Introduction

Ease of Use

Announced in February 2012, the Nikon D800 is the long-awaited successor to the hugely popular D700. As Nikon's second FX format digital SLR camera, the Nikon D700 has proven itself to be a great all-rounder appreciated by professionals and ‘serious amateurs' alike. Yet as time went by, pressure was mounting on Nikon to introduce a higher-resolution DSLR camera in the same price segment. The prolonged lack of an “affordable” high-pixel-count model in Nikon's camera line-up has been a cause for increasing discontent among the brand's fans, causing a number of users to eventually switch over to the likes of Canon and Sony. Still, when the first rumours of an upcoming 36-megapixel Nikon D800 started circulating on the Internet, many people thought it was nothing but wishful thinking. It sounded too good to be true - and a little alarming too. Wouldn't such a pixel-packed sensor mean a serious compromise on image quality? Were the existing lenses capable of resolving such a huge amount of detail?

By February it became clear that the rumours had been true. Nikon did announce the 36-megapixel D800, the highest resolution 35mm size digital SLR camera in the world by a very wide margin. But the Nikon D800 is not simply a D700 outfitted with a crazy-high-resolution sensor and matching buffer. Nikon has added a number of refinements and features, from subtle and not-so-subtle interface changes to a new viewfinder, an upgraded AF module and an all-new video mode, among others.

Outwardly, the Nikon D800 is very similar to the D700. It still features a prominent hand-grip, which appears even more comfortable than that of the preceding model. The overall shape of the camera body is rounder and more streamlined, but the dimensions are very close. Weighing in at 900 grams the D800 is roughly 10% lighter, yet it still feels reassuringly hefty in your hand.

The control layout is broadly similar to that of the Nikon D700, which is a good thing - but there are some differences. Perhaps the most controversial design choice is the swapping of the zoom-in (+) and zoom-out (-) buttons. Although the new arrangement - (+) at the top, (-) at the bottom - is arguably more logical than the old one, it's bound to be a source of frustration to any D700 or D300 user trading up. On a more positive note the release mode dial, which sits on the left shoulder of the camera body when viewed from the rear, has been redesigned to allow the markings to be painted on the side rather than the top of the dial, which in turn enabled the designers to add a fourth button (Bracketing) to the top-mounted control cluster originally comprising the ISO, White Balance and Quality buttons. As on the D700, a locking pin prevents the photographer from inadvertently spinning the dial.

Another change concerns the way you set the focus mode and AF area modes. On the D700 and D300 there was a three-way focus mode switch underneath the lens release button and another three-way AF area selector at the bottom of the camera's rear plate. The focus mode switch is still there but it now has two positions only, AF and M. The AF area selector is gone altogether - cycling through the available options (single, 9-, 21- and 51-point dynamic, 3D tracking and auto area) is now done in a similar vein as on the D4 and D7000. To wit, the focus mode switch now has a small button at its hub. You can toggle between AF-S and AF-C modes by holding down this button, with the switch in the ‘AF' position, and turning the rear control wheel. To cycle through the available AF Area modes, use the sub command dial instead. The settings are displayed in the viewfinder and the top-mounted status LCD. We believe this will also be among the more significant changes for D300, D300S and D700 users trading up, as they will have been used to the more intuitive and tactile three-way AF area switch found on their previous cameras.

Front	Rear

Not far from where this switch was on the D700 is a new Live View button encircled by a two-way Live View mode selector. This lever can be set to either “live view photography” or “movie live view”, each of which is denoted by a little, self-explanatory icon.

The Nikon D800's Live View implementation is different to that of its predecessor in a number of ways. Gone are the separate “hand-held” and “tripod” modes, with the D800 featuring only a single Live View mode where the mirror is locked up, and AF is performed using the contrast detection method. (Note however that unlike the Nikon D4 the D800 does not feature a completely silent Live View option, which is a bit of a pity as this was one of the things we liked most about that camera.) Upon entering LV, the mirror is raised and the lens is stopped down to the working aperture, allowing for an accurate depth of field preview.

As with other Live View enabled Nikon dSLRs, there is a red rectangle that you can position anywhere within the frame, so you can focus precisely on the part of your subject that you want to appear sharpest in the resulting photo. Live View auto focus speeds aren't stellar, particularly if compared to the latest generation of compact system cameras, but are decent for a DSLR and seem improved over the D700. As far as manual focusing is concerned, you can magnify into the live view feed up to 23x - but it's worth noting that this magnified view is at least partially interpolated, which is a bit of a shame. Also, at long last, there is a live histogram - though in order to actually see it you'll need to remember to push the OK button first to enable the Nikon D800's Exposure Preview feature. Architectural photographers will be glad to hear that the optional virtual horizon has been upgraded to a dual-axis version, now showing both pitch and roll.

