Olympus E-P2 Review

February 4, 2010 | Gavin Stoker | Rating star Rating star Rating star Rating star Half rating star

Image Quality

All of the sample images in this Review were taken using the 12.3 megapixel Super Fine JPEG setting, which gives an average image size of around 7Mb.

We've found Olympus images straight out of the camera to be slightly cool in the past but generally the opposite proved to be the case here, particularly when the E-P2 was left on iAuto and landscape setting boosted greens and blues to vibrant levels. However the Pen doesn't always get it 'write' when it comes to accurate white balance, which to us looked ever so slightly off compared with the scene at the time the image was taken. Likewise we were unsurprised to find instances of visible pixel fringing when zooming in to check detail, if not to an insurmountable degree. There's some slight barrel distortion visible when shooting at maximum wideangle on the provided lens, but again this isn't to an unacceptable degree. Mostly results are agreeably pin-sharp.

You'll also want to play with the new Art Filters Cross Process and Diorama if buying this camera, the latter for us producing the most striking results with a little experimentation. Generally the digital effects that worked the best were pop art, pinhole, diorama and grainy film; the others we rarely used.

As to be expected, using our 14-42mm test lens at maximum ISO 6400 setting on the E-P2 reveals a uniform dusting of noise plus softened detail. Up to and including ISO 400 it's a clean bill of health, with noise creeping into shadow areas at ISO 800 and extending across the entirety of the image at ISO 1600. Olympus could have cut things there but at this price users will expect the higher ISOs provided, hence we have the options of ISO 3200 and ISO 6400, the appearance getting incrementally more 'gritty' the higher up we go.

Noise

There are 7 ISO settings available on the Olympus E-P2. Here are some 100% crops which show the noise levels for each ISO setting, with JPEG on the left and the RAW equivalent on the right:

ISO 100 (100% Crop)

ISO 200 (100% Crop)

   

ISO 400 (100% Crop)

ISO 800 (100% Crop)

   

ISO 800 (100% Crop)

ISO 3200 (100% Crop)

   

ISO 6400 (100% Crop)

 
 

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are just a little soft at the default sharpening setting and benefit from some further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level to suit your tastes by changing the Picture Modes.

Original (100% Crop)

Sharpened (100% Crop)

   

Night

The Olympus E-P2 lets you dial in shutter speeds of up to 60 seconds and has a Bulb mode as well for exposure times as long as 30 minutes, which is very good news if you are seriously interested in night photography. The shot below was taken using a shutter speed of 1/6th seconds at ISO 1600. We've included a 100% crop to show what the quality is like.

Night Shot

Night Shot (100% Crop)

Art Filters

The Olympus E-P2 offers eight different Art Filters, which allow you to quickly apply an artistic effect to a photo before taking it (JPEG images only). The most useful of these is Soft Focus, because the FourThirds system lacks a dedicated soft focus lens, and the effect would require advanced knowledge of layers, blurring methods and blending modes if you were to reproduce it in post-processing. The eight available Art Filters are shown below in the following series, which demonstrates the differences. Note that applying the Art Filters slows the camera down somewhat as the camera takes several seconds to process and save the image.

Pop Art

Soft Focus

   

Pale&Light Color

Light Tone

   

Grainy Film

Pin Hole

   
Cross Process Diorama

Sample Images

This is a selection of sample images from the Olympus E-P2 camera, which were all taken using the 12.3 megapixel Super Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Olympus E-P2 enables users to capture RAW and JPEG format files. We've provided some Olympus RAW (ORF) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

This is a sample movie at the highest quality setting of 1280 x 720 pixels at 30 frames per second. Please note that this 13 second movie is 50Mb in size.

