Canon PowerShot G12 Review

October 27, 2010 | Mark Goldstein | Rating star Rating star Rating star Rating star Half rating star

Image Quality

All of the sample images in this Review were taken using the 10 megapixel Fine JPEG setting, which gives an average image size of around 3.5Mb.

The Canon PowerShot G12 produces images of excellent quality. It recorded noise-free images at ISO 80-400, with some noise and slight colour desaturation at ISO 800. ISO 1600 shows more obvious noise and loss of colour but still remains perfectly usable, and even the fastest setting of ISO 3200 doesn't suffer too badly.

The Canon PowerShot G12 handled chromatic aberrations well, with limited purple fringing effects appearing only in high contrast situations and generally at the edges of the frame. The lens exhibits a little barrel distortion at the 28mm wide-angle setting, along with softening of detail towards the corners. The built-in flash worked well indoors, with no red-eye and good overall exposure, although there's noticeable vignetting at 28mm. The night photograph was excellent, with the maximum shutter speed of 15 seconds being long enough for most after-dark shots.

Anti-shake works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the zoom range. Macro performance is excellent, allowing you to focus as close as 1cm away from the subject. The images were a little soft straight out of the Canon PowerShot G12 at the default sharpening setting and ideally require some further sharpening in an application like Adobe Photoshop, or you can change the in-camera setting.

Noise

There are 7 ISO settings available on the Canon PowerShot G12. Here are some 100% crops which show the noise levels for each ISO setting.

ISO 80 (100% Crop)

ISO 100 (100% Crop)

   

ISO 200 (100% Crop)

ISO 400 (100% Crop)

   

ISO 800 (100% Crop)

ISO 1600 (100% Crop)

   

ISO 3200 (100% Crop)

 
 

Focal Range

The Canon PowerShot G12's 5x zoom lens offers a versatile focal range, as illustrated by these examples:

28mm

140mm

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look.

Original (100% Crop)

Sharpened (100% Crop)

   

File Quality

At full resolution, there are two JPEG quality settings available including Fine and Normal.

Fine (2.39Mb) (100% Crop)

Normal (1.05Mb) (100% Crop)

Chromatic Aberrations

The Canon PowerShot G12 handled chromatic aberrations well during the review, with fairly limited purple fringing present around the edges of objects in high-contrast situations, as shown in the examples below.

Example 1 (100% Crop)

Example 2 (100% Crop)

Macro

The Canon PowerShot G12 allows you to focus on a subject that is just 1cm away from the camera. The first image shows how close you can get to the subject (in this case a compact flash card). The second image is a 100% crop.

Macro Shot

100% Crop

Flash

The flash settings on the Canon Powershot G12 are Auto, On, Auto Red-eye Reduction, Slow Synchro and Off. These shots of a white coloured wall were taken at a distance of 1.5m.

Flash Off - Wide Angle (28mm)

Flash On - Wide Angle (28mm)

ISO 64 ISO 64
   

Flash Off - Telephoto (140mm)

Flash On - Telephoto (140mm)

ISO 64 ISO 64

And here are some portrait shots. As you can see, neither the Flash On or the Red-eye-Reduction settings caused any red-eye.

Flash On

Flash On (100% Crop)
   

Red-eye Reduction

Red-eye Reduction (100% Crop)

Night

The Canon Powershot G12's maximum shutter speed is 15 seconds, which is great news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 80. I've included a 100% crop of the image to show what the quality is like.

Night Shot

Night Shot (100% Crop)

Anti Shake

The Canon Powershot G12 IS has an anti-shake mechanism, which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, I took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results. As you can see, with anti shake turned on, the images are much sharper than with anti shake turned off. This feature really does seem to make a difference and could mean capturing a successful, sharp shot or missing the opportunity altogether.

Shutter Speed / Focal Length Anti-Shake Off (100% Crop) Anti-Shake On (100% Crop)
1/5th sec / 28mm
     
1/4th sec / 140mm

High Dynamic Range

The High Dynamic Range scene mode automatically takes three exposures of the same scene at different settings, then combines them in-camera to create a single image with greater dynamic range. Note that you need to mount the G12 on a tripod or stable surface to avoid camera-shake.

