Continuing the lens theme this morning, Bob Atkins has written an article aimed at new owners of the Canon EOS 300D and 10D DSLRs. The catchily-named “A review of lenses for the Canon EOS 300D and EOS 10D Digital SLRs” does exactly what it says on the tin.

“This review is for the new users. The assumption is that they don’t want to spend $7000 on an EF 600/4L IS USM, and indeed they probably don’t even want to spend $1150 on an EF 300/4L IS USM. I’ve chosen a series of lenses which the new user might be most interested in. These are mostly zooms and mostly priced in the $200-$400 range. I’ve avoided recommending most of the low end, plastic mount, inexpensive lenses normally sold with Rebel series bodies because, quite frankly, they aren’t all that good.”

Website: Photo.net: Canon EOS 300D/10D Lens Review

Luminous Landscape have published the 3rd article in a series of 9 from Alain Briot. The series as a whole is looking at the subject of “Aesthetics and Photography”. This latest article is called “How to Choose the Best Lens For a Specific Composition” and focuses on the relationship between lens choice and the depiction of a scene, specifically landscape photography.

“Choosing the right lens for a specific photograph is an important decision. This decision follows your previous decisions about how to compose the scene, and composition follows what you saw in this scene, what you want to photograph in the first place. In short, each of the steps involved in taking a photograph, from seeing to composing are related.

With lens choice we now start talking about how we can photograph the scene in front of us. We move from visualization to creation in a sense, and, for the first time, we are going to actually going to use a camera. We are almost to the point were we will actually take a photograph!”

Website: How to Choose the Best Lens For a Specific Composition

Canon is pleased to announce a new version of the free-of-charge service called ‘Your Print’. ‘Your Print’ allows customers to receive a Canon print sample of any digital image they choose to submit*.

Malcolm Hills, Head of Canon Consumer Imaging in the UK and Ireland, explains,  “Our innovative and unique ‘Your Print’ service was first launched in January 2003 and we have printed and posted thousands of print samples to users interested in trying a Canon Bubble Jet printer. The feedback to ‘Your Print’ has been fantastic and we hope to build on our
success with the new look site. Visitors can now choose from six different printer models including the award winning Bubble Jet i850 and i950.

The explosion in digital camera sales means that many more users now require a high quality printer to produce their photos at home. With such a vast array of models on the market, choosing the right printer can be a difficult and confusing decision to make. Our ‘Your Print’ service gives potential customers the opportunity to see one of their own photos printed
on a Canon Bubble Jet printer without having to buy the printer first.”

Canon has linked together 50 digital cameras in a world first to ‘freeze’ time during a cinema-photographic action sequence. Fifty EOS 300D digital SLR cameras were used in a technique known as ‘Time Slicing’ or ‘Bullet Time’, a practice which shot to prominence when used to shoot the fight sequences for the film ‘The Matrix’. The results of Time Slicing mean film and television audiences are given the impression of moving around an action sequence which is frozen in time. Until now this technique has relied on the use of analogue film cameras.

Time Slicing with the EOS 300D was first shown to the public at Canon’s European launch of the EOS 300D, held at London’s exclusive venue, Sketch. Within moments of being photographed inside the rig, celebrities and guests were able to view footage of themselves broadcast onto giant plasma screens around the venue.

Casio have announced an updated version of the EXILIM ZOOM EX-Z3 digital camera.

The new EX-Z4 packs the first high-resolution 4-megapixel CCD of the EXILIM lineup into a stylish and thin card size body. The result is a powerful 3X optical zoom camera that be taken just about anywhere. The EX-Z4 measures a mere 87mm wide, 57mm high, and 23.1mm thick (19.7mm at its thinnest point). A low-power design has extended battery life to allow approximately 540 snapshots to be taken (continuous recording).

New audio snapshot and voice recorder capabilities have been added, the movie feature has been enhanced to allow recordings of up to 60 seconds, and a 2-inch monitor screen and built-in speaker lets you enjoy playback of both images and audio. Sounds can be specified for start up, shutter release and other functions.

The EXILIM ZOOM EX-Z4 is known as the EXILIM ZOOM EX-Z4U in the USA, and will retail for $399.99 and be available in October 2003.

Website: Casio EXILIM ZOOM EX-Z4 Press Release

Casio have announced 2 updated versions of the EXILIM EX-S2 digital camera.

The Casio EXILIM EX-S20 measures 83mm wide, 53mm high, and 11.3mm thick, making it about 10% smaller than the previous EX-S2, with battery life extended by 85% due to a new low power design. It has a new lens which allows close-up photos to be taken from as little as 30cm away, making it the first fixed-focus EXILIM model to be equipped with macro capabilities. The EX-S20 features a 2-megapixel CCD combines with a new noise reduction process for outstanding image quality, especially when shooting at night.

The Casio EXILIM EX-M20U has all of the same standard features as the EX-S20U plus a built-in microphone and speaker for recording and playback of voice recordings and audio snapshots.

The EX-S20U will retail for $279.99 and the EX-M20U for $329.99. Both cameras
will be available in October 2003.

