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Sony Cyber-shot DSC-T100 Review
Review Date: May 21st 2007
Author: Gavin Stoker
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Introduction
The Sony Cyber-shot DSC-T100 is the latest addition to Sony's ever-growing range
of fashion conscious compact cameras. Aimed firmly at the fashionista
crowd, this 8 megapixel model offers a combination of 5x inset zoom
lens equivalent to 35-175mm and a massive 3 inch LCD screen,
currently the
most powerful zoom and largest LCD in Sony’s
T-series.
Less than half an inch thick, in addition the Sony T100
boasts high-definition output so you can take full advantage of any HD equipment
already in your home. This year's killer feature, face detection
technology, is obviously included on such a headlining camera,
and the T100 is available in a choice of silver, red
or black. The Sony Cyber-shot DSC-T100 certainly looks the
part and has a great list of features, but can its performance
and image quality match the camera's all-round style? Gavin
Stoker took the Sony T100 for a test drive to find out.
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Ease of Use
Sony must have hit on something with its T-series Cyber-shots, as both Casio
(EX-V7) and HP (R837) have aped it considerably by in recent
months introducing flat fronted cameras with internally stacked
zooms and flip open lens covers that recall the slide-open-and-snap
ethos of mobile phone cameras. The Sony Cyber-shot DSC-T100's
build quality and attractiveness is however higher than both
its doppelgangers, being at once more slender yet of sturdier
construction.
It has a modernist brushed metal reflective finish to the
fascia that recalls an expensive cigarette case and proved
pleasingly resistant to scratches throughout our test. From
the outside then, every line and curve signals that this
is a premium product, so unsurprisingly
for the Sony brand the DSC-T100 sports a slightly more expensive
price tag (to the tune of at least £50) than other comparable
compacts in its class. It does have that High Definition
output option of course, but you'll need to buy a separate
cable (and own a HD TV set) to utilize it.
Though the front of the camera resembles
a coldly Teutonic minimalist masterpiece when not actually
in use, slide down and open the upper faceplate and, to the
tune of the start-up 'ident', the inset Carl Zeiss Vario-Tessar
lens is revealed, and alongside it a self timer lamp, narrow
flash window and microphone. The camera takes the standard
two seconds to power up. Turn the Sony Cyber-shot DSC-T100
around and you're hit by a slab of LCD screen, ranged to
the left and taking up
most of the backplate. Top right of this is a smoothly responsive
rocker switch for the flash, and below it a slight indent
for your thumb to rest within when gripping the camera with
one hand. Below that is a self-explanatory menu
button. Press this in either capture or review
mode and you're presented with a toolbar down the left hand
side of the screen displaying a range of familiar icons for
the various settings. Tab down this and you get a sub menu
extending across the screen for each option. A brief onscreen
explanation for each is also provided, which marks the Sony
Cyber-shot DSC-T100 out as beginner friendly despite its
cold appearance.
In shooting mode you have the ability
to adjust image size incrementally from 8 megapixels down
to VGA (640x480 pixels), or select 3:2 ratio or 16:9 ratio
(widescreen) images. You can also adjust colour from normal
setting to either vivid (more saturated), neutral, sepia
or black and white as desired. The next setting as you tab
down the toolbar is one for manually tweaking ISO, with options
ranging
from ISO80 up to ISO3200, comparable to the likes of Fuji's
F31fd and marking this out as a possible winner in the low
light stakes. Exposure is next, in +/-2EV increments, then
metering – multi, centre or spot. Interestingly, given its
point-and-shoot appearance, auto focus can be alternated
from the camera
taking its readings across the frame, to focusing on a subject
in the centre, or a central point, and further set manually
at a distance of one, three, seven metres or infinity.
