Fujifilm X-H1 Review
Introduction
The Fujifilm X-H1 is a new flagship compact system camera sitting at the top of the Fujifilm range above the X-T2 and X-Pro2 models. The XH1 is the first ever Fujifilm camera to feature in-body image stabilization (IBIS), which offers a maximum of 5.5 stops of compensation depending on the lens that you're using. Improvements on the video side include a new film simulation called Eterna that's ideal for shooting movies plus a new F-log video mode, DCI 4K and 1080/120P high-speed support, plus 200Mbps high bit-rate recording. It also has a 24 megapixel X-Trans III APS-C sized sensor, X Processor Pro image processing engine, 3.69m dot electronic viewfinder, 1.04m dot three-direction tilting LCD screen with additional touchscreen functionality, a 25% tougher weather-resistant body, 14fps continuous shooting, a focal plane shutter with a top speed of 1/8000 sec. and flash sync up to 1/250 sec., silent electronic shutter with a maximum speed of 1/32,000 sec, flicker reduction mode, 91 auto-focus points (expandable to 325), improved -1EV AF range, a more sensitive shutter release button, a sub LCD monitor on the top plate, and support for dual SD memory cards. The Fujifilm X-H1 costs £1699 / $1899 body-only or £1949 / $2199 with the new VPB-XH1 vertical battery grip.
Ease of Use
In terms of its overall design, the Fujifilm X-H1 shares the same DSLR-like format that has proved so popular on the X-T2, but the XH1 is both bigger and heavier than both the XT2 and XPro2. This is largely because of the need to accommodate the new in-body image stabilization system, a first for Fujifilm mirrorless cameras (more on this later).
Compared to the XT2, the X-H1 is 166g heavier (623g vs 457g) and physically bigger in all dimensions, especially the depth thanks to the new chunky handgrip. While I really enjoyed the extra purchase that the new grip provides, being much more reminiscent of the grip on the Fujifilm GFX medium format camera, it does help to make the X-H1 an undoubtedly big mirrorless camera that won't be to everyone's taste if you naturally equate mirrorless with being small.
Front of the Fujifilm X-H1 |
In Fujifilm's defence, they've stated that the XH1 is a direct response to would-be owners wanting a bigger camera, and if you have larger hands then it will certainly appeal, but there's no denying that this new model is larger than many true APS-C DSLRs. You can see a size comparison between the X-H1 and several other camera systems here. Of course, you can turn to the X-T2 if you want a smaller camera, but obviously that no longer offers all the bells and whistles that the X-H1 has added, not all of which are to do with the larger format.
Fujfilm have take the opportunity to beef up the build quality of the XH-1. The XH1's body is now made out of magnesium alloy that's said to be 25% thicker than on the X-T2, the surface of the camera's exterior coating is more scratch resistant, and the lens mount has been reinforced to be more resistant to damage. While I've never noticed any of these to be particularly problematic on previous X-series camera that I've reviewed, I guess they're nice to have on the new X-H1.
Front of the Fujifilm X-H1 |
The XH1 features exactly the same 24.3 megapixel APS-C size X-Trans CMOS III image sensor and X-Processor Pro image processing engine as the X-T2 and X-Pro2, so if you like the image quality that those two cameras offer (and we do), you'll still love what the X-H1 has to offer. The one new feature that will help improve the image quality in certain situations is the flicker reduction mode, which helps to deal with the vagaries of indoor fluorescent lighting when shooting at the higher burst rates that the X-H1 offers. This is something that has long been a feature on Canon DSLRs, and we're glad to see it implemented on the X-H1, although note that it only works when using the mechanical shutter, not the electronic one.
The brand new 5-axis in-body image stabilization (IBIS) provides 5 stops of compensation when used with the majority of XF lenses that don't already have any optical image stabilization functionality (actually 5.5 stops with the XF 35mm f/1.4 lens) and 3 stops with the more consumer-focused XC lenses. This excludes three XF lenses - the XF 10-24mm F4 R OIS, XF 18-55mm F2.8-4 R LM OIS and the XF 55-200mm F3.5-4.8 R LM OIS - which offer 2.5, 3.5 and 4.5 stops of compensation respectively. We've got a compatibility chart that shows all the Fujifilm lenses and how many stops of compensation they offer when mounted on the X-H1.
Rear of the Fujifilm X-H1 |
In practice the new IBIS system worked very well with all the XF lenses that I tried it with, allowing me to hand-hold the camera down to some seriously slow shutter speeds and still achieve pin-sharp results. This is assisted by the new shutter shock absorption mechanism that's built into the top plate of the X-H1's shutter unit, which as the name suggests minimizes camera shake and maximises the effect of the new OIS system.
And if that wasn't enough, Fujifilm have also developed a "feather-touch" shutter button that the company claims further helps to reduce camera shake and also produces the quietest shutter sound of all cameras in the X series. While those claims may be true, I did find the shutter release to be overly-sensitive for the first few days of using the XH1, with more than a few mistakenly taken shots due to the shutter button being much more sensitive than on the other X-series cameras. After some practice, though, I grew to appreciate the lighter mechanism a lot more, so much so that I missed it when switching back to the X-T2. Note that the shutter button on the X-H1 is no longer threaded, unlike the X-T2, so you can't fit a traditional cable release.
Top of the Fujifilm X-H1 |
Another big change to the X-H1 when compared to the X-T2 is the addition of a 1.28-inch monochrome LCD screen to the top of the camera, just like on the GFX 50S medium-format camera. Fujifilm have taken advantage of the X-H1's bigger body and handgrip to offer this feature, but while it's undeniably very convenient to be able to check the camera's key settings with a quick glance at the top LCD, it's not all good news, as the X-T2's dedicated exposure compensation dial has been completely removed on the X-H1 (as it also was on the GFX 50S). Instead there's a far less convenient button positioned to the right of the shutter button, which you have to hold down then use the rear control dial to move the on-screen EV slider up and down to set the value. This is one change that I feel is a backwards step for the X-H1 - I would definitely choose a dedicated exposure compensation dial instead of the top LCD screen any day of the week.
The 3-inch 1040K-dot LCD screen on the X-H1 is now touch-sensitive, which means you can use it to set the AF point or even fire the shutter release if you want when shooting stills or pull focus when recording video. On the right-hand side of the screen you’ll see a small icon, which if you press it allows you to choose between using the screen to set AF point, or to have it focus and then take a picture. If you prefer, you can turn off this functionality altogether, but it’s much quicker than using the buttons to set the point. Furthermore, you can actually change the focus point whilst holding the camera up to your eye by dragging across the touchscreen with your right thumb. Again, it's a little tricky to get it right at first, but persevere and it soon becomes more natural, if not quite second nature.
Tilting LCD Screen |
The auto-focusing system in the Fujifilm XH1 has been further improved in comparison with the X-T2. The phase detection AF now operates down to -1.0EV so that it's more reliable in very low-light, and it can be now used at an aperture of F/11 rather than F/8, which will please wildlife photographers who are using the 2x teleconverter with certain zoom lenses. Fujifilm also claim that the X-H1 performs more reliably when using the AF-C mode during zooming, although that's a very difficult claim to substantiate in practice without using an X-H1 and X-T2 side-by-side in the same shooting conditions. Note that these improvements work for both single point AF and Zone AF and apply to both stills and video recording.
The X-H1 also improves on the X-T2's video capabilities, making it the best-specced X-series camera for video that's currently available. There's a brand new Eterna film simulation specifically for video recording. This is intended to be an emulation of cinematic film and is designed to provide pleasing colours out of the camera with no further need for colour grading during post-production. Whilst serious videographers will probably take advantage of the equally new internal F-log mode (only available on the X-T2 when using an external recording device) which essentially acts as a Raw file for post-production editing, the Eterna film simulation certainly provides a very pleasing look to video footage that many people will be pleased with, which helps to reduce the amount of time spent in front of a computer after a shoot.
VPB-XH1 Vertical Battery Grip |
Other great new features include a DCI 4K shooting mode (4096×2160), a higher maximum bit rate of 200Mbps, and a 1080/120P high-speed mode, none of which the X-T2 offers. There's also a new higher quality built-in microphone (24bit/48khz) and timecode support, all of which help to make the X-H1 competitive with many of its main rivals.