Off

On

Sample Images

This is a selection of sample images from the Canon PowerShot G12 camera, which were all taken using the 10 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Canon PowerShot G12 enables users to capture RAW and JPEG format files. We've provided some Canon RAW (CR2) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

This is a sample movie at the highest quality setting of 1280x720 pixels at 24 frames per second. Please note that this 20 second movie is 50.1Mb in size.

Product Images

Canon PowerShot G12

Front of the Camera

 
Canon PowerShot G12

Front of the Camera / Lens Extended

 
Canon PowerShot G12

Isometric View

 
Canon PowerShot G12

Isometric View

 
Canon PowerShot G12

Rear of the Camera

 
Canon PowerShot G12

Rear of the Camera

 
Canon PowerShot G12

Rear of the Camera / Image Displayed

 
Canon PowerShot G12

Rear of the Camera / Turned On

 
Canon PowerShot G12

Rear of the Camera / Function Menu

 

Canon PowerShot G12

Rear of the Camera / Main Menu

 
Canon PowerShot G12
Rear of the Camera / Flip-Out LCD Screen
 
Canon PowerShot G12
Front of the Camera / Flip-Out LCD Screen
 
Canon PowerShot G12
Top of the Camera
 
Canon PowerShot G12
Bottom of the Camera
 
Canon PowerShot G12
Side of the Camera
 
Canon PowerShot G12
Side of the Camera
 
Canon PowerShot G12
Front of the Camera
 
Canon PowerShot G12
Front of the Camera
 
Canon PowerShot G12
Memory Card Slot
 
Canon PowerShot G12
Battery Compartment

Conclusion

The Canon Powershot G12 offers just enough new bells and whistles to make it a worthwhile upgrade from the previous model and keep it competitive with its main rivals, most notably the very similar Nikon Coolpix P7000. The high price-tag does put it directly in the firing line of several entry level DSLRs and and the new wave of Compact System Cameras, which ultimately offer better image quality particularly at higher ISO speeds.

While the addition of 720p HD movies with stereo sound is welcome, we can't help feeling that this is something that last year's G11 should really have offered, and the continued inability to zoom during recording is at the very least frustrating. There's also no external mic port as on the Nikon P7000, so you should also consider that camera if video shooting is a priority. Of much more benefit to the photographer is the new front control dial, which in conjunction with the rear control ring makes operating the G12 as near to a DSLR as we've experienced on a mere compact camera. If you spend a lot of time in the Manual shooting mode, this feature alone is worth upgrading for.

The other improvements fall into the nice-to-have rather than essential list - we particularly liked the useful electronic level and the effective High Dynamic Range mode, while the ability to use 58mm filters with the G12 plus the built-in ND filter really makes it a great camera for landscapes. Importantly when comparing it to Nikon's new rival, the G12 doesn't suffer from the painfully slow RAW processing speeds that blighted the P7000's performance.

If you want an all-in-one camera that offers a tried and trusted user interface, speedy performance, excellent image quality and a versatile screen, the Canon Powershot G12 is very easy to recommend. Whether it still offers enough to justify its high price tag in the face of increased competition from cameras with bigger sensors and better image quality in low-light is entirely up to you - we'd just tip the balance in the G12's favour, at least for this year...

4.5 stars

Ratings (out of 5)
Design 4.5
Features 4.5
Ease-of-use 4.5
Image quality 4.5
Value for money 3.5

Review Roundup

Reviews of the Canon PowerShot G12 from around the web.

infosyncworld.com »

The Canon PowerShot G12 belongs to an awesome class of digital cameras that specialize in fixed lenses, advanced manual controls, and larger imaging sensors than competing point-and-shoot compacts. This type of camera is the ultimate professional's pocket cam, or the student's first weapon of choice.
Read the full review »

digitaltrends.com »

Canon's G12 introduces HD video recording, in-camera HDR capabilities, and a number of other subtle updates to the well-respected, but expensive, G series.
Read the full review »

