Introduction

Ease of Use

The aluminium bodied Sony A7R II is virtually identical to the A7 II camera, measuring 126.9 x 95.7 x 60.3mm and weighing 582g (26g more than the A7 II) without a lens, battery and memory card fitted. The A7R II has a large handgrip which protrudes forwards and is more DSLR-like than on the original A7R. We found it easy enough to get to grips with the A7R, but the new grip on the A7R II makes for an even more secure hold. Sony have taken advantage of the bigger surface area to re-position the shutter release, which now sits in a much more logical position on top of the handgrip, with a new command dial also more conveniently located on the front. All-in-all, we're impressed with the ergonomic improvements that have been introduced on the A7R II, and feel that the resulting increase in size and weight is a worthwhile compromise. Also located on the front of the A7R II is the newly reinforced lens mount using magnesium alloy and a small porthole on the left for the self-timer/AF illuminator.

The Sony A7R II is the world’s second full-frame camera with optical 5-axis image stabilization. Most image stabilization systems compensate for camera shake by correcting yaw and pitch. Sony claim that camera shake is actually caused by five different kinds of motion, and their image stabilization mechanism additionally corrects for horizontal shift, vertical shift and rotary motion (rolling) for both still images and movies. The A7R II offers 4.5-stops of compensation, slightly behind the Olympus OM-D E-M5 which offers 5 stops, but very impressive considering that the A7R II has a much larger sensor. Furthermore, the in-body system ensures that the A7R II can stabilize all kinds of lenses, not just those with the FE designation, including E-mount lenses without Optical SteadyShot (OSS) and A-mount lenses as well, although third party lenses without any electronic contacts only benefit from three axes of compensation, and you need to input which focal length you’re using.

On top the A7R II has an external hotshoe, dubbed the Multi Interface Shoe, for attaching one of a range of accessories, including an external flash. Thanks to its electronic front curtain shutter, the A7R II has a sync speed of 1/250th sec, making it well suited to flash-based portrait photography. Turn the On/Off switch on the top plate and the Sony A7R II readies itself for action in under a second, noticeably quicker than the A7R. The adequately sized shutter-release button has a definite halfway point, determining focus and exposure with a bleep of affirmation and focus points highlighted as green rectangles on the LCD. When you do fire the shutter, it's much quieter than the original A7R, and there's also a new silent mode too.

The A7R II uses a hybrid AF system which employs both phase-detection and contrast-based auto-focusing, with 399 phase-detection points that cover 45% of the frame and 25 contrast-detection points. Despite being up to 40% faster than the original A7R according to Sony, the A7R II still takes slightly longer than we'd like to lock onto the subject compared to a comparable DSLR or a class-leading compact system camera like the Olympus OM-D E-M1, but it's definitely the fastest A-series camera to date.

The new 399-point focal plane phase-detection AF system on the A7R II works very well with non-native lenses, including both Sony A-mount lenses when they are mounted on the camera using an LA-EA3 or LA-EA1 mount adapter, and a wide variety of third-party lenses via a suitable adapter. We tested the A7R II with a large number of Canon lenses using the Canon EF Lens to Sony NEX Smart Adapter (Mark IV), and remarkably AF speeds were often the same as using the lens mounted on a Canon DSLR. Note that Eye AF, which can be used in conjunction with the AF-C mode, is only available with native lenses.

Front of the Sony A7R II

When you choose to manually focus, a distance scale is displayed along the bottom of the LCD screen, MF Assist can be turned on to magnify the image and help you get sharp results, and there's also the a convenient Peaking function that highlights sharply-focused areas of the image on the LCD screen. Go on to take the shot and JPEG or Raw images are quickly committed to memory in a single second, the screen momentarily blanking out and then displaying the captured image before the user can go on to take a second shot.

The A7R II has a brand new reduced-vibration shutter with an electronic first-curtain that produces 50% less vibration from shutter movements than on the A7R, a very welcome improvement. The new shutter also offers an impressive cycle durability of approximately 500,000 shots, comparable to most pro-level DSLRs. The new Silent Shooting mode does exactly what its name suggests, taking the picture quietly without any sensor vibration or movement via the new all-electronic shutter.

A round shooting mode dial with a knurled edge and positive action is also located on top of the camera with a new locking button at its centre, which is a little annoying in practice as you now need to use two fingers to change the shooting mode.