There is one serious drawback to the XH1, though, which may make videographers look elsewhere, and that's the fact that a couple of important features are only provided by fitting the optional VPB-XH1 vertical battery grip. Just like on the X-T2, fitting the battery grip to the X-H1 lengthens the possible recording time for 4K video from 10 to 30 minutes and also adds a 3.5mm stereo headphone socket, which isn't present on the X-H1 body. So to get all of the video features that you might need on the X-H1, you really have to buy and fit the VPB-XH1 grip, which as well as being an extra expense turns the X-H1 into a seriously big camera indeed.
Notable improvements when comparing the X-H1 to the X-T2 include a much higher resolution electronic viewfinder (2.36 million dots on the X-T2, 3.69 million dots on the X-H1) which is 1.6x brighter than on previous models, a 2x faster eye sensor for switching between the viewfinder and the rear LCD screen, a dedicated AF-ON button positioned near your thumb on the rear of the camera which makes back-button focusing easier, and the welcome addition of Bluetooth LE connectivity. This allows you to transfer images from the camera to a smartphone, even if the X-H1 is turned off. Note that you must install the free "FUJIFILM Camera Remote" app on your smart device to use this function.
That concludes our look at the Fujifilm X-H1's new features from an ease-of use point of view - now let's move on to evaluating its Image Quality...
Image Quality
All of the sample images in this review were taken using the 24 megapixel Fine JPEG setting, which gives an average image size of around 10Mb.
The Fujifilm X-H1 produces images of outstanding quality. It recorded noise-free JPEG images at ISO 100 all the way up to 6400, with a little noise at ISO 12800 and more visible noise and slight colour desaturation at the faster settings of ISO 25600 and 51200, an amazing performance for a camera with an APS-C sensor. The RAW files were also excellent, exhibiting more noise but still producing very usable images from ISO 100-12800.
The night photograph was excellent, with the maximum shutter speed of 30 seconds being long enough for most after-dark shots, and the Bulb mode allowing much longer exposures if required. The Dynamic Range settings subtly improve detail in the shadows and highlights, while the Film Simulation modes hark back to a bygone era, with the new Eterna mode being a great addition for video use.
Noise
There are 10 ISO settings available on the Fujifilm X-H1 for JPEGs and RAW files. Here are some 100% crops which show the noise levels for each ISO setting.
JPEG | RAW |
ISO 100 (100% Crop) |
ISO 100 (100% Crop) |
ISO 200 (100% Crop) |
ISO 200 (100% Crop) |
ISO 400 (100% Crop) |
ISO 400 (100% Crop) |
ISO 800 (100% Crop) |
ISO 800 (100% Crop) |
ISO 1600 (100% Crop) |
ISO 1600 (100% Crop) |
ISO 3200 (100% Crop) |
ISO 3200 (100% Crop) |
ISO 6400 (100% Crop) |
ISO 6400 (100% Crop) |
ISO 12800 (100% Crop) |
ISO 12800 (100% Crop) |
ISO 25600 (100% Crop) |
ISO 25600 (100% Crop) |
ISO 51200 (100% Crop) |
ISO 51200 (100% Crop) |
File Quality
The Fujifilm X-H1 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
24M Fine (12.1Mb) (100% Crop) | 24M Normal (7.12Mb) (100% Crop) |
24M RAW (48.2Mb) (100% Crop) | |
Night
The Fujifilm X-H1's maximum shutter speed is 30 seconds in the (T)ime shutter speed mode, and there's a Bulb mode which allows exposures up to 60 minutes long, which is excellent news if you're seriously interested in night photography.
Night |
Dynamic Range
The Fujifilm X-H1 has three dynamic range settings - 100% (on by default), 200%, and 400% - and an Auto setting if you want to let the camera take control. These settings gradually increase the amount of detail visible in the shadow and highlight areas, with the side-effect of more noise appearing in the image. Note that you can't actually turn this feature off.
100% |
200% |
400% |
Film Simulations
The Fujifilm X-H1 offers 10 different film simulation modes to help replicate the look of your favourite film stock from the past.
Provia / Standard |
Velvia / Vivid |
Astia / Soft |
Classic Chrome |
Pro Neg. Hi |
Pro Neg. Standard |
Eterna |
Acros |
Monochrome |
Sepia |
Advanced Filter
The Fujifilm X-H1 offers 13 different filter effects which can be previewed on the LCD screen.
Toy Camera |
Miniature |
Pop Color |
High-Key |
Low-Key |
Dynamic Tone |
Soft Focus |
Partial Color (Red) |
Partial Color (Orange) |
Partial Color (Yellow) |
Partial Color (Green) |
Partial Color (Blue) |
Partial Color (Purple) |
|
Sample Images
This is a selection of sample images from the Fujifilm X-H1 camera, which were all taken using the 24 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
1/20s · f/8 · ISO 250
24mm
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1/20s · f/4 · ISO 500
24mm
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1/1300s · f/8 · ISO 200
40mm
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1/180s · f/11 · ISO 200
83mm
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1/450s · f/8 · ISO 200
83mm
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1/1300s · f/2.8 · ISO 200
83mm
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1/250s · f/4 · ISO 320
83mm
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1/250s · f/4 · ISO 320
83mm
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1/250s · f/4 · ISO 320
83mm
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1/42s · f/2.8 · ISO 200
83mm
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1/56s · f/2.8 · ISO 200
83mm
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1/50s · f/2.8 · ISO 200
83mm
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1/420s · f/1.2 · ISO 320
84mm
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1/85s · f/2.8 · ISO 320
84mm
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1/160s · f/2.8 · ISO 200
84mm
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1/120s · f/2.8 · ISO 200
84mm
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1/800s · f/1.2 · ISO 200
84mm
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1/450s · f/1.4 · ISO 320
53mm
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40/10s · f/11 · ISO 100
53mm
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20/10s · f/11 · ISO 200
53mm
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40/10s · f/11 · ISO 100
53mm
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1/1s · f/11 · ISO 400
53mm
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1/2s · f/11 · ISO 800
53mm
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1/4s · f/11 · ISO 1600
53mm
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1/8s · f/11 · ISO 3200
53mm
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1/15s · f/11 · ISO 6400
53mm
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1/28s · f/11 · ISO 12800
53mm
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1/120s · f/11 · ISO 51200
53mm
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1/58s · f/11 · ISO 25600
53mm
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13/10s · f/8 · ISO 100
24mm
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1/2s · f/8 · ISO 200
24mm
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1/3s · f/8 · ISO 400
24mm
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1/6s · f/8 · ISO 800
24mm
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1/12s · f/8 · ISO 1600
24mm
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1/25s · f/8 · ISO 3200
24mm
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1/50s · f/8 · ISO 6400
24mm
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1/100s · f/8 · ISO 12800
24mm
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1/180s · f/8 · ISO 25600
24mm
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1/160s · f/1.2 · ISO 200
84mm
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1/480s · f/1.2 · ISO 200
84mm
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1/8s · f/4 · ISO 800
24mm
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1/5s · f/2.8 · ISO 400
24mm
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1/9s · f/2.8 · ISO 400
83mm
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1/10s · f/4 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/6s · f/2.8 · ISO 1600
66mm
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1/27s · f/2.8 · ISO 3200
31mm
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1/5s · f/2.8 · ISO 1600
83mm
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1/10s · f/2.8 · ISO 1600
83mm
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1/9s · f/2.8 · ISO 1600
83mm
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1/80s · f/2.8 · ISO 200
75mm
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1/220s · f/2.8 · ISO 200
83mm
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1/1000s · f/2.8 · ISO 12800
80mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/1000s · f/2.8 · ISO 8000
83mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/1000s · f/2.8 · ISO 3200
34mm
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1/1000s · f/2.8 · ISO 800
24mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/500s · f/2.8 · ISO 5000
83mm
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1/500s · f/2.8 · ISO 12800
83mm
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1/125s · f/2.8 · ISO 200
83mm
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1/350s · f/2.8 · ISO 200
83mm
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1/80s · f/11 · ISO 250
83mm
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1/58s · f/11 · ISO 200
58mm
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1/80s · f/11 · ISO 200
83mm
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1/34s · f/8 · ISO 500
37mm
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1/750s · f/2.8 · ISO 200
77mm
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1/140s · f/11 · ISO 200
24mm
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1/85s · f/11 · ISO 200
83mm
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1/80s · f/11 · ISO 200
83mm
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1/480s · f/2.8 · ISO 200
83mm
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1/750s · f/2.8 · ISO 200
83mm
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1/300s · f/2.8 · ISO 200
25mm
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1/85s · f/2.8 · ISO 200
56mm
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1/45s · f/5 · ISO 200
36mm
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1/125s · f/5.6 · ISO 200
44mm
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1/52s · f/8 · ISO 200
24mm
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1/140s · f/11 · ISO 200
83mm
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1/60s · f/8 · ISO 250
64mm
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1/38s · f/5.6 · ISO 640
39mm
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1/85s · f/2.8 · ISO 200
83mm
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1/80s · f/5.6 · ISO 200
83mm
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1/120s · f/6.4 · ISO 200
83mm
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1/100s · f/8 · ISO 200
71mm
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1/50s · f/2.8 · ISO 400
48mm
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1/50s · f/4 · ISO 320
48mm
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1/80s · f/8 · ISO 320
83mm
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1/80s · f/8 · ISO 320
83mm
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1/80s · f/8 · ISO 400
83mm
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1/320s · f/2.8 · ISO 200
28mm
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1/15s · f/4 · ISO 12800
24mm
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1/80s · f/4 · ISO 640
83mm
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1/20s · f/4 · ISO 2500
24mm
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1/80s · f/4 · ISO 12800
83mm
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1/20s · f/2.8 · ISO 6400
24mm
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1/80s · f/2.8 · ISO 5000
83mm
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1/25s · f/2.8 · ISO 12800
26mm
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Sample RAW Images
The Fujifilm X-H1 enables users to capture RAW and JPEG format files. We've provided some Fujifilm RAW (RAF) samples for you to download (thumbnail images shown below are not 100% representative).
