Fujifilm X-T50 Review (so far)

May 16, 2024 | Mark Goldstein |

Introduction

The Fujifilm X-T50 is a new mid-range APS-C sensor mirrorless camera which was first announced in May 2024 and released in June 2024.

It is the successor to the three-year-old X-T30 II model which will continue to be sold in the range for the forseeable future.

The XT50 features exactly the same 40 megapixel X-Trans CMOS 5 HR sensor and X-processor 5 as the flagship X-T5 and X-H2 models, and therefore provides the same image quality and auto-focus performance/features.

The X-T50 can automatically detect animals, birds, cars, bikes, planes and trains thanks to the X-Processor 5's AI deep learning capabilities.

IBIS is included for the first time on an X-Txx series camera, delivering up to 7 stops of in-body image stabilisation.

There's also a dedicated Film Simulation dial that replaces the drive mode dial, another first for the X-Txx series, which provides quick access to selected simulations plus three user modes.

Featuring a new rounded design, the X-T50 is bigger and heavier than the previous X-T30 II, but is smaller and lighter than the flagship X-T5.

The XT50 can record 6K/30p 4:2:2 10-bit video internally to its single SD card slot with 13+ stops of dynamic range, but it does offer more limited recording times than the X-T5 - 60 minutes in 4K/30p and 30 minutes in 4K/60p.

Other key features include 8fps burst shooting, 20% better battery life than the previous X-T30 II model, a 2-way tilting LCD screen that sits flush with the body, a pop-up flash, and an ultra-fast electronic shutter that is capable of exposures up to 1/180000sec.

The Fujifilm X-T50 is is available in three different colours - Black, Silver and Charcoal Silver - priced at £1299 / $1399 / €1499 body only, £1399 / $1499 / €1599 with the 15-45mm kit lens, and £1649 / $1799 / €1899 with the new 16-50mm F2.8-4.8 R LM WR kit lens. The XT50 is manufactured in China.

Image Quality

All of the sample images in this review were taken using the 40.2 megapixel Fine JPEG setting, which gives an average image size of around 18Mb.

The Fujifilm X-T50 produced images of outstanding quality. It records noise-free JPEG images from ISO 64 up to ISO 3200, with a little noise at ISO 6400 and more visible noise at the faster settings of ISO 12800 and 25600 (ISO 51200 is best avoided), an amazing performance for a camera with a 40 megapixel APS-C sensor.

The Dynamic Range and HDR settings subtly improve detail in the shadows and highlights, while the extensive range of Film Simulation modes hark back to a bygone era, and the Advanced Filters allow you to have a little fun with your images in-camera.

Noise

There are 11 full ISO settings available on the Fujifilm X-T50 for JPEGs and RAW files. Here are some 100% crops which show the noise levels for each ISO setting.

JPEG

ISO 64

iso64.jpg

ISO 125

iso125.jpg

ISO 200

iso200.jpg

ISO 400

iso400.jpg

ISO 800

iso800.jpg

ISO 1600

iso1600.jpg

ISO 3200

iso3200.jpg

ISO 6400

iso6400.jpg

ISO 12800

iso12800.jpg

ISO 25600

iso25600.jpg

ISO 51200

iso51200.jpg

File Quality

The Fujifilm X-T50 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

Fine (18Mb) (100% Crop) Normal (9.1Mb) (100% Crop)
quality_normal.jpg

Dynamic Range

The Fujifilm X-T50 has three dynamic range settings - 100% (on by default), 200%, and 400% - and an Auto setting if you want to let the camera take control.

These settings gradually increase the amount of detail visible in the shadow and highlight areas, with the side-effect of more noise appearing in the image. Note that you can't actually turn this feature off. All three settings are available from ISO 500 upwards.

dynamic_range_01.jpg

100%

dynamic_range_02.jpg

200%

dynamic_range_03.jpg

400%

HDR

The Fujifilm X-T50 has a High Dynamic Range mode with five different settings - AUTO, 200%, 400%, 800%, 800%+. The camera takes three shots with different exposures, changing the shutter speed for each one, and then combining them in-camera.