“Movie live view” is entirely new as the D700 did not feature video recording capabilities at all. You may wonder why one needs a separate “movie live view” in the first place - the reason is simple; it enables you to accurately preview framing for videos, which have an aspect ratio of 16:9 rather than 3:2. The Nikon D800 offers Full HD movie capture at three different frame rates (24/25/30fps) and two quality levels. Additionally, 720p is also available at 25, 30, 50 and 60fps; and again at two quality settings, High and Normal. For movies, you can also choose from two crop modes, 1.1x and 1.5x; referred to as “FX-based” and “DX-based” movie formats in the manual. The Nikon D4's 2.7x crop mode - i.e. native 1080p footage streamed directly from the central part of the sensor - is missing from the D800. The maximum length of a clip is generally 29 minutes and 59 seconds for Normal and 20 minutes for High quality videos, unless you're using an external recorder hooked up to the camera by way of an HDMI cable.

Manual exposure adjustment is available for movies - note that ISO and shutter speed are only adjustable in 'M' mode, while the aperture can be set in both 'A' and 'M' modes. The Nikon D800 features a built-in microphone but for professional-grade audio recording you'll definitely want to use an external one. In order to monitor the audio during movie capture, you can also connect a pair of headphones to the camera. As is now the norm for virtually every digital camera, from compacts to CSCs to DSLRs, there's a dedicated red movie-record button on the D800, located right next to the shutter release (much like the D4, D3200 and D5100). I personally found this button a bit too small for my tastes - your mileage may of course vary, but if you're coming from a D700, chances are you'll often push this movie shutter release inadvertently instead of the Mode button, which has been moved further to the left to make room for the new control. The depth-of-field preview button found on the front panel of the camera can be used to add indices to specific frames during recording so that they are easier to locate in the editing phase.

Top	Front

At the heart of the Nikon D800's live view and movie live view experience is a new 3.2” LCD screen. While its resolution of 921,000 dots is the same as that of the older 3” panel found on the D700, this is an improved design that incorporates a gel resin between the cover glass and the screen itself to combat the fogging that may result from sudden changes of temperature, and also makes use of a light sensor to allow for automatic adjustment of the screen's brightness, contrast, gamma and colour saturation. In use we have found the screen to be very nice, but not quite as easy to see in direct sunlight as we had initially hoped.

Of course the Nikon D800 is, first and foremost, an SLR camera - so let us now take a look at how it performs at its more traditional functions. The optical viewfinder, which is one of the most important parts of any SLR, is big and bright with 0.72x magnification and approximately 100% frame coverage, the latter of which is a welcome improvement over the 95% figure of the D700. Like the D4, the Nikon D800 comes with a Type B BriteView Clear Matte Mark VIII focusing screen, which I personally found slightly better than the D700's Mark VI screen for manual focusing. The excellent on-demand viewfinder grid display (Custom Setting d6) has been carried over from the older model.

When using the optical viewfinder - as opposed to shooting in Live View mode -, you  can take advantage of the Nikon D800's outstanding 51-point phase-detect AF system. Similarly to the D4, the D800 features an upgraded version of the venerable Multi-CAM 3500FX auto focus module, which boasts improved sensitivity (down to -2EV) and support for lens-teleconverter combinations as slow as f/8. In use, we have found the system to be highly capable, even in low-light situations. Under normal light levels and with the right lens mounted, the speed of the auto focus system is blazingly fast, meaning you can capture even the fastest-moving subjects with ease.

Thankfully, the Nikon D700's physical metering mode selector has been retained in the D800, and is found in the same location, encircling the AE-L/AF-L button. However, the meter itself is brand new, featuring the very same 91,000-pixel RGB metering sensor as the pricier Nikon D4. Aside from being more sensitive than any previous meter - down to -1EV in 3D Colour Matrix III and centre-weighted modes - the new sensor also assists the camera in tracking subjects, detecting faces (when not using live view) and focusing.

Unlike its main competitor the Canon EOS 5D Mark III, the Nikon D800 features a pop-up flash, which can also act as a master controlling up to two groups of wirelessly slaved system flashes. In addition, the D800 has a standard Nikon hot-shoe and an ISO 519 compliant Prontor-Compur flash sync terminal for connecting cable-contact flash units such as studio strobes. On our test sample this PC connector appeared to be poorly made, as the sync cord kept on slipping out of the socket (we've used the same cable with other cameras and never had this problem). It's quite possible though that this issue was specific to our review unit and not typical of Nikon D800 cameras in general. The PC sync socket is protected by a rubber flap, as is the proprietary 10-pin connector that sits directly below it. The latter is used to attach an optional wired remote release or GPS unit to the camera.