1/20s · f/8 · ISO 250
24mm
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1/20s · f/4 · ISO 500
24mm
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1/1300s · f/8 · ISO 200
40mm
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1/180s · f/11 · ISO 200
83mm
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1/450s · f/8 · ISO 200
83mm
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1/1300s · f/2.8 · ISO 200
83mm
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1/250s · f/4 · ISO 320
83mm
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1/250s · f/4 · ISO 320
83mm
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1/250s · f/4 · ISO 320
83mm
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1/42s · f/2.8 · ISO 200
83mm
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1/56s · f/2.8 · ISO 200
83mm
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1/50s · f/2.8 · ISO 200
83mm
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1/420s · f/1.2 · ISO 320
84mm
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1/85s · f/2.8 · ISO 320
84mm
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1/160s · f/2.8 · ISO 200
84mm
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1/120s · f/2.8 · ISO 200
84mm
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1/800s · f/1.2 · ISO 200
84mm
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1/450s · f/1.4 · ISO 320
53mm
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40/10s · f/11 · ISO 100
53mm
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20/10s · f/11 · ISO 200
53mm
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40/10s · f/11 · ISO 100
53mm
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1/1s · f/11 · ISO 400
53mm
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1/2s · f/11 · ISO 800
53mm
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1/4s · f/11 · ISO 1600
53mm
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1/8s · f/11 · ISO 3200
53mm
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1/15s · f/11 · ISO 6400
53mm
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1/28s · f/11 · ISO 12800
53mm
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1/120s · f/11 · ISO 51200
53mm
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1/58s · f/11 · ISO 25600
53mm
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13/10s · f/8 · ISO 100
24mm
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1/2s · f/8 · ISO 200
24mm
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1/3s · f/8 · ISO 400
24mm
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1/6s · f/8 · ISO 800
24mm
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1/12s · f/8 · ISO 1600
24mm
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1/25s · f/8 · ISO 3200
24mm
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1/50s · f/8 · ISO 6400
24mm
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1/100s · f/8 · ISO 12800
24mm
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1/180s · f/8 · ISO 25600
24mm
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1/160s · f/1.2 · ISO 200
84mm
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1/480s · f/1.2 · ISO 200
84mm
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1/8s · f/4 · ISO 800
24mm
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1/5s · f/2.8 · ISO 400
24mm
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1/9s · f/2.8 · ISO 400
83mm
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1/10s · f/4 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/6s · f/2.8 · ISO 1600
66mm
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1/27s · f/2.8 · ISO 3200
31mm
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1/5s · f/2.8 · ISO 1600
83mm
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1/10s · f/2.8 · ISO 1600
83mm
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1/9s · f/2.8 · ISO 1600
83mm
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1/80s · f/2.8 · ISO 200
75mm
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1/220s · f/2.8 · ISO 200
83mm
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1/1000s · f/2.8 · ISO 12800
80mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/1000s · f/2.8 · ISO 8000
83mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/1000s · f/2.8 · ISO 3200
34mm
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1/1000s · f/2.8 · ISO 800
24mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/500s · f/2.8 · ISO 5000
83mm
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1/500s · f/2.8 · ISO 12800
83mm
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1/125s · f/2.8 · ISO 200
83mm
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1/350s · f/2.8 · ISO 200
83mm
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1/80s · f/11 · ISO 250
83mm
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1/58s · f/11 · ISO 200
58mm
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1/80s · f/11 · ISO 200
83mm
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1/34s · f/8 · ISO 500
37mm
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1/750s · f/2.8 · ISO 200
77mm
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1/140s · f/11 · ISO 200
24mm
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1/85s · f/11 · ISO 200
83mm
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1/80s · f/11 · ISO 200
83mm
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1/480s · f/2.8 · ISO 200
83mm
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1/750s · f/2.8 · ISO 200
83mm
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1/300s · f/2.8 · ISO 200
25mm
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1/85s · f/2.8 · ISO 200
56mm
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1/45s · f/5 · ISO 200
36mm
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1/125s · f/5.6 · ISO 200
44mm
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1/52s · f/8 · ISO 200
24mm
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1/140s · f/11 · ISO 200
83mm
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1/60s · f/8 · ISO 250
64mm
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1/38s · f/5.6 · ISO 640
39mm
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1/85s · f/2.8 · ISO 200
83mm
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1/80s · f/5.6 · ISO 200
83mm
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1/120s · f/6.4 · ISO 200
83mm
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1/100s · f/8 · ISO 200
71mm
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1/50s · f/2.8 · ISO 400
48mm
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1/50s · f/4 · ISO 320
48mm
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1/80s · f/8 · ISO 320
83mm
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1/80s · f/8 · ISO 320
83mm
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1/80s · f/8 · ISO 400
83mm
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1/320s · f/2.8 · ISO 200
28mm
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1/15s · f/4 · ISO 12800
24mm
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1/80s · f/4 · ISO 640
83mm
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1/20s · f/4 · ISO 2500
24mm
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1/80s · f/4 · ISO 12800
83mm
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1/20s · f/2.8 · ISO 6400
24mm
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1/80s · f/2.8 · ISO 5000
83mm
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1/25s · f/2.8 · ISO 12800
26mm
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Sample Movies & Video
This is a sample movie at the highest quality setting of 4096x2160 pixels at 24 frames per second. Please note that this 24 second movie is 588Mb in size.
This is a sample movie at the quality setting of 3840x2160 pixels at 30 frames per second. Please note that this 24 second movie is 591Mb in size.
This is a sample movie at the highest quality setting of 4096x2160 pixels at 24 frames per second with internal F-Log applied. Please note that this 49 second movie is 1.14Gb in size.
This is a sample slow-motion movie at the quality setting of 1920x1080 pixels at 120 frames per second. Please note that this 75 second movie is 364Mb in size.
Product Images
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Conclusion
While the new Fujifilm X-H1 is the best-specced, best-performing X-series camera to date, curiously we feel that it doesn't quite have the widest appeal, both within the Fujifilm eco-system and the camera market as a whole.
You'd probably think that adding an effective optical image stabilisation system, better AF system, more advanced video, tougher build quality, a higher-resolution EVF, welcome touchscreen functionality, a top plate LCD panel and Bluetooth connectivity would be more than enough to make the X-H1 the de facto choice amongst Fujifilm fans, and mostly I'd agree.
But there's a small part of me that recognises that it's also the biggest, heaviest and most expensive X-series camera to date, it suffers from the need to have the VPB-XH1 vertical battery grip fitted to take full advantage of the video capabilities, and the removal of the dedicated exposure compensation dial is at best mildly irritating.
So what Fujifilm have mostly added, they've perhaps also taken a little away, with the addition of IBIS, bigger handgrip and top LCD screen making the X-H1 the largest X-series APS-C camera to date. Whether size matters or not does very much depend on your viewpoint - we've seen some people expressing both disdain at the increased size of the X-H1, and some expressing delight.
