Panasonic Lumix S9 Review (so far)
- Introduction
- Ease of Use
- Image Quality
- Sample Images
- Product Images
- Rating & Conclusion
- Main Rivals
- Specifications
- Comment
-
More…
Introduction
First announced on May 2024, the Lumix S9 takes over from the S5 II as the smallest and lightest model in Panasonic's range of 35mm full-frame mirrorless cameras.
Thanks mainly to its compact, flat-style design and not having a viewfinder, it's significantly smaller than the more expensive S5 II full-frame camera, reminding us a lot of the Lumix GM1 Micro Four Thirds camera from 2013.
The S9 inherits a lot of its key features from the S5 II, including the same 24.2 megapixel sensor that provides Hybrid Phase Detection Auto-Focus with 779 AF points and human, animal, car and motorcycle detection.
There's also an expanded ISO range of 50-204,800, the latest Venus image processing engine, free-angle 3.0-inch touchscreen LCD with 1.84m-dot resolution, single SD UHS-II memory card slot, Bluetooth 5.0 and 5GHz/2.4GHz Wi-Fi connectivity, 3.5mm port for an external microphone, 470-shot battery life and USB Type-C charging.
Other key features of the Panasonic Lumix S9 include a 6.5-stop 5-axis Dual Image Stabilizer, 30fps continuous shooting with the electronic shutter (there is no mechanical shutter), and the High Resolution mode which captures 96-megapixel equivalent photos by taking 8 separate images and combining them into one.
In terms of video, it supports internal 6K (3:2) and 5.9K (16:9) Open Gate at 30/25/24fps and 4:2:0 10-bit plus C4K/4K at up to 60fps and 4:2:2 10-bit.
It also provides HFR (High Frame Rate) recording at up to 120fps and Slow & Quick capture at up to 180fps and it has a Micro HDMI Type D terminal, rather than a full-size Type A version as on the S5 II.
Brand new features offered by the Lumix S9 and not featured on the S5 II include crop zoom and hybrid zoom, a dedicated real-time LUT button, support for the new MP4 Lite video recording format, the new Lumix Lab app for easier and faster editing and sharing, the ability to create and share LUTs using your smartphone, and automatic background image transfer.
In the UK the Panasonic Lumix S9 is available in four colours - dark olive, night blue, crimson red and jet black - from the end of June 2024 priced at £1499 body-only, £1799 with the 20-60mm F3.5-5.6 kit lens, and £2249 with the 28-200 mm F4-7.1 MACRO O.I.S. zoom lens. It is made in China.
Image Quality
All of the sample images in this review were taken using the 24 megapixel Fine JPEG setting, which gives an average image size of around 12Mb.
The Panasonic Lumix S9 produced still images of excellent quality during the review period.
This camera produces noise-free JPEG images from ISO 50 all the way up to ISO 6400, with significant noise first appearing at ISO 12800. The faster settings of 25600 and 51200 display quite a lot of noise, but they're still fine to use for making smaller prints and web images. You should avoid using the expanded ISO 102400 and 204800 settings if possible.
The High Resolution Mode is capable of creating 96 megapixel images, while the various Photo Styles and Filters allow you to quickly and easily customise the look of the camera's JPEG and Raw images before you take them.
Noise
ISO sensitivity can be set between ISO 50 and ISO 204800 in full-stop increments. Here are some 100% crops which show the noise levels for each ISO setting, with JPEG on the left and RAW on the right.
| JPEG |
ISO 50 |
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ISO 100 |
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ISO 200 |
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ISO 400 |
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ISO 800 |
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ISO 1600 |
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ISO 3200 |
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ISO 6400 |
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ISO 12800 |
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ISO 25600 |
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ISO 51200 |
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ISO 102400 |
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ISO 204800 |
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File Quality
The Panasonic Lumix S9 has 2 different JPEG image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
| Fine (12.6Mb) (100% Crop) | Standard (6.7Mb) (100% Crop) |
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High Resolution Mode
The Panasonic Lumix S9's High Resolution Mode combines 8 shots into a 96 megapixel image to create a 12000x8000 pixel super high-resolution photo. The resulting Raw files are 165Mb in size! We found during testing that selecting Mode 2 in the Motion Blur Processing sub-menu produced the sharpest images.
