perhaps not as impressive, but how often the average person will do that is, of course, debatable.

Portrait Mode performs well, as we've seen before from previous iPhone models. It's particularly adept for subjects which have a well-defined outline, such as people and pets, and less good for more complex subjects, but otherwise the result is fairly natural.

As for low light shooting, the iPhone's impressive Night mode once again shows off its strengths here, producing excellent imagery when light is lacking. Autofocusing is a little quicker (than the iPhone 11 Pro Max) thanks to the LiDAR scanner. As for the larger sensor, the differences appear to be fairly difficult to spot - it seems as if Night Mode doesn't activate for as many seconds on the iPhone 12 Pro Max, compared to the smaller sensor iPhone 12 Pro. However, the results are comparable to each other and looking at them side to side, it's hard to spot too much of a big difference.

The 2.5x camera produces good results, and those who prefer a longer lens (compared to the 2x optic on the iPhone 12 Pro) may choose to plump for the Max reason for this version too. The Ultra Wide angle lens is the same on both models and performs well in daylight conditions, but produces much less usable results in low light.

Having access to raw format files means you can make changes after you've shot them in software such as Photoshop. The iPhone uses DNG files, so immediately they are compatible with raw editors such as ACR. The files seem to allow for a decent degree of manipulation, but the end result is often very similar to what the iPhone would have managed by itself anyway. Having the option there to use raw files is a bonus though, even if it's not one which will be used all that often by the average user.

Video quality, as has been the case for the past few generations of iPhone, is excellent too. The addition of Dolby HDR makes a difference if you have something to view the resulting footage on - such as the iPhone itself. It particularly works well when shooting video footage of vibrant scenes, where with HDR switched on, the higher dynamic range really helps the video pop from the screen. Otherwise, standard video is still very good and more than usable for most ordinary situations.

Focal Range

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Standard

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Macro

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Sample Images

This is a selection of sample images from the Apple iPhone 12 Pro Max camera, which were all taken using the 12 megapixel JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Apple iPhone 12 Pro Max enables users to capture RAW and JPEG format files. We've provided some Apple RAW (DNG) samples for you to download (thumbnail images shown below are not 100% representative)."

Sample Movies & Video

This is a sample movie at the quality setting of 3840x2160 pixels at 60 frames per second. Please note that this 16 second movie is 96.1Mb in size.

This is a sample HDR movie at the quality setting of 3840x2160 pixels at 60 frames per second. Please note that this 17 second movie is 79Mb in size.

This is a sample movie at the quality setting of 3840x2160 pixels at 30 frames per second. Please note that this 16 second movie is 91Mb in size.

This is a sample HDR movie at the quality setting of 3840x2160 pixels at 30 frames per second. Please note that this 16 second movie is 52.3Mb in size.

This is a sample movie at the quality setting of 3840x2160 pixels at 24 frames per second. Please note that this 16 second movie is 74.8Mb in size.

This is a sample HDR movie at the quality setting of 3840x2160 pixels at 24 frames per second. Please note that this 17 second movie is 50Mb in size.

This is a sample movie at the quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 17 second movie is 49.3Mb in size.

This is a sample HDR movie at the quality setting of 1920x1080 pixels at 60 frames per second. Please note that this 16 second movie is 45.5Mb in size.

This is a sample movie at the quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 16 second movie is 31.5Mb in size.

This is a sample HDR movie at the quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 16 second movie is 30.6Mb in size.

This is a sample 240fps slow motion movie at the quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 35 second movie is 64.6Mb in size.

This is a sample 120fps slow motion movie at the quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 16 second movie is 30.4Mb in size.

Product Images

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Conclusion

Clearly, Apple doesn't need much help when it comes to selling iPhones - many consumers will decide to buy the latest one regardless of whether they actually 'need' one or not.

Apple has been producing extremely well-performing cameras for a number of years, and the iPhone 12 Pro is no different.

In terms of the camera alone, if you are already in possession of an iPhone 11 Pro, forking out to replace it is perhaps not worth it for most people unless they're desperate to have the latest model.

You could also save yourself money by plumping for the older model (either new or second-hand), as an upgrade from an even older model, rather than having the latest available.

There may be other reasons why you want the iPhone 12 Pro, including the addition of 5G connectivity, for example.

This year it's also not a straightforward choice, since Apple announced four different models at the same time.

With the iPhone 12 Pro, you've got a good balance of high-performing camera, good sized screen and the flexibility of triple lenses.

If you want to save cash, you could get the standard iPhone 12, which will mean you sacrifice the telephoto lens.

If you can push the budget just a little more, you could also go for the iPhone 12 Pro Max, which gives you an even longer telephoto lens, a larger sensor in the main camera, and a bigger screen - at only £100 more, it's not too much of a jump if you're already happy to spend £999.

Of course, this being Apple, the iPhone 12 Pro is by no means a cheap proposition. That said, with other high-end smartphones from manufacturers like Samsung being similarly priced, they're starting to look less extortionate than they once were.