Perhaps more worrying than the growth in size of the X-H1 is the growth in the price-tag - £1699 / $1899 body-only or £1949 / $2199 with the near-essential VPB-XH1 vertical battery grip puts it almost on a par with the fashionable new elephant in the room, the very recently announced 35mm full-frame Sony A7 III. To be fair to the X-H1, it's not the only camera that's being directly challenged by the aggressive pricing of the A7 III, but when the APS-C sensor X-H1 is physically bigger than the full-frame sensor A7 III at the same price-point (if you factor in the VPB-XH1), Sony seem to have the edge, at the very least in marketing terms.
In summary, the X-H1 is another in a long line of excellent Fujifilm cameras, which for many people will be a natural fit, but for others may prove to be more divisive than Fujifilm envisaged, especially given Sony's almost inevitable, extremely well-appointed entry into the sub £2000 / $2000 camera market.
Ratings (out of 5) | |
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Design | 4.5 |
Features | 4.5 |
Ease-of-use | 4.5 |
Image quality | 5 |
Value for money | 4 |
Main Rivals
Listed below are some of the rivals of the Fujifilm X-H1.
Canon EOS 6D Mark II
The new EOS 6D Mark II is Canon's latest 35mm full-frame DSLR camera. Positioned as a more affordable alternative to the EOS 5D Mark IV, the EOS 6D Mark II features 26.2 megapixels, latest DIGIC 7 processor, 45 point AF system and Dual Pixel CMOS AF technology. Read our expert Canon EOS 6D Mark II review now...
Fujifilm X-Pro2
The new Fujifilm X-Pro2 is an exciting flagship premium compact system camera. The weather-proof X-Pro2 offers a brand new 24 megapixel sensor that's claimed to rival full-frame DSLRs, an improved hybrid viewfinder, faster processor and AF system, and a host of other improvements. Read our Fujifilm X-Pro2 review to find out if it can live up to its early promise...
Fujifilm X-T2
The Fujifilm X-T2 is a new compact system camera that builds on the success of the popular 2-year-old X-T1, most notably by adding 4K video recording, a more sophisticated auto-focusing system, and a wealth of other improvements. Read our in-depth Fujifilm X-T2 review to find out if it's worth the upgrade...
Nikon D500
The Nikon D500 is the long-awaited successor to the popular D300 APS-C DSLR camera, which was launched way back in 2007. Can the D500 breathe new life into the flagship DX format for professionals? Find out by reading our in-depth Nikon D500 review...
Nikon D750
The Nikon D750 is a brand new full-frame DSLR camera aiming to occupy the middle ground between the D610 and D810 models. The D750 features a 24.3 megapixel FX sensor, 1080p/60fps HD video, ISO range of 50-51200, 51-point AF system, 3.2-inch tilting LCD screen, and built-in wi-fi. Read our in-depth Nikon D750 review now...
Olympus OM-D E-M1 Mark II
Capable of shooting at 18fps with focus tracking, the new Olympus O-MD E-M1 Mark II is a blisteringly fast professional compact system camera. Read our in-dpeth Olympus O-MD E-M1 Mark II review to find out if this speed demon can really deliver the goods...
Panasonic G9
Panasonic have enjoyed a lot of success with the video-centric GH5 camera, and now they've turned their attention to the enthusiast and professional stills photographer with the release of the exciting new G9. Read our in-depth Panasonic G9 review now to find out more...
Panasonic Lumix GH5
The Panasonic Lumix GH5 is one of the most hotly-anticipated cameras of 2017, offering even more video options than its popular predecessor and seriously beefed up photo capabilities. Read our in-depth Panasonic Lumix GH5 review complete with with sample photos, test shots, videos and more...
Panasonic Lumix GH5S
The Panasonic Lumix GH5S is a new video-centric mirrorless camera that excels in low-light conditions thanks to it's 10 megapixel sensor, latest Venus processing engine, and innovative Dual Native ISO technology. Check out our Panasonic Lumix GH5S review for our full verdict...
Pentax K-1
The new K-1 is the long-awaited full-frame DSLR camera from Pentax, based around a 36.4 megapixel CMOS sensor. Is this the best ever Pentax DSLR? Read our in-depth Pentax K-1 review to find out...
Sony A6500
The Sony A6500 is the latest high-end compact system camera with an APS-C size sensor. With 24.2 megapixels, 4K movie recording, in-body 5-axis stabilization, a touchscreen 3-inch tilting LCD screen, 11fps burst shooting, electronic viewfinder and built-in flash, is the A6500 the best Sony APS-C camera yet? Read our Sony A6500 review to find out...
Sony A7 II
The Sony A7 II is the first full-frame compact system camera in the World to feature built-in 5-axis stabilisation. Other key improvements include better ergonomics and build quality, faster auto-focusing and startup, a wider range of video options, and greater customisability. Is this the best ever Sony full-frame compact system camera? Read our Sony A7 II review to find out...
Sony A7R III
The Sony A7R III is a 42 megapixel camera that can shoot at 10fps with continuous auto-focusing. Yes, you read that right - 42 megapixels at 10fps. Find out why we think this is one of the best cameras available today by reading our full Sony A7R III review, complete with full-size sample images and videos...
Review Roundup
Reviews of the Fujifilm X-H1 from around the web.
neocamera.com »
The Fujifilm X-H1 pairs a 24 megapixels X-Trans CMOS III sensor with a revised X-Processor Pro. It produces high-quality images with excellent image-noise, sharpness, wide dynamic-range and white-balance. Metering is exceptional, in part due to such a wide dynamic-range, while detail and color rendition are really good.
Read the full review »
Specifications
Number of effective pixels | 24.3 millions pixels |
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Image sensor | 23.5mm x 15.6mm(APS-C)X-Trans CMOS III with primary color filter.
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Storage media | SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-512G) UHS-I / UHS-II*1 |
File format |
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Number of recorded pixels | L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000 |
Lens mount | FUJIFILM X mount |
Sensitivity | Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO200 to 12800(1/3 step) Extended output sensitivity : ISO100 / 125 / 160 /25600 / 51200 |
Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
Exposure compensation | -5.0EV - +5.0EV, 1/3EV step (Movie : -2.0EV - +2.0EV) |
Image Stabilizer |
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Shutter type | Focal Plane Shutter |
Shutter speed |
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Continuous shooting | Approx. 14fps [Only electronic shutter ] (JPEG: 40 frames Lossless compression RAW: 27 frames Uncompressed RAW: 23 frames) Approx. 11fps [with VPB-XH1] (JPEG: 70 frames Lossless compression RAW: 28 frames Uncompressed RAW: 24frames) Approx. 8fps (JPEG: 80 frames Lossless compression RAW: 31 frames Uncompressed RAW: 26 frames) Approx. 6fps [Only electronic front curtain shutter ] (JPEG: endless Lossless compression RAW: 35 frames Uncompressed RAW: 28 frames) Approx. 5fps (JPEG: endless Lossless Compression RAW: 37 frames Uncompressed RAW: 29 frames)
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Auto bracketing | AE Bracketing (±3EV,±8/3EV,±7/3EV,±2EV, ±5/3EV, ±4/3EV, ±1EV, ±2/3EV, ±1/3EV) Filmsimulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) |
Focus |
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White balance | Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K-10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater |
Self-timer | 10sec. / 2sec. |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time) |
Flash modes |
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Hot shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder | 0.5 inch approx. 3.69 millions dots OLED Color Viewfinder Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 23mm (from the rear end of the camera’s eyepiece) Diopter adjustment: -4-+2m-1 Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1 Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° ) Built-in eye sensor |
LCD monitor | 3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen color LCD monitor(approx. 100% coverage) |
Movie recording | [4K (4096 x 2160)] 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 15min. [4K (3840 x 2160)] 29.97p / 25p / 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 15min. [Full HD (2048 x 1080)] 24p / 23.98p 100Mbps / 50Mbps up to approx. 20min. [Full HD (1920 x 1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 100Mbps / 50Mbps up to approx. 20min. [Full HD (1920 x 1080) High speed rec.] 120p / 100p 200Mbps up to approx. 6min. [HD (1280 x 720)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 50Mbps up to approx. 30min.