Off (100% Crop) |
On (100% Crop) |
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Photo Styles
Panasonic's Photo Styles are preset combinations of different sharpness, contrast, saturation and noise reduction settings. The 17 available Photo Styles are shown below in the following series, which demonstrates the differences. There are also four Custom options so that you can create your own looks.
Standard |
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Vivid |
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Natural |
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L.ClassicNeo |
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Flat |
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Landscape |
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Portrait |
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Monochrome |
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L.Monochrome |
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L.Monochrome D |
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L.Monochrome S |
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Leica Monochrome |
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Cinelike D2 |
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Cinelike V2 |
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Like709 |
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V-Log |
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Real-time LUT |
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Filter Effects
The Panasonic Lumix S9 offers a range of digital filter effects that can be applied to both JPEG and Raw files, with 8 different options available in the main menu.
Expressive |
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Retro |
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Old Days |
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High Key |
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Low Key |
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Sepia |
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Cross Process |
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Bleach Bypass |
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LUTs
Out of the box, the Panasonic Lumix S9 offers a small range of LUTs that can be applied to both JPEG, Raw and video files, with 5 different options available via the LUT button.
No LUT |
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Vlog 709 |
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Sample LUT1 |
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Sample LUT2 |
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Sample LUT3 |
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Sample Images
This is a selection of sample images from the Panasonic Lumix S9 camera, which were all taken using the 24 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
1/100s · f/5.6 · ISO 1250
60mm
Download Original
1/100s · f/5.6 · ISO 2500
60mm
Download Original
1/50s · f/4.5 · ISO 800
35mm
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1/50s · f/4.5 · ISO 1000
35mm
Download Original
1/100s · f/5.6 · ISO 4000
60mm
Download Original
1/100s · f/5.3 · ISO 3200
51mm
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1/15s · f/5.6 · ISO 6400
60mm
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1/15s · f/5.6 · ISO 6400
20mm
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1/30s · f/5.6 · ISO 100
20mm
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1/400s · f/5.6 · ISO 100
44mm
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1/250s · f/5.6 · ISO 100
60mm
Download Original
1/250s · f/5.6 · ISO 100
60mm
Download Original
1/60s · f/5.6 · ISO 125
60mm
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1/60s · f/5.6 · ISO 125
60mm
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1/30s · f/5.6 · ISO 500
20mm
Download Original
1/60s · f/5.6 · ISO 100
60mm
Download Original
1/125s · f/5.6 · ISO 100
60mm
Download Original
1/50s · f/5.6 · ISO 100
28mm
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1/60s · f/5.6 · ISO 400
60mm
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1/80s · f/5.6 · ISO 100
60mm
Download Original
1/500s · f/5.6 · ISO 100
20mm
Download Original
1/50s · f/5.6 · ISO 100
20mm
Download Original
1/60s · f/5.6 · ISO 160
60mm
Download Original
1/80s · f/11 · ISO 100
20mm
Download Original
1/250s · f/5.6 · ISO 100
60mm
Download Original
1/60s · f/5.6 · ISO 1600
60mm
Download Original
1/80s · f/11 · ISO 100
20mm
Download Original
1/200s · f/4.4 · ISO 100
35mm
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1/125s · f/3.7 · ISO 100
23mm
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1/60s · f/5.6 · ISO 125
60mm
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1/200s · f/4.2 · ISO 100
31mm
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1/30s · f/8 · ISO 5000
30mm
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1/60s · f/8 · ISO 6400
60mm
Download Original
1/60s · f/8 · ISO 200
60mm
Download Original
1/30s · f/8 · ISO 800
30mm
Download Original
1/125s · f/8 · ISO 100
60mm
Download Original
1/125s · f/5.6 · ISO 100
51mm
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1/400s · f/8 · ISO 100
20mm
Download Original
1/200s · f/8 · ISO 100
20mm
Download Original
1/400s · f/6.3 · ISO 100
60mm
Download Original
Sample RAW Images
The Panasonic Lumix S9 enables users to capture RAW and JPEG format files. We've provided some Panasonic RAW (RW2) samples for you to download (thumbnail images shown below are not 100% representative)."
