Fujifilm X30 Review

September 25, 2014 | Mark Goldstein | Rating star Rating star Rating star Rating star Half rating star

Introduction

The Fujifilm X30 is an advanced compact camera that offers a retro design, 12 megapixel 2/3-type X-Trans CMOS II sensor with built-in Phase Detection pixels and no low-pass filter, a 4x, 28-112mm, f/2.0-2.8 zoom lens with a manual zoom ring and new control ring, a new Real Time Viewfinder with 2.36M-dots, 1080p movie recording at 60fps with manual exposure, hybrid auto focus system with high-speed AF at 0.06sec, 12fps burst shooting and a tilting 3.0-inch 920K-dot LCD monitor. Other key features of the Fujifilm X30 include built-in wi-fi connectivity, an ISO range of 100-12800, full manual controls, Focus Peak Highlight feature, optical image stabilisation, raw image capture, a hot-shoe, an integrated manual pop-up flash, film simulation modes including the new Classic Chrome mode, 360° motion panoramas, 1cm macro mode, 470-shot battery life, and an electronic level gauge. The Fujifilm X30 is available in black or silver priced at $599.95 / £479.99.

Ease of Use

Available in all-black or the silver and black version that we have reviewed, the Fujifilm X30 is another classically styled camera that recalls film rangefinders from the past, with a lovely retro design that belies its modest price-tag.

The Fujifilm X30 is an amazingly well-built camera, with no flex or movement in its chassis thanks to the die-cast magnesium alloy top and base plates and machined control dials. It's heavier than last year's X20 model, weighing in at 423g with the NP-95 battery and memory card fitted. Measuring 118.7mm (W) x 71.6mm (H) x 60.3mm (D), it's also slightly bigger than the X20, making it best suited to life in a small camera bag or large coat pocket. There are some plastic buttons and controls on the X30, most notably the memory card / battery compartment door and the rear buttons, but other that that the X30 offers excellent build quality considering its price-tag.

The new X30 sports the same 4x, 28-112mm zoom lens as its X20 predecessor. This lens has a fast aperture of f/2.0 at the 28mm wide-angle setting and f/2.8 at full 112mm telephoto, which in combination with the extensive ISO range of 100-3200 makes the X30 well suited to low-light shooting, allowing you to hand-hold the camera in places where you'd usually be reaching for a tripod (if allowed) or other support, especially as the camera also features very effective built-in optical image stabilisation.

The X30 is supplied with a push-on, lined metal lens cap to help protect its 4x optic, although there's no way to connect it to the camera, leading to a few moment of "find the lens cap". You can use filters with the X30, but only by buying the optional LH-X30 Lens Hood and Adapter Ring set accessory, which allows you to fit 52mm filters. There's a subtle but effective hand-grip at the front of the X30 and a rubber thumb-rest on the rear, with your grip helped in no small part by the textured faux-leather surface that runs around the camera. Two small metal eyelets on either side of the body are used for connecting the supplied shoulder strap, which isn't quite as luxurious as the rest of the package. A metal tripod mount is positioned off-centre from the lens away from the memory card / battery compartment, so you don't have to remove the camera from the tripod to change either of them.

Canon PowerShot A2100 IS
Front of the Fujifilm X30

At the heart of the X30 is the 12 megapixel 2/3-type X-Trans CMOS II sensor, a size that was used by several bridge-style compacts in the past but which has recently fallen out of favour. This sensor is larger than those in most compact cameras and promises to deliver better image quality, although not the equal of the 1-inch sensor used in the very popular Sony Cyber-shot DSC-RX100 series.

We ran into some issues in bright sunlight when shooting in aperture and shutter priority modes, where the top shutter-speed limit of 1/1000th second at the full f/2 aperture often caused over-exposure (the X30 actually has a higher limit of 1/4000th second, but only at smaller apertures). Unlike the X100S, the X30 still doesn't feature a built-in Neutral Density filter (something that we complained about with the X10), so you'll have to stop-down the aperture and increase the depth-of-field to avoid blowing out the highlights. The X30 does offer a fantastic close focusing distance of 1cm, so macro shooting is definitely on the cards.

The X30 has an ultra-fast hybrid AF system with both a conventional contrast-detection system and built-in Phase Detection pixels which enables the camera to achieve a focus lock in as little as 0.06 second. Manual focusing is activated by setting the focusing switch on the front of the camera to M and using the rear thumb-wheel to set the distance, with the LCD display automatically zooming in on the subject to help you judge the sharpness. There's a handy blue distance scale along the bottom of the LCD screen with a red bar indicating the the focusing distance and a white bar showing the depth of field, which actually changes in line with the current aperture - very handy.

