Sony NEX-C3 Review

Image Quality
All of the sample images in this Review were taken using the 16 megapixel Fine JPEG setting, which gives an average image size of around 5Mb.
Viewed on a PC, there's an overall softness to the NEX-C3's images that we hadn't expected - a soft sheen rather than digital crispness - which could well be down to the all-purpose nature of the zoom lens we had in for testing as much as sensor performance. Where it didn't disappoint was in the reproduction of colour, an area in which Sony traditionally excels. The warmly saturated colours most closely reminded us of the performance of Panasonic's G-series, while the Sweep Panorama images are a definite improvement on the video grab-style results we'd formerly seen from Cyber-shot point and shoots. It would be even nicer to see the recently introduced High Resolution mode make its way onto the NEX series.
With sharp results eminently achievable when shooting handheld at the maximum telephoto of the kit zoom - and even at night-time thanks to the handheld Night Shot mode unexpectedly found within the scene mode options which fires a brief rapid burst of images to compensate for shake - at maximum wideangle there is some slight barrel distortion, but this is not overly distracting. Edge to edge sharpness is similarly reasonable, though - another Sony regular - pixel fringing does make an appearance between areas of high contrast.
In terms of low light photography the NEX-C3 does very well, despite the modest increase in megapixels. Noise is fairly unobtrusive all the way up to ISO 6400, the look of the image at that high-ish setting as good as results taken at ISO 800 on a standard compact, and beating most of the compact system camera competition. This suggests ISO 12800 as not a stretch too far, and so it proves. Inevitably you're getting a noisier image but not one that's very noticeably much softer. Thus low light shooters have broader options at their disposal, and spec that isn't just there for spec's sake.
Noise
There are 7 ISO settings available on the Sony NEX-C3. Here are some 100% crops which show the noise levels for each ISO setting:
JPEG | RAW | |
ISO 200 (100% Crop) |
ISO 200 (100% Crop) |
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ISO 400 (100% Crop) |
ISO 400 (100% Crop) |
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ISO 800 (100% Crop) |
ISO 800 (100% Crop) |
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ISO 1600 (100% Crop) |
ISO 1600 (100% Crop) |
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ISO 3200 (100% Crop) |
ISO 3200 (100% Crop) |
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ISO 6400 (100% Crop) |
ISO 6400 (100% Crop) |
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ISO 12800 (100% Crop) |
ISO 12800 (100% Crop) |
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Sharpening
Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are soft at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look.
Original (100% Crop) |
Sharpened (100% Crop) |
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File Quality
The Sony NEX-C3 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
16M Fine (4.9Mb) (100% Crop) | 16M Standard (3.65Mb) (100% Crop) |
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16M RAW (16.2Mb) (100% Crop) | |
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Flash
The flash settings on the Sony NEX-C3 are Autoflash, Fill-flash, Slow sync and Rear flash sync, with Red-eye reduction available in the Main Menu. These shots of a white coloured wall were taken at a distance of 1.5m.
Flash Off - Wide Angle (18mm) |
Flash On - Wide Angle (18mm) |
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Flash Off - Telephoto (55mm) |
Flash On - Telephoto (55mm) |
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And here are a couple of portrait shots. Neither the Auto setting or the Red-eye reduction mode caused any amount of red-eye.
Flash On |
Flash On (100% Crop) |
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Red-eye reduction |
Red-eye reduction (100% Crop) |
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Night
The Sony NEX-C3's maximum shutter speed is 30 seconds and there's also a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 200.
Night Shot |
Night Shot (100% Crop) |
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Hand-held Twilight
In the Hand-held Twilight mode the NEX-C3 takes six high-ISO photos in rapid succession and combines them into a single image.
Manual Mode (ISO 200, 15 seconds) | Hand-held Twilight Mode (ISO 6400, 1/15th second) |
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Manual Mode (100% Crop) | Hand-held Twilight Mode (100% Crop) |
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Dynamic Range Optimizer
D-Range Optimiser (DRO) is Sony's solution to improve shadow detail in photos taken in contrasty light.
Off |
On |
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High Dynamic Range
High Dynamic Range Optimiser (HDR) is Sony's solution for capturing more contrast than a single exposure can handle by combining two exposures into one image.
Off |
On |
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Intelligent Sweep Panorama Mode
The Sony NEX-C3 allows you to take panoramic images very easily, by 'sweeping' with the camera while keeping the shutter release depressed. The camera does all the processing and stitching and even successfully compensates for moving subjects.