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| Lens Cover Open |
Rear Controls |
You also get two white balance options – full auto, or a second setting for when
using flash. Similarly, the intensity of the bulb can also
be adjusted through three settings – from low, through the
standard default, to high. There's a further separate option
to use auto red-eye reduction, set it to always on, or turn
the feature off. Sony's standard SteadyShot anti-shake function
also has three settings – activated when you're about to
take a shot and the shutter button is half pressed, set to
continuous, or turned off if you want intentionally blurry
pics, though sharpness is by no means guaranteed, as we'll
come to later. The last option on the shooting mode sidebar/toolbar
is for controlling 'set up'. Press the nameless button –
usually referred to as the 'OK' or 'set' button, but here remaining blank – that's itself encircled
by the four-way control button just beneath the one for menu,
and you have another two screens of shooting settings.
Options here include the ability to switch the AF illuminator from auto to off,
activate or deactivate the digital zoom, and likewise the
automatic orientation of images and whether shots are automatically
reviewed on screen at point of capture. For those wanting
to get their horizons level or brush up on the rule of thirds,
a nine-zone grid guideline can also, if wished, be laid over
the image as an aid to composition. Switching from shooting
to playback – via one of two buttons on the beveled ridge
above the LCD – and a press of the menu button again reveals
a sidebar, only this time the icons have changed. Here you
get the opportunity to delete images – where a separate dedicated
button would undoubtedly have been easier but was perhaps
junked due to lack of space – or activate a slideshow. Further options include the ability
to 'retouch' images in camera.
Though that makes it sound like a
service offered by a professional lab, what this amounts
to in the case of the Sony Cyber-shot DSC-T100 is the ability
to give your images a soft focus look, surround a designated
colour area with a feathered border of monochrome – admittedly
fun – apply a warped fish or starburst style effect (think
1970s roller disco for the latter). Less excitingly, shots
can also be cropped in camera or red eye removed. The latter
option was unconvincing – failing to recognize very obvious
cases of red eye that was staring out at me from the LCD.
Again more later. In playback still, images can be earmarked
for printing or assigned a designated folder.
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| Memory
Card Slot |
Battery
Compartment |
Back to the controls then, and that aforementioned four-way control button. Ranged
around this are four options: one for display, the next for
flash, the third for self-timer and the fourth for macro
mode. Taking each in turn, a press upwards of the display
button automatically darkens or lightens the screen, very
usefully calls up a live histogram, or turns all displayed
items off. The flash setting provides the choice of auto
illumination, flash always on, flash off or slow sync. The
self-timer has three settings – two seconds, ten seconds
or off, while the macro has three also: for on, off or 'super
macro' style extreme close up.
Near the base of the camera sits an unassuming 'home' button. Press this and
you're rewarded with what at first appears to be an Aladdin's
cave of additional functionality. Though the auto functionality
here rather pointlessly directs you back to pressing the
separate menu button, you also get additional access to pre-optimised
scene settings and the movie mode in the absence of a conventional
mode dial. Playback, print and 'manage memory' options are
also provided – here's where you can format that card for
example – or alternatively change clock and language settings
on the camera.
Next among the controls, and atop
the Sony Cyber-shot DSC-T100, sits a solitary button for
controlling the shutter, which is nicely springy to the touch
yet with a definite halfway 'bite' point. The camera is reassuringly
quick to find critical focus. Press it fully and image capture
is also nigh on instantaneous, though the screen blanks out
momentarily while the image is committed to memory, with
the wait between being able to capture one full resolution
snap and the next an impressive blink-and-you'll-miss-it
second. To the right side of the camera, if viewed from the
back, is a strut for attaching a wrist strap. Beneath this
is a sliding cover for the supplied lithium ion battery and
an optional Memory Stick Pro duo card.At the base of the camera is a screw thread for a tripod, along with a port for connecting
the supplied multi connector cable that includes both USB
and AV leads. There are no features to be found on the other
(left) flank of the camera.
With minimal buttons then, the Sony
Cyber-shot DSC-T100 manages not to leave the impression that
anything is necessarily lacking – though to be particularly
picky I would have liked to have been able to delete duff
images instantly without having to delve into a menu. But
did many photos actually warrant extermination? Read on and
find out…
PhotographyBLOG
is a member of the DIWA
organisation. Our test results for the Sony Cyber-shot DSC-T100 have been submitted to DIWA
for comparison with test results for different samples of
the same camera model supplied by other DIWA
member sites.
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