Fujifilm have cleverly made the focusing ring more sensitive to how you use it - turn it slowly and the focusing distance changes slowly, but turn it more quickly and the camera quickly moves through the distance scale. It takes less than 2 full turns and a couple of seconds to jump from the closest focus distance to infinity. The X30 also offers a Focus Peak Highlight function, which displays a white line around the subject when it's in focus, something that Sony NEX users in particular have been enjoying for a while.

Canon PowerShot A2100 IS
Rear of the Fujifilm X30

The Fujifilm X30 offers not one, not two, but three ways of composing your images. In addition to the high-resolution 3-inch LCD monitor on the back, which has 920k dots and offers 100% scene coverage, the X30 also features a brand new OLED electronic viewfinder that's also used in the X-E2 compact system camera. It sports the same 2.36m dot resolution, lag-time of just 0.005 sec and 100% coverage as the X-T1, but has a magnification of 0.65x rather than the X-T1's 0.77x. The Live View display can also be set the ‘Preview Pic. Effect’ function to reflect either the current cameras settings or offer a more natural view that displays a plain RAW live view with no film simulations or other JPEG parameters applied, and the displayed settings automatically rotate when the camera is held in a portrait orientation. All in all, the X30's new EVF is a big improvement on the X20's optical viewfinder.

In terms of operational speed, the Fujifilm X30 has some real standout highlights and very few weak points. Shutter lag is virtually non-existent on this camera, so once you have set the focus, you'll never miss the moment because the camera can't fire the shutter quickly enough. Continuous shooting speeds are excellent, with a top rate of 12fps for 18 JPEGs. Note that if you're shooting RAW, the fastest possible rate is a slightly slower 9fps for 23 frames, although commendably still at full resolution. Note that both the focus and the exposure are set according to the first frame in each series, so it's not a particularly good system for tracking fast-moving subjects in varied lighting conditions.

The write speeds from pressing the shutter button to recording to the SD / SDHC / SDXC memory card are perfectly respectable. Shooting a single RAW + Fine JPEG takes about 6 seconds to record to the card, although thankfully you can take another shot almost straight away (with a delay of just 0.5 second). Taking a 12 frame burst took the camera around 5 seconds to save, during which you can take more pictures, but not at the 12fps rate, while shooting a burst of RAW files at 9fps took around 10 seconds to save.

Canon PowerShot A2100 IS
Top of the Fujifilm X30

One area in which the Fujifilm X30 excels is its handling, thanks in no small part to the numerous external controls that make changing the key settings a breeze, especially when holding the camera at eye-level. Surrounding the lens is a manual zooming ring, with 6 markings including Off, 28, 35, 50, 85 and 112mm. This ring performs two functions - it powers the camera on by turning it from Off to the 28mm setting, denoted by a definite click, and turns the camera off again by turning it in the reverse direction. Very clever.

It also allows you to quickly zoom the lens and set the focal length by turning it, with a short and tactile movement that works particularly well when you hold the camera up to eye-level. It's a little more awkward to use when holding the camera at arms length though, where a more conventional zoom lever would be preferable, although markings helpfully appear on the horizontal zoom scale along the bottom of the LCD screen. All in all, though, the manual zooming ring works very well, practically begging you to hold the camera up to your eye.

A new control ring has been added to the X30 behind the zoom ring. By default this allows you change the aperture and shutter speed, but other functions such as ISO speed, film simulation, white balance and continuous shooting can alternatively be assigned using the control ring setting button on the front of the camera. Using the control ring to set the aperture/shutter speed is a much better solution than the X20's rear control wheel, and in combination with the rear command dial it makes using the manual shooting mode very easy indeed.

Canon PowerShot A2100 IS
Front of the Fujifilm X30

On top of the X30 are tactile dials for changing the exposure compensation and the shooting mode, the tiny Movie Record button, a small but responsive shutter release button with a thread for a very traditional mechanical cable release - there's no need to buy an expensive dedicated accessory for this camera - an external flash hotshoe for suitable dedicated external units, and finally the camera's built-in pop-up flash, which cleverly only appears when a flash mode is selected and which has a range of 50cm - 7m at ISO 800.

The X30's LCD screen is bigger than the X20's at 3 inches and higher resolution (920k dots) too to match the rest of the camera's high specification. I actually found myself using it less than with a DSLR, due to the ability to use the electronic viewfinder, and you could conceivably turn off the LCD altogether to help eke out the much-improved 470 shot battery life even further.

The LCD screen can also now be tilted up and down, although not enough to take that ubiquitous selfie. Instead the camera can very effectively be held at waist level for more candid shots or above your head to shoot over a crowd. The tilt mechanism feels sturdy and certainly matches the rest of the camera's build quality.