hdr_01.jpg

Off

hdr_02.jpg

Auto

hdr_03.jpg

200%

hdr_04.jpg

400%

hdr_05.jpg

800%

hdr_06.jpg

800+%

Film Simulations

The Fujifilm X-T50 offers 20 different film simulation modes to help replicate the look of your favourite film stock from the past.

film_simulation_01.jpg

Provia / Standard

film_simulation_02.jpg

Velvia / Vivid

film_simulation_03.jpg

Astia / Soft

film_simulation_04.jpg

Classic Chrome

film_simulation_05.jpg

Reala Ace

film_simulation_06.jpg

Pro Neg. Hi

film_simulation_07.jpg

Pro Neg. Standard

film_simulation_08.jpg

Classic Neg.

film_simulation_09.jpg

Nostalgic Neg.

film_simulation_10.jpg

Eterna / Cinema

film_simulation_11.jpg

Eterna Bleach Bypass

film_simulation_12.jpg

Acros

film_simulation_13.jpg

Monochrome

film_simulation_14.jpg

Sepia

Advanced Filters

The Fujifilm X-T50 offers 13 different creative filter effects which are found in the Drive menu.

filter_effects_01.jpg

Toy Camera

filter_effects_02.jpg

Miniature

filter_effects_03.jpg

Pop Color

filter_effects_04.jpg

High-Key

filter_effects_05.jpg

Low-Key

filter_effects_06.jpg

Dynamic Tone

filter_effects_07.jpg

Soft Focus

filter_effects_08.jpg

Partial Color (Red)

filter_effects_09.jpg

Partial Color (Orange)

filter_effects_10.jpg

Partial Color (Yellow)

filter_effects_11.jpg

Partial Color (Green)

filter_effects_12.jpg

Partial Color (Blue)

filter_effects_13.jpg

Partial Color (Purple)

Multiple Exposure

The Fujifilm X-T50's Multiple Exposure mode combines up to 9 different images together in-camera to create one composite image, with four different ways of combining them - Additive, Average, Bright, Dark.

multiple_exposure.jpg

Sample Images

This is a selection of sample images from the Fujifilm X-T50 camera, which were all taken using the 40.2 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Fujifilm X-T50 enables users to capture RAW and JPEG format files. We've provided some Fujifilm RAW (RAF) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movies & Video

This is a sample 6.2K movie at the quality setting of 6240x3150 pixels at 30 frames per second.

This is a sample 4K HQ movie at the quality setting of 40960x2160 pixels at 30 frames per second.

This is a sample 4K movie at the quality setting of 4096x2160 pixels at 30 frames per second.

This is a sample Full HD 8x slow-motion movie at the quality setting of 1920x1080 pixels at 240 frames per second.

Product Images

Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
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Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
Fujifilm X-T50
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Fujifilm X-T50

Main Rivals

Listed below are some of the rivals of the Fujifilm X-T50.

Canon EOS R8

The new Canon EOS R8 full-frame mirrorless camera integrates the image quality and autofocusing from the more expensive EOS R6 Mark II with the smaller, lighter and simpler body of the cheaper EOS RP. Is the resulting camera a resounding success or a terrible mish-mash? Find out now by reading our in-depth Canon EOS R8 review...

Fujifilm X-H2

The X-H2 is the highest resolution APS-C camera that Fujifilm have ever released, offering a 40 megapixel BSI sensor that can record 8K/30p video and shoot burst sequences at 20fps. Find out exactly what this new flagship camera is capable of and who it's aimed at by reading our complete Fuji XH2 review complete with full-size JPEG, Raw and video samples.

Fujifilm X-H2S

The X-H2S is the fastest, most capable APS-C sensor camera that Fujifilm have ever released, but it's also by far the most expensive. Find out exactly what this new flagship camera is capable of and who it's aimed at by reading our complete Fuji XH2S review complete with full-size JPEG, Raw and video samples.

Fujifilm X-S20

The new Fujifilm X-S20 aims to be a hybrid mirrorless camera for the masses, offering 6K video, 26 megapixel stills, a specific shooting mode for vloggers and long battery life, all in a small, well-built body. Is the XS20 the ultimate do-it-all camera? Find out now by reading our in-depth Fuji XS20 review complete with full-size sample images and videos.