1/100s · f/5.6 · ISO 1250
60mm
Download original
1/100s · f/5.6 · ISO 2500
60mm
Download original
1/50s · f/4.5 · ISO 800
35mm
Download original
1/50s · f/4.5 · ISO 1000
35mm
Download original
1/100s · f/5.6 · ISO 4000
60mm
Download original
1/100s · f/5.3 · ISO 3200
51mm
Download original
1/15s · f/5.6 · ISO 6400
60mm
Download original
1/15s · f/5.6 · ISO 6400
20mm
Download original
1/30s · f/5.6 · ISO 100
20mm
Download original
1/400s · f/5.6 · ISO 100
44mm
Download original
1/250s · f/5.6 · ISO 100
60mm
Download original
1/250s · f/5.6 · ISO 100
60mm
Download original
1/60s · f/5.6 · ISO 125
60mm
Download original
1/60s · f/5.6 · ISO 125
60mm
Download original
1/30s · f/5.6 · ISO 500
20mm
Download original
1/60s · f/5.6 · ISO 100
60mm
Download original
1/125s · f/5.6 · ISO 100
60mm
Download original
1/50s · f/5.6 · ISO 100
28mm
Download original
1/60s · f/5.6 · ISO 400
60mm
Download original
1/80s · f/5.6 · ISO 100
60mm
Download original
1/500s · f/5.6 · ISO 100
20mm
Download original
1/50s · f/5.6 · ISO 100
20mm
Download original
1/60s · f/5.6 · ISO 160
60mm
Download original
1/80s · f/11 · ISO 100
20mm
Download original
1/250s · f/5.6 · ISO 100
60mm
Download original
1/60s · f/5.6 · ISO 1600
60mm
Download original
1/80s · f/11 · ISO 100
20mm
Download original
1/200s · f/4.4 · ISO 100
35mm
Download original
1/125s · f/3.7 · ISO 100
23mm
Download original
1/60s · f/5.6 · ISO 125
60mm
Download original
1/200s · f/4.2 · ISO 100
31mm
Download original
1/30s · f/8 · ISO 5000
30mm
Download original
1/60s · f/8 · ISO 6400
60mm
Download original
1/60s · f/8 · ISO 200
60mm
Download original
1/30s · f/8 · ISO 800
30mm
Download original
1/125s · f/8 · ISO 100
60mm
Download original
1/125s · f/5.6 · ISO 100
51mm
Download original
1/400s · f/8 · ISO 100
20mm
Download original
1/200s · f/8 · ISO 100
20mm
Download original
1/400s · f/6.3 · ISO 100
60mm
Download original
Sample Movies & Video
This is a sample 6K movie at the quality setting of 5952x3968 pixels at 30 frames per second.
This is a sample DCI 4K movie at the quality setting of 4096x2160 pixels at 60 frames per second.
This is a sample 4K movie at the quality setting of 3840x2160 pixels at 60 frames per second.
Product Images
Main Rivals
Listed below are some of the rivals of the Panasonic Lumix S9.
Canon EOS R6 Mark II
The EOS R6 Mark II is the successor to one of our favourite full-frame mirrorless cameras, principally adding a new 24 megapixel sensor, 40fps burst shooting and improved auto-focusing. Read our in-depth Canon EOS R6 II review now, complete with full-size sample photos and videos.
Fujifilm X-T5
The Fujifilm X-T5 is the successor to the very popular X-T4 which was released in 2020, principally adding a new 40 megapixel sensor, 160 megapixel Pixel Shift Multi-Shot mode, 6.2K video recording and better auto-focusing. Can the new XT5 improve on what was already an outstanding camera? Find out now by reading our in-depth Fujifilm X-T5 review...
