Sony NEX-C3 Review

August 22, 2011 | Mark Goldstein | Rating star Rating star Rating star Rating star

Image Quality

All of the sample images in this Review were taken using the 16 megapixel Fine JPEG setting, which gives an average image size of around 5Mb.

Viewed on a PC, there's an overall softness to the NEX-C3's images that we hadn't expected - a soft sheen rather than digital crispness - which could well be down to the all-purpose nature of the zoom lens we had in for testing as much as sensor performance. Where it didn't disappoint was in the reproduction of colour, an area in which Sony traditionally excels. The warmly saturated colours most closely reminded us of the performance of Panasonic's G-series, while the Sweep Panorama images are a definite improvement on the video grab-style results we'd formerly seen from Cyber-shot point and shoots. It would be even nicer to see the recently introduced High Resolution mode make its way onto the NEX series.

With sharp results eminently achievable when shooting handheld at the maximum telephoto of the kit zoom - and even at night-time thanks to the handheld Night Shot mode unexpectedly found within the scene mode options which fires a brief rapid burst of images to compensate for shake - at maximum wideangle there is some slight barrel distortion, but this is not overly distracting. Edge to edge sharpness is similarly reasonable, though - another Sony regular - pixel fringing does make an appearance between areas of high contrast.

In terms of low light photography the NEX-C3 does very well, despite the modest increase in megapixels. Noise is fairly unobtrusive all the way up to ISO 6400, the look of the image at that high-ish setting as good as results taken at ISO 800 on a standard compact, and beating most of the compact system camera competition. This suggests ISO 12800 as not a stretch too far, and so it proves. Inevitably you're getting a noisier image but not one that's very noticeably much softer. Thus low light shooters have broader options at their disposal, and spec that isn't just there for spec's sake.

Noise

There are 7 ISO settings available on the Sony NEX-C3. Here are some 100% crops which show the noise levels for each ISO setting:

JPEG RAW  

ISO 200 (100% Crop)

ISO 200 (100% Crop)

 
 

ISO 400 (100% Crop)

ISO 400 (100% Crop)

 
 

ISO 800 (100% Crop)

ISO 800 (100% Crop)

 
 

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

 
 

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

 
 
     

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

 
 
     

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

 
 

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are soft at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look.

Original (100% Crop)

Sharpened (100% Crop)

   

File Quality

The Sony NEX-C3 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

16M Fine (4.9Mb) (100% Crop) 16M Standard (3.65Mb) (100% Crop)
   
16M RAW (16.2Mb) (100% Crop)  
 

Flash

The flash settings on the Sony NEX-C3 are Autoflash, Fill-flash, Slow sync and Rear flash sync, with Red-eye reduction available in the Main Menu. These shots of a white coloured wall were taken at a distance of 1.5m.

Flash Off - Wide Angle (18mm)

Flash On - Wide Angle (18mm)

ISO 64 ISO 64
   

Flash Off - Telephoto (55mm)

Flash On - Telephoto (55mm)

ISO 64 ISO 64

And here are a couple of portrait shots. Neither the Auto setting or the Red-eye reduction mode caused any amount of red-eye.

Flash On

Flash On (100% Crop)
   

Red-eye reduction

Red-eye reduction (100% Crop)

Night

The Sony NEX-C3's maximum shutter speed is 30 seconds and there's also a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 200.

Night Shot

Night Shot (100% Crop)

Hand-held Twilight

In the Hand-held Twilight mode the NEX-C3 takes six high-ISO photos in rapid succession and combines them into a single image.

Manual Mode (ISO 200, 15 seconds) Hand-held Twilight Mode (ISO 6400, 1/15th second)
   
Manual Mode (100% Crop) Hand-held Twilight Mode (100% Crop)

Dynamic Range Optimizer

D-Range Optimiser (DRO) is Sony's solution to improve shadow detail in photos taken in contrasty light.

Off

On

High Dynamic Range

High Dynamic Range Optimiser (HDR) is Sony's solution for capturing more contrast than a single exposure can handle by combining two exposures into one image.

Off

On

Intelligent Sweep Panorama Mode

The Sony NEX-C3 allows you to take panoramic images very easily, by 'sweeping' with the camera while keeping the shutter release depressed. The camera does all the processing and stitching and even successfully compensates for moving subjects.