Despite ostensibly being a camera aimed at professionals, Sony has still included Intelligent Auto scene recognition, which works in virtually identical fashion to the intelligent auto modes of Panasonic's and Canon's compact ranges. Simply point the A7R II at a scene or subject and the camera analyses it and automatically chooses one of a number of pre-optimised settings to best suit.

Adding to the A7R II's snapshot simplicity, these features accompany face recognition and smile shutter functionality on board, the former mode biasing human faces in the frame and the latter mode firing the shutter when it detects a smiling subject. The Face Detection system automatically adjusts the focus, exposure and white balance for people in the frame, and can even be set to distinguish between children and adults. Smile Detection offers three self-explanatory options, Big, Normal and Slight. Used in conjunction, the Face and Smile Detection systems do result in more hits than misses, especially in contrasty lighting conditions. The self-portrait options in the self-timer menu work by automatically taking the shot with a two second delay after either one or two people have entered the frame.

In addition to the regular Program mode, which provides the full range of camera options and additionally allows you to change settings like the ISO speed and metering, is the welcome inclusion of Aperture-priority, Shutter-priority and fully Manual modes which let you independently set the aperture and shutter speed, making the A7R II instantly appeal to the more experienced photographer. The ability to choose from 30-1/8000th second shutter speeds opens up a lot of creative potential. There's also very welcome support for the RAW file format, which is really the icing on the cake for serious photographers, although we don't like the fact that you still can't capture Extra Fine JPEGs and Raw files at the same time. Two Custom modes on the shooting mode dial allow you quickly access different combinations of settings.

Rear of the Sony A7R II

The proven Sweep Panorama mode lets you capture a panoramic image very easily without the use of a tripod. All you need to decide is whether you would like to start from left or right, top or bottom. Then press and hold down the shutter release while doing a "sweep" with the camera in hand. Exposure compensation is available before you start the sweep, but the exposure is fixed once you depress the shutter button. After you are done with the sweeping, the camera does all the processing required, and presents you with a finished panoramic image. There are two modes, Standard and Wide. Note that if you do the sweeping too slowly, or you let go of the shutter release button too early, the panorama will be truncated.

In the clever Hand-held Twilight and Anti Motion Blur scene modes, the A7R II takes six shots in a rapid sequence, typically at a high sensitivity setting and a (relatively) fast shutter speed, and then combines them into a single image that has somewhat less noise than a single shot taken at the same ISO and exposure settings. In our experience, the difference between the two modes is that in Anti Motion Blur mode, the camera is more willing to pick a really high ISO setting like ISO 6400 to maintain a fast shutter speed, whereas in Hand-held Twilight mode, it will only go as high as absolutely necessary to avoid camera shake at the chosen focal length. If light levels are truly low, however, the A7R II will pick a high ISO speed even in this mode.

The Sony A7R II can shoot and record 4K video in multiple formats including cropped Super 35mm (without pixel binning) to reduce moire and the full-frame format. The Sony A7R II can output uncompressed UHD 4K, 3840 x 2160 pixel video (30p/24p/25p) at a 4:2:2 color depth without downsampling to either the inserted memory card or over HDMI to compatible third party recorders. The A7R II also supports the XAVC S format, which is based on the professional XAVC codec and records full-pixel readout 4K footage at 100Mbps and Full HD video footage at up to 50Mbps. In addition 720p HD footage can be recorded at 100fps in XAVC S mode for slow motion replays.

There's the ability to change the EV level, white balance, metering, ISO speed, DRO/HDR, creative style and picture effect, plus various audio recording options. If you set the shooting mode dial to Movie, you can also choose from Program, Aperture or Shutter priority and Manual modes, giving you full control over exposure for both stills and movies.

The clean HDMI output from the camera also allows video to be viewed on an external monitor or recorded on another device. High-resolution still images can be displayed directly on a 4K television, offering four times the detail of Full HD. The A7R II incorporates extensive customizable color and gamma controls, offering the ability to adjust the gamma, black level, knee, color level, and more, as well as use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras, plus it offers multiple timecode recording options to meet different workflows.