Website: Casio EXILIM EX-S20/EX-M20 Press Release

The website Petteri’s Pontifications has posted an interesting look at the subject of blown highlights, which can often be a problem for digital photographers:

“Some old curmudgeon of a photographer once said that any scene that has more contrast than slide film can handle isn’t worth photographing anyway. I think he was exaggerating a bit, but there is an important point hiding in there.”

Another recent article is called “Lens Lore for Newbies” by Forrest Croce, which offers a personal viewpoint about lenses aimed at beginners to SLR photography.

“Canon’s Digital Rebel promises to be a great camera and a fantastic bargain. It’s drawing a lot of people into the dSLR arena who have so far only been using digital point-and-shoots, or 35 mm film. Many are migrating from other lens systems, or have never had to think seriously about lens choice before. A 75+ lens catalogue and a new “format” takes a while to get a handle on. I’ve seen a lot of questions and some misconceptions about the subject… so here’s my perspective on it.”

Website: Petteri’s Pontifications

The latest issue (#29) of the monthly online photo magazine Vivid Light Photography has just been published. New reviews this month include the Canon i9100 Photo Printer, Minolta DiMAGE 7Hi digital camera and Canon MP-E 65mm Macro Lens & MT-24EX Macro Twin Lite flash units. Articles of interest include “Guidelines for Choosing a Lab”, “What is True Macro Photography?” and the intriguingly titled “Putting Film in Your Digital Camera”:

“I know, I know, you probably think I’m either a genius, or absolutely crazy! This not a totally new camera scheduled for a press release at Photokina, nor has Nikon slipped me a secret new camera to test. This is an article centered on how you can make your digital camera perform like your film camera (or better), and to show you just how easy it can be to get the kind of results you’ve come to expect from your old film and camera combination.”

Website: Vivid Light Photography

Imaging Resource have reviewed the Toshiba PDR-M700, a 3.2 megapixel digital camera with a massive 10x Canon lens (37-370mm equivalent focal length range) and 2.5 inch LCD display.

“Optical distortion on the PDR-M700 was about average at the wide-angle end, where I measured barrel distortion of roughly 0.8 percent. (While this is average among cameras I’ve tested, it’s still too much IMHO.) At the telephoto end, I found only a single pixel’s worth of pincushion distortion, a vanishingly small 0.05% distortion. Overall, a good performance, particularly for such a long-ratio zoom.”

Website: Imaging Resource - Toshiba PDR-M700 Review

Fuji have announced the new S3000 digital camera, which features 3.24 effective million pixels, 6X Fujinon optical zoom and digital movie recording. The S300 uses xD-Picture Card (16MB to 512MB) storage and its lens focal length is equivalent to 38-228mm on a 35mm camera.

The list price for the S300 is $399.95.

Website: Fuji FinePix S3000

Hitachi has announced that it is currently delivering a tiny 4GB hard drive to electronic device manufacturers for testing. Blaupunkt, Eastman Kodak, Minolta, Nikon, Olympus, Pentax, Sigma and Sony are all evaluating the new storage device, which will also be available in a 2Gb version.

The most interesting thing about Hitachi’s announcment is the aggressive pricing. The 4Gb Microdrive is relatively cheap compared to other similar storage options. “The company expects the 4GB Microdrive to sell for $499. Lexar Media sells 2GB and 4GB flash memory cards that cost as much as $799 and $1,599, respectively, according to its online store.”

Website: Hitachi 4Gb Microdrive

Luminous Landscape have reviewed a new software product from Extensis called pxl SmartScale, which allows you to enlarge the sizes of your digital images with no discernible loss in quality. Or at least that’s what Extensis claim anyway - find out if they’re right in Luminous Landscape’s latest review.

“SmartScale is designed to allow image files to be scaled upwards. Why would one want to do this? Three reasons, usually. The first is because the original file is small or low resolution. Images taken with the 1 to 3 Megapixel cameras of the late ‘90s needed to be “ressed-up” to make anything more than wallet sized prints. Today’s 4-6 MP digicams though produce images large enough for most purposes, so that the need to res-up is reduced from what it once was. The second reason is if a small segment of an otherwise normal sized file needs to be extracted and enlarged. The third reason is to take a typical file and enlarge it so that a very large print, such as a poster or billboard can be made.”

Website: Luminous Landscape - pxl SmartScale Review

Digital Outback Photo have published a report of the one hour that they recently spent using the Canon EOS 300D. There are a few sample photos taken with the new EF-S 18-55mm lens, and some early observations about the general handling of the camera. Essential reading for everyone who has pre-ordered the 300D!

“The Digital Rebel with the new EF-S 18-55mm lens feels light. This is meant in a positive sense that you want to carry this camera more often with you than a 10D or even a 1Ds.

The time today was way to short to find out about the quality of the new EF-S 18-55mm lens. But as far as we can see in these sample shots this is a very useable lens.”

Website: Digital Outback Photo - Canon EOS 300D Hands-On Test

DP-Now are reporting that the price of the Olympus E-1 at the UK’s largest photography chain, Jessops, has just been rather drastically reduced.

