Introduction

Ease of Use

The Panasonic Lumix DMC-TZ20 is very similar to its predecessor, the DMC-TZ10, in terms of its design, with the most notable difference being the relocation of the one-touch Movie Record button from the rear of the camera to the top. At first glance the Panasonic Lumix DMC-TZ20 strikes you as being a little large, elongated and bulky, but it's virtually the same size and weight as the previous TZ7 model. You then have to remind yourself that Panasonic have somehow now fitted in a 16x zoom lens, equivalent to 24-384mm on a 35mm camera, which provides a very versatile focal range that will cover every subject from ultra-wide angle landscapes to close-up action shots. Even when set to 384mm, the lens doesn't extend too far from the front of the TZ20, making it look to all intents and purposes like a "normal" compact camera. This helps to make the DMC-TZ20 great for candid moments, as people assume that you're using just a standard point and shoot with a much more limited range.

The 24mm focal length provides an entirely new wide angle of view that can only increase your creativity. You won't want to go back to a "standard" 35mm zoom, or even a 28mm one, after using the 24mm lens on the DMC-TZ20 - 3mm at the wide-angle end really does make a big difference. The 16x zoom lens makes this one of the most versatile compacts in terms of focal range, especially as it is coupled with Panasonic's excellent POWER O.I.S system, which helps to ensure that the majority of photos taken in good light are sharp. The TZ20's lens isn't particularly fast at either the wide-angle setting, with a maximum aperture of f/3.3, or the telephoto setting, with a maximum aperture of f/5.9, but given the focal range on offer, we feel this is a compromise worth making.

The DMC-TZ20 is a well-built camera with a high quality metal body. The design is dominated by the 16x lens on the front and the large 3 inch LCD screen on the rear. There is no optical viewfinder, which does make the camera a little harder to keep steady at the telephoto end of the zoom than holding it up to your eye. There is only a shiny, smooth handgrip on the front of the TZ20 and a small textured area on the rear, although it does now have a slight curve to aid grip. The TZ20 actually has a 15.1 megapixel sensor, but only uses 14.1 megapixels so that it can offer three different aspect ratios - 4:3, 3:2 or 16:9 - without having to change the angle of view. The Multi Aspect mode takes an image in all three aspect ratios simultaneously and lets you choose the best one. The big news for the TZ20 is the changeover from the CCD sensor of the TZ10 to the new Live MOS sensor, as previously seen in the FZ100 super-zoom. This enables the camera to offer much faster continuous shooting rates and higher-quality HD video that its predecessor. The DMC-TZ20 is well-made overall, although we still don't like cover for the battery compartment and SD card slot, which feels a little insubstantial and is locked using a cheap plastic switch.

Despite the inclusion of a full range of manual shooting modes, the Panasonic Lumix DMC-TZ20 is still not overly complex in terms of the number of external controls that it has. The majority of the 14 controls are clearly labeled and common to most cameras, with the Q.Menu and iA shooting mode being specific to Panasonic and requiring a quick read of the user guide. There's a traditional dial on the top of the TZ20 which has a positive action and lets you select the various shooting and scene modes. This dial is a typical feature of SLR cameras, and enables you to quickly change between the various modes. Interestingly there are two Scene modes available, MS1 and MS2, both of which offer exactly the same options, but which can be set independently of each other, allowing a little customization of the camera setup. There's also a CUST option that allows you save up to three camera configurations, which is very handy if you often use the camera for different subjects or situations.

New to the DMC-TZ20 is the 3D Mode option. When selected, the camera instructs you to pan 10cms from left to right, during which it takes 20 consecutive shots at high-speed, another benefit of the LIVE MOS sensor. It then automatically selects the best 2 shots from the sequence to create a 3D image. You can only view the results on a 3D TV (the TZ20 records standard MPO files), and although it isn't as effective as images taken with Panasonic's 3D Micro Four Thirds lens or the Fujifilm 3D W3, for example, it does create quite a convincing effect which particularly suits subjects that are close-up to the camera.