Fujifilm X-T50
We've kicked off our Fujifilm X-T50 review with sample JPEG and RAW images, product shots and more...
Nikon Z6 II
The Nikon Z6 II mirrorless camera is an evolutionary upgrade of the original Z6, principally improving the autofocusing, buffer and video and adding a second memory card slot. Is this enough to compete with its main rivals? Find out now by reading our in-depth Nikon Z6 II review, complete with full size sample photos and videos...
Panasonic Lumix G9 II
The Lumix G9 II is the most capable Micro Four Thirds camera that Panasonic have ever released, but does that mean that you should rush out and buy one? Find out now by reading our in-depth Panasonic Lumix G9 II review, complete with full-size sample photos and videos.
Panasonic Lumix GH6
The much anticipated Panasonic GH6 is finally here! But what does this new flagship camera offer, and can it really improve on the best-selling GH5? We find out in our review of the Panasonic Lumix GH6 mirrorless camera, complete with sample photos, test shots, videos and more...
Panasonic Lumix S5 II
Finally! The new Lumix S5 II is the first ever Panasonic camera to have a phase hybrid detection AF system, answering the critics of its contrast-based DFD system. But does this powerful hybrid photo and video camera have what it takes to beat its main rivals? Find out now by reading our in-depth Panasonic Lumix S5 II review, complete with full-size sample photos and videos.
Panasonic S5
The Panasonic S5 is a brand new hybrid full-frame mirrorless camera that's equally as capable at shooting both stills and video. In an ever more crowded market, does the Lumix S5 offer enough to stand out against the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Read our in-depth review of the Panasonic S5 to find out, complete with full-size sample photos and videos.
Sony A6700
The A6700 is the new premium model in Sony's extensive range of APS-C mirrorless cameras, but can it beat both its main rivals and its cheaper siblings? Find out now by reading our in-depth Sony A6700 review, complete with full-size sample images and videos.
Sony A7C II
The Sony A7C II is the second version of a 35mm full-frame camera that's amazingly almost the same size and weight as a smaller APS-C sensor camera. Find out if they've perfected the recipe by reading our Sony A7C II review, complete with full-size sample photos and videos.
Sony ZV-E1
The ZV-E1 is Sony's first vlogging camera to feature a 35mm full-frame sensor, offering 4K/120p recording, 12 megapixel stills, and AI-based autofocusing and stabilisation modes. Is the the ultimate camera for for videos and vlogs? Find out now in our in-depth Sony ZV-E1 review...
Specifications
| TYPE | Type | Digital Single Lens Mirrorless camera | |||
| Lens mount | L-Mount | ||||
| IMAGE SENSOR | Type | 35mm full-frame (35.6mm x 23.8mm) CMOS sensor | |||
| Camera effective pixels / Total pixels | Approx. 24.20 megapixels / Approx. 25.30 megapixels | ||||
| AR (Anti Reflection) coating | Yes | ||||
| Aspect ratio / Color filter | 3:2 / Primary color filter | ||||
| Dust reduction system | Image sensor shift type | ||||
| LATITUDE | 14+ stops (V-Log) | ||||
| STILL IMAGE | Recording file format | JPEG (DCF, Exif 3.0), RAW | |||
| Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1 | ||||
| File size (Pixels) | When using full-frame lenses | 3:2 | 6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 1920x1280(XS) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution mode. | ||
| 4:3 | 5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 1712x1280(XS) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution mode. | ||||
| 16:9 | 6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 1920x1080(XS) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution mode. | ||||
| 1:1 | 4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 1280x1280(XS) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution mode. | ||||
| 65:24 | 6000x2208(L) | ||||
| 2:1 | 6000x3000(L) | ||||
| When using APS-C lenses | 3:2 | 3984x2656(L) / 2880x1920(M) / 2064x1376(S) / 1920x1280(XS) | |||
| 4:3 | 3536x2656(L) / 2560x1920(M) / 1840x1376(S) / 1712x1280(XS) | ||||
| 16:9 | 3984x2240(L) / 2880x1624(M) / 2064x1160(S) / 1920x1080(XS) | ||||
| 1:1 | 2656x2656(L) / 1920x1920(M) / 1376x1376(S) / 1280x1280(XS) | ||||
| Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine) | ||||
| Color space | sRGB, AdobeRGB | ||||
| MOTION PICTURE | Recording file format | MOV: H.264/MPEG-4 AVC, H.265/HEVC MP4: H.264/MPEG-4 AVC, H.265/HEVC MP4(Lite): H.265/HEVC |
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| Audio format | MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) MP4: AAC (2ch 48kHz/16-bit) MP4(Lite): AAC (2ch 48kHz/16-bit) *When attaching Φ3.5mm microphone. |
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| System frequency | 59.94Hz / 50.00Hz / 24.00Hz | ||||