Fujifilm X-T30 II

The X-T30 II is the latest mid-range mirrorless camera from Fujifilm, boasting a 26 megapixel APS-C sensor, 4K/30p video recording, 30fps burst shooting and a stylish retro look and feel. Is the replacement for the two-year-old X-T30 worth considering? Find out now by reading our XT30 II review complete with full size sample photos...

Fujifilm X-T5

The Fujifilm X-T5 is the successor to the very popular X-T4 which was released in 2020, principally adding a new 40 megapixel sensor, 160 megapixel Pixel Shift Multi-Shot mode, 6.2K video recording and better auto-focusing. Can the new XT5 improve on what was already an outstanding camera? Find out now by reading our in-depth Fujifilm X-T5 review...

Fujifilm X100VI

The X100VI is the sixth generation of Fujfilm's classic 35mm fixed lens premium compact camera series. It now has a 40 megapixel sensor, 6K video recording, in-body image stabilisation (IBIS) and brand new Reala Ace film simulation. Read our in-depth Fujifilm X100VI review now, complete with full-size sample images and videos...

Panasonic Lumix G9 II

The Lumix G9 II is the most capable Micro Four Thirds camera that Panasonic have ever released, but does that mean that you should rush out and buy one? Find out now by reading our in-depth Panasonic Lumix G9 II review, complete with full-size sample photos and videos.

Panasonic Lumix S5 II

Finally! The new Lumix S5 II is the first ever Panasonic camera to have a phase hybrid detection AF system, answering the critics of its contrast-based DFD system. But does this powerful hybrid photo and video camera have what it takes to beat its main rivals? Find out now by reading our in-depth Panasonic Lumix S5 II review, complete with full-size sample photos and videos.

Sony A6700

The A6700 is the new premium model in Sony's extensive range of APS-C mirrorless cameras, but can it beat both its main rivals and its cheaper siblings? Find out now by reading our in-depth Sony A6700 review, complete with full-size sample images and videos.

Specifications

Model Name

FUJIFILM X-T50

Lens Mount

FUJIFILM X mount

Image Sensor

23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter

Number of effective pixels

40.2 millions pixels

Sensor Cleaning System

Ultra Sonic Vibration

Image Processing Engine

X-Processor 5

Sensor Cleaning System

Ultra Sonic Vibration

Storage media

SD Card (-2GB)

SDHC Card (-32GB)

SDXC Card (-2TB)

UHS-I

UHS-II

Video Speed Class V90

*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.

File format of still image

DCF

Compliant with Design rule for Camera File system (DCF2.0)

JPEG

Exif Ver.2.32

HEIF

4:2:2 10bit

RAW

14bit RAW (RAF original format)

TIFF

8bit / 16bit RGB (In-camera Raw Conversion Only)

Notes

*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing

Number of recorded pixels

[L]

43: 6864 x 5152

32: 7728 x 5152

169: 7728 x 4344

11: 5152 x 5152

54: 6432×5152

[M]

43: 4864 x 3648

32: 5472 x 3648

169: 5472 x 3080

11: 3648 x 3648

54: 4560×3648

[S]

43: 3456 x 2592

32: 3888 x 2592

169: 3888 x 2184

11: 2592 x 2592

54: 3264×2592

Panorama

[L]

vertical: 9600 x 2160

horizontal: 9600 x 1440

[M]

vertical: 6400 x 2160

horizontal: 6400 x 1440

Sensitivity

Still Image

Standard Output

AUTO1

AUTO2 AUTO3 ISO125~12800 (1/3 step)

Extended Output

ISO64

ISO80 ISO100 ISO25600 ISO51200

Movie

Standard Output

AUTO

ISO125~12800 (1/3 step)

Extended Output

ISO25600

Exposure control

TTL 256-zone metering

Multi

Spot

Average

Center Weighted

Exposure mode

P (Program AE)

A (Aperture Priority AE)

S (Shutter Speed Priority AE)

M (Manual Exposure)

Exposure compensation

Still

-5.0EV~+5.0EV 1/3EV step

Movie

-2.0EV~+2.0EV 1/3EV step

Image stabilizer

Mechanism

Image sensor shift mechanism with 5-axis compensation

Compensation Effect

7.0 stops

Digital Image Stabilization

Yes (movie mode only)

IS MODE BOOST

Yes (movie mode only)

Shutter type

Focal Plane Shutter

Shutter speed

Mechanical Shutter

P mode 4sec. to 1/4000sec.

