Attention Mac users, the all-in-one photo editor Luminar 2018 is out now and available for just $59£53 for new users, with big discounts for upgrading users. We rated Luminar as "Highly Recommended". Visit the Luminar web site to try it for free.
Attention Windows users, the all-in-one photo editor Luminar 2018 is out now and available for just $59£53 for new users, with big discounts for upgrading users. We rated Luminar as "Highly Recommended". Visit the Luminar web site to try it for free.
This post is brought to you by Lenovo Inspire Me. More info can be found at LenovoInspireMe.com, where you can enter our competition to win the trip of a lifetime.
Main Image: Portrait of a girl nr Vang Vieng, Laos
What inspired you to become a photographer?
Something literally clicked when I purchased my first SLR (an Olympus OM10) early in 1980. I was on the point of coming ashore following several years at sea in the Merchant Navy and just knew without a shadow of a doubt that from that point on my life would be dominated by photography. I made the decision then and there to be a professional photographer. Of course its one thing to say it, quite another to do it.
Can you remember the first picture that you ever took, and why?
I think it was while skiing with my father, around about 1970, in Canada where I grew up. I would have used a Kodak Instamatic.
Who is the photographer that you most admire, and why?
That’s a tough one, as I tend to be inspired by individual images as opposed to photographers, but to name a few whose commitment and vision are an example I would say Henri Cartier Bresson, Don McCullin, Sebastien Salgado and Steve McCurry.
Amphitheatre, Bryce Canyon, Utah, USA
Which photograph do you most wish you'd taken?
I honestly can’t answer this, as to do so would be to wish to have someone else’s vision, and we photographers are nothing without our own unique view on the world. I don’t really subscribe to the word “taken” when referring to an image anyway; it implies a process akin to “bagging” a shot which is so opposite to the way I work. I believe we photographers make pictures which are the product of our own hopefully distinctive vision and an ability to be in the right place at the right time.
A Nun at Shwedagon Pagoda, Yangon, Myanmar (Burma)
Which photo / series of photographs are you proudest of, and why?
I would have to say the series I produced in Burma late 2012 represented well where I am with my photography at the present. The goal posts are permanently shifting of course and we never stop learning and improving, but that month of intensive photography felt like a defining moment in my career; everything I’d done photographically previously had lead up to that trip. Mind you I could say that about every trip!