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Film Simulation mode | 16 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema) |
Grain effect | STRONG, WEAK, OFF |
Dynamic range setting | AUTO, 100%, 200%, 400% ISO restriction (DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more) |
Advanced filter | Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
Wireless transmitter |
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Bluetooth® |
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Terminal |
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Power supply | NP-W126S Li-ion battery (included)
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Dimensions | (W) 139.8mm x (H) 97.3mm x (D) 85.5mm (minimum depth 39.5mm) |
Weight | Approx 673g(including battery and memory card) Approx 623g(excluding battery and memory card) |
Operating Temperature | -10°C - +40°C |
Operating Humidity | 10 - 80% (no condensation) |
Starting up period | Approx 0.4sec.
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Accessories included | Li-ion battery NP-W126S Battery charger BC-W126 Shoe-mount flash unit EF-X8 Shoulder strap Body cap Strap clip Protective cover Clip attaching tool Hot shoe cover Vertical Power Booster Grip connector cover Sync terminal cover Cable protector Owner's manual |
News
The new flagship Fujifilm X-H1 is the first camera in the mirroless X series to include in-body image stabilization (IBIS). The 24.3 megapixel X-H1's 5-axis in-body image stabilization system employs three axial accelerometers, three axial Gyro sensors, and a specially developed dual-processor to offer a maximum of 5.5 stops of compensation when used with most (but not all) XF and XC lenses. The X-H1 is also the first camera in the X series to include ETERNA, a new film simulation ideal for shooting movies, creating understated colors and rich shadow tones. It features a new F-log video mode and supports DCI 4K video, 200 Mbps high bit rate recording and 1080/120P high-speed video.
The Fujifilm X-H1 will be available from March 2018. The Fujifilm XH1 body-only costs £1699 / $1899 or £1949 / $2199 with the new VPB-XH1 vertical battery grip.
Fujifilm UK Press Release
Never miss the moment: Fujifilm introduce the flagship X-H1, the most high performance elite camera in the X Series range
Combining a robust, durable body with superior image quality and easy operation, the FUJIFILM X-H1 is the first camera in the series to include 5-axis 5.5 stops (*1) in-body image stabilization (IBIS), and the new Eterna Film Simulation feature, for outstanding video reproduction.
FUJIFILM Corporation (President: Kenji Sukeno) is delighted to announce the launch of the FUJIFILM X-H1 camera, the highest performance camera in the X Series range of mirrorless cameras, known for its superior image quality created using FUJIFILM's proprietary colour reproduction technology.
The X-H1, with a newly-designed robust and durable body, incorporates a range of extremely useful features that support shooting in various scenarios demanded by professional photographers and videographers. The X-H1 is the first X Series model to include the latest 5-axis in-body image stabilization (IBIS), which has a maximum of 5.5 stops (*1) as well as a flicker reduction mode which enhances the quality of indoor sports photography.
In combination with the existing FUJINON XF lens range, the camera allows the use of the 5-axis image stabilization in excess of 5-stops, with the exception of some lenses (*2).
The camera is also compatible with a range of other interchangeable lenses due for release later this year. These include the MKX18-55mmT2.9 and MKX50-135mm T2.9 professional cinema lenses which incorporate the X mount (scheduled for release in May 2018), the XF 200mm F2 R LM OIS WR, a wide aperture single-focus telephoto lens, and XF 8-16mm F 2.8 R WR, designed to meet the needs of scenery or landscape photographers, both of which are scheduled for release by the end of 2018. The new camera and lens combinations will provide outstanding image production and will be ideal for fast action sports photography.
*1 With XF 35mmF1.4 lens attached
*2 XF10-24mmF4 R OIS, XF18-55mmF2.8-4 R LM OIS, XF55-200mmF3.5-4.8 R LM OIS
Features
1. 5.5 stops (*1) in-body image stabilization (IBIS), a new feature expanding the high-quality photographic range of the X Series.
Offering the first in-body image stabilisation (IBIS) system to feature in an X Series camera, the X-H1 harnesses three axial accelerometers, three axial Gyro sensors, and a specially developed dual-processor. Combined, this achieves the high speed of approximately 10,000 calculations per second. When unified with compensating mechanisms, the result is uncompromising image quality and precision with performance as described below.
(1) 5-axis image stabilization is possible with all XF and XC lenses.
(2) Up to a maximum of 5.5 stops image stabilization, is possible when the camera is used with all XF lenses that do not include optical image stabilization technology.
The following technical breakthroughs have been developed to support this high precision performance:
- A laser measurement device is used during the process of manufacturing the image stabilization unit, controlling component flatness and position with twice the precision of standard components.
- The assembly process also includes inspection and adjustment of each individual camera to ensure that even when image stabilization is used, the parallel position of the sensor is achieved with micro-order accuracy equivalent to previous models.
- In addition, a new spring mechanism has been included to reduce micro-vibrations caused by operation of the mechanical shutter.
- The photographer may also choose to use the electronic front curtain shutter or the electronic shutter, virtually eliminating the effect of vibrations to maximize the benefits of image stabilization.
The X-H1 uses the APS-C size X-Trans™ CMOS III (*3) sensor (24.30 million pixels, without low-pass filter) and the high-speed image processing engine X-Processor Pro. This proprietary FUJIFILM technology was first seen in the X-Pro2 and then X-T2 cameras, receiving many awards globally. When used in combination with the extremely high-quality FUJINON lens, as well as the unique color reproduction technology developed by FUJIFILM more than 8 decades ago, the X-H1 produces outstanding, unrivaled quality images recording the finest details of the subject including texture, three-dimensional structure and even the atmosphere and vibe of a particular scene.
*3 X-Trans is a trademark or registered trademark of FUJIFILM. The X-Trans CMOS III sensor uses a unique non-periodic filter array to reduce the appearance of moire patterns and false colors even without an optical low-pass filter.images and videos to paired smartphones and tablet devices, using the free smart-device app “FUJIFILM Camera Remote”.
2. Highly robust, durable body and easy operability results in comfortable shooting across a wide range of environments
In addition to the camera's dust-resistant, water-resistant properties, and the ability to operate in temperatures as low as -10°C, the camera also uses a 25% thicker magnesium alloy compared to the X-T2. FUJIFILM has also modified the structure for attaching the mount, resulting in a more compact size and lighter weight body that maintains high precision and strong resistance to impact shock torsion and other sources of deformation. Increased particle size on the camera's external surface provides a high-quality scratch-resistant coating with a surface hardness equivalent to 8H.
The viewfinder is a high-magnification, high-precision electronic viewfinder. The magnification ratio of 0.75 times and the 3.69 million resolution leads the class for mirrorless cameras. The viewfinder display is extraordinarily smooth, with a display time lag of just 0.005 seconds and a frame rate of 100 frames per second, allowing the photographer to instantly confirm the movement of the subject and position of the focus with great precision.
The rear LCD monitor is a 3-direction tilt, 3-inch, 1.04 million dot electrostatic touch-panel LCD which can be intuitively set to the desired angle. In addition, the 1.28 inch sub-LCD on the top of the camera, a current feature of the medium format FUJIFILM GFX 50S, allows for instant confirmation of shooting information.
3. Improved operability with a total of 19 modifications based on feedback from professional photographers
The camera uses a large-grip design with the new shape and a leaf-spring switch for the shutter-release button to achieve a stable feel when holding the camera and easy operation of the shutter-release button to ensure no opportunities are missed.
The camera has the quietest shutter sound of all cameras in the X Series, making it an ideal tool for environments where quietness is required such as when shooting animals in the wild, quiet performances or at weddings.
A new AF-ON button has been added to the back of the camera. This makes it easier to operate the autofocus with the thumb, allowing the photographer to focus on using their index finger to operate the shutter-release button. In addition, other modifications have been made to improve operability, including the enlargement of the buttons on the rear of the camera and improvements to the grip of the front and rear command dials.
The X-H1 also features focus lever that facilitates rapid, accurate movement to the desired focus point.
4. Comprehensive range of video features to support movie production requirements
The X-H1 is the first camera in the X Series to include ETERNA, a new film simulation ideal for shooting movies. This mode simulates cinematic film, creating understated colors and rich shadow tones, greatly enhancing creative freedom during post-processing. The camera's video image quality has been improved through the new ability to record a high bit rate of 200 Mbps.
The camera includes a total of 20 functional and performance improvements including the 1080/120P high-speed video mode (1/2, 1/4 and 1/5 speed slow motion) for recording spectacular slow-motion footage, F-log*4 SD card recording which aids smooth workflow, a DCI 4K shooting mode (4096×2160), a 400% dynamic range setting (approximately 12 stops), 200 Mbps high bit rate recording, a high-sound quality internal microphone (24 bit/48 kHz) and verbal time codes.