Memory Card Slot	Battery Compartment

The Nikon D800 also benefits from a host of seemingly minor enhancements, some of which are worth a closer look. Similarly to the D4, the D800 has a user configurable Exposure Delay Mode - you can now set the length of delay between mirror up and image capture (1, 2 or 3 seconds). Although the camera has a proper mirror lock-up mode too, the enhanced Exposure Delay Mode comes in very handy whenever you don't have a remote cord to hand. Another seemingly minor but genuinely important change is the way auto ISO sensitivity control works in the new model. Now you can have the camera determine the minimum shutter speed based on the focal length of the lens in use. This means that the camera may raise the ISO sensitivity if the shutter speed drops below 1/200 second when using a 200mm lens but leave it unchanged down to 1/50 second if a 50mm lens is attached (this can be fine-tuned by the user).

Also new to the Nikon D800 versus the D700 is a Quiet release mode, in which mirror return is delayed until you let go of the shutter release. First seen on the Nikon D5000, this mode isn't quite as quiet on the D800, as the larger mirror is inherently louder, but it's still useful whenever a greater degree of discretion is required than usual. Still on the topic of release/drive modes, the Nikon D800 offers a maximum continuous shooting speed of 4fps in FX mode, which is a step back from the 5fps of the D700 but still a lot more than what is available on medium-format digital cameras and backs with a comparable resolution (the Leica S2 can shoot at 1.5 frames per second, the Pentax 645D does 1.1fps etc.). In fact, considering the amount of data that needs to be moved during a quick burst, this shooting speed is nothing short of phenomenal. In certain crop modes the maximum frame rate increases to 5fps (reaching 6fps in DX crop mode when an optional MB-D12 battery grip is attached).

What hasn't changed is the rather clumsy way of storing and retrieving combinations of frequently used settings. The Nikon D800 has separate Shooting Menu Banks and Custom Settings Banks, and even if you use both you still cannot store all of your settings, much less activate them at the same time. This is rather strange as even the more enthusiast-focused Nikon D7000 has two easy-to-access user settings, labelled U1 and U2. While we are aware that many photographers don't use memory banks / user settings at all on their cameras, we would still love to see this fixed in a future firmware update.

Where the Nikon D700 had a single CompactFlash compartment, the Nikon D800 has dual CF and SD memory card slots. The implementation of the two-card system is exemplary: you can tell the camera to record every image simultaneously on both cards for instant backup, designate one card to store raw files and the other JPEGs, use the secondary card for “overflow” - you name it. The camera is compatible with UDMA compliant CompactFlash, UHS-I compliant SDHC and SDXC memory cards. On the left hand flank, if viewing the camera from the back, we find a large and commendably firm, hinged rubber door that stays open until you close it - this is a welcome improvement on the much less well behaved rubber cover and flimsy rubber catch of the D700. Sheltered behind this door is a pretty extensive array of connection ports including a mini HDMI connector, a most welcomed USB 3.0 port as well as both microphone and headphone jacks.  As opposed to the Nikon D4, the Nikon D800 does not feature an Ethernet port, and isn't compatible with the WT-5 wireless transmitter either. Note that in order to use the mini HDMI port you'll have to buy a separately sold Type C HDMI cable, as none is included with the camera.

The Nikon D800 draws power from a proprietary EN-EL15 battery - the same kind of battery that powers the Nikon D7000 and Nikon 1 V1 cameras. In the D800, this battery is CIPA rated for 900 shots, which is pretty decent. Those that need more power and/or want to speed up their continuous shooting in DX mode might want to take a look at the optional MB-D12 battery grip, which takes the Nikon D4's EN-EL18 battery as well as the D800's EN-EL15 and even allows the camera to use standard AA size alkaline cells.

Image Quality

Specifications Page 6
Conclusion

Image Quality

All of the sample images in this Review were taken using the 36 megapixel Fine JPEG setting, which gives an average image size of around 15Mb.

At full resolution, the Nikon D800 produces images of 7360x4912 pixels, which yield sharp 24”x16” prints at 300ppi with no interpolation. The level of detail captured is stunning and comparable to many medium-format digital cameras and backs. However, there is more to the Nikon D800's image quality than pure resolution. The photos, especially those shot in NEF format, also have great dynamic range and generally low levels of noise.