Front	Rear

The DMC-TZ20 joins the handful of Panasonic compacts to offer advanced controls over exposure, with full manual (M), aperture-priority (A) and shutter-priority (S) modes on offer, which will instantly appeal to the more experienced photographer. The range of apertures on offer is rather limited by the lens (F3.3 - 6.3 at 24mm and F5.9 - 6.3 at 384mm), but the ability to choose from 60 - 1/2000th second shutter speeds and set both the aperture and shutter speed if you wish opens up a lot of creative potential. Sadly there's still no support for the RAW file format, which would really have been the icing on the cake for serious photographers looking for a backup-pocket camera to their DSLR.

The DMC-TZ20 also features an improved version of Panasonic's now well-established Intelligent Auto Mode. Panasonic have tried to make things as easy as possible for the complete beginner by providing this shooting mode, which allows you to point and shoot the camera without having to worry about choosing the right mode or settings. Intelligent Auto Mode automatically determines a number of key criteria when taking a picture, including selecting the most appropriate scene mode and ISO speed, and turning face detection (up to 15 faces), image stabilization and quick auto-focus on. Intelligent Exposure increases the exposure only in the under-exposed areas of the image, and Digital Red-eye automatically detects and removes red-eye. Intelligent Exposure can also be turned on in the Normal Picture mode (but strangely not Digital Red-eye).

AF tracking continually tracks a moving subject and keeps it in focus, without you having to hold the shutter button halfway down as on most other cameras. Face Recognition is a fun and genuinely useful new feature, which "remembers" up to 6 registered faces and then always prioritizes the focus and exposure for that person in future pictures - it even shows the name of the person on the LCD. Very useful for group shots where you want your loved ones to be the centre of attention. You can specify the age of the registered subject, stamp the age of the subject onto your photos, change the focus icon for a particular person, and playback only the photos that contain a certain face. The camera will even automatically switch to Baby mode if someone registered as less than 3 years old appears in the frame.

The TZ20 has a couple of new additions to its Intelligent Auto mode. When shooting video, Active Mode is automatically added to the POWER O.I.S. system. This compensates for the extra blur that can occur when you're walking and shooting video at the same time. The new Intelligent Handheld Nightshot mode takes a sequence of shots at different exposures to take a sharp and well-exposed night shot without the use of a tripod. The Intelligent Burst Shooting mode automatically sets the continuous shooting frame rate according to the subject's movement.

In practice the Intelligent Auto Mode system works very well, with the camera seamlessly choosing the most appropriate combination of settings for the current situation. The 7 available scene modes are Scenery, Portrait, Macro, Night Portrait, Night Scenery, Sunset or Handheld Night Shot, so obviously not all situations are covered by Intelligent Auto Mode, but it does work for the majority of the time. It makes it possible for the less experienced photographer to easily take well-exposed, sharp pictures of people, scenery and close-ups by simply pointing and shooting the camera. If you're feeling a little down, the Happy Mode boosts the color, saturation and brightness to give you a warm glow inside (but not a terribly accurate picture).

Completing the top of the camera are the Off/On switch, relocated Movie Record button, responsive zoom lever, tactile shutter button, left and right stereo mics, and the GPS receiver. The TZ20 offers stereo sound, with the left and right mics located to the left of the Mode dial. When used in combination with the Wind Cut menu option, this makes a real difference to the sound quality in movies.

Front	Top

The DMC-TZ20's GPS allows you to seamlessly geo-tag your photos (latitude and longitude co-ordinates are stored in the EXIF data, plus the local time) and then sort and display them using geo-friendly websites such as Google Earth and Google Maps. The DMC-TZ20 also has a built-in database of over 1 million known landmarks around the world, which it uses to try and tag each image if enabled. In addition you can choose which specific information is set for your photos, with Country/Region, State/Prov/County, City/Town and Landmark the available options.

The GPS can be manually turned on or off - when enabled, it continues working even when the camera is switched off. There's also a special airplane mode which only keeps GPS on when the camera is switched on. The GPS Info option shows you exactly which satellites are being used and importantly when the signal lock was last obtained, with the option of manually updating the positioning process. This last option is important because the DMC-TZ20 has a tendency to keep using an old position if you, say, catch the London tube and travel a few miles underground, in which case it needs to be manually updated. Other than this idiosyncracy, the TZ20's GPS receiver works a lot better than previous GPS-capable cameras that we've reviewed, saving accurate positioning information for most of the images that we shot in built-up central London, making this camera much more useful for urban photographers. The main downside of the TZ20's GPS is the subsequent drain on battery life, with the camera only managing just over 175 shots with GPS turned on instead of the 260 that it can manage without.