*4 The colour space is defined according to ITU-R BT.2020.
5. The first flicker reduction mode on an X Series Camera and improved AF algorithms enhance shooting toughness
Flicker reduction modes are essential for indoor sport photography, and the X-H1 achieves this using a mirrorless camera, allowing for stable exposure during burst shots even under fluorescent and mercury lighting.
In addition, improvements to the AF algorithm have achieved the following performance enhancements:
- The low-light limit for phase detection autofocus has been improved by approximately 1.5 stops from 0.5EV to -1.0EV, raising the precision and speed of autofocus in low-light environments.
- The range at minimum aperture has been expanded from F8 to F11. For example, even when using the XF100-400mmF4.5-5.6 R LM OIS WR with the teleconverter XF2X TC WR, phase detection autofocus can now be used.
- Major improvements have been made to the AF-C performance while operating the zoom, which provides major benefits when shooting sports and other scenarios in which the subjects moves unpredictably.
- Subjects where results with phase detection autofocus were previously poor, such as finely-detailed surface textures; wild birds and wild animals, can now be captured at high speed and with high precision.
6. Dedicated separate accessories to support the system
Vertical power boost grip VPB-XH1 *Exclusively for the X-H1
- Dust-resistant and water-resistant, the grip operates at temperatures of down to -10°C. Two batteries may be attached, with a third battery in the body of the camera increasing the maximum number of available shots in normal mode to approximately 900. In boost mode, multiple batteries can be used simultaneously, improving performance for burst shots and reducing the interval between shots, shutter time lag, and the blackout period.
- In addition, the accessory also increases the maximum period for shooting movies in 4K to about 30 minutes, making the VPB-XH1 an essential accessory for maximizing the performance of the X-H1.
- Controls include the shutter-release button, focus lever, AE-L button, AF-ON button, command dial, Q button, and Fn button, providing the same easy operation when using the camera in both the vertical and horizontal positions.
- The VPB-XH1 is equipped with a headphone socket, allowing the operator to monitor sound while recording video.
- The grip also includes recharging capability. The included AC adapter (AC-9VS) can be used to recharge two batteries simultaneously over approximately 2 hours.
Wide-eye cup EC-XH-W *Common for X Series and GFX cameras
- The wide cup covers a broad area around the eye, greatly reducing light interference and enhancing concentration during long shoots.
- The eye cup can also be rotated in 90° increments, making it adaptable for either the left eye or the right eye and for shooting in either vertical or horizontal position. The cup also includes antistatic coating, reducing the adherence of dust.
7. FUJIFILM X-H1 specification
Model name | FUJIFILM X-H1 | |
Number of effective pixels | 24.3 millions pixels | |
Image sensor | 23.5mm×15.6mm (APS-C) X-Trans CMOS III with primary color filter. | |
Sensor cleaning system | Ultra Sonic Vibration | |
Storage media | SD Card (~2GB) / SDHC Card (~32GB) / SDXC Card (~256GB) UHS-I / UHS-II*1 | |
Lens mount | FUJIFILM X mount | |
Image Stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With XF35mmF1.4 R lens mounted. |
Sensitivity | Standard output | AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO200~12800 (1/3 step) |
Extended output | ISO100/125/160/25600/51200 | |
Viewfinder | 0.5 inch approx. 3.69 millions dots OLED Color Viewfinder Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 23mm (from the rear end of the camera’s eyepiece) Diopter adjustment: -4~+2m-1 Magnification: 0.75× with 50mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1 Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° ) Built-in eye sensor | |
LCD monitor | 3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen color LCD monitor(approx. 100% coverage) | |
Continuous shooting | 14.0 fps (with the Electronic Shutter), 8.0 fps (with the Mechanical Shutter) 11.0 fps (with the Mechanical Shutter and when fitted with VPB-XH1) | |
Movie recording | [4K (4096×2160)] 24P / 23.98P up to approx. 15min. [4K (3840×2160)] 29.97P / 25P / 24P / 23.98P up to approx. 15min. [Full HD (1920×1080)] 59.94P / 50P / 29.97P / 25P / 24P / 23.98P up to approx. 20min. [HD (1280×720)] 59.94P / 50P / 29.97P / 25P / 24P / 23.98P up to approx. 30min. *For recording movies, use a card with UHS Speed Class 3 or higher. *With Vertical Power Booster Grip attached, individual movie recording time is extended up to approx. 30min. on both 4K and Full HD mode. | |
Wireless transmitter | Standards: IEEE 802.11b / g / n [standard wireless protocol] Access mode: Infrastructure Encryption: WEP / WPA / WPA2 mixed mode | |
Bluetooth® | Standard: Bluetooth Ver. 4.0(Bluetooth® low energy) Operating frequency (Center frequency): 2402~2480MHz | |
Power supply | NP-W126S Li-ion battery (included) | |
Dimensions / Weight | ((W) 139.8mm × (H) 97.3mm × (D) 85.5mm (minimum depth 39.5mm) Approx. 673g (including battery and memory card) Approx. 623g (excluding battery and memory card) | |
Battery life for still images *2 | Approx. 310frams (Normal Mode) When XF35mmF1.4 R is set. | |
Accessories included | Li-ion battery NP-W126S, Battery charger BC-W126, Shoe-mount flash unit EF-X8, Shoulder strap, Body cap, Strap clip, Protective cover, Clip attaching tool, Hot shoe cover, Vertical Power Booster Grip connector cover, Sync terminal cover, Cable protector Owner's manual |
*1 Please see the Fujifilm website (http://www.fujifilm.com/suppor... ) to check memory card compatibility.
*2*Measured according to the CIPA standards, using the included battery and an SD card. The number of frames that can be taken per charge varies depending on a battery's charge capacity. This figure is not a guarantee of battery's working capacity. At low temperatures, the number of frames per charge decreases.
AVAILABILITY AND PRICING:
The FUJIFILM X-H1 will be available from March 2018, priced at £1699 BODY ONLY and £1949 BODY WITH VERTICAL BATTERY GRIP KIT
Image Gallery
Click on a thumbnail to see the full version.
First Impressions
We've spent the last couple of days shooting with the new Fujifilm X-H1 compact system camera in Lisbon, Portugal, in a wide variety of different scenarios. Check out our first impressions of using the exciting Fujifilm XH1 camera now...
The Fujifilm X-H1 is the brand new flagship compact system camera in the popular X series, positioned above the existing X-T2 and X-Pro2 models, and is designed for professional photographers and videographers, offering the "highest performance for professionals".
It features the same 24.3 megapixel APS-C size X-Trans CMOS III image sensor and X-Processor Pro image processing engine as those two cameras, but adds 5-axis in-body image stabilization (IBIS), making it the first ever X-series camera to do so. This has resulted in the X-H1 being physically bigger and heavier (over 100g) than the X-T2, but provides 5 stops of compensation when used with the majority of XF lenses (5.5 stops with the XF 35mm f/1.4 lens) and 3 stops with XC lenses. This excludes three XF lenses - the XF 10-24mm F4 R OIS, XF 18-55mm F2.8-4 R LM OIS and the XF 55-200mm F3.5-4.8 R LM OIS - which offer 2.5, 3.5 and 4.5 stops of compensation respectively.
Other new features on the Fuji XH1 include a flicker reduction mode, a la Canon, a more robust and durable body, a 1.28-inch monochrome LCD screen on the top of the camera (just like the GFX 50S medium-format camera), the quietest shutter sound of all cameras in the X series, a shock free shutter release, new GFX-like handgrip, major improvements to the AF algorithm, a new AF-ON button on the rear for back-button focusing, and Bluetooth LE connectivity.
On the video side, there's a new Eterna film simulation which emulates cinematic film, a DCI 4K shooting mode (4096×2160), a high bit rate of 200 Mbps, F-log (8-bit) SD card recording, a 1080/120P high-speed mode, a new higher quality built-in microphone (24bit/48khz) and timecode support.
We've already spent some time getting to know the Fujifilm X-H1, so check out our first impressions of this impressive new mirrorless camera...