Product Images

Olympus E-P2

Front of the Camera

 
Olympus E-P2

Front of the Camera

 
Olympus E-P2

Isometric View

 
Olympus E-P2

Isometric View

 
Olympus E-P2

Rear of the Camera

 
Olympus E-P2

Rear of the Camera / Image Displayed

 
Olympus E-P2

Rear of the Camera / Movie Displayed

 
Olympus E-P2

Top of the Camera

 
Olympus E-P2

Bottom of the Camera

 

Olympus E-P2

Side of the Camera

 
Olympus E-P2
Side of the Camera
 
Olympus E-P2
Side of the Camera
 
Olympus E-P2
Battery Compartment
 
Olympus E-P2
Memory Card Slot
 
Olympus E-P2
Electronic View Finder
 
Olympus E-P2
Electronic View Finder
 
Olympus E-P2
Electronic View Finder
 
Olympus E-P2
Electronic View Finder
 
Olympus E-P2
E-P1 and E-P2
 
Olympus E-P2
E-P1 and E-P2

Conclusion

With the tweaks and refinements to the Olympus E-P2 being relatively modest, existing E-P1 owners shouldn't feel the need for an upgrade. To sum up, chief 'improvements' are the newly included EVF and port for such, (slightly) enhanced functionality for video makers, and the two new Art Filters, out of which Diorama was the one we deployed most often for its otherworldly and at times painterly effects. The E-P2 is, like its sibling, not only easy to use but also fun with it, and while there are creative options to dip in and out of, users can simply leave the camera on iAuto and take above par snapshots if so desired.

The disappointment about a lack of built-in flash in a package costing nearly £900 remains, and, if we were betting men, we'd wager that a Pen camera with integral flash mustn't be far off. Olympus will both need that to remain competitive and reach the wider consumer market with the series - more women users, a younger overall age group - that it originally stated was its intention with the launch of the E-P1. Integral flash and possibly a lower price will help do just that. Editor's note: Olympus must have been listening, as they launched the cheaper E-PL1 complete with built-in flash yesterday!

The Pen's dimensions, build and portability also loom large among its appealing qualities. Olympus' ad campaign may be suggesting 'don't be a tourist', and yet we'd recommend the compact(ish) camera as an ideal tool for the travel photographer. Overall the E-P2 joins the list of cameras that we didn't want to have to hand back at the end of the review period. And incidentally, for Pen completists a black leather body jacket is being offered by Olympus for the E-P2.

4.5 stars

Ratings (out of 5)
Design 4.5
Features 4.5
Ease-of-use 4.5
Image quality 4.5
Value for money 3.5

Review Roundup

Reviews of the Olympus E-P2 from around the web.

stevehuffphoto.com »

With the E-P1 and E-P2, Olympus has been very smart. They know that there are quite a few people out there who want a small-ish compact-ish camera body that is light, sleek, sexy, and yes…fun to use! When they released the E-P1, nicknamed the “Digital Pen” they presented it as a throwback to the old days of the Olympus PEN F film camera. The PEN was a half frame film camera that was smaller than the average SLR and many loved it for its take anywhere size.
Read the full review »

theonlinephotographer.typepad.com »

One of the objections to E-P1 was the lack of a proper viewfinder. E-P2 certainly remedies that with its electronic viewfinder, the VF-2. Specification-wise, the viewfinder has the resolution of 1.44 MP, a refresh rate of 60 fps and a magnification of 1.15x. To the eye, the viewfinder is as good as the viewfinder on my E-3. While the E-3 might not have as big a viewfinder as full-frame offerings from other manufacturers, its viewfinder is nice and bright, and good for manual focusing. It's exactly the same with the VF-2: Nice, bright and good for manual focusing.
Read the full review »