Top of the Sony A7R II

The Sony A7R II can shoot full-resolution 42 megapixel pictures at up to 5fps with continuous AF, quite a fast rate for such a high megapixel 35mm full-frame camera. To achieve the full 5fps you need to set the drive mode to the Speed Priority Continuous option, which locks the focus and the exposure at the first frame. The A7R II's regular continuous burst shooting can change the focus and exposure between frames but provides a slower rate of 2.5fps.

Sony's long-standing D-Range Optimizer and HDR functions are present to help even out tricky exposures, for example where a bright background would normally throw the foreground into deep shadow. You can see from the examples on the Image Quality page that these features produce a photo with noticeably more dynamic range than one taken using one of the standard shooting modes, but at the same time without replicating the often "false" look of many HDR programs, and both offer a wide degree of customisation.

Completing the top of the A7R II is a second prominent dial for setting the Exposure Compensation and two small button marked with C1 and C2, which as the names suggest can be customised to access one of the camera's key controls.

On the back, instead of the bulky optical viewfinder of a conventional DSLR, the Sony A7R II has an electronic viewfinder. The XGA OLED electronic viewfinder on the A7R II has been further upgraded to offer a large 0.78x magnification, 100% field of view, and a staggeringly high 2,359,000 dot equivalent resolution, resulting in a display that's virtually indistinguishable from a more traditional optical viewfinder.

As the EVF is reading the same signal from the image sensor as the rear LCD screen, it can also display similar information, with a choice of five display modes. For example, you can view and operate the A7R II's Function Menu, giving a true preview of the scene in front of you and quick access to all the key camera settings while it's held up to your eye. The various icons used to represent the camera settings are clear and legible. The icing on the viewing cake is the clever built-in eye sensor, which automatically switches on the viewfinder when you look into it, then switches it off and turns on the LCD monitor when you look away.

Tilting LCD Screen

The A7R II's EVF system also performs very well indoors in low light, typically the scourge of most EVFs which have to "gain-up" to produce a usable picture, resulting in a noticeably grainier picture. The A7R II doesn't suffer from this unwanted effect at all, making its electronic viewfinder the equal of and in many areas better than a DSLR's optical viewfinder. The truest testament to the A7R II is that we almost exclusively used it by holding it up to eye-level, something that we wouldn't do unless the EVF was of sufficient quality.

There's also a 3-inch, 1,228K-dot resolution White Magic panel LCD screen which can be tilted up to 41° downwards to shoot over crowds or up to 107° upwards and comfortably used outdoors even in harsh sunlight, although it still can't be rotated to the side. Located above the screen and to either side of the EVF are the Menu and C3 buttons.

Press the Menu button and a number of shooting and set up folders appear on screen, with white text on a black background aiding visibility. The seven shooting folders allow users to select image size, ratio and quality and - if JPEG (RAW and RAW+JPEG also available) - compression rates too, plus features like long exposure and high ISO noise reduction - all in fact activated as a default, and also contains the video quality and audio options, while the six Customise folders allow you to tweak the A7R II to your way of working. Wi-fi, Apps, Playback, and Setup folders complete the long list of configurable options. By default the C3 button allows you to change the Focus Mode, but as the name suggests it can be customised to another function.

To the right is the slimmed-down rear control dial and a useful one-touch movie record button embedded within the edge of the rubberised thumb-rest. Underneath is the combined AF/MF and Auto Exposure Lock (AEL) switch/button, and underneath that the Function button which accesses up to 12 customisable options that appear on in two horizontal columns along the bottom of the LCD screen. The Function menu proves to be a very handy way to quickly change the A7R II's key settings and one of the main ways of setting the camera to suit your shooting style.

The traditional round navigation pad can be used to navigate through menus and options, in conjunction with the small button in the middle which activates whatever it is you've chosen. Three of the four directions on the navigation pad can also be customised to provide a quick way of setting various options. The navigation pad doubles up as a control ring that's used to navigate through and set menu options, and usefully also has a new setting to choose the ISO speed. The ring is a little small, but it's not too over-sensitive and the ability to take full control of the A7R II is very welcome. In total the Sony A7R II offers 10 customisable buttons and 56 assignable functions, making it very easy to configure to suit your particular requirements.