| Image area of video | Full / APS-C / PIXEL/PIXEL | ||||
| MOV (*1) *HLG is selectable. |
59.94Hz | FULL | [6K] 5952x3968 (3:2) | 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [6K] 5952x3136 (17:9) | 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [5.9K] 5888x3312 (16:9) | 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [C4K] 4096x2160 | 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [4K] 3840x2160 | 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [FHD] 1920x1080 | 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| APS-C / PIXEL/PIXEL | [C4K] 4096x2160 | 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [4K] 3840x2160 | 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [3.3K] 3328x2496 (4:3) | 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [FHD] 1920x1080 | 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Image Area of Video is set to APS-C. |
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| 50.00Hz | FULL | [6K] 5952x3968 (3:2) | 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||
| [6K] 5952x3136 (17:9) | 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||||
| [5.9K] 5888x3312 (16:9) | 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||||
| [C4K] 4096x2160 | 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [4K] 3840x2160 | 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [FHD] 1920x1080 | 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| APS-C / PIXEL/PIXEL | [C4K] 4096x2160 | 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [4K] 3840x2160 | 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [3.3K] 3328x2496 (4:3) | 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [FHD] 1920x1080 | 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Image Area of Video is set to APS-C. |
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| 24.00Hz | FULL | [6K] 5952x3968 (3:2) | 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||
| [6K] 5952x3136 (17:9) | 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||||
| [5.9K] 5888x3312 (16:9) | 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||||
| [C4K] 4096x2160 | 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [4K] 3840x2160 | 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [FHD] 1920x1080 | 48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| APS-C / PIXEL/PIXEL | [C4K] 4096x2160 | 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [4K] 3840x2160 | 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [3.3K] 3328x2496 (4:3) | 48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [FHD] 1920x1080 | 48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| MP4(Lite) (*1) | 59.94Hz | FULL | [3.8K] 3840x2560 (3:2) | 29.97p, 50Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. | |
| APS-C / PIXEL/PIXEL | [3.8K] 3840x2560 (3:2) | 29.97p, 50Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. | |||
| 50.00Hz | FULL | [3.8K] 3840x2560 (3:2) | 29.97p, 50Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. | ||
| APS-C / PIXEL/PIXEL | [3.8K] 3840x2560 (3:2) | 29.97p, 50Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. | |||
| 24.00Hz | FULL | - | |||
| APS-C / PIXEL/PIXEL | - | ||||
| MP4 (*1) | 59.94Hz | FULL | [4K] 3840x2160 | 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
|
| [FHD] 1920x1080 | 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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| APS-C / PIXEL/PIXEL | [4K] 3840x2160 | 59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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| [FHD] 1920x1080 | 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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| 50.00Hz | FULL | [4K] 3840x2160 | 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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| [FHD] 1920x1080 | 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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| APS-C / PIXEL/PIXEL | [4K] 3840x2160 | 50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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| [FHD] 1920x1080 | 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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| 24.00Hz | FULL | - | |||
| APS-C / PIXEL/PIXEL | - | ||||
| SLOW & QUICK | MOV (*1) | 59.94Hz | FULL | [FHD] 1920x1080 | 59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *The focus mode switches to MF if you select a frame rate with a number of frames 150 or more. *Angle of view narrows if you select a frame rate with a number of frames 180. |
| APS-C | [C4K] 4096x2160 | 29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [4K] 3840x2160 | 29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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| [FHD] 1920x1080 | 59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *The focus mode switches to MF if you select a frame rate with a number of frames 150 or more. *Angle of view narrows if you select a frame rate with a number of frames 180. |