Specifications

Type
Body material Metal
Lens mount Micro Four Thirds
Image Sensor
Type 4/3 '' Hi-Speed Live MOS sensor
Effective pixels 12.3 Megapixels
Filter array Primary colour filter (RGB)
Aspect ratio & area 4:3 / 17.3 x 13.0 mm
Full resolution 13.1 Megapixels
Engine
Type TruePic V
Filter
Dust reduction filter Supersonic Wave Filter
IR cut filter Hybrid type
LPF filter Fixed type
Live View
Displayed information 100% field of view, exposure adjustment preview, white balance adjustment preview, gradation setting preview (SAT), face detection preview, Perfect Shot Preview, gridline displayable, 7x/10x magnification possible, MF/S-AF, AF frame display, AF point display, Shooting information, Histogram
AF type Contrast detection system
Image Stabiliser
Type Sensor shift
Modes Two-dimensional or one-dimensional activation
Effective Compensation Range Up to 4 EV steps
Shutter speed range 2 - 1/4000 s (not available when Bulb is selected)
Focusing System
Method Contrast Detection AF system (when non high-speed contrast AF compatible lens is used, it works as MF assist)
Focus areas 11 points / Automatic and manual selection
Almost all points / Auto selection with Face Detection ON
225 points / Manual selection in Magnified View Mode
AF lock Yes
Modes Manual focus, Single AF, Continuous AF, Single AF + MF, AF Tracking
Exposure System
Modes Programme automatic, i-Auto, Aperture priority, Shutter priority, Manual, Scene Modes
Exposure compensation +/- 3 EV ( 1, 1/2, 1/3 steps )
Exposure bracketing 3 frames ( +/- 1/3, 1/2, 2/3, 1 EV steps )
ISO bracketing 3 frames ( 1/3, 2/3, 1 EV steps )
Scene Modes
Number of scene modes 19
Modes Portrait, Landscape, Landscape with Portrait, Macro, Sports, Night Scene, Night Scene with portrait, Children, High key, Low key, Digital Image Stabilisation, Nature Macro, Candle, Documents, Panorama, Beach and Snow, Fireworks, Sunset, e-portrait
Multi-Exposure
Max. number of frames 2 frames (shooting)
3 frames (editing)
Auto gain control Yes
Frame assistance Live View
Light Metering
Method TTL open aperture light metering
Zones 324 zones Multi-pattern Sensing System
Detection range 0 - 18 EV (50mm, 1:2, ISO 100)
Modes ESP light metering, Spot metering, Centre weighted metering, Highlight, Shadow
Art Filters
Pop Art Emphasizes colors and creates bright, vibrant images with a pop-art tone
Soft Focus Gives images a light, ethereal look and evokes a dreamy, mystical mood
Pale & Light Colour Utilizes muted colour tonalities to create a mood of reflection and nostalgia
Light Tone Subdues highlights and shadows to reflect the ambience of a perfectly illuminated scene
Grainy Film Recreates the rich, grainy look and tonality of black & white photography, imparting a dramatic feel to images
Pin Hole Reproduces the peripheral vignetting and unique colour tone of photos taken with a pin hole camera
Diorama Emphasizes colour and contrast with a rapid change in focus from sharp to soft
Cross Process Unreal atmosphere, or insecurity with unexpected change in colour and contrast
Sensitivity
Auto ISO 200 - 6400 (customisable, default ISO 200 - 1600)
Manual ISO 100 - 6400
Shutter
Shutter type Computerised focal-plane shutter
Self timer 12 s / 2 s
Shutter Speeds
Shutter speed range 1/4000 - 60 s
Bulb mode 1/4000 - 60 s Up to 30 minutes (selectable longest time in the menu, default: 8 minutes)
Shutter speed P, Ps 1/4000 - 60 s
Shutter speed A priority 1/4000 - 60 s
Shutter speed S priority 1/4000 - 60 s
Shutter speed scene mode 1/4000 - 60 s
White Balance
AUTO WB system Advanced detection system with Live MOS sensor
Manual White balance (One-Touch) Yes
White balance bracketing 3 frames / +/- 2, 4, 6 mired steps
One-touch white balance 1 custom settings can be registered
White balance adjustment +/- 7 in each A-B / G-M axis (in Auto WB, preset WB mode & one-touch WB)
Custom WB 1 setting can be registered at Kelvin temperature (2000K - 14000K)
Preset values Tungsten, Flourescent 1, Flourescent 2, Flourescent 3, Sunlight, Flash, Overcast, Shade
Sequence Shooting