Fujifilm X-H1 - Ease of Use
At first glance the Fujifilm X-H1 looks like a cross between the X-T2 and GFX 50S cameras, and in practice it handles a lot like that too. The XH1 is a serious bit of kit, especially with the VPB-XH1 grip attached, being physically larger and heavier than the X-T2, and tougher too thanks to a newly reinforced body with a ribbed frame that's 25% thicker than the X-T2. It's also weather sealed with 94 points, freeze-proof down to -10 degrees, has a larger heat-sink plate, and a more durable top coating than previous X series cameras.
While some will question the increase in size, it has resulted in a camera that handles really well, with a larger grip offering more support, a dedicated AF-On button for back-button focusing, a useful top LCD screen for quickly checking the camera's key settings, and of course the star of the show, the 5-axis in-body image stabilisation system, which suddenly adds up to 5 stops of compensation to virtually all XF and XC lenses. This is a Big Deal, and a big departure for Fujifilm mirrorless cameras, which up until this point have never featured in-body stabilisation, relying instead on certain lenses offering this feature. In addition to 3 axis acceleration and gyro sensors, the X-H1 is also the only mirrorless camera to have a dual dedicated processor for even faster and more precise effective stabilisation, performing approx 10,000 calculations per second.
The X-H1 offers the same continuous shooting speeds as the X-T2 - 14fps with the electronic shutter, 8fps with the mechanical shutter, and 11fps with the mechanical shutter and the VPB-XH1 grip fitted. It does additionally have a flicker reduction mode, which provides stable exposure during burst shooting even under fluorescent and mercury lighting, important when shooting sports indoors. Continuous shooting is capped at 7fps with the electronic front curtain shutter and 5.5fps with the mechanical shutter when using this mode.
The auto-focusing system in the Fujifilm X-H1 has been further improved. The camera's phase detection autofocus system now operates down to -1.0EV, can be used at an aperture of F/11 (important when using the 2x teleconverter with certain lenses), and performs more reliably when zooming. All of these improvements work for single point AF and Zone AF and apply to both stills and video. It's also the quietest X-series camera thanks to the new shutter release sound. I found that the extra damping added to the shutter release and the barely audible click did take some getting used to, with a few mistaken shots, but I quickly grew to really appreciate it after an hour or so of use.
Check out our hands-on gallery of photos of the Fujifilm X-H1 camera.
Fujifilm X-H1 - Image Quality
For stills, the Fujifilm X-H1 employs exactly the same 24 megapixel APS-C sensor as its older siblings, the X-T2 and X-Pro2, and the same X-Processor Pro processor too, so image quality should be on par with those cameras. We've already shot an extensive gallery of indoor and outdoor photos with the X-H1, which you can check out here.
Most of the improvements have been made to the X-H1's video recording capabilities, which can now record DCI 4K movies (4096×2160 pixels) at 24fps for up to 15 minutes, and the new ability to record a high bit rate of 200 Mbps. The Eterna film simulation is designed to minimise colour grading in post-production, offering a classic cinema look for straight out of the camera movies. With the new VPB-XH1 Vertical Power Booster Grip attached, movie recording time is extended up to approx. 30min. in both 4K and Full HD modes. The VPB-XH1 is also equipped with a headphone socket for monitoring sound while recording video.
Take a look at some sample JPEG and Raw images and movies taken with the Fujifilm X-H1 camera.
Fujifilm X-H1 - Early Verdict
The Fujifilm X-H1 represents another step forward in the evolution of the popular X series of mirrorless cameras. It isn't a dedicated video camera like the Panasonic GH5s, or a dedicated sports camera like the Sony A9, but a more well-rounded proposition that's the most well-specced, professional-feeling X-series camera to date. It is also the biggest and heaviest, but then you've always got the option of the smaller X-T2 and X-Pro2 cameras (and even the X-T20) if size is a priority. Overall, we're seriously impressed with the serious Fujifiilm XH-1 and can't wait to review it in full.
So what do you think of the new Fujifilm X-H1? Leave a comment below...
Hands On
Want to see exactly what the new Fujifilm X-H1 compact system camera looks like in the flesh?
Check out our extensive hands-on gallery of photos of the Fujifilm X-H1 camera, including a side-by-side comparison with the X-T2 camera, an exploded view of the inside of the X-H1's components, the two new XF cine lenses, and the VPB-XH1 Vertical Power Booster Grip.
A gallery of hands-on photos of the new Fujifilm X-H1 camera.
Image Gallery
Click on a thumbnail to see the full version.
Preview Images
Ahead of our full review, here are some sample JPEG and Raw images and movies taken with the Fujifilm X-H1 compact system camera in a variety of scenarios and lighting conditions, including the full ISO range. The Fujifilm X-H1 is a new compact mirrorless camera that features a 24 megapixel sensor, 5-axis image stabilization and DCI 4K video recording.
A gallery of sample images taken with the Fujifilm X-H1 compact system camera.
Fujifilm X-H1 Sample Images
1/20s · f/8 · ISO 250
24mm
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1/20s · f/4 · ISO 500
24mm
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1/1300s · f/8 · ISO 200
40mm
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1/180s · f/11 · ISO 200
83mm
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1/450s · f/8 · ISO 200
83mm
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1/1300s · f/2.8 · ISO 200
83mm
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1/250s · f/4 · ISO 320
83mm
Download Original
1/250s · f/4 · ISO 320
83mm
Download Original
1/250s · f/4 · ISO 320
83mm
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1/42s · f/2.8 · ISO 200
83mm
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1/56s · f/2.8 · ISO 200
83mm
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1/50s · f/2.8 · ISO 200
83mm
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1/420s · f/1.2 · ISO 320
84mm
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1/85s · f/2.8 · ISO 320
84mm
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1/160s · f/2.8 · ISO 200
84mm
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1/120s · f/2.8 · ISO 200
84mm
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1/800s · f/1.2 · ISO 200
84mm
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1/450s · f/1.4 · ISO 320
53mm
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40/10s · f/11 · ISO 100
53mm
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20/10s · f/11 · ISO 200
53mm
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40/10s · f/11 · ISO 100
53mm
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1/1s · f/11 · ISO 400
53mm
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1/2s · f/11 · ISO 800
53mm
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1/4s · f/11 · ISO 1600
53mm
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1/8s · f/11 · ISO 3200
53mm
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1/15s · f/11 · ISO 6400
53mm
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1/28s · f/11 · ISO 12800
53mm
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1/120s · f/11 · ISO 51200
53mm
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1/58s · f/11 · ISO 25600
53mm
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13/10s · f/8 · ISO 100
24mm
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1/2s · f/8 · ISO 200
24mm
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1/3s · f/8 · ISO 400
24mm
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1/6s · f/8 · ISO 800
24mm
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1/12s · f/8 · ISO 1600
24mm
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1/25s · f/8 · ISO 3200
24mm
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1/50s · f/8 · ISO 6400
24mm
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1/100s · f/8 · ISO 12800
24mm
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1/180s · f/8 · ISO 25600
24mm
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1/160s · f/1.2 · ISO 200
84mm
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1/480s · f/1.2 · ISO 200
84mm
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1/8s · f/4 · ISO 800
24mm
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1/5s · f/2.8 · ISO 400
24mm
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1/9s · f/2.8 · ISO 400
83mm
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1/10s · f/4 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/6s · f/2.8 · ISO 1600
66mm
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1/27s · f/2.8 · ISO 3200
31mm
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1/5s · f/2.8 · ISO 1600
83mm
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1/10s · f/2.8 · ISO 1600
83mm
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1/9s · f/2.8 · ISO 1600
83mm
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1/80s · f/2.8 · ISO 200
75mm
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1/220s · f/2.8 · ISO 200
83mm
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1/1000s · f/2.8 · ISO 12800
80mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/1000s · f/2.8 · ISO 8000
83mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/1000s · f/2.8 · ISO 3200
34mm
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1/1000s · f/2.8 · ISO 800
24mm
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1/1000s · f/2.8 · ISO 12800
83mm
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1/500s · f/2.8 · ISO 5000
83mm
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1/500s · f/2.8 · ISO 12800
83mm
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1/125s · f/2.8 · ISO 200
83mm
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1/350s · f/2.8 · ISO 200
83mm
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1/80s · f/11 · ISO 250
83mm
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1/58s · f/11 · ISO 200
58mm
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1/80s · f/11 · ISO 200
83mm
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1/34s · f/8 · ISO 500
37mm
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1/750s · f/2.8 · ISO 200
77mm
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1/140s · f/11 · ISO 200
24mm
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1/85s · f/11 · ISO 200
83mm
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1/80s · f/11 · ISO 200
83mm
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1/480s · f/2.8 · ISO 200
83mm
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1/750s · f/2.8 · ISO 200
83mm
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1/300s · f/2.8 · ISO 200
25mm
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1/85s · f/2.8 · ISO 200
56mm
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1/45s · f/5 · ISO 200
36mm
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1/125s · f/5.6 · ISO 200
44mm
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1/52s · f/8 · ISO 200
24mm
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1/140s · f/11 · ISO 200
83mm
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1/60s · f/8 · ISO 250
64mm
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1/38s · f/5.6 · ISO 640
39mm
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1/85s · f/2.8 · ISO 200
83mm
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1/80s · f/5.6 · ISO 200
83mm
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1/120s · f/6.4 · ISO 200
83mm
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1/100s · f/8 · ISO 200
71mm
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1/50s · f/2.8 · ISO 400
48mm
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1/50s · f/4 · ISO 320
48mm
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1/80s · f/8 · ISO 320
83mm
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1/80s · f/8 · ISO 320
83mm
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1/80s · f/8 · ISO 400
83mm
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1/320s · f/2.8 · ISO 200
28mm
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1/15s · f/4 · ISO 12800
24mm
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1/80s · f/4 · ISO 640
83mm
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1/20s · f/4 · ISO 2500
24mm
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1/80s · f/4 · ISO 12800
83mm
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1/20s · f/2.8 · ISO 6400
24mm
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1/80s · f/2.8 · ISO 5000
83mm
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1/25s · f/2.8 · ISO 12800
26mm
Download Original
Sample RAW Images
The Fujifilm X-H1 enables users to capture RAW and JPEG format files. We've provided some Fujifilm RAW (RAF) samples for you to download (thumbnail images shown below are not 100% representative).