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| 50.00Hz | FULL | [FHD] 1920x1080 | 50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *The focus mode switches to MF if you select a frame rate with a number of frames 150 or more. *Angle of view narrows if you select a frame rate with a number of frames 180. |
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| APS-C | [C4K] 4096x2160 | 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | |||
| [4K] 3840x2160 | 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||||
| [FHD] 1920x1080 | 50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *The focus mode switches to MF if you select a frame rate with a number of frames 150 or more. *Angle of view narrows if you select a frame rate with a number of frames 180. |
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| 24.00Hz | FULL | [FHD] 1920x1080 | 24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *The focus mode switches to MF if you select a frame rate with a number of frames 150 or more. *Angle of view narrows if you select a frame rate with a number of frames 180. |
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| APS-C | [C4K] 4096x2160 | 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | |||
| [4K] 3840x2160 | 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) | ||||
| [FHD] 1920x1080 | 24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *The focus mode switches to MF if you select a frame rate with a number of frames 150 or more. *Angle of view narrows if you select a frame rate with a number of frames 180. |
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| VIEWFINDER | - | ||||
| REAR MONITOR | Type | TFT LCD monitor with static touch control | |||
| Monitor size | Free-angle, 3.0-inch (7.6cm), 3:2 aspect | ||||
| Pixels | Approx. 1.84 million dots | ||||
| Field of view | Approx. 100% | ||||
| STATUS LCD | - | ||||
| FOCUS (*2) | Type | Phase Detection AF system / Contrast AF system | |||
| DFD technology | Yes | ||||
| Focus mode | AFS (Single) / AFC (Continuous) / MF | ||||
| AF mode | Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle. Except when Pinpoint is set. |
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| AF detective range | EV -6 - 18 (F1.4, ISO100 equivalent, AFS) | ||||
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction | ||||
| AF assist light | Yes | ||||
| AF lock | Set the Fn button in custom menu to AF lock | ||||
| Focus ring control | Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) | ||||
| Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Lens Focus Resume | ||||
| EXPOSURE CONTROL | Light metering system | 1,728-zone multi-pattern sensing system | |||
| Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted | ||||
| Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) | ||||
| Mode dial | Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available. |
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| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) | ||||
| ISO sensitivity (Standard output sensitivity) | [Normal] Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO [V-Log] Auto / 320* / 640-51200 (1/3 or 1 EV step) *Extended ISO [HLG] (Video) Auto / 400-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO |
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| Dual Native ISO | [Normal] Auto (Base ISO 100 / 640): Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO Low (Base ISO 100): Auto / 50* / 100-800 *Extended ISO High (Base ISO 640): Auto / 320* / 640-51200 / 102400* / 204800* *Extended ISO [V-Log] Auto (Base ISO 640 / 4000): Auto / 320* / 640-51200 *Extended ISO Low (Base ISO 640): Auto / 320* / 640-5000 *Extended ISO High (Base 4000): Auto / 2000* / 4000-51200 *Extended ISO [HLG] Auto (Base ISO 400 / 2500): Auto / 400-51200 / 102400* / 204800* *Extended ISO Low (Base ISO 400): Auto / 400-3200 High (Base ISO 2500): Auto / 2500-51200 / 102400* / 204800* *Extended ISO [Cinelike D2 / Cinelike V2] Auto (Base ISO 200 / 1250): Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO Low (Base ISO 200): Auto /100* / 200-1600 *Extended ISO High (Base ISO 1250): Auto / 640* / 1250-51200 / 102400* / 204800* *Extended ISO |
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| Synchro scan | Still image / Motion picture | ||||
| AE lock | Set the Fn button in custom menu to AE lock | ||||
| IMAGE STABILIZATION SYSTEM | B.I.S. (5-axis / 5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.] Dual I.S. 2 (6.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.] |
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| WHITE BALANCE | White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 | |||