The dedicated Movie button on the top of the DMC-TZ20 allows you to start recording a movie with a single push of a button, and then stop recording by pressing the same button - a lot more intuitive than having to select the movie mode then press the shutter button, as on most compacts. The TZ20 can now record full 1080i video at 1920x1080 pixels or 1280x720 at 30/25fps in the AVCHD format, or 1280x720, 640x480 or 320x240 at 30fps in the Motion JPEG format. AVCHD Lite almost doubles the recording time in HD quality compared with Motion JPEG, but software support is currently a bit thin on the ground. Panasonic describe it as the best mode for playing back on a HD TV direct from the camera, and Motion JPEG best for email and playing on a computer. GPS support is also available for the AVCHD format.

The dedicated movie button makes it much easier to record a movie, and the various movie options are sensibly stored in an easy to understand Motion Picture menu. Stereo sound is recorded during capture, helped by the wind cut function and audio sampling at 48kHz. You can also use the zoom lens during recording and really make the most of that 24-384mm focal range. On the negative side, you'll find that the lens zooms more slowly than when shooting a still image, and if you choose continuous auto-focus, areas of the video will be blurred before becoming sharp again as the camera tries to refocus, although this has been improved when compared to the TZ10. The HDMI port allows you to connect the TZ20 to a high-def TV set, but only if you purchase the optional HDMI mini-cable.

Intelligent Resolution performs two main functions - it either makes a standard image look like a higher resolution one by processing the contour areas, texture areas and smooth areas individually, or it digitally boosts the zoom magnification from 16x to 21x with minimal loss of quality and no reduction in resolution. In both cases, it's easy tell which image was taken with Intelligent Resolution turned on and which ones with it turned off, particularly if viewing onscreen at 100% magnification, as our test shots on the Image Quality page show. The difference isn't quite so apparent on a print up to A3 in size, but I'm not convinced enough to recommend it except when you really need the extra reach - it undoubtedly improves on the digital zoom, but not so much that I'd regularly use it.

Side	Main Menu

The Camera / Play button on the rear of the camera enables you to quickly and easily switch from shooting to playback without also changing the shooting mode. Also on the rear of the camera is the Q.Menu button which provides quick access to most of the principal controls, including ISO speed, image size, image quality and white balance (there are 9 settings in total). You can still access all of these options from the main menu system too. In addition the TZ20 also has a Exposure button, which in conjunction with the arrow keys on the navigation pad allows you to change the aperture and/or the shutter speed if you're using the A, S or M shooting modes. This two-button system isn't the most convenient, but it does avoid making the camera too cluttered.

The large 3 inch LCD screen is the only way of framing your shots, so if you have to have an optical viewfinder, look elsewhere now, but I found that the 460K pixel, high-resolution screen coped admirably with the majority of lighting conditions, even being nice to use in low-light. There's a clever function called High Angle, accessible from the Quick Menu, which essentially brightens the LCD screen when the camera is held over your head so that it is perfectly viewable, which is great for shooting over the heads of a crowd. The Intelligent LCD function automatically detects the current lighting conditions and boosts the LCD backlighting by up to 40% when shooting outdoors in bright sunshine, helping to keep the screen visible.

The DMC-TZ20's main innovation is its touchscreen interface. The most immediately noticeable function is the ability to use the 1-area AF mode to focus on your main subject simply by touching it on the LCD. If the subject then moves, the DMC-TZ20 cleverly follows it around the screen using the the AF tracking function. If the subject exits the frame entirely, simply recompose and tap it again to start focusing. Impressive stuff that makes focusing on off-center subjects fast and intuitive. It is a little too easy to accidentally press the screen and set the focus point to the wrong area for the current subject, but a simple tap in the middle of the LCD will center the AF point (or you can turn this feature off altogether).