The Sony A7R II In-hand

Underneath the navigation pad is the Playback button, which gives users the ability to dip in and out of created folders of images or the calendar view, view thumbnails, select slideshows and choose transitional effects and accompanying music, or delete shots. Press the shutter button halfway and you're helpfully catapulted back into capture mode. And that's basically it. With a press of the Menu button in playback, users have access to a few in-camera retouching effects, including the ability to crop and sharpen an image and apply red-eye correction. Completing the rear of the A7R II is the self-explanatory Delete button, which doubles up as the customisable C4 button (accessing the wi-fi options by default).

As denoted by symbols on the side of the camera, the Sony A7R II is wi-fi and NFC capable and the functions can be adjusted in the Wi-fi main menu. You can choose to transmit the images to either a smartphone computer, or a compatible TV set. One cool feature of the wi-fi is being able to link the camera to your smart phone using the PlayMemories Mobile app. You can then use the phone as a remote so those outstretched arm 'selfies' will be a thing of the past. The A7R II also features NFC (Near Field Communication) technology (the same technology that's used for mobile payments), which allows you to connect it to a compatible internet enabled device or another NFC-enabled camera by simply tapping them together. You can also use the WPS Push option to locate a hot spot, access settings, edit the device name, display the MAC address or format all settings if you wish.

In addition to the built-in wi-fi/nfc connectivity, the A7R II supports PlayMemories Camera Apps. As the name suggests, this is a downloadable service that lets you add new functionality to the camera, either via wi-fi or USB connection. Smart Remote Control, which allows you to control the exposure and shutter release via your smartphone, is preinstalled on the A7R II. Other optional apps available include Picture Effect+, Bracket Pro, Multi Frame NR, Photo Retouch and Direct Upload, and Sony plans to provide more new apps in the near future. Note that only some of the apps are free.

The bottom of the Sony A7R II features a standard metal screw thread for attaching it to a tripod that's inline with the centre of the lens mount. A lockable plastic cover protects the lithium-ion battery, officially good for 340 shots. In practice we only got around 200 shots when using the electronic viewfinder and LCD screen, which obviously draw on the battery for power. Sony have included not one, but two batteries and two separate chargers in the box, but it's still a good idea to invest in some extra batteries for an all-day shoot, and you can also recharge the battery in-camera via USB. The A7R II is also the first A-series camera to be able to use an external USB power source to charge it whilst still taking pictures, which is very beneficial for time-lapses or longer video clips.

The removable memory card is housed within a compartment located on the right of the A7R II (when viewed from the rear), with the A7R II supporting the SD / SDHC / SDXC format in addition to Sony's own proprietary Pro Duo Memory Stick format. Positioned on both sides of the A7R II are prominent metal eyelets for attaching the supplied shoulder strap. On the left are two unmarked, sturdy plastic covers, underneath which can be found the Multi port, HDMI port, and the external headphone and microphone connections.

Image Quality

All of the sample images in this review were taken using the 42 megapixel Fine JPEG setting, which gives an average image size of around 10Mb.

The Sony A7R II produced images of outstanding quality during the review period. The Sony A7R II has an extensive and very usable ISO range of 50-102,400. ISO 50-3200 is virtually noise-free, while ISO 6400 and 12800 produce more than acceptable results, and even ISO 25600 and 51200 are OK for emergency use. The RAW samples illustrate just how much processing the camera does by default, though, as they're much noisier at all ISO values than their JPEG counterparts.

The 42 megapixel images are a little soft straight out of the camera using the default creative style and ideally require some further sharpening in an application like Adobe Photoshop, or you can change the in-camera sharpening level. The night photograph was excellent, with the maximum shutter speed of 30 seconds and the Bulb mode offering lots of scope for creative night photography.

The effective Dynamic Range Optimizer function extracts more detail from the shadow and highlight areas in an image, without introducing any unwanted noise or other artifacts. The High Dynamic Range mode combines two shots taken at different exposures to produce one image with greater dynamic range than a single image would produce. It only works for JPEGs and for still subjects, but does produce some very effective results. Sony's now tried-and-trusted Sweep Panorama is still a joy to use. The various Picture Effects quickly produce special looks that would otherwise require you to spend a lot of time in the digital darkroom, while the Creative Styles provide a quick and easy way to tweak the camera's JPEG images.