A mode

30sec. to 1/4000sec.

S/M mode

15min. to 1/4000sec.

Bulb

up to 60min.

Electronic Shutter

P mode 30sec. to 1/180000sec.

A mode

30sec. to 1/180000sec.

S/M mode

15min. to 1/180000sec.

Bulb

1sec. Fixed

Electronic Front Curtain Shutter

P mode 30sec. to 1/4000sec.

A mode

30sec. to 1/4000sec.

S/M mode

15min. to 1/4000sec.

Bulb

up to 60min.

Mechanical + Electronic Shutter

P mode 30sec. to 1/180000sec.

A mode

30sec. to 1/180000sec.

S/M mode

15min. to 1/180000sec.

Bulb

up to 60min.

Notes

*Mechanical shutter works until 1/4000sec.

E-Front + Mechanical Shutter

P mode 30sec. to 1/4000sec.

E-Front + Mechanical + Electronic Shutter

P mode 30sec. to 1/180000sec.

Movie

6.2K 1/4000sec. to 1/24 sec.

4K/DCI4K

1/4000sec. to 1/4 sec.

FHD

1/4000sec. to 1/4 sec.

Notes

*Cannot choose slower shutter speed than framerate for some settings.

Synchronized Shutter Speed For Flash

Mechanical shutter 1/180sec. or slower

Continuous shooting

CH

Electronic Shutter Approx. 20fps (1.29x Crop)

JPEG 168 frames Compressed RAW 66 frames Lossless compressed RAW 32 frames Uncompressed RAW 17 frames Compressed RAW + JPEG 21 frames Lossless compressed RAW + JPEG 20 frames Uncompressed RAW + JPEG 17 frames

Electronic Shutter Approx. 13fps (1.29x Crop)

JPEG 1000+ frames Compressed RAW 94 frames Lossless compressed RAW 25 frames Uncompressed RAW 21 frames Compressed RAW + JPEG 48 frames Lossless compressed RAW + JPEG 31 frames Uncompressed RAW + JPEG 19 frames

Electronic Shutter Approx. 10fps (1.29x Crop)

JPEG 1000+ frames Compressed RAW 536 frames Lossless compressed RAW 43 frames Uncompressed RAW 23 frames Compressed RAW + JPEG 61 frames Lossless compressed RAW + JPEG 37 frames Uncompressed RAW + JPEG 21 frames

Electronic Shutter Approx. 13fps

JPEG 163 frames Compressed RAW 46 frames Lossless compressed RAW 21 frames Uncompressed RAW 18 frames Compressed RAW + JPEG 24 frames Lossless compressed RAW + JPEG 20 frames Uncompressed RAW + JPEG 19 frames

Electronic Shutter Approx. 8.9fps

JPEG 1000+ frames Compressed RAW 68 frames Lossless compressed RAW 28 frames Uncompressed RAW 21 frames Compressed RAW + JPEG 36 frames Lossless compressed RAW + JPEG 23 frames Uncompressed RAW + JPEG 21 frames

Electronic Shutter Approx. 8.0fps

JPEG 1000+ frames Compressed RAW 79 frames Lossless compressed RAW 22 frames Uncompressed RAW 20 frames Compressed RAW + JPEG 30 frames Lossless compressed RAW + JPEG 21 frames Uncompressed RAW + JPEG 20 frames

CL

Mechanical Shutter Approx. 5.0fps

JPEG 1000+ frames Compressed RAW 1000+ frames Lossless compressed RAW 56 frames Uncompressed RAW 24 frames Compressed RAW + JPEG 81 frames Lossless compressed RAW + JPEG 27 frames Uncompressed RAW + JPEG 21 frames

Mechanical Shutter Approx. 4.0fps

JPEG 1000+ frames Compressed RAW 1000+ frames Lossless compressed RAW 1000+ frames Uncompressed RAW 29 frames