Speed (H) Approx. 3 fps
RAW Mode 10 frames
JPEG Mode Depends on compression ratio or number of pixels (Large normal mode: approx. 12 with Toshiba Super High Speed type "Class 6" 4GB)
Image Processing
Colour space sRGB / AdobeRGB
Sharpness + Contrast 5 levels
Saturation 5 levels
Black & White filter Yellow, Orange, Red, Green
Black & White toning Sepia, Blue, Red, Green
Picture mode i-Enhance, Vivid, Natural, Portrait, Muted, Monotone
Gradation 4 levels (auto, high key, normal, low key)
External Flash Control
X-sync speed 1/180 s / 1/4000 s (Super FP Mode)
Type TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL
Displayed information Auto, Red-eye reduction, Slow synchronisation, 2nd curtain and slow synchronisation, Fill-in for exclusive flash
Intensity +/- 3 EV ( 1/3, 1/2, 1 EV steps )
Note: Some functions are only available if they are supported by the external flash.
LCD
LCD type HyperCrystal LCD
Monitor size 7.6 cm / 3.0 ''
Resolution 230000 dots
Brightness adjustment +/- 7 levels
Colour balance A-B: +/-7 levels, G-M: +/-7 levels
Level Gauge
Detection 2-axis
Display Rear LCD monitor
Super Control Panel
Displayed information Aperture value, Shutter speed, AE bracketing, AF frame, Focus mode, AEL notification, Battery indicator, Face detection, Number of storable frames, Metering mode, Exposure mode, Exposure level view, Flash compensation value, Exposure compensation indicatior, ISO, Colour space, Gradation, Colour saturation compensation value, Sharpness compensation value, Contrast compensation value, White balance, White balance compensation value, Noise reduction, Flash mode, Drive mode, Record mode, Memory card, Internal temperature warning, Histogram
View Images
Index Yes 4, 9, 16, 25, 49, 100 frames
Calendar Yes
Zoom Yes
Slide show Yes
Rotation Yes
Light box Yes
Histogram in playback mode Yes
Shooting information  
Erase / Protect / Copy Function
Erase modes Single, All, Selected
Image protect mode Single frame, Selected frames, All Frames, Release protect (Single/All selected)
Recording Formats
RAW 12 bit
RAW & JPEG Yes parallel recording
JPEG Yes
Aspect ratio 4:3 / 3:2 / 16:9 / 6:6
Image Size
RAW 4032 x 3042 compressed / 14 MB / frame
4032 x 3042 Fine (compression: 1/4) / 5.7 MB / frame
4032 x 3042 Normal (compression: 1/8) / 2.7 MB / frame
2560 x 1920 Normal (compression: 1/8) 1.1 MB / frame
1024 x 768 Normal (compression: 1/8) 0.3 MB / frame
Still Image Recording
EXIF yes
PIM yes
DPOF Yes
DCF Yes
Voice Appendage
Recording format Stereo PCM/16bit, 44.1kHz, Wave Format Base
Recording length 30 s
Movie Recording System
Recording format AVI Motion JPEG®
Movie mode HD 1280 x 720 (16:9) / SD 640 x 480 (4:3)
Frame rate 30 fps
Max. recording time 14 min (SD) 7 min (HD)
Max. file size 2 GB
Compression ratio 1/12
Sound recording Yes , format: Stereo PCM/16bit, 44.1kHz, WAV
Sensitivity ISO 200 - 1600
Image Stabilisation Mode Electronical image shifting (Digital IS)
Image Editing
RAW data edit Yes
Red-eye reduction Yes
Sepia Yes
Black & White Yes
Resize Yes
Correction of saturation Yes
Shadow Adjustment Yes
Trimming Yes
e-portrait Yes
Menu
Menu languages in camera 34 languages / 27 European languages (e.g. English, German, French, Spanish, Italian, Russian, Czech, Dutch, Danish, Polish)
Customisation Options
Fn Button Yes
Custom preset options  
My Mode 2 settings storable
Power Supply
Battery BLS-1 Li-Ion battery (included)
Sleep mode 1, 3, 5, 10 min. and off selectable.
Live View shooting 300 images (100% with Live View) with BLS-1 and Toshiba Class 6 SDHC 4GB card under CIPA testing standard
Environment
Temperature 0 - 40 °C operating temperature / -20 - 60 °C storage temperature
Humidity 30 - 90 % operation humidity / 10 - 90 % storage humidity
Size
Dimensions (W x H x D) 120.5 x 70 x 35 mm (without protrusions)
Weight 335 g (body only)
Interface
Media SD Memory Card(SDHC compatible) Class 6 (4GB) is recommended
HDMI™ Yes Mini connector (type C)
USB 2.0 High Speed Yes
Combined V & USB output Yes NTSC or PAL selectable

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