Standard
Download the Full Size Image
 
Wide
Download the Full Size Image

3D Sweep Panorama Mode

There's also an additional 3D Sweep Panorama mode on the virtual on-screen shooting dial alongside the regular (2D) Sweep Panorama. If you're lucky enough to own a compatible 3D HDTV, download the samples below to experience the full 3D effect.

Download the Full Size Image
Download the MPO File

Creative Styles

There are 6 Creative Style preset effects that you can use to change the look of your images.

Standard

Vivid

   

Portrait

Landscape

   

Sunset

B/W

Picture Effects

Just like Olympus and Panasonic, the Sony NEX-C3 now offers a range of eleven creative Picture Effects.

Posterization (Color)

Posterization (B/W)

   

Pop Color

Retro

   

Partial Color (Red)

Partial Color (Green)

   

Partial Color (Blue)

Partial Color (Yellow)

   

High Key

High Contrast Monochrome

   

Toy Camera

 
 

Sample Images

This is a selection of sample images from the Sony NEX-C3 camera, which were all taken using the 16 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Sony NEX-C3 enables users to capture RAW and JPEG format files. We've provided some Sony RAW (ARW) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

This is a sample movie at the highest quality setting of 1280 x 720 pixels at 30 frames per second. Please note that this 16 second movie is 16.9Mb in size.

Product Images

Sony NEX-C3

Front of the Camera

 
Sony NEX-C3

Front of the Camera

 
Sony NEX-C3

Pop-Up Flash

 
Sony NEX-C3

Pop-Up Flash

 
Sony NEX-C3

Pop-Up Flash

 
Sony NEX-C3

Pop-Up Flash

 
Sony NEX-C3

Isometric View

 
Sony NEX-C3

Isometric View

 
Sony NEX-C3

Isometric View

 

Sony NEX-C3

Isometric View

 
Sony NEX-C3
Rear of the Camera
 
Sony NEX-C3
Rear of the Camera / Image Displayed
 
Sony NEX-C3
Rear of the Camera / Turned On
 
Sony NEX-C3
Rear of the Camera / Shooting Mode
 
Sony NEX-C3
Rear of the Camera / Help Mode
 
Sony NEX-C3
Rear of the Camera / Main Menu
 
Sony NEX-C3
Rear of the Camera / Picture Effects
 
Sony NEX-C3
Rear of the Camera / Creative Controls
 
Sony NEX-C3
Rear of the Camera / Creative Controls
 
Sony NEX-C3
Rear of the Camera / Creative Controls
 
Sony NEX-C3
Tilting LCD Screen
 
Sony NEX-C3
Tilting LCD Screen
 
Sony NEX-C3
Tilting LCD Screen
 
Sony NEX-C3
Tilting LCD Screen
 
Sony NEX-C3
Tilting LCD Screen
 
Sony NEX-C3
Tilting LCD Screen
 
Sony NEX-C3
Top of the Camera
 
Sony NEX-C3
Bottom of the Camera
 
Sony NEX-C3
Side of the Camera
 
Sony NEX-C3
Side of the Camera
 
Sony NEX-C3
Front of the Camera
 
Sony NEX-C3
Front of the Camera
 
Sony NEX-C3
Memory Card Slot
 
Sony NEX-C3
Battery Compartment

Conclusion

The Sony NEX-C3 modestly builds on the success of its predecessor by increasing the megapixel count, refining the user interface further for beginners, and making the body size even smaller and lighter. While the extended battery life and new range of picture effects won't make current NEX owners rush to upgrade, these improvements do make the NEX-C3 a more compelling proposition, particularly with regards to its overall usability.

Looking and feeling more like a compact camera than ever, this new NEX perhaps lacks the retro charm of the Olympus PEN series, but it certainly majors as a viable upgrade option for someone looking for DSLR-like image quality without the size and bulk of such a system. The NEX-C3 makes more sense when twinned with the 16mm pancake lens rather than the 14-42mm kit zoom though, which rather dwarves the svelte body.

Image quality is very good, beating most of its compact system rivals at the higher ISO speeds where those models with smaller sensors naturally struggle. The jump to 16 megapixels thankfully hasn't had a detrimental effect on the images that the NEX-C3 produces, and the introduction of a range of Picture Effects brings this new model up to speed with the PEN series. We're still not convinced by the unwieldy clip-on flash unit, though, and hope to see a fully integrated flash in a future model, and a rotating rather than just tilting screen would be another logical addition.

