Sony NEX-5T Review
The Sony NEX-5T is a new mid-range compact system camera. The only technical difference between the new NEX-5T and last year’s NEX-5R model is the addition of NFC (Near Field Communication). There’s no set-up needed – simply touch a compatible mobile device against the NEX-5T and a wireless connection is made instantly. Also, the NEX-5T now ships with the 16-50mm f/3.5-5.6 power zoom kit lens, rather than the 18-55mm f/3.5-6.3, which makes the overall package more compact. Otherwise the NEX-5T is identical to its predecessor, featuring a 16.1 megapixel Exmor APS HD CMOS sensor, Fast Hybrid phase- and contrast-detect autofocus system, 49-segment exposure meter and 3-inch, 180° tilting LCD panel with 921,000-dot resolution, the NEX-5T also offers a touch-screen interface with a touch shutter function, built-in Wi-Fi connectivity and PlayMemories Camera Apps, an ISO range of 100-25600 and both a mechanical and electronic shutter. The magnesium bodied NEX-5T can also capture fast-moving action at 10fps at full resolution, shoot Full HD 1920 x1080p video as high-quality AVCHD files, and is supplied with a compact clip-on flash that attaches via an accessory terminal. The Sony NEX-5T is available in silver, black or white and costs around £600 / $700 with the 16-50mm f/3.5-5.6 power zoom kit lens.
Ease of Use
The Sony NEX-5T is outwardly identical to the older NEX-5R model, save for a name change and the addition of the NFC logo on the side of the grip, so almost all of the comments that we made about that camera apply equally to the NEX-5T. The NEX-5T's rectangular body shape and blocky grip is less immediately appealing than the retro finesse of an Olympus Pen or modernist curves of the Panasonic G series. With the supplied 16-50mmm power zoom kit lens attached the NEX-5T looks and feels less top heavy than the NEX-5R, which shipped with a bigger, bulkier 18-55mm optic. Compatibility with an existing Alpha DSLR lens proper is also offered with pre-existing optics via the LA-EA2 accessory adapter which allows phase-detection AF with almost all of the A-mount lenses. The NEX-5T does undoubtedly feel solid when gripped in the palm, and with the new kit lens attached it just about fits into most jacket pockets.
The LCD screen can be tilted backwards by 40 degrees and forwards by 180 degrees for arm’s length self-portraits - if not, unfortunately swung outwards at 90° - to allow for low and high angle compositions we might not have attempted without. Note that fitting the clip-on flash prevents the LCD from being tilted fully forwards. Sony has also included High Definition video shooting at Full HD 1080p at 60fps with stereo sound with the welcome ability to control shutter speed, aperture and exposure compensation during recording. It also features a useful dedicated red camcorder-style video record button for instant thumb-operated video access, while Tracking Focus allows a target object to be selected via the touchscreen LCD, even when the subject is moving, for both stills and video.
The NEX-5T isn't quite the world's smallest and lightest interchangeable lens camera, but at 218g and 38.9mm in depth including its grip or lens mount, it's hardly a large model. Low light sensitivity without flash also theoretically looks set to show rivals a thing or two by ranging from ISO 100 to a maximum ISO 25600 equivalent setting. Impressive stuff, and matching the sort of spec we're used to seeing on mid-range DSLRs.
Like Panasonic's directly competing GF-series (and unlike the Olympus Pens) there's no in-body image stabilisation offered by the NEX-5T unfortunately, so this is via lens only, the optically stabilized 16-50mm zoom offered as part of a kit deal for £600 / $700 all-in, a slightly cheaper launch price than the NEX-5R. The main strength of the Sony E 16-50mm f3.5-5.6 PZ OSS lens lies in its portability and better-than-expected – although by no means record-breaking – sharpness.
Sony branding and DSLR-style lens release button aside, all we find on the faceplate is a small porthole-shaped window for the AF assist/self timer lamp, a rectangular CR3 battery-sized and shaped handgrip with a subtly ridged surface for a firmer hold, plus the shutter release and customisable Function button on the forward-sloping edge at its top, the latter by default accessing 6 commonly used options which include autofocus type, autofocus mode, autofocus area, white balance, metering mode and picture effects, with 10 other options also available.
The NEX-5T is turned on or off via a thumb-flick of a chunky, nicely rigid switch which surrounds the shutter release, rather than via the recessed button we usually find on cameras with a smaller form factor. The thumb-operated control dial that's partially recessed into the top of the NEX-5T makes it easy to change key values like aperture, shutter speed, exposure compensation and menu options, and marks a major improvement on the design of the older 5N model.
The top plate looks similarly functional rather than fashionable. There's a dedicated playback/review button and the one-touch movie record button. Press this and the user is instantly recording video, whatever alternative shooting mode might previously have been in use; like the same control found on latter Panasonic G-series and Olympus PEN cameras, this proves essential with regard to spur of the moment filming. Also positioned atop the camera are a left and right (stereo in combination) microphone, each sitting either side of the lens mount, with the clip-on flash/accessory port positioned in between.
Incidentally, should you already have a lens attached, screwing the flash into position proves a tad fiddly, as there's not much room to fit your fingers between the curve of the lens barrel - which stands slightly proud of the top and base of the camera - and the front of the flash, which features a small tightening nut via which it is secured in place. Though the flash can be stored flat to the body to aid portability and adds hardly any additional weight or bulk, when in use the head needs to be manually raised at a angle of approximately 45°.