Canon PowerShot A2100 IS
Side of the Fujifilm X30

The LCD screen has a handy Info view which presents all of the key settings at once, or you can switch to the Standard or Custom Live View modes, with the latter offering a multitude of customisable options. To make the camera less obtrusive, there's a Silent menu option which turns off the speaker, flash, AF-assist lamp and most importantly the artificially-created shutter-release sound, instantly making the X30 perfectly suited to candid photography.

The X30 features built-in wi-fi connectivity. Install the FUJIFILM Camera Remote App and you can transfer your pictures immediately to a smartphone or tablet PC and then edit and share them as you wish, transfer stills and video onto the camera, and embed GPS information in your shots from your smartphone. You can also control the camera remotely, with the list of available functions including Touch AF, shutter release for stills and movies, shutter speed, aperture, exposure compensation, ISO sensitivity, Film Simulation modes, White Balance, macro, timer and flash. The built-in wi-fi also provides a simple means to backup your photos to your home PC.

The Fujifilm X30 can record full 1080p movies at 60 with stereo sound, turned on by selecting the Movie option on the shooting mode dial. There are also several slow motion options - 30fps or 80fps at 640x480 pixels, 150fps at 320x240, and 250fps at 320x112. You can now set the aperture and shutter speed during recording, and you can also set the Film Simulation mode, so black and white footage is possible. Continuous auto-focusing is possible, and you can manually focus too, which encourages some more creative effects. There is a HDMI port for connecting the X30 to a high-definition TV, although as usual there's no cable supplied in the box. Also missing is a paper copy of the otherwise helpful manual, which is supplied on CD-ROM instead, along with the consumer My software the slow and rather unintuitive RAW converter (essentially a specially customised version of the commercial Silkypix application).

Canon PowerShot A2100 IS
Tilting LCD Screen

The X30 has a revised rear control layout to take account of the new tilting LCD screen. The X20's vertical row of four buttons on the left of the LCD screen has gone, with the buttons instead moving above and to the right of the screen. Directly above are buttons for image playback, the View button to toggle between the electronic viewfinder and the LCD screen (there's also an eye-sensor that does this automatically), and the Drive/Delete button.

On the right are the rear control dial, customisable AEL/AFL button, and the Q button. This calls up the very handy and configurable Quick View screen, which provides quick access to 16 frequently used shooting settings including the ISO speed, White Balance, File Size and File Quality, with the 4-way controller and command dial used to quickly change them. Each of the four direction buttons can be re-configured to another function, and you can even set them up to quickly set the AF point without having to press the AF button first, something that X-T1 owners can't currently do.

The navigation pad can be used to change the shutter speed and aperture and select other settings, and four options around it for setting Macro, flash mode, AF mode and the self-timer focusing mode. In the middle of the control wheel is the Menu button, which accesses the Shooting and Set-up main menus. Underneath are two buttons, the first for changing the LCD display or going back, and a configurable Fn button that accesses the wi-fi mode by default.

Image Quality

All of the sample images in this review were taken using the 12 megapixel Fine JPEG setting, which gives an average image size of around 5Mb.

The Fujifilm X30 produces images of outstanding quality for a camera with such a small sensor. It recorded noise-free JPEG images at ISO 100 up to 800, with a little noise and slight colour desaturation at ISO 1600 and more visible noise at ISO 3200 at full resolution. Even ISO 6400 is worth using, although the same can't be said about the range-topping ISO 12800. The RAW files were also excellent, with usable images throughout the entire range of ISO 100-3200.

The Fujifilm X30's 4x zoom lens handled chromatic aberrations very well, with limited purple fringing effects appearing only in high contrast situations and at the edges of the frame. The built-in flash worked well indoors, with no red-eye and good overall exposure. The night photograph was excellent, with the maximum shutter speed of 30 seconds being long enough for most after-dark shots.

Macro performance is outstanding, allowing you to focus as close as 1cm away from the subject. The images were a little soft straight out of the Fujifilm X30 at the default sharpening setting and ideally require some further sharpening in an application like Adobe Photoshop, or you can change the in-camera setting.

The Dynamic Range settings subtly improve detail in the shadows and highlights, while the Film Simulation modes hark back to a bygone era. The Advanced Filters provide some creative control over your JPEGs. Motion panoramas are the icing on the proverbial cake, although they didn't work very well in mixed lighting conditions or with moving subjects in the frame.

Noise

There are 8 ISO settings available on the Fujifilm X30 for JPEGs, and 6 for RAW files. Here are some 100% crops which show the noise levels for each ISO setting for both JPEG and RAW files.

