Samsung WB600 Review
Mac users, we're pleased to announce Macphun's all-in-one photo editor Luminar is now available for just $69£52 with special Valentine Day bonuses (two eBooks, Vivid Wonderland preset pack, & Creative Sky Overlay pack) included for free until February 19. Use coupon code "PHOTOBLOG" to save another $10 on Luminar.
We rated Luminar as "Highly Recommended". Visit the Luminar web site to try it for free.
The Samsung WB600 (also known as the Samsung HZ30W) is a 12 megapixel camera with a 15x, 24-360mm optically-stabilized lens and a large 3 inch LCD screen. The WB600 offers 720p HD video recording and an HDMI port for quick and easy playback on a High Definition TV set. A wealth of auto modes - Smart Auto, Face Detection, Smile Shot, Blink Detection, Self Portrait and Beauty Shot - promise to make it easier for beginners to easily take great photos, while there are also A/S/M shooting modes for the more experienced user. The Samsung WB600 / HZ30W is available in black, brown and grey for $279 / £249.
Ease of Use
Samsung's WB600 camera upgrades its WB550 predecessor predominantly by increasing the zoom from 10x to 15x, adding Aperture and Shutter priority shooting modes, and significantly reducing the price.
First impressions are of a bold and chunky design with a depth of 28mm and weighing a shade over 200g. Constructed out of robust plastic with shiny chrome detailing and large buttons, the WB600 is just small and light enough to carry in a trouser pocket or small camera bag. Apparently the WB prefix stands for 'Wide' and 'Big' - not necessarily the attributes you'd want attributed to a 'compact', but here it refers to the lens reach, equivalent to an impressively versatile 24-360mm in 35mm terms.
Although it hasn't got an 'HD' suffix in the model name, as indicated in our introduction the Samsung WB600 nevertheless offers High Definition video clips in the economical H.264 format (though at 1280x720 pixels rather than Full HD 1920x1080) which can be paused mid-record and recording then re-started. The user can therefore perform rudimentary 'editing' as they shoot. The full extent of the 15x optical zoom is accessible when shooting movies - since that is one of the camera's key selling points, it would have been a travesty if it hadn't.
As expected, the large lens dominates proceedings at the front of the WB600, its surround jutting out almost a centimetre even when the camera is inactive, suggesting Samsung could have found room for a lens thread for supplementary attachments. The lens takes up the full height of the face plate, meaning the built-in flash bulb is shifted over to the left out of harm's way. Alongside the flash is a small porthole-style window for the AF assist/self timer lamp, and underneath 9 small holes for the microphone. Unlike its predecessor, the WB600 doesn't have any hand-grip, with only a slight outward curve in the camera body providing any kind of purchase, making this new model more difficult to hold steady.
Looking down on the camera's top plate we find a row of chunky controls set into a wide mirrored chrome strip that lends the Samsung WB600 a modicum of style. Starting at the left, there are a twin set of holes for the stereo sound recording system, in-between which is located the indented Power button, surrounded by a circular ring that glows an attractive 'Samsung blue' when in use. Not perhaps what you'd want if trying to use the camera surreptitiously at night, but then the glow from the 3-inch rear LCD screen - in the absence of an optical viewfinder - kind of gives the game away anyway.
To the right, and 'sunk' slightly into the bodywork, is a familiar bottle top style dial for the shooting modes. This feels firm to the touch and well implemented, in that the user can't accidentally slip from one setting to the other. Ranged around the dial are the expected Auto and Program settings, plus Samsung's own 'Smart Auto' mode. As it sounds, this is the manufacturer's equivalent of the intelligent auto modes on competitors from Panasonic (its Lumix range), Sony (the latest T-series Cyber-shots) and Canon (Digital IXUS family). Namely you point the WB600 at a scene or subject that hopefully the camera recognizes, automatically adjusting its settings to deliver optimum results. This means that it's not necessary for the user to manually delve into scene modes to call up the likes of 'landscape' or 'flower'; the WB600's operation is merely a case of point and shoot.
Incidentally, as you turn the shooting dial, a virtual version which the same eight settings rotates in tandem on screen, highlighting and explaining each one as you select it. Also found on the dial are a 'Dual IS' mode - which offers both optical image stabilization and the ISO boosting digital variety. In terms of light sensitivity the Samsung WB600 offers a very respectable range, stretching from ISO 80 up to ISO 3200. We'll of course be examining how well it does at its higher settings in the 'Image Quality' section of our review.
Continuing around the dial we discover Samsung's 'beauty shot' mode, useful for both acne-d adolescents and those of us who have over indulged by automatically retouching out spots and blemishes. Spotlighting the WB600's intended audience as the family, Samsung clearly wants its users to have to spend as little time post-processing images as possible - if any.
Samsung's Smart Face Recognition technology automatically adjusts the camera's focus and exposure for up to 20 faces, and it can even recognise the most photographed faces in your photos and focus on them. Smart Face Recognition also lets you quickly search for specific people in your photo album without having to browse through every single photo.