When Intelligent Auto is switched on, the DMC-TZ20 changes the scene mode used when you touch the subject, for example selecting portrait mode if you touch a face and macro mode if you touch a close-up flower. If you prefer to manually focus rather than use the snappy AF, you can magnify any part of the subject by 1x, 5x or 10x by simply dragging the image around the screen. The final touchscreen ability from an image composition point of view is the ability to release the shutter, with a small icon on the right hand screen enabling this functionality, and then a single on-screen tap all that's required to take the picture.

Most of the menu options can be changed via the touchscreen interface, notably the Quick Menu and the Info Display menu - the main exception to this rule is the Main Menu, which is still controlled via the navigation buttons. You can also control image playback by touching the screen, with the ability to tap a thumbnail to see the full-size version, scroll through your images by dragging them from side to side, and magnifying them up to 16x.

As with all current Panasonic models, the TZ20 has an anti-shake system, on this model the newer POWER O.I.S. variety. Turn it on and the Panasonic Lumix DMC-TZ20 automatically compensates for camera shake, which is a slight blurring of the image that typically occurs at slow shutter speeds when the camera is hand held. There are two different modes, Mode 1 is on all the time including image composition, and Mode 2 is only on when you press the shutter button. An Auto setting is also available if you're not sure which one to use. Panasonic claim that the POWER O.I.S. system is twice as effective as the older MEGA O.I.S, and while its difficult to make a direct comparison, I found that it does make a noticeable difference, as shown in the examples on the Image Quality page. You don't notice that the camera is actually doing anything different when anti-shake is turned on, just that you can use slower shutter speeds than normal and still take sharp photos.

Memory Card Slot	Battery Compartment

Panasonic also provide a High Sensitivity Mode to help combat the effects of camera shake. When this scene mode is selected, the TZ20 automatically raises the ISO speed up to a maximum of 6400 and therefore allows for a faster shutter speed. This mode allows you to handhold the camera without using the flash and get more natural results, whilst at the same time freezing subject movement more successfully. There are some obvious drawbacks with this special scene mode, principally a significant increase in noise and blurring - Panasonic state that "Pictures may appear slightly grainy due to high sensitivity". You also need to select the scene mode and therefore have some idea about when it is applicable to your subject.

The Intelligent ISO mode is the third way in which the DMC-TZ20 attempts to avoid subject blur in low-light conditions. The camera automatically sets the appropriate shutter speed AND ISO speed for the subject that you are taking pictures of. So if you're taking shots of a child indoors, the DMC-TZ20 automatically raises the ISO and in turn the shutter speed to avoid blurring the child's movement. If the subject is still, then the camera chooses a lower sensitivity and slower shutter speed. It's a clever idea that works well in practice, with the camera generally choosing an appropriate combination of shutter and ISO speed. You can also limit the maximum ISO speed that the camera can choose, which I'd strongly advise, as ISO 1600 produces very noisy images - ISO 800 is a better maximum setting.

The main menu system on the Panasonic Lumix DMC-TZ20 has been made simpler and clearer than previous versions. Accessed by pressing the Menu/Set button in the middle of the navigation pad. There are four menu options, Record, Motion Picture, Travel Mode and Setup. Most of the camera's main options, such as white balance, image quality, auto-focus mode and ISO speed, are accessed here, so the Record menu has 22 options spread over 5 screens, the Motion Picture menu 5 options over 1 screen, the Travel Mode menu 6 options over 2 screens, and the Setup menu has 23 options spread over 5 screens. As mentioned previously, the addition of the Quick Menu button on the rear of the camera speeds up access to some of the more commonly used options. Due to the large LCD screen and restricting the number of on-screen choices to five, the various options and icons are very clear and legible. If you have never used a digital camera before, or you're upgrading from a more basic model, reading the easy-to-follow manual before you start is a good idea, especially as a few of the buttons are specific to Panasonic cameras. Thankfully Panasonic have chosen to supply it in printed format, rather than as a PDF on a CD, so you can also carry it with you for easy reference.