JPEG RAW

ISO 100 (100% Crop)

ISO 100 (100% Crop)

iso100.jpg iso100raw.jpg
   

ISO 200 (100% Crop)

ISO 200 (100% Crop)

iso200.jpg iso200raw.jpg
   

ISO 400 (100% Crop)

ISO 400 (100% Crop)

iso400.jpg iso400raw.jpg
   

ISO 800 (100% Crop)

ISO 800 (100% Crop)

iso800.jpg iso800raw.jpg
   

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

iso1600.jpg iso1600raw.jpg
   

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

iso3200.jpg iso3200raw.jpg
   

ISO 6400 (100% Crop)

 
iso6400.jpg N/A
   

ISO 12800 (100% Crop)

 
iso12800.jpg N/A

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera JPEG images are a little soft and ideally benefit from some further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level.

Original (100% Crop)

Sharpened (100% Crop)

sharpen1.jpg sharpen1a.jpg
   
sharpen2.jpg sharpen2a.jpg

Focal Range

The Fujifilm X30's 4x zoom lens provides a focal length of 28-112mm in 35mm terms, as demonstrated below.

28mm

112mm

focal_range1.jpg focal_range2.jpg

File Quality

The Fujifilm X30 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

12M Fine (5.74Mb) (100% Crop) 12M Normal (3.70Mb) (100% Crop)
quality_fine.jpg quality_normal.jpg
   
12M RAW (18.7Mb) (100% Crop)  
quality_raw.jpg  

Chromatic Aberrations

The Fujifilm X30 handled chromatic aberrations very well during the review, with llittle evidence of purple fringing that was only present around the edges of objects in very high-contrast situations, as shown in the example below.

Chromatic Aberrations 1 (100% Crop)

chromatic1.jpg

Macro

The Fujifilm X30 offers a Super Macro setting that allows you to focus on a subject that is 1cm away from the camera. The first image shows how close you can get to the subject (in this case a compact flash card). The second image is a 100% crop.

Macro

Macro (100% Crop)

macro1.jpg macro1a.jpg

Flash

The flash settings on the Fujifilm X30 are Auto, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction Auto, Red-eye Reduction & Forced Flash and Red-eye Reduction & Slow Synchro. These shots of a white coloured wall were taken at a distance of 1.5m.

Suppressed Flash - Wide Angle (28mm)

Forced Flash - Wide Angle (28mm)

ISO 64 ISO 64
   

Suppressed Flash - Wide Angle (112mm)

Forced Flash - Wide Angle (112mm)

ISO 64 ISO 64

And here are some portrait shots. As you can see, neither the Forced Flash setting or the Red-eye Reduction & Forced Flash option caused any red-eye.

Forced Flash

Forced Flash (100% Crop)
flash_on.jpg flash_on1.jpg
   

Red-eye Reduction & Forced Flash

Red-eye Reduction & Forced Flash (100% Crop)

flash_redeye.jpg flash_redeye1.jpg

Night

The Fujifilm X30's maximum shutter speed is 30 seconds in the Manual, Shutter-priority and Aperture-priority modes, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 100. I've included a 100% crop of the image to show what the quality is like.

Night

Night (100% Crop)

night1.jpg night1a.jpg

Image Stabilisation

Image Stabilisation is Fujifilm's name for anti-shake, which in the X30 works via a sensor-shift mechanism. To test this, we took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results. As you can see, with anti shake turned on, the images are much sharper than with anti shake turned off.

Shutter Speed / Focal Length

Anti Shake Off (100% Crop)

Anti Shake On (100% Crop)

1/10th / 28mm antishake1.jpg antishake1a.jpg
     
1/15th sec / 112mm antishake2.jpg antishake2a.jpg

Dynamic Range

The Fujifilm X30 has three dynamic range settings - 100% (on by default), 200%, and 400% - and an Auto setting if you want to let the camera take control. These settings gradually increase the amount of detail visible in the shadow and highlight areas, with the side-effect of more noise appearing in the image. Note that you can't actually turn this feature off.

100%

200%

dynamic_range_01.jpg dynamic_range_02.jpg
   

400%

 
dynamic_range_03.jpg  

Advanced Filter

The Fujifilm X30 offers 13 different filter effects which can be previewed on the LCD screen.

Toy Camera

Miniature

advanced_filter_01.jpg advanced_filter_02.jpg
   

Pop Color

High-Key

advanced_filter_03.jpg advanced_filter_04.jpg
   

Low-Key

Dynamic Tone

advanced_filter_05.jpg advanced_filter_06.jpg
   

Soft Focus

Partial Color (Red)

advanced_filter_07.jpg advanced_filter_08.jpg
   

Partial Color (Orange)

Partial Color (Yellow)

advanced_filter_09.jpg advanced_filter_10.jpg
   

Partial Color (Green)

Partial Color (Blue)

advanced_filter_11.jpg advanced_filter_12.jpg
   

Partial Color (Purple)

 
advanced_filter_13.jpg  

Motion Panoramas

Just like Sony's Cybershot range, the Fujifilm X30 can create motion panoramas up to 360 degrees in length. Exposure is set on the first frame, which caused real problems for our indoor shot where different light sources caused large areas of vertical banding. The X30 performed much better outdoors, although watch out for moving subjects in the frame as the X30 won't compensate for this.