Adjacent to beauty mode is a dedicated scene mode. But rather than this mode automatically displaying its settings as icons, the user has to press the 'menu' button at the camera's rear and scroll down the text options to find them. Along with 'Night', 'Portait', 'Children' and 'Landscape' we get 'text', 'sunset', 'dawn' and 'backlight', with 15 choices in total.
The adjacent setting on the dial is for video mode. Here users get the opportunity to either shoot at top 720p resolution, a less memory hungry 640x480 pixels, or 320x240 pixels; choice dependant on intended use (whether playing back on an HDTV or merely posting on the Internet). Maximum frame rate at 1280x720 resolution is 30fps, with a reduced 15fps rate also selectable with a press of the button marked 'Fn' (or 'Function') on the camera back. Should users however plump for the very lowest picture quality, a higher frame rate of 60fps is selectable.
A major new feature for this WB-series generation is the addition of Aperture and Shutter priority shooting modes to the already present full Manual mode. With a full range of apertures and shutter speeds available, these two new modes are a very welcome inclusion that bridge the gap between Program and full Manual. There's no external dial for changing the values, instead you have to press the Function button then use the left and right navigation pad keys - but despite this rather slow form of operation, the A/S/M modes make the WB600 more appealing to a wider audience.
Staying on the Samsung WB600's top plate, the next control along is the large-ish and springy shutter release button, surrounded by a rocker switch for operating the zoom. Controlled by a protruding lip that falls naturally under the forefinger, the zoom takes around five seconds to travel from maximum wide angle to full telephoto - which is a little below par for the course for its focal range. We did find on occasion that said zoom took a moment or two to 'wake up' - and that its transitions are sound-tracked by a low mechanical blur; but said sound is low enough to avoid being off-putting.
That aside, once you've zoomed in and got your composition how you want, with a half press of the shutter button the Samsung WB600 is commendably swift to determine focus and exposure, the AF point highlighted in green and an operational 'beep' confirming you're good to go on and take the shot. With little noticeable shutter lag, at highest resolution setting an image is committed to memory in just under two seconds, the screen blanking out briefly, which isn't bad at all.
Moving to the back of the Samsung WB600, this is dominated by the three-inch screen, with a vertical strip of controls running from top to bottom at its right. LCD visibility is adequate indoors and out, though you inevitably find yourself cupping a hand or angling the camera for a better view with the latter.
At the top of the run of controls is a new and welcome one-touch movie record button, making it a cinch to start and stop your high-def movie masterpieces. Underneath is the Menu button which provides a range of selectable options, the brevity or otherwise of which is dependant on the particular mode the user is in.
Let's assume, for example, we're shooting in program mode. With menu selected an icon illustrated top bar provides drop down access to fine tuning the recording options. These include the ability to tweak operational sounds, LCD display, plus access to a setting menu, enabling memory to formatted or previously selected functions reset.
Directly underneath the Menu button is a four-way directional control pad with an OK button at its centre. This will be familiar to just about anyone who has ever used a digital compact before. Ranged around the four points are options for toggling the Display modes to show a nine zone compositional grid, all shooting information or just the very basics (i.e simply the number of shots remaining), self-timer modes, macro and focus modes, and the various flash settings.
|Memory Card Slot||Battery Compartment|
A press of the OK button when shooting video meanwhile allows the user to pause and play/resume the recording - the feature which Samsung is highlighting as one of the WB600's unique ones. It works, though whether most of us would actually need/use it is a moot point.
Below the control pad is a self-explanatory Playback button and the useful Function button, which handily doubles up as a delete button in playback mode. As expected the amount of information and options accessed via a press of 'Fn' varies dependant on which shooting mode is selected. For example in regular auto mode the user merely has the ability to adjust image size and resolution. Twist the dial around the program mode however and there's the ability to swap focus area, metering modes, change from single shot to continuous capture, choose from the range of ISO settings, adjust white balance or turn the ubiquitous face detection mode on or off. Like its rivals, Samsung also allows user access to blink detection and smile shot in this mode.
While that's it for the rear of the Samsung WB600, at its right hand side (if viewing from the rear) we find an included mini-HDMI port for hooking the snapshot up to an HDTV. Increasingly common for DSLRs that also shoot movies, it's still a comparative rarity to find such on a digital compact, even if it does shoot HD video. The required HDMI cable is an optional extra though, so bear in mind if you're on a budget.
Alongside the HDMI connection is a proprietary connector for Samsung's power and sync cable - the WB600 is recharged with the battery in-camera, either from an electrical socket or or alternatively straight from a USB port connected to your computer, rather than via an external recharger, which means that annoyingly you can't use the camera with a second battery whilst charging the first. Note that there is no port for USB and AV out. Also in the box is a quick-start guide as a hard copy, the full manual on CD ROM, plus a wrist strap.
The bottom of the Samsung WB600 houses a centrally located metal tripod mount and a a sliding cover for protecting for the shared rechargeable battery / SD/SDHC/SDXC memory card compartment. Battery life is good for approximately 275 shots from a full charge - adequate if not incredible. As previously noted, Samsung provides a compact plug/charger set up in the box that charges the battery within the camera itself.