Press the shutter release button down halfway and, after the very briefest of pauses the AF point/s are highlighted in green accompanied by an optional beep of affirmation to indicate that the user is good to continue on and take the shot. The Fast Hybrid AF combines phase- and contrast-detection autofocus methods and is definitely a little snappier and more accurate than the conventional contrast-detection system used by the NEX-5N, but note that it's currently only supported by a few lenses. Do so, and in single shot mode to the sound of a satisfyingly brief shutter click thanks to a release time lag of just 0.02 seconds, a full resolution JPEG is written to memory in about 2 seconds.
As you'd expect in this price bracket, there is the option to also shoot Raw files, or even more usefully for those who wish to hedge their bets Raw and JPEG images in tandem. These settings are accessed within the Image Size folder and are found within the Quality sub folder. You also get Fine or Normal compression levels offered for JPEGs.
Not everything on the NEX-5T is located exactly where you might expect it to be found. For example ISO settings are discovered within a Brightness menu option that from the look of the icon that denotes it initially appears to be for adjusting screen brightness only. One would reasonably expect ISO adjustment to be found within the Camera folder with the other key shooting options. And so there's a fair amount of familiarisation with the NEX-5T's quirks required up front.
Shoot mode gets its own virtual dial though - so at least selecting the options here, including standard P,A,S,M, 9-strong scene mode, Anti Motion Blur, Intelligent Auto, Sweep Panorama and 3D Sweep Panorama, prove easier. Even in intelligent auto mode users still have the ability to get hands on to a degree by controlling background defocus, with a half moon shaped indicator appealing on-screen to the side of the scroll wheel, defocus at the bottom of the arc, 'crisp' at the top. The NEX-5T offers further controls for Brightness, Color, Vividness and Picture Effects, all part of the so-called Photo Creativity Touch interface.
The NEX-5T's external backplate is a similarly pared-down affair, the majority of it taken up by the 3-inch widescreen ratio angle-adjustable LCD that stretches from base to top plate. You can interact with the camera via onscreen icons and menus by touching the screen, and also set the focus point, handy for off-centre shooting and tracking moving subjects. You can now also fire the shutter as on many rival cameras. Thankfully you don't have to use the touchscreen at all if you prefer a more conventional approach, as you can still use the external controls to fully operate the camera (you can even turn off the touchscreen altogether if you prefer).
|Pop-up Flash||Tilting LCD Screen|
To the right of the screen is a trio of controls - the top and bottom buttons unmarked until the screen is activated, at which point their purpose is detailed alongside it. The top-most control is revealed as the 'menu' button, a press of which brings up the shooting icons - seven in total - the contents of we've already briefly touched on. Instead of the screen-full of text you might expect to be presented with upon press of the menu control, from top left to bottom right of screen, presented instead are Shoot Mode, Camera, Image Size, Brightness/Colour, Playback, Application and Setup icons.
The user moves through these options and makes selections either via the scroll wheel just below the menu button, which has its own central (and again unmarked) set button, or the new touchscreen interface. As mentioned this wheel is quite responsive to the touch, which, on a positive note, means that tabbing through options is a swift process, but on the other hand it's easy to slip past the setting you actually wanted when hurrying through them as a photo opportunity suddenly presents itself.
Set at four points around this scroll wheel/pad are a means of adjusting the display, ISO speed, exposure compensation (+/- 2EV selectable), and drive mode (single shot, continuous, continuous with speed priority, so focus/exposure fixed from the first shot), or self timer option (2 or 10 seconds). There's also options to enable the camera to be utilized with the aid of a remote - sold separately of course - and a bracketing control for exposure.
Disappointingly you have to delve into the Camera main menu system to access the various flash modes. The flash options more unusually include rear sync as well as slow sync, plus the regulars of auto and fill in. Somewhat confusingly the NEX-5T's red eye reduction setting isn't also found here - instead it has to be first enabled via the aforementioned Setup folder if you're shooting portraits with flash.
|Memory Card Slot||Battery Compartment|
The bottom button on the camera back provides a means of calling up the wi-fi options. You can wirelessly transfer your photos to a smartphone or tablet that's running the free PlayMemories Mobile app, or directly to a networked PC for easier backup. You can also view on a DLNA-compatible TV via a wireless router, or send them straight from the camera a TV that supports Wi-Fi Direct. The NEX-5T also now features NFC (Near Field Communication) technology (the same technology that's used for mobile payments), which allows you to connect it to a compatible internet enabled device or another NFC-enabled camera by simply tapping them together.
In addition to the built-in wi-fi/nfc connectivity, the NEX-5T supports PlayMemories Camera Apps. As the name suggests, this is a downloadable service that lets you add new functionality to the camera, either via wi-fi or USB connection. Apps available include Picture Effect+, Bracket Pro, Multi Frame NR, Photo Retouch, Smart Remote Control and Direct Upload, and Sony plans to provide more new apps in the near future. Note that only some of the apps are free.
The NEX-5T provides on-screen shooting tips, via which Sony no doubt hopes to provide a crutch for new users trading up from a bog standard point and shoot compact. Examples of textual advice, complete with small pictorial thumbnail alongside, include 'increase the ISO sensitivity to make the shutter speed faster', and then, the thoughtful addition: 'higher ISO sensitivity may make noise stand out.' Hand-holding for those who want it then, while others may feel Sony has wasted one of its very few dedicated buttons on a feature that, like the manual, many will choose to ignore.
At the base of the camera we find a metal screw thread for a tripod directly beneath the lens mount, and, in the nether regions of the grip, a compartment storing both rechargeable battery and optional memory card - here Sony reaching out to a wider audience by offering SD/SDHC/SDXC compatibility alongside its own Memory Stick.
While the right hand side of the NEX-5T - if viewing it from the back - features a continuation of the ridged grip but is otherwise devoid of ports or controls, the left hand flank is where users will find a covered port for HDMI connectivity and USB output. Only the USB cable was provided with our review sample; there's no standard definition AV output.
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