| White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||||
| Color temperature setting | 2500-10000K in 100K | ||||
| SHUTTER | Type | Electronic shutter | |||
| Shutter speed | Still image: Time* (Max. 60 sec**), 1/8,000 - 60** Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2 *Bulb recording is available when using a Bluetooth remote control. **When the ISO setting exceeds 1600, the shutter speed will be reduced to less than 60 seconds. |
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| Self timer | 10sec, 3 images / 2sec / 10sec / Custom Time | ||||
| Silent mode | Yes | ||||
| BRACKET | AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |||
| Aperture bracket | 3, 5 or all positions | ||||
| Focus bracket | Yes | ||||
| White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting | ||||
| BURST SHOOTING | Burst speed | SH30: 30 frames/sec (AFS/AFC/MF) SH30 PRE: 30 frames/sec (AFS/AFC/MF) H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View) M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) |
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| Number of recordable images | H*: RAW+JPEG: More than 35 images, RAW: More than 55 images, JPEG: More than 120 images M*: RAW+JPEG: More than 50 images, RAW: More than 200 images, JPEG: More than 200 images L*: RAW+JPEG: More than 200 images, RAW: More than 200 images, JPEG: More than 200 images SH: RAW / RAW+JPEG / JPEG: 36 images *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. *When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)". |
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| FLASH | - | ||||
| COLOR SETTINGS | Photo Style | Photo Style | Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Range* / My Photo Style 1-4 (5-10)* *Set to ON from Show/Hide Photo Style to select. |
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| Picture adjustment | Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT *Adjustable settings vary depending on the Photo Style mode. |
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| Filter | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass | ||||
| LUT Library | Supported file types: .vlt, .cube Vlog_709 / Set 1-39 (Set 1-3: Sample LUT) *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings. |
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| ZOOM FUNCTION | Hybrid zoom | Still image / Motion picture | |||
| Crop zoom | Still image / Motion picture | ||||
| MOTION PICTURE FUNCTION | Time lapse shot | Yes | |||
| Stop motion animation | Yes | ||||
| Live cropping | Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes) | ||||
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB | ||||
| Luminance level | 8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023 |
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| Master pedestal level | 31 steps | ||||
| Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes | ||||
| LUT view assist | Monitor / HDMI | ||||
| HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) | ||||
| Anamorphic desqueeze display | 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF | ||||
| Wave form monitor / Vectorscope | Selectable | ||||
| Knee control | Yes (in Like709 mode) | ||||
| Red REC frame indicator | ON / OFF | ||||
| VERTICAL POSITION INFORMATION | Still image / Motion picture (ON/OFF) | ||||
| LEVEL GAUGE | Yes | ||||
| FUNCTION BUTTON | REC | Exposure Comp. / Dual Native ISO Setting / Sensitivity / White Balance / Photo Style / Apply LUT / REAL TIME LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Photo) / Synchro Scan (Video) / Focus Mode / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Drive Mode/ Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Hybrid Zoom (Photo) / Crop Zoom / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow & Quick Setting / Time Code Display / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Hybrid Zoom (Video) / Crop Zoom / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select (LUT View Assist) / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Wi-Fi / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default | |||
| PLAY | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Rec/Playback Switch / Video Record / Video Record (Creative Video) / Night Mode / Wi-Fi / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default | ||||
| OSD LANGUAGE | Please refer to "OSD" Sheet | ||||
| INTERFACE | USB | USB Type-C® (USB 10Gbps) | |||
| HDMI (*3) | HDMI | HDMI TypeD Audio: ON / OFF, MP4: 2ch, MOV: 2ch |
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| Monitor-through | 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].) 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].) |
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| Playback | 59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p* 50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p* 24.00Hz: C4K/24p / 4K/24p / 1080p *Only for playback. |