Specifications

IMAGE SENSOR
Type 1/1.7 type CCD
Effective Pixels Approx. 10.0M
Colour Filter Type Primary Colour
IMAGE PROCESSOR
Type DIGIC 4 with iSAPS technology
LENS
Focal Length 6.1 - 30.5 mm (35 mm equivalent: 28 - 140 mm)
Zoom Optical 5x. Digital Approx. 4x (with Digital Tele-Converter Approx. 1.4x or 2.3x and Safety Zoom¹)². Combined Approx. 20x
Maximum f/number f/2.8-f/4.5
Construction 11 elements in 9 groups (1 double-sided aspherical element)
Image Stabilisation Yes (lens shift-type), 4-stop, Hybrid IS
FOCUSING
Type TTL
AF System/ Points AiAF (Face Detection / 9-point), 1-point AF (Any position is available, fixed centre or Face Select and Track)
AF Modes Single, Continuous (only available in Auto mode), Servo AF/AE[10], Tracking AF
AF Point Selection Manual selection using FlexiZone AF/AE, Size (Normal, Small)
AF Lock On/Off Selectable
AF Assist Beam Yes
Manual Focus Yes
Focus Bracketing Yes
Closest Focusing Distance 1 cm (W) from front of lens in macro
EXPOSURE CONTROL
Metering modes Evaluative (linked to Face Detection AF frame), Centre-weighted average, Spot (centre or linked to Face Detection AF or FlexiZone AF frame)
AE Lock Yes
Exposure Compensation +/- 2 EV in 1/3 stop increments
Enhanced i-Contrast for automatic dynamic range correction
ND Filter (3 stop)
AEB 1/3 - 2 EV in 1/3 stop increments
ISO sensitivity* AUTO, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200
SHUTTER
Speed 1 - 1/4000 sec. (factory default)
15 - 1/4000 sec. (total range – varies by shooting mode)
WHITE BALANCE
Type TTL
Settings Auto (including Face Detection WB), Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, Flash, Underwater, Custom1, Custom2.
White Balance Correction
VIEWFINDER
Viewfinder Real-image zoom, optical viewfinder
Dioptre Correction Yes
LCD MONITOR
Monitor Vari-angle 7.0 cm (2.8”) PureColor II VA (TFT), Approx. 461,000 dots
Coverage Approx. 100%
Brightness Adjustable to one of five levels. Quick-bright LCD
FLASH
Modes Auto, Manual Flash On / Off
Slow Sync Speed Yes. Fastest speed 1/2000 sec.
Red-Eye Reduction Yes
Flash Exposure Compensation +/- 2 EV in 1/3 stop increments. Face Detection FE. Safety FE.
Flash Exposure Lock Yes
Manual Power Adjustment 3 levels with internal flash (up to 19 levels with external EX Speedlites 270EX and 430EX II. 22 levels with 580EX II¹)
Second Curtain Synchronisation Yes
Built-in Flash Range 50 cm - 7.0 m (W) / 4.0 m (T)
External Flash E-TTL with EX series Speedlites¹, Macro Twin Lite MT-24EX, Macro Ring Lite MR-14EX, Canon High Power Flash HF-DC1
SHOOTING
Modes Auto*, Program AE, Shutter priority AE, Aperture priority AE, Manual, Custom (2 modes), Low Light (2.5MP), Quick Shot, SCN (Portrait, Landscape, Kids & Pets, Sports, Smart Shutter(Smile, Wink Self-Timer, FaceSelf-Timer), Super Vivid, Poster Effect, Foliage, Snow, Beach, Fireworks, Underwater, Color Accent, Color Swap, High Dynamic Range, Fish-eye Effect, Miniature Effect, Nostalgic, Stitch Assist), Movie
*with Scene Detection Technology and Motion Detection Technology
Photo Effects My Colors (My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color)
Drive modes Single, Continuous, Self-Timer
Continuous Shooting Approx. 2.0 shots/sec.¹, AF: Approx. 0.7 shots/sec.¹, LV: Approx. 0.8 shots/sec.¹ (until memory card becomes full)²
RECORDING PIXELS / COMPRESSION
