Introduction

Ease of Use

Joining the likes of Sony, Nikon, Leica and (soon) Panasonic, Canon have launched a new 35mm full-frame mirrorless camera, the EOS R. The company already have the successful range of M-series mirrorless cameras with APS-C sensors, now it has turned its attention to the higher end of the market.

The EOS R is slightly more expensive than the Sony Alpha A7 III and Nikon Z6, with the upcoming Panasonic S1 set to be priced in the same ball park. Sony are the clear market leaders, having spent the last few years focusing most of their attention on full-frame mirrorless, while Canon and Nikon have concentrated on DSLRs and Panasonic on the smaller Four Thirds format.

As well as the new EOS R camera body, Canon have also launched a brand new lens mount, called the RF mount, with four lenses announced alongside the EOS R - the RF 24-105mm F4 L IS USM kit lens that we predominantly reviewed the camera with, the RF 50mm f/1.2L USM, the RF 28-70mm f/2L USM and the RF 35mm f/1.8 MACRO IS STM.

Front of the Canon EOS R

The 24-105mm and 35mm lenses are roughly the same size as their DSLR equivalents, but the 50mm and 28-70mm are much bigger, with Canon taking advantage of the new RF mount to try and differentiate their system from the opposition by making them faster than what's gone before. Traditionally mirrorless cameras have always concentrated on being smaller and lighter than their DSLR rivals, but with the EOS R Canon have instead gone for the ultimate in image quality, at the expense of size.

In addition to the four new RF mount lenses that have been unveiled so far, it's also possible to use your EF and EF-S (but not EF-M) mount lenses on the EOS R by fitting one of the four new lens adapters. There's the EF-EOS R adapter that's supplied in the box, the EF-EOS R adapter with built-in control ring, EF-EOS R adapter with built-in circular polarizing filter, and finally the EF-EOS R adapter with built-in variable neutral density filter.

We suspect that most people will opt for the cheapest and simplest EF-EOS R adapter, but it's good to see Canon innovating here and giving people a lot of choice. The EF-EOS R adapter with the built-in control ring is particularly noteworthy, as it provides the same functionality that the RF lenses have built into them, namely an additional ring on the lens that can be used to control certain key camera settings. Although not a new idea in the wider photography world, this is the first time that Canon have incorporated this idea into their interchangeable lenses.

Front of the Canon EOS R

In the case of the EOS R camera itself, it's about the same size as a mid-range DSLR camera, something like the EOS 6D Mark II in Canon's current range. When you pair it with the 50mm or 24-70mm RF lenses, though, the whole package becomes much bigger than its DSLR equivalent. You do get the faster f/1.2 and f/2 apertures, though, which no DSLR or mirrorless lens can currently match in a like-for-like lens comparison.

As well as being sized like a prosumer DSLR, the EOS R also looks like one at first glance, with a chunky handgrip on the front that's much bigger and better than the one on the Sony A7 III. The shutter button is set into the front of the grip, there's a porthole for the AF assist light, a lozenge shaped button for releasing the lens, and the 54mm diameter RF mount. So far, so DSLR-like. You might notice a brand new feature when removing the lens, though - the sensor is protected by a physical cover when the camera is turned off, a very neat idea that should cut down on unwanted dust on the sensor.

Behind that cover lies a 30.3 megapixel CMOS sensor without an optical low-pass filter. This shares the exact same specification as the sensor inside the EOS 5D Mark IV, although Canon were at pains to point out that the two cameras don't share exactly the same sensor. Coupled with the latest Digic 8 processor, the EOS R has an ISO range of 100-40000, extendable to 50-102,400, which again matches the 5D Mark IV.

Something that unfortunately isn't hiding behind the cover is and in-camera image stabilisation system. Yes, Canon have for better or worse decided to omit IBIS, at least from the EOS R camera, and build it into some of their lenses instead, as usual pointing out that a lens-based system provides technically better stabilisation whilst making the camera smaller.

Rear of the Canon EOS R

Whilst this may be true (and the jury is out on that), it certainly doesn't do the EOS R any favours when comparing it against its main rivals, with both Sony and Nikon opting for IBIS, which means that any lens that you mount on those cameras instantly benefits from around 5 steps of stabilisation. For some users, this missing feature alone will be enough to write off the EOS R, and whilst we wouldn't go that far based on IBIS alone, it's certainly a strike against Canon's new camera, especially when only two of the new RF lenses are stabilized.