360 Degrees
panorama1.jpg

Pro Focus

The Fujifilm X30's Pro Focus scene mode creates images with a shallow depth of field, with the camera taking a rapid series of exposures at different focal points and aligning them to produce a single frame showing a sharply focused subject against a soft, out-of-focus background.

100%

200%

pro_focus1.jpg pro_focus1a.jpg

Pro Low-Light

The Fujifilm X30's Pro Low-Light scene mode produces better image clarity at high ISO levels, with the camera taking a series of four high sensitivity/low-noise shots in quick succession which are then combined together using in-camera processing into an image with less noise than the single exposures.

Pro Low-Light

Pro Low-Light (100% Crop)

pro_low_light1.jpg pro_low_light1a.jpg

Multiple Exposure

The Fujifilm X30 can combine two consecutively taken shots to create a single multi-exposure

Multiple Exposure

multi_exposure.jpg

Film Simulation

The Fujifilm X30 offers 8 different film simulation modes to help replicate the look of your favourite film stock from the past.

Provia / Standard

Velvia / Vivid

film_simulation_01.jpg film_simulation_02.jpg
   

Astia / Soft

Monochrome

film_simulation_03.jpg film_simulation_04.jpg
   

Monochrome + Yellow Filter

Monochrome + Red Filter

film_simulation_05.jpg film_simulation_06.jpg
   

Monochrome + Green Filter

Sepia

film_simulation_07.jpg film_simulation_08.jpg

Sample Images

This is a selection of sample images from the Fujifilm X30 camera, which were all taken using the 12 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Fujifilm X30 enables users to capture RAW and JPEG format files. We've provided some Fujifilm RAW (RAF) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

This is a sample movie at the highest quality setting of 1920x1080 at 60 frames per second. Please note that this 24 second movie is 110Mb in size.

Product Images

Fujifilm X30

Front of the Fujifilm X30

 
Fujifilm X30

Front of the Fujifilm X30 / Turned On

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Rear of the Fujifilm X30

 

Fujifilm X30

Rear of the Fujifilm X30 / Image Displayed

 
Fujifilm X30

Rear of the Fujifilm X30 / Turned On

 
Fujifilm X30
Rear of the Fujifilm X30 / Main Menu
 
Fujifilm X30

Rear of the Fujifilm X30 / Quick Menu

 
Fujifilm X30

Rear of the Fujifilm X30 / Wi-fi

 
Fujifilm X30

Rear of the Fujifilm X30 / Tilting LCD Screen

 
Fujifilm X30

Rear of the Fujifilm X30 / Tilting LCD Screen

 
Fujifilm X30

Rear of the Fujifilm X30 / Tilting LCD Screen

 
Fujifilm X30

Top of the Fujifilm X30

 
Fujifilm X30

Bottom of the Fujifilm X30

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Side of the Fujifilm X30

 
Fujifilm X30

Front of the Fujifilm X30

 
Fujifilm X30

Front of the Fujifilm X30

 
Fujifilm X30

Memory Card Slot

 
Fujifilm X30
Battery Compartment

Conclusion

The new Fujifilm X30 is an evolutionary rather than revolutionary upgrade of last year's X20 model, principally adding a better electronic viewfinder and tilting LCD screen, together with more intuitive and customisable controls and a much improved movie mode.

The X30's continued use of a relatively small 2/3-type sensor continues to deliver great image quality, but is starting to look a little under-powered when compared to the likes of the Sony Cyber-shot RX100 series and the Canon PowerShot G7 X with their 1-inch sensors and the Panasonic Lumix LX100 with its even bigger Micro Four Thirds sensor, especially when you consider that all of those cameras are smaller and lighter than the X30.

Those rivals are all more expensive, though, so if you're happy with the X30's image quality, then we can certainly recommend it as a very well-built, refined and attractive camera that delivers the X-series DNA at an affordable price.

4.5 stars

Ratings (out of 5)
Design 4.5
Features 4.5
Ease-of-use 4.5
Image quality 4.5
Value for money 4

Main Rivals

Listed below are some of the rivals of the Fujifilm X30.

Canon PowerShot G1 X Mark II

The Canon PowerShot G1 X Mark II is a serious compact camera with a large 1.5-inch image sensor and fast 5x zoom lens. The G1 X Mk II also offers built-in wi-fi/NFC connectivity, 1080p HD video at 30fps with stereo sound, a 3 inch tilting touchscreen LCD, dual lens control rings, RAW files and a full range of manual shooting modes. Read our Canon PowerShot G1 X Mark II review to find out if it's worth the £799 / €949 / $799.99 asking price...