Image Size 4:3 - (L & RAW) 3648 x 2736, (M1) 2816 x 2112, (M2) 1600 x 1200, (S) 640 x 480, Resize in playback (M2, S, 320 x 240)
16:9 - (L) 3648 x 2048, (M1) 2816 x 1584, (M2) 1920 x 1080, (S) 640 x 360
3:2 - (L)3648 x 2432, (M1) 2816 x 1880, (M2) 1600 x 1064, (S) 640 x 424
1:1 - (L) 2736 x 2736, (M1) 2112 x 2112, (M2) 1200 x 1200, (S) 480 x 480
4:5 - (L) 2192 x 2736, (M1) 1696 x 2112, (M2) 960 x 1200, (S) 384 x 480
Compression Fine, Normal
Movies (HD) 1280 x 720, 24 fps, (L) 640 x 480, 30 fps, (M) 320 x 240, 30 fps
Miniature Effect (HD, L) 6fps, 3fps, 1.5 fps
Movie Length Up to 4 GB or 29 min. 59 sec. (HD)¹
Up to 4 GB or 1 hour (L, M)²
FILE TYPES
Still Image Type JPEG compression, (Exif 2.3 [Exif Print] compliant) / Design rule for Camera File system, RAW, Digital Print Order Format [DPOF] Version 1.1 compliant
Movies MOV [H.264 + Linear PCM (stereo)]
DIRECT PRINT
Canon Printers Canon SELPHY Compact Photo Printers and Canon Inkjet Printers supporting PictBridge (ID Photo Print, Fixed Size Print and Movie Print supported on SELPHY CP & ES printers only)
PictBridge Yes
OTHER FEATURES
Red-Eye Correction Yes, during shooting and playback
My Camera / My Menu Start-up image and camera sounds customisation. Menu customisation
My Category Image tagging feature
Intelligent Orientation Sensor Yes
Histogram Yes, live histogram
Playback Zoom Approx. 2x - 10x
Self Timer Custom
Menu Languages English, German, French, Dutch, Danish, Finnish, Italian, Norwegian, Swedish, Spanish, Simplified Chinese, Chinese (traditional), Japanese, Russian, Portuguese, Korean, Greek, Polish, Czech, Hungarian, Turkish, Thai, Arabic, Ukrainian, Romanian, Farsi
INTERFACE
Computer Hi-Speed USB (MTP, PTP) dedicated connector (Mini-B compatible)
Other HDMI Mini Connector (HDMI-CEC compatible) A/V output (PAL/NTSC)
MEMORY CARD
Type SD, SDHC, SDXC, MMC, MMCplus, HCMMCplus
SUPPORTED OPERATING SYSTEM
PC & Macintosh Windows 7/ Vista SP1-2/ XP SP3
Mac OS X v10.4 - 10.6
SOFTWARE
Browsing & Printing ZoomBrowser EX / ImageBrowser
Other PhotoStitch
Image Manipulation Digital Photo Professional for RAW development
POWER SOURCE
Batteries Rechargeable Li-ion Battery NB-7L (NB-7L battery and charger supplied)
Battery life Approx. 370 shots¹
Approx. 420 min. playback
A/C Power Supply Optional, AC Adapter Kit ACK-DC50
ACCESSORIES
Cases / Straps Soft Case DCC-660, SC-DC65A, DCC-1600
Waterproof / Weatherproof Case Waterproof Case (40m) WP-DC34, Waterproof Case Weight WW-DC1
Lenses Tele-converter 1.4x TC-DC58D
Lens Adapter LA-DC58K
Filter Adapter FA-DC58B (Compatible with Canon 58mm Filters: Circular Polarizing PL-C B, Neutral Density Filter ND4X-L & ND8X-L, Protect, UV, Softmat No.1 & 2)
Flash Canon Speedlites (including 220EX, 270EX, 430EX II, 580EX II [4]), Macro Twin Lite MT-24EX, Macro Ring Lite MR-14EX, Speedlite Transmitter ST-E2, Off-Camera Shoe Cord OC-E3, Bracket BKT-DC1, Speedlite Bracket SB-E2,
High Power Flash HF-DC1
Remote Controller/ Switch Remote Switch RS-60E3
Power Supply & Battery Chargers AC Adapter Kit ACK-DC50, Battery Charger CB-2LZE
Other Ring Accessory Kit RAK-DC2
Canon HDMI Cable HTC-100
PHYSICAL SPECIFICATIONS
Operating Environment 0 - 40°C, 10 - 90% humidity
Dimensions (WxHxD) 112.1 x 76.2 x 48.3 mm
Weight Approx. 401 g (including battery/batteries and memory card)

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