Standard |
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Download the Full Size Image |
Wide |
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Download the Full Size Image |
3D Sweep Panorama Mode
There's also an additional 3D Sweep Panorama mode on the virtual on-screen shooting dial alongside the regular (2D) Sweep Panorama. If you're lucky enough to own a compatible 3D HDTV, download the samples below to experience the full 3D effect.
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Download the Full Size Image |
Download the MPO File |
Creative Styles
There are 6 Creative Style preset effects that you can use to change the look of your images.
Standard |
Vivid |
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Portrait |
Landscape |
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Sunset |
B/W |
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Picture Effects
Just like Olympus and Panasonic, the Sony NEX-C3 now offers a range of eleven creative Picture Effects.
Posterization (Color) |
Posterization (B/W) |
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Pop Color |
Retro |
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Partial Color (Red) |
Partial Color (Green) |
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Partial Color (Blue) |
Partial Color (Yellow) |
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High Key |
High Contrast Monochrome |
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Toy Camera |
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Sample Images
This is a selection of sample images from the Sony NEX-C3 camera, which were all taken using the 16 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
1/200s · f/8 · ISO 200
27mm
Download Original
1/100s · f/5.6 · ISO 250
82mm
Download Original
1/60s · f/11 · ISO 250
27mm
Download Original
1/60s · f/5.6 · ISO 800
27mm
Download Original
1/100s · f/11 · ISO 200
27mm
Download Original
1/320s · f/8 · ISO 200
27mm
Download Original
1/100s · f/5.6 · ISO 400
82mm
Download Original
1/60s · f/5.6 · ISO 200
27mm
Download Original
1/60s · f/8 · ISO 1600
40mm
Download Original
1/60s · f/16 · ISO 400
27mm
Download Original
1/800s · f/5.6 · ISO 200
82mm
Download Original
1/60s · f/5.6 · ISO 320
27mm
Download Original
1/100s · f/11 · ISO 200
34mm
Download Original
1/200s · f/11 · ISO 200
27mm
Download Original
1/160s · f/11 · ISO 200
82mm
Download Original
1/30s · f/8 · ISO 1600
27mm
Download Original
1/1600s · f/8 · ISO 200
27mm
Download Original
1/60s · f/8 · ISO 320
27mm
Download Original
1/100s · f/8 · ISO 500
82mm
Download Original
1/1600s · f/8 · ISO 200
82mm
Download Original
1/100s · f/8 · ISO 200
27mm
Download Original
1/160s · f/11 · ISO 200
27mm
Download Original
1/160s · f/11 · ISO 200
69mm
Download Original
1/320s · f/8 · ISO 200
27mm
Download Original
1/200s · f/11 · ISO 200
57mm
Download Original
1/800s · f/8 · ISO 200
27mm
Download Original
1/60s · f/22 · ISO 400
27mm
Download Original
1/320s · f/8 · ISO 200
27mm
Download Original
1/100s · f/3.5 · ISO 200
27mm
Download Original
1/320s · f/8 · ISO 200
27mm
Download Original
1/160s · f/8 · ISO 200
82mm
Download Original
1/160s · f/8 · ISO 12800
45mm
Download Original
1/80s · f/8 · ISO 6400
45mm
Download Original
1/40s · f/8 · ISO 3200
45mm
Download Original
1/20s · f/8 · ISO 1600
45mm
Download Original
1/400s · f/8 · ISO 200
42mm
Download Original
1/100s · f/8 · ISO 200
27mm
Download Original
1/500s · f/5.6 · ISO 200
82mm
Download Original
1/100s · f/16 · ISO 250
82mm
Download Original
1/640s · f/5.6 · ISO 200
82mm
Download Original
1/2500s · f/3.5 · ISO 200
27mm
Download Original
1/80s · f/11 · ISO 200
27mm
Download Original
1/200s · f/11 · ISO 200
58mm
Download Original
1/60s · f/11 · ISO 320
27mm
Download Original
1/60s · f/11 · ISO 400
27mm
Download Original
1/60s · f/11 · ISO 250
27mm
Download Original
1/125s · f/11 · ISO 200
27mm
Download Original
1/250s · f/11 · ISO 200
31mm
Download Original
1/1000s · f/5.6 · ISO 200
82mm
Download Original
1/60s · f/5.6 · ISO 1600
37mm
Download Original
1/160s · f/11 · ISO 200
27mm
Download Original
1/400s · f/11 · ISO 200
82mm
Download Original
1/60s · f/8 · ISO 1250
27mm
Download Original
1/160s · f/8 · ISO 200
61mm
Download Original
1/320s · f/8 · ISO 200
39mm
Download Original
1/125s · f/11 · ISO 200
42mm
Download Original
1/60s · f/11 · ISO 800
30mm
Download Original
1/200s · f/11 · ISO 200
27mm
Download Original
1/400s · f/4 · ISO 200
40mm
Download Original
1/250s · f/5.6 · ISO 200
82mm
Download Original
1/500s · f/5.6 · ISO 200
72mm
Download Original
1/60s · f/16 · ISO 250
40mm
Download Original
1/100s · f/16 · ISO 400
82mm
Download Original
1/60s · f/8 · ISO 320
27mm
Download Original
1/100s · f/8 · ISO 320
82mm
Download Original
1/60s · f/3.5 · ISO 200
27mm
Download Original
1/60s · f/4 · ISO 1000
43mm
Download Original
1/60s · f/8 · ISO 400
27mm
Download Original
1/60s · f/16 · ISO 1250
27mm
Download Original
Sample RAW Images
The Sony NEX-C3 enables users to capture RAW and JPEG format files. We've provided some Sony RAW (ARW) samples for you to download (thumbnail images shown below are not 100% representative).