It's the same launch price as the iPhone 11 Pro, but with double the amount of inbuilt storage (as well as the other improvements), so it doesn't feel like too bad value - and of course, most Apple fans will be used to paying high prices anyway.

It's worth remembering that from this model onwards, Apple is not including a charging adapter (you do get a cable) or headphones. If you need either of those things, you will have to factor them into the cost of purchasing the phone.

Overall, as usual, the iPhone 12 Pro produces excellent images, and anyone buying the phone with particular interest in the camera should be very happy. Beautifully vibrant shots are all but guaranteed in good light, while low light shots are also impressive - particularly the standard lens.

It's a criticism we've thrown at several generation of iPhones, but we'd still like to see the addition of a 'pro' or 'advanced' mode within the native camera app. We're still waiting for the ProRAW update to become available, but it'll be interesting to see how the files shape up, too.

4 stars

Ratings (out of 5)
Design 4.5
Features 4
Ease-of-use 4.5
Image quality 4.5
Value for money 4

Main Rivals

Listed below are some of the rivals of the Apple iPhone 12 Pro Max.

Apple iPhone 12 Pro

The Apple iPhone 12 Pro is one of four new iPhones released for 2020, joining the Mini, Pro Max, and the standard model. With prices starting at around £$999, is this the best iPhone for photographers? Read our in-depth iPhone 12 Pro review now, complete with full-size sample photos and videos...

Google Pixel 5

The Pixel 5 is Google's flagship smartphone for 2020, yet it's priced at just £599 / $699. Does it offer similar performance and features to other, much more expensive range-topping handsets? Read our in-depth Google Pixel 5 review to find out if what it offers photographers, complete with full-size sample photos and videos.

Huawei P40 Pro

The P40 Pro is Huawei's new flagship smartphone for 2020. Featuring a 6.58-inch screen, 50 megapixel sensor, 5x optical zoom lens and 4K video recording, can it overcome its much-publicized lack of Google App support? Find out now by reading our in-depth Huawei P40 Pro review, complete with full-size sample images and videos...

OnePlus 8 Pro

The OnePlus 8 Pro is the latest flagship smartphone for 2020 from OnePlus. It features a 48-megapixel quad-camera setup with an upgraded ultra-wide camera, 4K/60p video recording, Pro shooting mode and the ability to shoot in Raw. Find out if this is the best smartphone for photographers by reading our in-depth OnePlus 8 Pro review with full-size sample photos and videos.

Samsung Galaxy Note 20 Ultra

The Galaxy Note 20 Ultra is Samsung's latest flagship smartphone, boasting a 6.9-inch screen, 108 megapixel standard camera, 5x optical zoom, 8K video, super slow motion video, Pro shooting mode and Raw capture. Take a look at our in-depth Samsung Galaxy Note 20 Ultra review to find out if this is the best smartphone camera for keen photographers...

Samsung Galaxy S20 Ultra

The Galaxy S20 Ultra is Samsung's new flagship smartphone for 2020. Featuring a 6.9-inch screen, 108 megapixel sensor and 100x zoom lens, it's certainly big in size, megapixel count and zoom range, but is it also big in performance? Find out now by reading our expert Samsung Galaxy S20 Ultra review, complete with full-size sample images and videos...

Sony Xperia 1 II

The Sony Xperia 1 II is a new flagship smartphone offering a range of pro image and video features aimed at keen camera enthusiasts. These include 20fps with continuous autofocus focus and autoexposure and real time eye AF for humans and animals, utilising technologies borrowed from the Alpha A9 full-frame mirrorless camera. Read our in-depth Sony Xperia 1 II review, complete with full-size sample images and videos, to find out if this new smartphone hits the mark for serious photography...

Vivo X51 5G

You've probably never heard of Vivo before, but that shouldn't put you off the new X51 5G, one of the best smartphones for photography that we've ever reviewed. What makes the Vivo X5 5G so special for both stills and video? Find out now by reading our in-depth review...

Review Roundup

Reviews of the Apple iPhone 12 Pro Max from around the web.

theguardian.com »

The iPhone 12 Pro Max is the biggest, heaviest and most expensive version of Apple’s smartphone for 2020, a beast in every dimension.
Read the full review »

techradar.com »

If you’re looking for the best iPhone on the market, the iPhone 12 Pro Max is it: it’s powerful, has the longest battery life on an iPhone we’ve tested in 2020 and the camera is top-notch. You'll need to be ready to carry the extra heft, as this is also the biggest iPhone of all time, and the cost isn't to be sniffed at, but we're adding an extra half star for all those iPhone fans that just want the best Apple can bring – the iPhone 12 Pro Max manages to do that rather well.
Read the full review »

macworld.co.uk »

With prices starting at £1,099/$1,099, an iPhone 12 Pro Max is not something that most of us would buy on impulse. If the price or the slightly awkward shape does not deter you, this is the iPhone you should have.
Read the full review »

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