The start-up time from turning the Panasonic Lumix DMC-TZ20 on to being ready to take a photo is quite quick at around 2 seconds. Zooming from the widest focal length to the longest is very slow at around 5 seconds, but focusing is very quick in good light thanks to the new Sonic Speed AF system, and the camera achieves focus most of the time indoors or in low-light situations, helped by the focus-assist lamp. Note that the camera does struggle to lock onto the subject at the tele-photo end of the lens in low-light situations. It takes about 1 second to store an image, allowing you to keep shooting as they are being recorded onto the memory card, with a delay of 0.3 seconds between images. The Panasonic Lumix DMC-TZ20 has an impressively quick Burst mode which enables you to take 10 frames per second at the highest JPEG image quality, up to a maximum of 15 images in Fine mode, or at 5fps if you turn on continuous auto-focusing. In addition there's a 60fps mode at 2.5 megapixels and a 220fps slow-motion mode at 640x480 pixel resolution.

Once you have captured a photo, the Panasonic Lumix DMC-TZ20 has a good range of options when it comes to playing, reviewing and managing your images. You can instantly scroll through the images that you have taken, view thumbnails (up to 30 onscreen at the same time and in a special Calendar view), zoom in and out up to 16x magnification, view slideshows, delete, protect, crop, resize and copy an image. You can also select favourite images, sort images into categories, add a text stamp, add a soundclip and set the print order. Face Recognition plays back only the photos that contain a certain face. The Display button toggles detailed settings information about each picture on and off, such as the ISO rating and aperture / shutter speed, and there is a small histogram available during both shooting and playback. When taking a photo, pressing the Display button toggles between the detailed information, the detailed information plus gridlines to aid composition, and no information at all.

Image Quality

All of the sample images in this Review were taken using the 14 megapixel Fine JPEG setting, which gives an average image size of around 5.5Mb.

The Panasonic Lumix DMC-TZ20 produced images of good quality during the review period. The 1/2.33 inch, 14 megapixel MOS sensor used in the Panasonic Lumix DMC-TZ20 produces noise-free images at ISO 100-200, with limited noise and colour desaturation starting to appear at ISO 400. ISO 800 exhibits quite visible noise, smearing of fine detail and colour desaturation, and ISO 1600 is even noisier, although still usable for small prints.

The Panasonic Lumix DMC-TZ20 dealt very well with chromatic aberrations, with limited purple fringing effects appearing only in high contrast situations. The pop-up flash worked well indoors, with no red-eye and adequate exposure. The night photograph was excellent, with the maximum shutter speed of 60 seconds allowing you to capture plenty of light. Anti-shake is a feature that works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the zoom range.

Macro performance is very goodg, allowing you to focus as close as 3cms away from the subject. The images were a little soft straight out of the camera at the default sharpening setting and ideally require further sharpening in an application like Adobe Photoshop, or you can change the in-camera setting if you don't like the default results. The Intelligent Resolution feature either makes a standard image look sharper, albeit with some unwanted artefacts appearing, or it digitally increases the 16x optical zoom to 21x, again with a slight loss in quality.

Noise

There are 5 ISO settings available on the Panasonic Lumix DMC-TZ20. Here are some 100% crops which show the noise levels for each ISO setting.

ISO 100 (100% Crop)	ISO 200 (100% Crop)
ISO 400 (100% Crop)	ISO 800 (100% Crop)
ISO 1600 (100% Crop)

Sharpening

Here are two 100% Crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft at the default sharpening setting and benefit from some further sharpening in a program like Adobe Photoshop. You can change the in-camera sharpening level via the Picture Adjust menu option.

Original (100% Crop)	Sharpened (100% Crop)

Focal Range

The Panasonic Lumix DMC-TZ20's 16x zoom lens provides a versatile focal length of 24-384mm in 35mm terms, as demonstrated below.

24mm	384mm

File Quality

The Panasonic Lumix DMC-TZ20 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

14M Fine (4.9Mb) (100% Crop)	14M Normal (2.8Mb) (100% Crop)

Chromatic Aberrations

The Panasonic Lumix DMC-TZ20 handled chromatic aberrations excellently during the review, with very limited purple fringing present around the edges of objects in certain high-contrast situations, as shown in the examples below.

Example 1 (100% Crop)	Example 2 (100% Crop)

Macro

The Panasonic Lumix DMC-TZ20 offers a Macro setting that allows you to focus on a subject that is 3cms away from the camera when the lens is set to wide-angle. The first image shows how close you can get to the subject (in this case a compact flash card). The second image is a 100% crop.