1/60s · f/5.6 · ISO 800
27mm
Download original
1/320s · f/8 · ISO 200
27mm
Download original
1/100s · f/5.6 · ISO 400
82mm
Download original
1/60s · f/8 · ISO 1600
40mm
Download original
1/60s · f/16 · ISO 400
27mm
Download original
1/30s · f/8 · ISO 1600
27mm
Download original
1/1600s · f/8 · ISO 200
27mm
Download original
1/1600s · f/8 · ISO 200
82mm
Download original
1/200s · f/11 · ISO 200
57mm
Download original
1/60s · f/22 · ISO 400
27mm
Download original
1/100s · f/3.5 · ISO 200
27mm
Download original
1/160s · f/8 · ISO 12800
45mm
Download original
1/80s · f/8 · ISO 6400
45mm
Download original
1/40s · f/8 · ISO 3200
45mm
Download original
1/20s · f/8 · ISO 1600
45mm
Download original
1/500s · f/5.6 · ISO 200
82mm
Download original
1/200s · f/11 · ISO 200
58mm
Download original
1/60s · f/11 · ISO 400
27mm
Download original
1/60s · f/5.6 · ISO 1600
37mm
Download original
1/60s · f/11 · ISO 800
30mm
Download original
1/100s · f/16 · ISO 400
82mm
Download original
Sample Movie & Video
This is a sample movie at the highest quality setting of 1280 x 720 pixels at 30 frames per second. Please note that this 16 second movie is 16.9Mb in size.
Product Images
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Front of the Camera |
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Front of the Camera |
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Pop-Up Flash |
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Pop-Up Flash |
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Pop-Up Flash |
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Pop-Up Flash |
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Isometric View |
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Isometric View |
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Isometric View |
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Isometric View |
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Rear of the Camera |
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Rear of the Camera / Image Displayed |
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Rear of the Camera / Turned On |
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Rear of the Camera / Shooting Mode |
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Rear of the Camera / Help Mode |
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Rear of the Camera / Main Menu |
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Rear of the Camera / Picture Effects |
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Rear of the Camera / Creative Controls |
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Rear of the Camera / Creative Controls |
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Rear of the Camera / Creative Controls |
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Tilting LCD Screen |
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Tilting LCD Screen |
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Tilting LCD Screen |
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Tilting LCD Screen |
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Tilting LCD Screen |
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Tilting LCD Screen |
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Top of the Camera |
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Bottom of the Camera |
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Side of the Camera |
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Side of the Camera |
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Front of the Camera |
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Front of the Camera |
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Memory Card Slot |
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Battery Compartment |
Conclusion
The Sony NEX-C3 modestly builds on the success of its predecessor by increasing the megapixel count, refining the user interface further for beginners, and making the body size even smaller and lighter. While the extended battery life and new range of picture effects won't make current NEX owners rush to upgrade, these improvements do make the NEX-C3 a more compelling proposition, particularly with regards to its overall usability.
Looking and feeling more like a compact camera than ever, this new NEX perhaps lacks the retro charm of the Olympus PEN series, but it certainly majors as a viable upgrade option for someone looking for DSLR-like image quality without the size and bulk of such a system. The NEX-C3 makes more sense when twinned with the 16mm pancake lens rather than the 14-42mm kit zoom though, which rather dwarves the svelte body.