Noise

There are 10 ISO settings available on the Sony A7R II. Here are some 100% crops which show the noise levels for each ISO setting for both JPEG and RAW formats:

JPEG	RAW
ISO 50 (100% Crop)	ISO 50 (100% Crop)
ISO 100 (100% Crop)	ISO 100 (100% Crop)
ISO 200 (100% Crop)	ISO 200 (100% Crop)
ISO 400 (100% Crop)	ISO 400 (100% Crop)
ISO 800 (100% Crop)	ISO 800 (100% Crop)
ISO 1600 (100% Crop)	ISO 1600 (100% Crop)
ISO 3200 (100% Crop)	ISO 3200 (100% Crop)
ISO 6400 (100% Crop)	ISO 6400 (100% Crop)
ISO 12800 (100% Crop)	ISO 12800 (100% Crop)
ISO 25600 (100% Crop)	ISO 25600 (100% Crop)
ISO 51200 (100% Crop)	ISO 51200 (100% Crop)
ISO 102400 (100% Crop)	ISO 102400 (100% Crop)

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look.

Original (100% Crop)	Sharpened (100% Crop)

File Quality

The Sony A7R II has 3 different image quality settings available, with Extra Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

42M Extra Fine (21.9Mb) (100% Crop)	42M Fine (10.4Mb) (100% Crop)
42M Standard (4.12Mb) (100% Crop)	42M RAW (42.3Mb) (100% Crop)

Night

The Sony A7R II's maximum shutter speed is 30 seconds and there's also a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 30 seconds at ISO 100.

Night	Night (100% Crop)

Image Stabilisation

The Sony A7R II is the world’s second full-frame camera with an optical 5-axis image stabilization. Using the FE 55mm f/1.8 lens, we were able to obtain sharp results shooting handheld down to 1/8th second, about 4 stops below the "recommended" shutter speed of 1/50th second.

1/30th Sec	1/15th Sec
1/8th Sec	1/4th Sec

Dynamic Range Optimizer

D-Range Optimiser (DRO) is Sony's solution to improve shadow detail in photos taken in contrasty light. There are 5 different levels and an Auto option.

Off	Level 1
Level 2	Level 3
Level 4	Level 5

High Dynamic Range

High Dynamic Range Optimiser (HDR) is Sony's solution for capturing more contrast than a single exposure can handle by combining two exposures into one image. There are 6 different EV settings and an Auto option.

Off	1EV
2EV	3EV
4EV	5EV
6EV

Creative Styles

There are 13 Creative Style preset effects that you can use to change the look of your images.

Standard	Vivid
Neutral	Clear
Deep	Light
Portrait	Landscape
Sunset	Night Scene
Autumn Leaves	Black & White
Sepia

Picture Effects

The Sony A7R II offers a range of thirteen creative Picture Effects.

Off	Toy Camera
Pop Color	Posterization
Retro Photo	Soft High-key
Partial Color (Red)	High Contrast Mono
Soft Focus	HDR Painting
Rich-tone Mono	Miniature
Watercolor	Illustration

Sweep Panorama Mode

The Sony A7R II allows you to take panoramic images very easily, by 'sweeping' with the camera while keeping the shutter release depressed. The camera does all the processing and stitching and even successfully compensates for moving subjects.

Standard (8192x1856 pixels)

Standard (12416x1856 pixels)

Video Samples

We've shot some sample videos with the Sony A7R II at all of the available settings, from 4K, then AVCHD, through to MP4. All of the A7R II sample videos were shot hand-held using the Sony FE 35mm f/2.8 lens with APS-C/Super 35mm set to On.

You can download the original file by clicking the title of each video to open it on the Vimeo site, then clicking the Download button underneath the video to display the Original option.

Sony A7R II XAVC S 4K 100M from photographyblog on Vimeo.

Sony A7R II XAVC S 4K 60M from photographyblog on Vimeo.

Sony A7R II XAVC S HD 50p 50M from photographyblog on Vimeo.

Sony A7R II XAVC S HD 25p 50M from photographyblog on Vimeo.

Sony A7R II XAVC S HD 100p 50M from photographyblog on Vimeo.

Sony A7R II AVCHD 50i 24M (FX) from photographyblog on Vimeo.

Sony A7R II AVCHD 50p 28M (PS) from photographyblog on Vimeo.

Sony A7R II AVCHD 25p 24M (FX) from photographyblog on Vimeo.