Nikon Coolpix A

The Nikon Coolpix A is a new pocket camera for professionals. The Nikon A features the same 16 megapixel APS-C sensor as the D7000 DSLR, a 28mm f/2.8 lens, full manual controls, 1080p HD video recording, a high-resolution 3-inch LCD screen and 4fps burst shooting. Read our in-depth Nikon Coolpix A review to find out if this justifies the £999.99 / $1099.95 price-tag...

Nikon Coolpix P340

The Nikon Coolpix P340 is a new compact camera for the keen enthusiast. The Nikon P340 features a 12.2 megapixel BSI CMOS sensor, full manual controls, lens control ring, 1080p HD video recording, a 5x wide-angle zoom lens with a fast maximum aperture of f/1.8, a high-resolution LCD screen, built-in wi-fi and 10fps burst shooting. Read our in-depth Nikon Coolpix P340 review to find out if it's the perfect pocket camera...

Olympus XZ-10

The new Olympus XZ-10 is a serious compact camera designed to fit in your pocket. A 12 megapixel BSI CMOS sensor, fast f/1.8 maximum aperture, high-res 3-inch touch-screen LCD, 1080p movies, RAW format support and a full range of manual shooting modes should be enough to grab your attention. Read our expert Olympus XZ-10 review, complete with full-size JPEG, RAW and movie samples.

Olympus XZ-2

The new Olympus XZ-2 is a serious compact that's aimed at the enthusiast and professional user looking for a small yet capable camera. A 12 megapixel 1/1.7 inch CMOS sensor, fast f/1.8 maximum aperture, high-res 3-inch tilting touch-screen LCD, and a full range of manual shooting modes should be enough to grab your attention. Read our expert Olympus XZ-2 review, complete with full-size JPEG, RAW and movie samples.

Panasonic Lumix DMC-LF1

The Panasonic Lumix DMC-LF1 is a brand new premium compact camera with a unique twist - it has an electronic viewfinder. The Panasonic LF1 also offers a 12 megapixel sensor, 7x zoom lens with fast f/2 aperture, 10fps burst shooting and RAW support. Read our in-depth Panasonic Lumix DMC-LF1 review with sample JPEG, RAW and video files now...

Panasonic Lumix DMC-LX7

The Panasonic Lumix DMC-LX7 is the latest premium compact camera hoping to find a place in a professional photographer's pocket. With the fastest lens of any compact to date, the LX7 also offers an improved 10 megapixel sensor, full 1080p HD movies and an even better control system than the previous LX5 model. Read our in-depth Panasonic Lumix DMC-LX7 review with sample JPEG, RAW and video files now.

Pentax MX-1

The Pentax MX-1 joins the growing list of premium compact cameras aimed at advanced users. Offering a large 1/1.7" 12 megapixel sensor, fast f/1.8 4x zoom lens, tilting 3-inch LCD screen and an appealingly retro design, does the Pentax MX1 offer enough to compete in this increasingly competitive market? Read our detailed Pentax MX-1 review to find out...

Ricoh GR

At first glance the Ricoh GR looks like a street photographer's dream camera. With a fixed focal length 28mm wide-angle lens, 16 megapixel APS-C sensor, high-res 3 inch LCD screen, flash hotshoe, wealth of customisable controls and a fast auto-focus system, does the pocketable Ricoh GR live up to its promise? Read our in-depth Ricoh GR review complete with full-size image samples to find out...

Samsung EX2F

The Samsung EX2F is a new pocket camera for serious photographers, sporting a super-bright f/1.4, 3.3x zoom lens, sensible 12 megapixel sensor and a swivelling 3 inch AMOLED screen. 1080p video, RAW shooting, ISO 80-12800, 10fps burst shooting, image stabilisation and full manual controls complete the EX2F's star attractions. Read our Samsung EX2F review to find out if this is the advanced compact camera for you...

Sony Cyber-shot DSC-RX100 II

Last year's RX100 premium compact camera proved to be a runaway success for Sony - can the new Mark II version improve on the original? Read our expert Sony Cyber-shot DSC-RX100 II review to find out...

Sony Cyber-shot DSC-RX100 III

Big sensor - check. Fast lens - check. Built-in viewfinder - check. Tilting LCD screen - check. Wi-fi and NFC - check. Advanced video options - check. Is the new Sony Cyber-shot DSC-RX100 III the ultimate compact camera? Read our expert Sony Cyber-shot DSC-RX100 II review to find out...