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| Remote input | - | ||||
| Audio | Build-in microphone | Stereo Wind Noise Canceller: OFF / Standard / High |
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| External microphone / External audio device input | φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE Wind Cut: OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately). Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately). |
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| Speaker | Monaural | ||||
| Headphone output | - | ||||
| SD card slot | SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. |
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| TC IN/OUT | Count up | Rec Run / Free Run | |||
| Time code mode | Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.) | ||||
| HDMI time code output | ON / OFF | ||||
| WIRELESS | Wi-Fi | 2.4GHz bands (STA/AP) (IEEE802.11b/g/n) 5GHz bands (STA/AP) (IEEE 802.11a/n/ac) Security: WPA/WPA2/WPA3 Please refer to "Wi-Fi" Sheet |
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| Bluetooth | Bluetooth® v5.0 (Bluetooth Low Energy (BLE)) | ||||
| POWER | Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging |
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| Battery life (CIPA standard) | Approx. 470 images with S-R2060 Approx. 430 images with S-R28200 *Under the test conditions specified by Panasonic based on CIPA standard. |
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| Continuous recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 100 min (APS-C), MP4 [FHD/30p]: Approx. 120 min (FULL) *When using S-R2060 / S-R28200. When the battery is fully charged. | ||||
| Actual recordable time (Motion picture) (*1) | MP4 [4K/60p]: Approx. 50 min (APS-C), MP4 [FHD/30p]: Approx. 60 min (FULL) *When using S-R2060 / S-R28200. When the battery is fully charged. | ||||
| DIMENSIONS / WEIGHT | Dimensions (W x H x D) | Approx. 126 x 73.9 x 46.7 mm / 4.96 x 2.91 x 1.84 inch (Body only, excluding protrusions) Approx. 126 x 73.9 x 133.9 mm / 4.96 x 2.91 x 5.28 inch (with S-R2060, excluding protrusions) Approx. 126 x 73.9 x 140.1 mm / 4.96 x 2.91 x 5.52 inch (with S-R28200, excluding protrusions) |
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| Weight | Approx. 486g / 1.08 lb (Body, Shoe Cover, Battery, SD Memory Card) (excluding body cap) Approx. 403g / 0.89 lb (Body, Shoe Cover) (excluding body cap) |
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| OPERATING ENVIRONMENT | Operating temperature | 0℃ to 40℃ (32℉ to 104℉) | |||
| Operating humidity | 10%RH to 80％RH | ||||
| STANDARD ACCESSORIES | Software | Recording | LUMIX Lab / LUMIX Sync ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software. https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS) LUMIX Tether ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software. http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac) |
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| Playback / Editing | ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) |
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| Standard accessories | DC-S9 Kit Body Cap, Shoe Cover, Shoulder Strap, Battery Pack DC-S9K Kit / DC-S9H Kit Body Cap, Shoe Cover, Shoulder Strap, Battery Pack, Lens Cap, Lens Hood, Lens Rear Cap ･The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet. |
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| (*1) About motion picture recording - The cards that can be used for recording vary depending on the motion pictures bit rate and format type. Motion pictures with 72Mbps or less: SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher Motion pictures with 200Mbps or less: SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher - Recording stops when the continuous recording time exceeds 10 minutes in [6K] [5.9K]. - Recording stops when the continuous recording time exceeds 15 minutes in [C4K] [4K] [3.8K] [3.3K]. - Recording stops when the continuous recording time exceeds 20 minutes in [FHD]. - A new file will be created to continue recording if the file size exceeds the following conditions. [MP4] in [FHD]: 4GB [MP4] in [4K]: 96GB [MOV]: 192GB |
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| (*2) About AF - Automatic Detection is not available for High Frame Rate video shooting above 60p (100p or 120p). - Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting (100p or 120p) above 60p. (*3) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug). |
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Your Comments
- Introduction
- Ease of Use
- Image Quality
- Sample Images
- Product Images
- Conclusion
- Main Rivals
- Specifications
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