Macro Shot	100% Crop

Flash

The flash settings on the Panasonic Lumix DMC-TZ20 are Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off. These shots of a white coloured wall were taken at a distance of 1.5m.

Forced Off - Wide Angle (25mm)	Forced On - Wide Angle (25mm)
Forced Off - Telephoto (300mm)	Forced On - Telephoto (300mm)

And here are some portrait shots. As you can see, neither the Flash On or the Auto/Red-eye Reduction settings caused any red-eye.

Forced On	Forced On (100% Crop)
Auto/Red-eye Reduction	Auto/Red-eye Reduction (100% Crop)

Night

The Panasonic Lumix DMC-TZ20's maximum shutter speed is 60 seconds, which is great news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 100. I've included a 100% crop of the image to show what the quality is like. The camera takes the same amount of time again to apply noise reduction, so for example at the 15 second setting the actual exposure takes 30 seconds.

Night Shot	Night Shot (100% Crop)

Anti Shake

The Panasonic Lumix DMC-TZ20 has an anti-shake mechanism, which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, I took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results. As you can see, with anti shake turned on, the images are much sharper than with anti shake turned off. This feature really does seem to make a difference and could mean capturing a successful, sharp shot or missing the opportunity altogether.

Shutter Speed / Focal Length	Anti Shake Off (100% Crop)	Anti Shake On (100% Crop)
1/5 sec / 25mm
1/4 sec / 150mm

Intelligent Resolution

The Intelligent Resolution feature either makes a standard image look like a higher resolution one by processing the contour areas, texture areas and smooth areas individually, or it digitally boosts the zoom magnification from 16x to 21x.

Resolution - Off	Resolution - On
Zoom - Off	Zoom - On

Sample Images

This is a selection of sample images from the Panasonic Lumix DMC-TZ20 camera, which were all taken using the 14 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample Movie & Video

Product Images

Front of the Camera

Front of the Camera / Lens Extended

Isometric View

Isometric View

Rear of the Camera

Rear of the Camera / Image Displayed

Rear of the Camera / Turned On

Rear of the Camera / Main Menu

Rear of the Camera / Main Menu

Rear of the Camera / Quick Menu

Rear of the Camera / Touchscreen

Rear of the Camera / Touchscreen

Top of the Camera

Bottom of the Camera

Side of the Camera

Side of the Camera

Front of the Camera

Front of the Camera

Memory Card Slot

Battery Compartment

Conclusion

In the face of some tough competition, Panasonic have introduced a number of key features to their flagship travel-zoom camera to try and keep it ahead of the pack. The TZ20 notably offers a bigger 16x zoom, faster continuous shooting, full 1080i HD movies, a touchscreen LCD, 3D Photo Mode and faster auto-focus system, all at the same launch price as last year's TZ10 model. Only that rather high price tag and the good rather than excellent image quality prevent us from recommending the TZ20 even more highly.

In addition the TZ20 retains the creative A, S and M shooting modes, improved hand-holding Intelligent Auto mode, GPS tracking, effective anti-shake system, high-resolution screen and proven handling of its predecessor. All of this together with the new headline features adds up to a very full-featured camera that's also importantly intuitive to use for both beginners and more experienced photographers alike, a particularly difficult trick to pull off.

There is one key area where the Panasonic DMC-TZ20 sadly doesn't improve on its rivals or its predecessor, namely the poorer image quality once you venture above ISO 400. Noise is apparent at ISO 400 but becomes much more obvious at ISO 800 along with excessive smearing of finer details, with the fastest speed of ISO 1600 being something of a last resort. Although this is a similar performance to the year-old TZ10, we'd hoped for some improvements in this area.

Despite this and the £349 / £399 price, the DMC-TZ20 offers an even more compelling combination of size, features, image quality and handling than the TZ10. The ability to shoot good quality still images at up to 10fps and full HD video with the use of an ultra-wide and long telephoto zoom lens, all from a camera that you can easily fit in a pocket, goes a long way to justifying its cost. For a lot of people, the new Panasonic Lumix DMC-TZ20 could be the only camera that you ever need.

Ratings (out of 5)
Design	4.5
Features	5
Ease-of-use	5
Image quality	4
Value for money	4

Review Roundup

Reviews of the Panasonic Lumix DMC-TZ20 from around the web.

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