Mechanical Shutter Approx. 3.0fps

JPEG 1000+ frames Compressed RAW 1000+ frames Lossless compressed RAW 1000+ frames Uncompressed RAW 60 frames

Pre-shot

Electronic Shutter, 1.25 X Crop Approx. 20fps (1.29x Crop)

20 frames 135 frames 155 frames

Electronic Shutter, 1.25 X Crop Approx. 13fps (1.29x Crop)

13 frames 177 frames 190 frames

Electronic Shutter, 1.25 X Crop Approx. 10fps (1.29x Crop)

10 frames 240 frames 250 frames

Electronic Shutter, 1.25 X Crop Approx. 13fps

13 frames 177 frames 190 frames

Notes

*Recordable frames depends on recording media

*Speed of continuous shooting depends on shooting environment and shooting frames

Drive Mode

AE Bracketing

2 frames

3 frames

5 frames

7 frames

9 frames Filmsimulation Bracketing Any 3 types of film simulation selectable Dynamic Range Bracketing 100%

200%

400% ISO Sensitivity Bracketing ±1/3EV

±2/3EV

±1EV White Balance Bracketing ±1

±2

±3 Focus Bracketing AUTO

MANUAL Multiple Exposure Yes (Max. 9 frames)

Additive

Average

Bright

Dark HDR Mode AUTO

2

4

8

800% + Advanced Filter Toy camera

Miniature

Pop color

High-key

Low-key

Dynamic tone

Soft focus

Partial color (Red / Orange / Yellow / Green / Blue / Purple)

Focus

Mode

Single AF

Continuous AF

MF

Type

Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

AF Frame Selection

Single point AF 13×9 / 25×17 (Changeable size of AF frame)

Zone AF

3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid

All

Yes

Subject Detection

[“Yes (Animal\/Bird\/Automobile\/Motorcycle&Bike\/Airplane\/Train)”]

Flash

Shoe Mount Flash

Sync. Mode

1st Curtain

2nd Curtain AUTO FP (HSS)

Flash Mode

TTL (TTL AUTO / STANDARD / SLOW SYNC. )

MANUAL MULTI *When EF-X500 is set OFF

Hot shoe

Yes (Dedicated TTL Flash compatible)

Viewfinder

EVF

EVF 0.39 inch OLED Color Viewfinder

Approx. 2.36 million dots

Coverage of Viewing Area vs. Capturing Area

Approx. 100%

Eyepoint

Approx. 17.5mm (from the Rear End of the Camera’s Eyepiece)

Diopter Adjustment

-4~+2m-1

Magnification

0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1

Diagonal Angle of View

approx. 31° (Horizontal angle of view: approx. 26° )

Built-In Eye Sensor

LCD monitor

3.0 inch Tilt-Type Touch Screen Color LCD Monitor

Aspect Ratio

3:2

Dots

Approx. 1.84 million dots

Touch Screen Mode

Shooting Mode

Shooting

AF Focus Area OFF Double Tap Setting (ON/OFF) Touch Function Setting (ON/OFF) Touch Zoom (ON/OFF) EVF Touch Screen Area Setting Playback Mode

Swipe

Pinch-in / Pinch-out Double-tap Drag

Movie recording

File Format

MOV

HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)

MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)

MP4

MPEG-4 AVC/H.264, AAC

Movie Compression

All Intra

6.2K(16:9)

File size 6240 x 3510

Frame rate

29.97p

25p

24p

23.98p

Bitrate

360Mbps

200Mbps

100Mbps

50Mbps

DCI4K HQ(17:9)

File size 4096 x 2160

Frame rate

29.97p

25p

24p

23.98p

Bitrate

360Mbps

200Mbps

100Mbps

50Mbps

4K HQ(16:9)

File size 3840 x 2160

Frame rate

29.97p

25p

24p

23.98p

Bitrate

360Mbps

200Mbps

100Mbps

50Mbps

DCI4K(17:9)

File size 4096 x 2160

Frame rate

59.94p

50p

29.97p

25p

24p

23.98p

Bitrate

360Mbps

200Mbps

100Mbps

50Mbps

4K(16:9)

File size 3840 x 2160

Frame rate

59.94p

50p

29.97p

25p

24p

23.98p

Bitrate

360Mbps

200Mbps

100Mbps

50Mbps

Full HD(17:9)

File size 2048 x 1080

Frame rate

59.94p

50p

29.97p

25p

24p

23.98p

Bitrate

360Mbps

200Mbps

100Mbps

50Mbps

Full HD(16:9)

File size 1920 x 1080

Frame rate

59.94p

50p

29.97p

25p

24p

23.98p

Bitrate

360Mbps

200Mbps

100Mbps

50Mbps

Full HD(17:9) High Speed Rec.