1/20s · f/8 · ISO 250
24mm
Download original
1/20s · f/4 · ISO 500
24mm
Download original
1/1300s · f/8 · ISO 200
40mm
Download original
1/180s · f/11 · ISO 200
83mm
Download original
1/450s · f/8 · ISO 200
83mm
Download original
1/1300s · f/2.8 · ISO 200
83mm
Download original
1/250s · f/4 · ISO 320
83mm
Download original
1/250s · f/4 · ISO 320
83mm
Download original
1/250s · f/4 · ISO 320
83mm
Download original
1/42s · f/2.8 · ISO 200
83mm
Download original
1/56s · f/2.8 · ISO 200
83mm
Download original
1/50s · f/2.8 · ISO 200
83mm
Download original
1/420s · f/1.2 · ISO 320
84mm
Download original
1/85s · f/2.8 · ISO 320
84mm
Download original
1/160s · f/2.8 · ISO 200
84mm
Download original
1/120s · f/2.8 · ISO 200
84mm
Download original
1/800s · f/1.2 · ISO 200
84mm
Download original
1/450s · f/1.4 · ISO 320
53mm
Download original
40/10s · f/11 · ISO 100
53mm
Download original
20/10s · f/11 · ISO 200
53mm
Download original
40/10s · f/11 · ISO 100
53mm
Download original
1/1s · f/11 · ISO 400
53mm
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1/2s · f/11 · ISO 800
53mm
Download original
1/4s · f/11 · ISO 1600
53mm
Download original
1/8s · f/11 · ISO 3200
53mm
Download original
1/15s · f/11 · ISO 6400
53mm
Download original
1/28s · f/11 · ISO 12800
53mm
Download original
1/120s · f/11 · ISO 51200
53mm
Download original
1/58s · f/11 · ISO 25600
53mm
Download original
13/10s · f/8 · ISO 100
24mm
Download original
1/2s · f/8 · ISO 200
24mm
Download original
1/3s · f/8 · ISO 400
24mm
Download original
1/6s · f/8 · ISO 800
24mm
Download original
1/12s · f/8 · ISO 1600
24mm
Download original
1/25s · f/8 · ISO 3200
24mm
Download original
1/50s · f/8 · ISO 6400
24mm
Download original
1/100s · f/8 · ISO 12800
24mm
Download original
1/180s · f/8 · ISO 25600
24mm
Download original
1/160s · f/1.2 · ISO 200
84mm
Download original
1/480s · f/1.2 · ISO 200
84mm
Download original
1/8s · f/4 · ISO 800
24mm
Download original
1/5s · f/2.8 · ISO 400
24mm
Download original
1/9s · f/2.8 · ISO 400
83mm
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1/10s · f/4 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/20s · f/2.8 · ISO 400
83mm
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1/6s · f/2.8 · ISO 1600
66mm
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1/27s · f/2.8 · ISO 3200
31mm
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1/5s · f/2.8 · ISO 1600
83mm
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1/10s · f/2.8 · ISO 1600
83mm
Download original
1/9s · f/2.8 · ISO 1600
83mm
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1/80s · f/2.8 · ISO 200
75mm
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1/220s · f/2.8 · ISO 200
83mm
Download original
1/1000s · f/2.8 · ISO 12800
80mm
Download original
1/1000s · f/2.8 · ISO 12800
83mm
Download original
1/1000s · f/2.8 · ISO 8000
83mm
Download original
1/1000s · f/2.8 · ISO 12800
83mm
Download original
1/1000s · f/2.8 · ISO 3200
34mm
Download original
1/1000s · f/2.8 · ISO 800
24mm
Download original
1/1000s · f/2.8 · ISO 12800
83mm
Download original
1/500s · f/2.8 · ISO 5000
83mm
Download original
1/500s · f/2.8 · ISO 12800
83mm
Download original
1/125s · f/2.8 · ISO 200
83mm
Download original
1/350s · f/2.8 · ISO 200
83mm
Download original
1/80s · f/11 · ISO 250
83mm
Download original
1/58s · f/11 · ISO 200
58mm
Download original
1/80s · f/11 · ISO 200
83mm
Download original
1/34s · f/8 · ISO 500
37mm
Download original
1/750s · f/2.8 · ISO 200
77mm
Download original
1/140s · f/11 · ISO 200
24mm
Download original
1/85s · f/11 · ISO 200
83mm
Download original
1/80s · f/11 · ISO 200
83mm
Download original
1/480s · f/2.8 · ISO 200
83mm
Download original
1/750s · f/2.8 · ISO 200
83mm
Download original
1/300s · f/2.8 · ISO 200
25mm
Download original
1/85s · f/2.8 · ISO 200
56mm
Download original
1/45s · f/5 · ISO 200
36mm
Download original
1/125s · f/5.6 · ISO 200
44mm
Download original
1/52s · f/8 · ISO 200
24mm
Download original
1/140s · f/11 · ISO 200
83mm
Download original
1/60s · f/8 · ISO 250
64mm
Download original
1/38s · f/5.6 · ISO 640
39mm
Download original
1/85s · f/2.8 · ISO 200
83mm
Download original
1/80s · f/5.6 · ISO 200
83mm
Download original
1/120s · f/6.4 · ISO 200
83mm
Download original
1/100s · f/8 · ISO 200
71mm
Download original
1/50s · f/2.8 · ISO 400
48mm
Download original
1/50s · f/4 · ISO 320
48mm
Download original
1/80s · f/8 · ISO 320
83mm
Download original
1/80s · f/8 · ISO 320
83mm
Download original
1/80s · f/8 · ISO 400
83mm
Download original
1/320s · f/2.8 · ISO 200
28mm
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1/15s · f/4 · ISO 12800
24mm
Download original
1/80s · f/4 · ISO 640
83mm
Download original
1/20s · f/4 · ISO 2500
24mm
Download original
1/80s · f/4 · ISO 12800
83mm
Download original
1/20s · f/2.8 · ISO 6400
24mm
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1/80s · f/2.8 · ISO 5000
83mm
Download original
1/25s · f/2.8 · ISO 12800
26mm
Download original
Sample Movies & Video
This is a sample movie at the highest quality setting of 4096x2160 pixels at 24 frames per second. Please note that this 24 second movie is 588Mb in size.
This is a sample movie at the quality setting of 3840x2160 pixels at 30 frames per second. Please note that this 24 second movie is 591Mb in size.
This is a sample movie at the highest quality setting of 4096x2160 pixels at 24 frames per second with internal F-Log applied. Please note that this 49 second movie is 1.14Gb in size.
This is a sample slow-motion movie at the quality setting of 1920x1080 pixels at 120 frames per second. Please note that this 75 second movie is 364Mb in size.
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