While usability has been improved, with a number of customisable controls, the NEX-C3 is still best suited to the beginner rather than the more confident prosumer, who will bemoan all the button pressing that's required. Its compact-camera leanings and array of hand-holding modes make the new NEX-C3 a logical step-up model from your run-of-the-mill compact, and the affordable price-tag certainly won't harm its chances either.

4 stars

Ratings (out of 5)
Design 4
Features 4
Ease-of-use 4
Image quality 4.5
Value for money 4.5

Review Roundup

Reviews of the Sony NEX-C3 from around the web.

engadget.com »

The 16-megapixel Alpha NEX-C3 builds upon the successes of its predecessor -- the NEX-3 -- sporting a slimmer body and redesigned APS-C sensor. It also adds a reported 20-percent boost in battery life, improved low light performance, and a slimmer, more attractive design.
Read the full review »

Specifications

Lens Mount
Sony A-mount NO
Sony E-mount YES
Lens Compatibility
All types of Sony A-mount lenses YES (Requires A-mount adaptor)
All types of Sony E-mount lenses YES
Minolta & Konica Minolta α/MAXXUM/DYNAX lenses YES (Requires α-Mount adaptor)
Image Sensory
Image sensor type CMOS sensor
Image sensor colour filter R, G, B, Primary color
Size (mm) 23.5 x 15.6mm (APS-C size)
Camera
Total sensor Pixels (megapixels) Approx. 16.5
Effective Pixels (megapixels) Approx. 16.2
Automatic White Balance YES
White balance: preset selection Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash
White balance: custom setting YES
White balance: types of color temperature 2500 - 9900 k with 19-step Magenta , Green compensation
White balance bracketing NO
ISO Sensitivity Setting ISO200 - 12800 equivalent
SteadyShot INSIDE
System: Sensor-shift mechanism NO
SteadyShot INSIDE scale (in viewfinder) NO
Camera-Shake warning (in viewfinder) NO
SteadyShot INSIDE capability NO
SteadyShot INSIDE compatibility NO
*SteadyShot INSIDE was previously known as Super SteadyShot  
Anti-Dust
Charge protection coating on Low-Pass Filter and electromagnetic vibration mechanism YES
Auto Focus System
TTL phase-detection system NO
Contrast AF system YES
Sensor 25 points
Sensitivity Range (at ISO 100 equivalent); EV NO
Eye Start AF System (on off selectable) NO
AF Area: Wide focus area NO
AF Area: Spot NO
AF Area: Local focus area selection NO
AF Area: Multi Point YES (25 points)
AF Area: Center Weighted YES
AF Area: Flexible Spot YES
AF Modes Direct Manual Focus, Manual Focus Autofocus Mode? Single-shot AF, Continuous AF
Predictive Focus Control YES
Focus Lock YES
AF Illuminator YES (with built-in LED type)
AF Illuminator range (meters) Approx. 0.3m - Approx. 4.0m (E 16mm F2.8),Approx. 0.5m - Approx. 3.0m (E 18-55mm F3.5-5.6 OSS)
Auto Exposure System
Light metering type 49-segment metering by the image sensor
Light metering cell Exmor™ CMOS Sensor
Light metering: Multi segment YES
Light metering: Spot YES
Light metering: Center weighted YES
Exposure: Automatic YES
Exposure: Program Auto YES
Exposure: iAUTO YES
Exposure: AUTO+ NO
Exposure: Shutter priority YES
Exposure: Aperture priority YES
Exposure: Manual YES
Exposure: Scene selection YES
Sweep Panorama YES
Anti Motion Blur YES
AE Lock NO
Exposure compensation YES (+/-2EV with 1/3EVsteps)
AE Bracketing With 1/3 EV / 2/3 EV increments, 3 frames
Shutter
Type Electronically-controlled, vertical-traverse, focal-plane type
Shutter Speed Range (seconds) 1/4000 - 30 and bulb