File size 2048 x 1080

Frame rate

240p

200p

120p

100p

Bitrate

360Mbps (recording)

200Mbps (recording)

Full HD(16:9) High Speed Rec.

File size 1920 x 1080

Frame rate

240p

200p

120p

100p

Bitrate

360Mbps (recording)

200Mbps (recording)

Film simulation mode

20 modes

PROVIA/Standard

Velvia/Vivid

ASTIA/Soft

Classic Chrome

REALA ACE

PRO Neg.Hi

PRO Neg.Std

Classic Neg.

Nostalgic Neg.

ETERNA/Cinema

ETERNA BLEACH BYPASS

ACROS

ACROS + Ye Filter

ACROS + R Filter

ACROS + G Filter

Black & White

Black & White + Ye Filter

Black & White + R Filter

Black & White + G Filter

Sepia

Monochromatic Color

Yes

Grain Effect

Roughness

STRONG, WEAK, OFF

Size

LARGE, SMALL

Color Chrome Effect

STRONG, WEAK, OFF

Color chrome Blue

STRONG, WEAK, OFF

Smooth Skin Effect

STRONG, WEAK, OFF

Dynamic range setting

Still

Still AUTO / 100% / 200% / 400% 

ISO restriction

DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more

Movie

Movie 100% / 200% / 400% 

ISO restriction

DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more

White balance

Auto

White Priority

Auto

Ambience Priority

Custom

Custom1 – 3

Color Temperature Selection

2500K~10000K

Preset

Daylight

Shade

Fluorescent Light-1

Fluorescent Light-2

Fluorescent Light-3

Incandescent Light

Underwater

Clarity setting

±5 steps

Self-timer

Still

10sec.

2sec. Movie 10sec.

5sec.

3sec.

Interval timer shooting

Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)

Wireless transmitter

Standard

IEEE802.11a/b/g/n/ac (standard wireless protocol)

Encryption

WPA/WPA2 mixed mode, WPA3

Access Mode

Infrastructure

Bluetooth®

Standartd

Bluetooth Ver. 4.2 (Bluetooth low energy)

Operating Frequency (Center Frequency)

2402〜2480MHz

Terminal

Digital Interface

USB Type-C (USB3.2 Gen2x1)

HDMI Output

HDMI Micro connector (Type D)

Others

ø3.5mm, stereo mini connector (Microphone)

Hot shoe

Power supply

NP-W126S Li-ion battery (included)

Battery Life For Still Images

Economy Mode Approx. 390 frames

Normal Mode

Approx. 305 frames

Notes

*When XF35mmF1.4 R is set

Actual Battery Life Of Movie Capture

6.2K Approx. 45min. (29.97p)

4K

Approx. 45min. (59.94p)

Full HD

Approx. 45min. (59.94p)、Approx. 50min. (120P)

Notes

*Face detection is set to OFF

Continuance Battery Life Of Movie Capture

6.2K Approx. 70min. (29.97p)

4K

Approx. 70min. (59.94p)

Full HD

Approx. 80min. (59.94p)

Notes

*Face detection is set to OFF

*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

Dimensions

Width

123.8mm

Height

84mm

Depth

48.8mm

(Minimum Depth)

(34.2mm)

Weight

Including Battery And Memory Card

Approx. 438g Excluding Battery And Memory Card Approx. 389g

Operation Environment

Operating Temperature

0℃~+40℃ Operating Humidity 10%~80% (no condensation)

Accessories included

Li-ion battery NP-W126S

USB cable

Headphone adapter

Shoulder strap

Body cap

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