Review Roundup

Reviews of the Fujifilm X30 from around the web.

neocamera.com »

The Fuji X30 is a premium compact with a bright F/2-2.8 wide-angle mechanically linked and stabilized 4X optical zoom lens. This impressive lens is paired with a unique 2/3" X-Trans CMOS sensor with a special color-filter-array which requires no anti-alias filter and incorporates on-sensor Phase-Detect autofocus.
Read the full review »

Specifications

Resolution 12.0 million pixels
Sensor type 2/3-inch X-Trans CMOS II with primary colour filter
Storage media
  • Internal memory (approx. 55MB)
  • SD / SDHC / SDXC(UHS-I) memory card*1
File format
still image
JPEG (Exif Ver 2.3)*2,
RAW (RAF format), RAW+JPEG 
(Design rule for Camera File system compliant / DPOF-compatible)
movie
MOV (H.264, Audio : Linear PCM / stereo sound)
Number of recorded pixels L : (4:3) 4000 x 3000 / (3:2) 4000 x 2664 / (16:9) 4000 x 2248 / (1:1) 2992 x 2992
M : (4:3) 2816 x 2112 / (3:2) 2816 x 1864 / (16:9) 2816 x 1584 / (1:1) 2112 x 2112
S : (4:3) 2048 x 1536 / (3:2) 2048 x 1360 / (16:9) 1920 x 1080 / (1:1) 1536 x 1536