“Olympus had set the suggested retail price of the price of the E-1 body in the UK when it was formally launched on 24th June. That price was ?1699, including VAT, but without a lens.

The Jessops price is now ?1819 including VAT, complete with the 14-54mm (28-108 equivalent) standard zoom, just ?120 more than the original body-only price. The lens in question is definitely no budget cheapie…”

Website: DP-Now - Could the Olympus E-1 price be coming down?

UPDATE Tues 26 2003
DPReview have just published some US street prices for the E-1 body only and lenses, as supplied by Olympus USA. The E-1 will cost $1799 body only, the 14-54 mm F2.8 - F3.5 lens $499, the 50-200 mm F2.8 - F3.5 lens $999, the 50 mm Macro F2.0 lens $499, and the 300 mm F2.8 lens a whopping $6999.

Website: DPReview - Olympus E-1 US Pricing

Photoxels have reviewed the Sony DSC-V1 digital camera, which features 5 megapixels resolution, 4x optical zoom, flexible exposure control and infrared laser hologram.

“The Sony DSC-V1 Cyber-shot is compact, light, extremely fast, and gives great results—a perfect combination for discreet street photography. It looks and handles like a professional camera should, is targeted to demanding serious amateur photographers, and features the full set of flexible exposure control.”

Website: Photoxels - Sony DSC-V1 Review

In the return of the Sunday Morning Photographer column this week, Mike Johnston explains why the Sony F-828 is a more exciting camera than the Canon EOS 300D.

“But I have to report that I find myself much more strongly drawn to the new Sony F-828. Of all the digital cameras I?ve owned, used, held, or seen, the Sony F-717 (which I wrote about here) was, so far, the only one that I?ve placed in my personal pantheon of favorite cameras. It was nifty, fun, cool, and different.

That last word is key. Different. The 300D, to me, is a mass-market 10D, and what?s a 10D? A digital 10S. So, okay. (Cover your mouth when you yawn like that.)”

Website: Sunday Morning Photographer: I?m a Sony Man

Digital Camera Resource have reviewed the much-delayed Fuji FinePix F700, which was first announced back at PMA in February, but hasn’t begun shipping until now. Fuji claims the the F700 sensor improves image quality by widening the dynamic range, rather than just increasing the number of pixels. This should mean more detail in the shadow and highlight areas of an image than Fuji cameras have previously captured. Find out if Digital Camera Resource agree.

“Cameras with zoom lenses don’t start any faster than the F700. It’s startup speed is stunning: it takes just 1.8 seconds before you can start shooting. I don’t think I’ve ever seen a lens extend and retract this quickly.

The F700 is just as fast in terms of AF speeds. It locked focus in about 1/2 second in most cases. In low light, it’s AF illuminator helped it focus pretty well, although it blinks on and off much faster than others I’ve seen.”

Website: DCResource - Fuji FinePix F700 Review

Website: Read my review of the Fuji FinePix F700

I’ve had several emails recently complaining that the layout of my blog is not what it should be in certain browsers (Internet Explorer 5 and Safari). In addition the old 2-column layout was inflexible and resulted in a long right-hand column which contained all things navigation-based. So I’ve decided to kill 2 birds with one stone and redesign the whole site so that it works in all modern browsers and so that there is a more adaptable 3-column structure.

As the redesign only went live about 10 minutes ago, there are bound to be some initial teething problems. If you spot anything that looks strange in any way, please send an email to:

[email protected]

You can also use that address if you have any further suggestions for improving the site layout, or more generally to let me know what you think of the new design.

Thanks,
Mark Goldstein

Michael Reichmann has relaunched his Critique Competition; you send in your photographic submission for a particular theme, Michael selects the best and worst and offers his critique, then declares an overall winner. The theme for August is Harvest.

“I will publish selected submission as they come in. Each competition lasts approximately a month, though depending on my travel schedule and workload any one competition may be cut short or extended.

Please note that not all submission will be published and critiqued. Only those which I feel are of particular interest (good or bad) will be put online. Also, I can not enter into private correspondence about your submission.”

Website: Luminous Landscape - Critique Competition

Steve’s Digicams have reviewed 2 lower-end digital cameras from Kodak.

The Kodak EasyShare CX6330 is a 3.2 megapixel model that costs around ?220 in the UK.

“The CX6330 enables beginners to enjoy high-quality results without enduring a long learning process, and as experience is gained, they’ll enjoy the range of control afforded by several scene modes. Users will not, however, find the ability to directly control lens aperture or shutter speed; exposure control is automatic only.”

Website: - Steve’s Digicams - EasyShare CX6330 Review

The Kodak EasyShare CX6200 is a 2 megapixel model that costs around ?100 in the UK.

“Designed for the first-time digicam buyer, the CX6200 has only an automatic mode of operation, and it is simple enough for a child to use. Its lightweight plastic body is small enough to be carried in your pocket or purse, ready to capture that special snapshot.”

Website: Steve’s Digicams - Kodak EasyShare CX6200 Review