Image quality is very good, beating most of its compact system rivals at the higher ISO speeds where those models with smaller sensors naturally struggle. The jump to 16 megapixels thankfully hasn't had a detrimental effect on the images that the NEX-C3 produces, and the introduction of a range of Picture Effects brings this new model up to speed with the PEN series. We're still not convinced by the unwieldy clip-on flash unit, though, and hope to see a fully integrated flash in a future model, and a rotating rather than just tilting screen would be another logical addition.
While usability has been improved, with a number of customisable controls, the NEX-C3 is still best suited to the beginner rather than the more confident prosumer, who will bemoan all the button pressing that's required. Its compact-camera leanings and array of hand-holding modes make the new NEX-C3 a logical step-up model from your run-of-the-mill compact, and the affordable price-tag certainly won't harm its chances either.
Ratings (out of 5) | |
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Design | 4 |
Features | 4 |
Ease-of-use | 4 |
Image quality | 4.5 |
Value for money | 4.5 |
Review Roundup
Reviews of the Sony NEX-C3 from around the web.
engadget.com »
The 16-megapixel Alpha NEX-C3 builds upon the successes of its predecessor -- the NEX-3 -- sporting a slimmer body and redesigned APS-C sensor. It also adds a reported 20-percent boost in battery life, improved low light performance, and a slimmer, more attractive design.
Read the full review »
Specifications
Sony A-mount | NO |
Sony E-mount | YES |
All types of Sony A-mount lenses | YES (Requires A-mount adaptor) |
All types of Sony E-mount lenses | YES |
Minolta & Konica Minolta α/MAXXUM/DYNAX lenses | YES (Requires α-Mount adaptor) |
Image sensor type | CMOS sensor |
Image sensor colour filter | R, G, B, Primary color |
Size (mm) | 23.5 x 15.6mm (APS-C size) |
Total sensor Pixels (megapixels) | Approx. 16.5 |
Effective Pixels (megapixels) | Approx. 16.2 |
Automatic White Balance | YES |
White balance: preset selection | Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash |
White balance: custom setting | YES |
White balance: types of color temperature | 2500 - 9900 k with 19-step Magenta , Green compensation |
White balance bracketing | NO |
ISO Sensitivity Setting | ISO200 - 12800 equivalent |
System: Sensor-shift mechanism | NO |
SteadyShot INSIDE scale (in viewfinder) | NO |
Camera-Shake warning (in viewfinder) | NO |
SteadyShot INSIDE capability | NO |
SteadyShot INSIDE compatibility | NO |
*SteadyShot INSIDE was previously known as Super SteadyShot |
Charge protection coating on Low-Pass Filter and electromagnetic vibration mechanism | YES |
TTL phase-detection system | NO |
Contrast AF system | YES |
Sensor | 25 points |
Sensitivity Range (at ISO 100 equivalent); EV | NO |
Eye Start AF System (on off selectable) | NO |
AF Area: Wide focus area | NO |
AF Area: Spot | NO |
AF Area: Local focus area selection | NO |
AF Area: Multi Point | YES (25 points) |
AF Area: Center Weighted | YES |
AF Area: Flexible Spot | YES |
AF Modes | Direct Manual Focus, Manual Focus Autofocus Mode? Single-shot AF, Continuous AF |
Predictive Focus Control | YES |
Focus Lock | YES |
AF Illuminator | YES (with built-in LED type) |
AF Illuminator range (meters) | Approx. 0.3m - Approx. 4.0m (E 16mm F2.8),Approx. 0.5m - Approx. 3.0m (E 18-55mm F3.5-5.6 OSS) |
Light metering type | 49-segment metering by the image sensor |
Light metering cell | Exmor™ CMOS Sensor |
Light metering: Multi segment | YES |
Light metering: Spot | YES |
Light metering: Center weighted | YES |
Exposure: Automatic | YES |
Exposure: Program Auto | YES |
Exposure: iAUTO | YES |
Exposure: AUTO+ | NO |
Exposure: Shutter priority | YES |
Exposure: Aperture priority | YES |
Exposure: Manual | YES |
Exposure: Scene selection | YES |
Sweep Panorama | YES |