<Motion Panorama>
360° Vertical : 11520 x 1624 Horizontal : 11520 x 1080
180° Vertical : 5760 x 1624 Horizontal : 5760 x 1080
120° Vertical : 3840 x 1624 Horizontal : 3840 x 1080
Lens
name
Fujinon 4x optical zoom lens
focal length
f=7.1 - 28.4mm, equivalent to 28-112mm on a 35mm format
full-aperture
F2.0 (Wide) - F2.8 (Telephoto)
constitution
9 groups 11 lenses (3 aspherical glass molded lenses included)
Digital zoom Intelligent digital zoom approx. 2x (up to 8x when combined with optical zoom)
Aperture F2.0 - F11 (Wide) 
F2.8 - F11 (Telephoto) 1/3EV step (controlled 7-blade aperture diaphragm)
Focus distance (from lens surface)
Normal
  • Wide : Approx. 50cm / 1.6ft. to infinity
  • Telephoto : Approx. 80cm / 2.6ft. to infinity
Macro
  • Wide : Approx. 10cm - 3.0m / 3.9in. - 9.8ft.
  • Telephoto : Approx. 50cm - 3.0m / 1.6ft. - 9.8ft.
Super Macro
  • Approx. 1.0cm -1.0m / 0.4in. - 3.3ft.
Sensitivity AUTO1 / AUTO2 / AUTO3 (Control available up to ISO3200), Equivalent to ISO 100 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 / 4000 / 5000 / 6400 / 12800 (Standard Output Sensitivity)
Exposure control TTL 256-zone metering, Multi / Spot / Average
Exposure mode Programmed AE, Aperture Priority AE, Shutter Priority AE, Manual exposure
Shooting modes
SP
Portrait, Portrait Enhancer, Landscape, Sport, Night, Night (Tripod), Fireworks, Sunset, Snow, Beach, Party, Flower, Text, Underwater
MODE DIAL
AUTO, ADVANCED SR AUTO, P, S, A, M, SP1, SP2, Filter, Adv., Panorama
Image stabilisation Lens shift type
Face detection YES
Exposure compensation -3.0EV - +3.0EV 1/3EV step (movie recording : -2.0EV - +2.0EV)
Shutter speed (Auto mode) 1/4 sec. to 1/4000* sec. , (All other modes) 30 sec. to 1/4000* sec.
  • * 1/4000sec. at small aperture, 1/1000sec. at full aperture
Continuous shooting
TOP
Super High : approx. 12 fps (max. 18 frames*)
High : approx. 9.0 fps (max. 23 frames*)
Middle : approx. 6.0 fps (max. 46 frames*)
Low : approx. 3.0 fps (max. 100 frames*)
  • * Max. number of frames can be shot in JPEG setting
LAST
-
Best Frame capture
Super High : approx. 12 fps (max. 8 frames*)
High : approx. 9.0 fps (max. 8 frames*) 
Middle : approx. 6.0 fps (max. 8 frames*) 
Low : approx. 3.0 fps (max. 8 frames*)
  • * Max. number of frames can be shot in JPEG setting
Auto bracketing AE Bracketing : ±1/3EV, ±2/3EV, ±1EV
Film Simulation Bracketing : Any 3 type of Film Simulation selectable
Dynamic Range Bracketing : 100% / 200% / 400%
ISO sensitivity Bracketing : ±1/3EV, ±2/3EV, ±1EV
White Balance Bracketing (±1, ±2, ±3)
Focus
mode
Single AF / Continuous AF / MF
type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF), AF assist illuminator available
AF frame selection
Multi, Area, Tracking
White balance Automatic scene recognition
Preset
Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater, Custom, Colour temperature selection
Self timer 10 sec. / 2 sec. delay
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time)
Flash Manual pop-up flash (Super intelligent Flash)
Effective range (ISO AUTO):
Normal
  • Wide : Approx. 30cm - 7.0m / 11.7in. - 22.9ft.
  • Telephoto : Approx. 50cm - 5.0m / 1.6ft. - 16.4ft.
Flash modes
Red-eye Removal OFF
Auto, Forced Flash, Slow Synchro., Commander, Suppressed Flash
Red-eye Removal ON
Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Red-eye Reduction & Slow Synchro., Commander, Suppressed Flash
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder 0.39-in., approx. 2.360K-dot OLED colour viewfinder
Coverage of viewing area vs. capturing area : approx. 100%
Eye point : approx. 17.5mm (from the rear end of the camera's eyepiece)
Diopter adjustment : -4m-1 to +2m-1
Magnification : 0.65x with 50mm lens (35mm format equivalent) at infinity and diopter set to - 1.0m-1
Diagonal angle of view : approx. 31° (Horizontal angle of view : approx. 25°)
Built-in eye sensor
LCD monitor 3.0-inch, aspect ratio 3:2, approx. 920K-dot, Tilt type colour LCD monitor (approx. 100% coverage)
Movie recording 1920 x 1080 pixels / 1280 x 720 pixels (60 fps, 50 fps, 30 fps, 25 fps, 24 fps) / 640 x 480 pixels (30 fps, 25 fps) with stereo sound
Optical zoom (manual) can be used.
Photography functions ADVANCED SR AUTO, High Speed Movie (80/150/250 fps.), Face Detection, Auto Red-eye Removal, Colour, Sharpness, Highlight Tone, Shadow Tone, Noise Reduction, Dynamic Range, Adv. mode (Pro focus, Pro low light, Multiple Exposure), Motion panorama360, Electronic level, Histogram display, Framing guideline, Frame No. memory, Advanced Anti Blur, Pre-AF, Focus check, Focus Peak Highlight, Rlease/Focus Priority, Instant AF setting(AF-S/AF-C), Interlock spot AE & Focus area, Control Ring setting, Edit/Save Quick Menu, Function (Fn) setting
Playback functions Face Detection, Auto Red-eye Removal, Multi-frame playback (with micro thumbnail), Protect, Crop, Resize, Slide show, Image rotate, Histogram display, Exposure warning, Photobook assist, Image search, Favorites, Mark for upload, Panorama, Erase Selected Frames, RAW Conversion
Other functions PictBridge, Exif Print, 35 Languages, Time difference, Shutter sound, Silent mode, Quick start Mode, Power management, Preview exp. in manual mode, Monitor sunlight mode, EVF brightness, EVF colour, LCD brightness, LCD colour, Preview pic. effect, DISP. custom setting​
Wireless transmitter
Standard
IEEE 802.11b / g / n (standard wireless protocol)
Access mode
Infrastructure
Wireless functions Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, instax printer print, PC Autosave
Terminal
Video output
-
Digital interface
USB2.0 (High-Speed) / micro USB terminal
  • * connectable with Remote Release RR-90 (sold separately)
HDMI output
HDMI mini connector (Type D)
Audio input
Microphone / shutter release input: Ø2.5mm, stereo mini connector
Power supply NP-95 Li-ion battery (included)
Dimensions 118.7mm (W) x 71.6mm (H) x 60.3mm (D) / 4.7in. (W) x 2.8in. (H) x 2.4in. (D)
Weight Approx. 423g / 14.9 oz. (including battery and memory card)
Approx. 383g / 13.5 oz. (excluding battery and memory card)
Operating temperature 0 - 40°C (+32°F - +104°F)
Operating humidity 10 - 80% (no condensation)
Battery life Approx. 470 frames (LCD : ON, AUTO mode)
Accessories included Li-ion battery NP-95
AC power adapter AC-5VT
Plug Adapter
Shoulder strap
Lens cap
Metal strap clip
Protective cover
Clip attaching tool
USB cable
Owner's Manual(Basic Operations)*4
Optional accessories Li-ion battery NP-95
Battery charger BC-65N
Lens hood LH-X10
Lens Hood and Protector Filter LHF-X20
Protector filter PRF-52*5
Leather case LC-X30
Shoe Mount Flash EF-42 / EF-20 / EF-X20
Stereo microphone MIC-ST1
Remote Release RR-90

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