When scrutinised up close at 1:1 view, they may seem noisier than most other full-frame DSLRs, especially at ISO 6400 and beyond, but given the insanely high levels of detail captured you can apply quite a bit of noise reduction to them and still walk away with a sharper and more detailed final image than if you had used a cleaner but lower-resolution photograph to begin with. Thus noise really only becomes a problem when shooting at high ISO settings in in DX crop mode, and even then it's comparable to what you've been used to seeing from top-of-the line 16-megapixel APS-C dSLRs.

Nikon's Active D-lighting and HDR technologies work well in contrasty light, the built-in flash produces even exposures with no detectable red-eye, and the camera is also very well suited to night photography and long exposures in general.

Noise

The base sensitivity of the Nikon D800 is ISO 100 but you can go down to ISO 50 (L1.0) if you wish. At the other end of the scale, the highest native sensitivity of the Nikon D800 is ISO 6400 but two boosted settings, ISO 12,800 and ISO 25,600, are also available.

JPEG	RAW
LO 1EV (ISO 50) (100% Crop)	LO 1EV (ISO 50) (100% Crop)
ISO 100 (100% Crop)	ISO 100 (100% Crop)
ISO 200 (100% Crop)	ISO 200 (100% Crop)
ISO 400 (100% Crop)	ISO 400 (100% Crop)
ISO 800 (100% Crop)	ISO 800 (100% Crop)
ISO 1600 (100% Crop)	ISO 1600 (100% Crop)
ISO 3200 (100% Crop)	ISO 3200 (100% Crop)
ISO 6400 (100% Crop)	ISO 6400 (100% Crop)
HI 1EV (ISO 12800) (100% Crop)	HI 1EV (ISO 12800) (100% Crop)
HI 2EV (ISO 25600) (100% Crop)	HI 2EV (ISO 25600) (100% Crop)

Sharpening

The out-of-camera JPEGs often benefit from some sharpening in a program like Adobe Photoshop. Alternatively you can change the in-camera sharpening level to suit your tastes. Here are two pairs of 100% crops - the right-hand images have had some extra sharpening applied.

Original (100% Crop)	Sharpened (100% Crop)

File Quality

The file quality settings available on the Nikon D800 include Basic, Normal and Fine for JPEGs, and the camera can also shoot 12- or 14-bit NEFs (Nikon's proprietary raw file format) and 8-bit TIFFs.

Fine (100% Crop)	Normal (100% Crop)
Basic (100% Crop)	Raw (100% Crop)
Tiff (100% Crop)

Flash

Unlike its main competitor the Canon EOS 5D Mark III, the Nikon D800 features a pop-up flash, with a guide number of 12 in metres at ISO 100. This little on-board Speedlight has a number of functions including front- and rear-curtain sync, red-eye reduction, i-TTL, Manual and Repeating Flash. Additionally, it can act as a trigger for up to two groups of wirelessly slaved system flashes, alleviating the need to buy an SU-800 commander unit or use a more expensive flashgun as the master. As the shots below demonstrate, red-eye isn't a common problem with the built-in flash even if you don't use red-eye reduction.

Flash On	Flash On (100% Crop)
Flash - Red-Eye Reduction	Flash - Red-Eye Reduction (100% Crop)

Night Shot

The Nikon D800 lets you dial in shutter speeds of up to 30 seconds and has a Bulb mode as well for exposure times of practically any length, which is very good news if you are seriously interested in night photography. There is an optional long-exposure noise reduction function that can be activated to filter out any hot pixels that may appear when extremely slow shutter speeds are used, though I found no need for this when taking the photograph below at a shutter speed of 30 seconds, aperture of f/11 at ISO 100. We've included a 100% crop for you to see what the quality is like.

Night Shot	Night Shot (100% Crop)

Active D-lighting (ADL)

D-lighting is Nikon's dynamic range optimisation tool that attempts to squeeze  the full dynamic range of the sensor into JPEGs. Active D-lighting works “on the fly”, before the in-camera processing engine converts the raw image data into JPEGs. The available settings are Off, Low, Normal, High and Extra High.

Off	Low
Normal	High
Extra High

 

HDR Capture

New to the Nikon D800 is the ability to shoot two differently exposed images in rapid succession, which are then blended in-camera to form a single, high-dynamic-range image. The exposure differential can be 1, 2 or 3EV, and you can choose from three different levels of smoothing (low, normal and high; with normal and high producing  more realistic results than the low setting). Note that this feature is only available when shooting JPEG.