Anti Motion Blur | YES |
AE Lock | NO |
Exposure compensation | YES (+/-2EV with 1/3EVsteps) |
AE Bracketing | With 1/3 EV / 2/3 EV increments, 3 frames |
Type | Electronically-controlled, vertical-traverse, focal-plane type |
Shutter Speed Range (seconds) | 1/4000 - 30 and bulb |
Flash Sync Speed; second | 1/160 |
Built-in-Flash Guide Number (in meters at ISO 100) | 7 (connect to Smart accessory terminal) |
Flash Metering System | Pre-flash TTL |
Flash Compensation | +/-2.0 EV (1/3 EV steps) |
Built-in-Flash Recycling Time (approx. time in seconds) | 4 |
Flash Mode | Flash Off, Autoflash, Fill-flash, Slow Sync., Rear Sync |
Wireless flash mode | NO |
Red-Eye Reduction | YES |
Flash Popup | NO |
Type | NO |
Focusing Screen | NO |
Field of View (%) | NO |
Magnification (with 50mm lens at infinity) | NO |
Eye Relief | NO |
Diopter Adjustment | NO |
Live View | YES |
Screen Size | 7.5cm(3.0type) |
Monitor Type | TruBlack LCD |
LCD Total Dot Number | 921.600 |
Brightness adjustable | YES |
Tilting screen | YES (Up?Approx.80°Down?Approx.45°) |
Drive Mode | Single, Continuous, Speed-priority Continuous, 10 seconds and 2 seconds Self-timer |
Continuous-Advance Rate (approx. frames per second at maximum) | Approx.5.5 frames persecond at maximum, Continuous-advance rate:Approx.2.5 frames persecond at maximum. |
Number of Continuous Advance | JPEG (L size, Fine): 18/14 images, RAW: 6 images, RAW+JPEG: 6 images |
Recording Media | Memory Stick PRO Duo™,Memory Stick PRO-HG Duo™, SD memory card, SDHC memory card, SDXC memory card |
Recording Format | JPEG (DCF v.2.0, Exif v.2.3, MPF Baseline) compliant, DPOF compatible, RAW (Sony ARW 2.2 format), RAW & JPEG |
Image Size L - JPEG (pixels) | 4912 X 3264 (16M) |
Image Size M (pixels) | 3568 X 2368 (8.4M) |
Image Size S (pixels) | 2448 X 1624 (4M) |
Panorama size:Max. degrees of sweep angle(focal length 16mm/18mm) | Wide: 7152 X 1080(7.7M), Standard: 4912 X 1080(5.3M), 16:9: 1920 X 1080(2.1M) |
Still Image quality | RAW, RAW + JPEG, JPEG Fine, JPEG Standard |
Movie Recording Format | MP4 |
Video Compression | MPEG-4 Visual |
Audio recording Format | MPEG-4 AAC-LC 2ch |
Movie recording mode - AVCHD | NO |
Movie recording mode - MP4 | YES, 1280 x 720 (29.97fps,Approx.9Mbps/Approx.6Mbps),640 x 480 (29.97fps,Approx.3Mbps) |
Noise Reduction (Long exp.NR) | On/Off, available at shutter speeds longer than 1 second |
Noise Reduction (High ISO NR) | YES (Auto/Weak) |
Noise Reduction (Multi Frame NR) | NO |
Color Space (sRGB) | YES |
Color Space (Adobe RGB) | YES |
Color mode/DEC/Creative styles | Standard, Vivid, Portrait, Landscape, Sunset, B/W |
Dynamic Range Optimizer | Off, Auto, Advanced: Level |
White/Black Out Alert | YES |
Index Playback | YES |
Enlarge (Maximum magnification) | L size: 11.8x, M size: 8.8x, S size: 6x |
Image Rotation | YES |
Auto Image Rotation | YES |
InfoLITHIUM Battery Indicator | YES |
Histogram Indicator | YES |
Exif | Exif Ver.2.3 |
Exif Print | YES |
PictBridge | NO |
Menu Language | English, French, German, Spanish, Italian, Portuguese, Dutch, Russian, Swedish, Danish, Norwegian, Finish, Polish, Czech, Hungarian, Greek, Turkish |
Zone Matching | NO |
Depth-of-Field Preview | NO |
PRINT Image Matching III | YES |
Remote Release Terminal | NO |
IR Remote Control | NO |
DPOF(Digital Print Order Format) | YES |
Indicator of remaining memory space (CF) | YES |
Beep Sound | On,Off selectable |
File Number Memory | On,Off selectable |
Folder Name Mode | Standard and Date |
Operating Temperature (degrees C) | 0 - 40 |
Video Out | NO |
HD/HDMI™ Out | YES |
USB 2.0 Hi-Speed | YES |
USB Mode | Mass Storage (PC connection) / PTP |
Battery System | NP-FW50 |
Supplied Battery | NP-FW50 |
Stamina (battery life in CIPA condition) | Approx. 400 shots |
Weight (g) | Approx. 225 |
Width (mm) | 109.6 |
Height (mm) | 60 |
Depth (mm) | 33 |
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