Flash Sync Speed; second 1/160
Flash
Built-in-Flash Guide Number (in meters at ISO 100) 7 (connect to Smart accessory terminal)
Flash Metering System Pre-flash TTL
Flash Compensation +/-2.0 EV (1/3 EV steps)
Built-in-Flash Recycling Time (approx. time in seconds) 4
Flash Mode Flash Off, Autoflash, Fill-flash, Slow Sync., Rear Sync
Wireless flash mode NO
Red-Eye Reduction YES
Flash Popup NO
Viewfinder
Type NO
Focusing Screen NO
Field of View (%) NO
Magnification (with 50mm lens at infinity) NO
Eye Relief NO
Diopter Adjustment NO
Live View
Live View YES
LCD screen
Screen Size 7.5cm(3.0type)
Monitor Type TruBlack LCD
LCD Total Dot Number 921.600
Brightness adjustable YES
Tilting screen YES (Up?Approx.80°Down?Approx.45°)
Recording
Drive Mode Single, Continuous, Speed-priority Continuous, 10 seconds and 2 seconds Self-timer
Continuous-Advance Rate (approx. frames per second at maximum) Approx.5.5 frames persecond at maximum, Continuous-advance rate:Approx.2.5 frames persecond at maximum.
Number of Continuous Advance JPEG (L size, Fine): 18/14 images, RAW: 6 images, RAW+JPEG: 6 images
Recording Media Memory Stick PRO Duo™,Memory Stick PRO-HG Duo™, SD memory card, SDHC memory card, SDXC memory card
Recording Format JPEG (DCF v.2.0, Exif v.2.3, MPF Baseline) compliant, DPOF compatible, RAW (Sony ARW 2.2 format), RAW & JPEG
Image Size L - JPEG (pixels) 4912 X 3264 (16M)
Image Size M (pixels) 3568 X 2368 (8.4M)
Image Size S (pixels) 2448 X 1624 (4M)
Panorama size:Max. degrees of sweep angle(focal length 16mm/18mm) Wide: 7152 X 1080(7.7M), Standard: 4912 X 1080(5.3M), 16:9: 1920 X 1080(2.1M)
Still Image quality RAW, RAW + JPEG, JPEG Fine, JPEG Standard
Movie Recording Format MP4
Video Compression MPEG-4 Visual
Audio recording Format MPEG-4 AAC-LC 2ch
Movie recording mode - AVCHD NO
Movie recording mode - MP4 YES, 1280 x 720 (29.97fps,Approx.9Mbps/Approx.6Mbps),640 x 480 (29.97fps,Approx.3Mbps)
Noise Reduction (Long exp.NR) On/Off, available at shutter speeds longer than 1 second
Noise Reduction (High ISO NR) YES (Auto/Weak)
Noise Reduction (Multi Frame NR) NO
Color Space (sRGB) YES
Color Space (Adobe RGB) YES
Color mode/DEC/Creative styles Standard, Vivid, Portrait, Landscape, Sunset, B/W
Dynamic Range Optimizer Off, Auto, Advanced: Level
Playback/Edit
White/Black Out Alert YES
Index Playback YES
Enlarge (Maximum magnification) L size: 11.8x, M size: 8.8x, S size: 6x
Image Rotation YES
Auto Image Rotation YES
General
InfoLITHIUM Battery Indicator YES
Histogram Indicator YES
Exif Exif Ver.2.3
Exif Print YES
PictBridge NO
Menu Language English, French, German, Spanish, Italian, Portuguese, Dutch, Russian, Swedish, Danish, Norwegian, Finish, Polish, Czech, Hungarian, Greek, Turkish
Zone Matching NO
Depth-of-Field Preview NO
PRINT Image Matching III YES
Remote Release Terminal NO
IR Remote Control NO
DPOF(Digital Print Order Format) YES
Indicator of remaining memory space (CF) YES
Beep Sound On,Off selectable
File Number Memory On,Off selectable
Folder Name Mode Standard and Date
Operating Temperature (degrees C) 0 - 40
Jacks
Video Out NO
HD/HDMI™ Out YES
USB 2.0 Hi-Speed YES
USB Mode Mass Storage (PC connection) / PTP
Power/Others
Battery System NP-FW50
Supplied Battery NP-FW50
Stamina (battery life in CIPA condition) Approx. 400 shots
Weight (g) Approx. 225
Dimensions
Width (mm) 109.6
Height (mm) 60
Depth (mm) 33

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