Off	Low
Normal	High

Picture Controls

Nikon's Picture Controls are akin to Canon's Picture Styles in being preset combinations of sharpening, contrast, brightness, saturation and hue. The Nikon D800 offers all four Picture Controls that were present in the D700, namely Standard, Neutral, Monochrome and Vivid, and adds Portrait and Landscape to the list of available options. All Picture Controls can be tweaked to your liking, then saved and transferred to other cameras. New to the Nikon D800 is a dedicated quick-access button that takes you directly to the picture controls menu - if you use these profiles often, you will appreciate this improvement over the D700.

Standard	Neutral
Portrait	Vivid
Landscape	Monochrome

Crop Modes

The Nikon D800 is an FX camera but it can also shoot in one of three crop modes, including a 25-megapixel “1.2x crop mode”, a 15-megapixel “DX crop mode” and a special, 30-megapixel “5:4 mode” that uses the full height of the sensor but trims the sides. The boundaries of the cropped areas are denoted with thin black lines in the viewfinder, which otherwise continues to show the full FX view, allowing you to see what's happening outside the cropped frame - perfect for sports and action shooting. Using one of the crop modes carries the added benefit of a slightly faster maximum frame rate of 5fps, which can even be raised to 6fps when using the optional MB-D12 battery grip and shooting in DX mode.

FX	5:4
1.2x	DX

Sample Images

This is a selection of sample images from the Nikon D800 camera, which were all taken using the 36 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Nikon D800 enables users to capture RAW and JPEG format files. We've provided some Nikon RAW (NEF) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

Product Images

Front of the Camera

Isometric View

Isometric View

Isometric View

Rear of the Camera / Image Displayed

Rear of the Camera / Main Menu

Rear of the Camera / Info Screen

Top of the Camera

Bottom of the Camera

Side of the Camera

Side of the Camera

Side of the Camera

Front of the Camera

Memory Card Slot

Battery Compartment

Conclusion

The Nikon D700 has been a hot seller ever since it was introduced back in the summer of 2008. It had a great sensor, a robust but relatively lightweight body and a comprehensive feature set, and was sold at a price that many thought was reasonable for all the goodness it offered. Yet after 3.5 years it was admittedly a bit long in the tooth, and by not offering a higher-resolution successor at an affordable price, Nikon was increasingly at risk of losing its full-frame user base, particularly as rivals Sony and Canon have been marketing competitive 20+ megapixel cameras for quite a long time. With the introduction of the 36-megapixel D800, Nikon is obviously targeting users who have been looking at high-resolution alternatives to their aging D700s, as well as users of other brands who might feel the extra resolution and compelling feature set may be worth the trouble to switch - or switch back - to Nikon.

On the resolution front, the Nikon D800 delivers images with a truly stunning amount of detail, comparable to what you can achieve with a number of medium-format digital cameras and backs. The 7360×4912-pixel photographs print to 24”x16” (60×40cm) size at industry-standard 300ppi with no interpolation required, which also means they are ideal for double-page spreads in a large-format 12”x12” photo book. Additionally, they offer a lot of leeway for cropping. The extremely high levels of detail captured also means the files respond very well to noise reduction, often allowing you to walk away with a sharper and more detailed final image than if you had used a cleaner but lower-resolution photograph to begin with. Raw dynamic range, tonality etc. are also excellent; just what you'd expect from a top-of-the-line camera in 2012.

In actual use, the Nikon D800 is a fantastic tool that seldom disappoints - the biggest quibbles you are likely to have with it, especially if coming from a D700, D300 or D300S, concern interface changes such as the swapping of the zoom buttons, the disappearance of the physical AF Area selector or the repositioning of the Mode button. Otherwise the Nikon D800 is a highly dependable and capable camera that offers a versatile and improved auto focus system, an enhanced viewfinder with 100% frame coverage and a very good movie mode. The maximum frame rate of 4fps in FX mode might seem a tad low but if you remember that we're talking about images that compare favourably to medium-format cameras that shoot at 1-1.5fps at most, you'll probably agree that it's actually a very high shooting speed for a camera that specialises in resolution, first and foremost.

At £2499.00 / $2,999.95, the Nikon D800 is not a cheap camera - especially in the UK where it costs £500 more than the Nikon D700 did at launch - but is still quite a bit cheaper than its most obvious competitor the Canon EOS 5D Mark III.

Ratings (out of 5)
Design	4.5
Features	5
Ease-of-use	4
Image quality	5
Value for money	4

Review Roundup

Reviews of the Nikon D800 from around the web.

Specifications

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