Sony A7R II AVCHD 25p 17M (FH) from photographyblog on Vimeo.

Sony A7R II AVCHD 50i 17M (FH) from photographyblog on Vimeo.

Sony A7R II MP4 1920x1080 50p 28M from photographyblog on Vimeo.

Sony A7R II MP4 1920x1080 25p 16M from photographyblog on Vimeo.

Sony A7R II MP4 1280x720 25p 6M from photographyblog on Vimeo.

Sample Images

This is a selection of sample images from the Sony A7R II camera, which were all taken using the 42 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Sony A7R II enables users to capture RAW and JPEG format files. We've provided some Sony RAW (ARW) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

Product Images

Front of the Sony A7R II

Front of the Sony A7R II

Side of the Sony A7R II

Side of the Sony A7R II

Side of the Sony A7R II

Side of the Sony A7R II

Rear of the Sony A7R II

Rear of the Sony A7R II / Image Displayed

Rear of the Sony A7R II / Turned On

Rear of the Sony A7R II / Turned On

Rear of the Sony A7R II / Status Screen

Rear of the Sony A7R II / Main Menu

Rear of the Sony A7R II / Function Menu

Tilting LCD Screen

Tilting LCD Screen

Tilting LCD Screen

Tilting LCD Screen

Top of the Sony A7R II

Bottom of the Sony A7R II

Side of the Sony A7R II

Side of the Sony A7R II

Front of the Sony A7R II

Front of the Sony A7R II

Memory Card Slot

Battery Compartment

Conclusion

The Sony A7R II is a remarkable camera, both on paper and in practice. Offering a mouth-watering list of desirable features, the A7R II delivers on almost all of its promises, and in many ways out-performs the two cameras that it's most commonly compared to, the Canon EOS 5DS/R and the Nikon D810. Whether you're shooting stills or video, the A7R II certainly delivers the goods, and in a surprisingly wide variety of shooting situations. Sony have given us everything but the proverbial kitchen sink with the A7R II, and amazingly it works as a cohesive package that really challenges the big two manufacturers.

The A7R II's new 42 megapixel sensor provides excellent results from ISO 50-3200 for both JPG and RAW images, with noise starting to become apparent at ISO 6400, while 12800 produces more than acceptable results, and even ISO 25600 and 51200 are OK for emergency use. The A7 II's full-frame sensor and the faster lenses that we tested it with hit the sweet spot between portability and image quality, and commendably Sony are finally expanding their lens range, a criticism that has always been leveled at the overall system in the past.

Perhaps even more important is the ability to use lenses from other systems, most notably Canon, and in some instances for them to autofocus as quickly as on a Canon DSLR. Sure, it's something of a minefield to find a combination of adapter and lens that works reliably well, but being able to use modern DSLR lenses, classic rangefinder lenses, and older Sony/Minolta A-mount lenses whilst enjoying a fantastic manual-focus experience and fast auto-focusing is a real eye-opener. There's even an adapter for Nikon lenses on the horizon...

The Sony A7R II features a very effective 5-axis image stabilisation that's strikingly similar to the system that Olympus have used on the OM-D E-M1 and E-M5/II, perhaps not surprising given that Sony have previously invested in Olympus financially. While not quite as effective as the E-M5 II's 5-stop IS, the Sony A7R II is remarkable given the sensor size (more than 4x bigger than the Olympus' Micro Four Thirds sensor), and it also works with any lens that you care to attach to the camera for both stills and video.

The A7R II has addressed most of its predecessor's flaws. Poor battery life, lack of touchscreen functionality, and a non-articulating screen are the main negative points that we'd hope to see addressed on the next model, but we can live without them given everything else that the A7R II has to offer.

The Sony A7R II certainly succeeds in its attempt to turn the heads of DSLR owners. It won't satisfy the needs of professional sports shooters, the menu system isn't as refined as the competition, and some people will still put their trust (however blindly) in a more conventional DSLR, but the A7R II is a undoubtedly a break-through camera for Sony, both in terms of the promises that it makes, and the realisation of those promises...

Ratings (out of 5)
Design	5
Features	5
Ease-of-use	4
Image quality	5
Value for money	4.5

Main Rivals

Listed below are some of the rivals of the Sony A7R II.

Review Roundup

Reviews of the Sony A7R II from around the web.

Specifications

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