Thanks to the Digic 8 processor, the EOS R is the latest Canon mirrorless camera to offer 4K video recording, which, in conjunction with the vari-angle LCD screen that be rotated to face forwards and the Mic-in port, promises to make it something of a Vlogger's dream ticket.

All is not quite as rosy as a glance at the spec sheet would indicate, though, as the EOS R automatically applies a massive 1.7x crop on the sensor in 4k mode (just like the 5D Mark IV) , which effectively changes the focal length of the fitted lens, making wide-angle framing much more difficult. So difficult, in fact, that you'd currently need to use a non-RF lens achieve a natural viewing angle for video.

Front of the Canon EOS R

Thankfully the excellent Dual Pixel CMOS AF system does work when recording in 4K, unlike on the recent EOS M50 APS-C camera, and it can record internally at 4:2:0 8-bit and externally at 4:2:2 10-bit, with C-Log as standard. There are a choice of 30p or 24p frame rates for 4K and up to 60p for Full HD, although if you to want to shoot 120fps slow-motion, you have to drop the quality all the way down to 720p. All-in-all, video on the EOS R is something of a mixed bag, which is a real missed opportunity on Canon's part.

Also sure to draw criticism, from certain parts of the Internet at least, is Canon's decision to only implement one card slot on the EOS R. And unlike Nikon's move to the XQD format, Canon have also decided to stick with SD UHS-II cards, which are much more widely available, but technologically more limited in the long run.

On a more positive note, Canon have stuck with the same LP-E6 battery format that is used on a large number of its DSLR cameras. The supplied LP-E6N battery is a actually a little different, though, in that it cleverly allows the camera to be charged via its USB-C port, which means that you could potentially dispense with the supplied charger altogether when traveling. Recharge time is as short as when using the charger (depending on the power source).

Single SD UHS-II Card Slot

We also really like the EOS R's EVF and the LCD screen. The former has a very high resolution of 3.69 million dots and a magnification of 0.76x, which almost but not quite matches the Nikon Z7/Z6 which offer 0.80x. The EOS R has the edge when it comes to the 3.15-inch LCD screen, though, with the 2.1 million dot resolution and especially its vari-angle nature making it a joy to use. Only the upcoming Panasonic S1R/S1 cameras also offer a similar screen, with Sony and Nikon opting for screens that only tilt up and down, less useful for solo video shooters.

Like Nikon, Canon have also implemented a handy top-panel LCD on the EOS R, which provides quick and easy viewing access to most of the camera's key settings, with the dedicated button alongside it toggling between two different screens of information and also allowing it to be lit up in the dark via a longer press - very neat.

Less satisfying, though, is the shooting mode dial - or rather, the lack of one. Despite years of refinement on their DSLRs, Canon has decided to completely omit the traditional dial and instead opt for a new Mode dial. You have to press this button once, then choose the still shooting mode which is displayed in the EVF, LCD screen and top-panel LCD using one of the control dials, then go back to shooting. If you want to choose one of the video modes, there's an extra press of the Info button to view them. It's at best a curious design decision that makes the EOS R look less cluttered and complicated, but ultimately slows down the operation of the camera, especially if you tend to switch between shooting modes a lot.

Tilting LCD Screen

Equally mystifying is the new touch-sensitive M-Fn Bar on the rear of the camera, located underneath your right thumb. This brand new unmarked control can be customised to access different key settings, and the way that it works can also be customised too. For example, you could set it to control the ISO speed by either tapping the Left and Right buttons or by swiping across the bar to move more quickly through the settings, and you can also set it to do things during image playback. The Customize M-Fn bar menu option is the place to go to configure this key control.

In practice, it's fair to say that the M-Fn Bar takes some getting used to, so much that we're still not convinced that it's such a good idea, especially as it occupies the space where an AF joystick and/or an AEL button would naturally go. The EOS R consequently has neither, which make is it much harder to set the AF point than on rival cameras. Instead you have to use the navigation pad or touch and drag the AF point on the rear LCD, both much less satisfying alternatives to a good joystick, which is something that power users will definitely miss on the EOS R.

You can at least use the whole screen when touch and dragging the AF point, or you can apportion a section of the screen, for example the bottom right to allow you to change the AF point. This is particularly handy if you find that your nose or face is accidentally moving the AF point when you don’t want it to.

Top of the Canon EOS R

Which is a shame, as the EOS R has one of the most advanced AF systems on the market, Canon have built on the proven phase-detect Dual Pixel CMOS AF System in their DSLRs to develop a new variant with no less than 5,655-points. Yes, you read that right, 5,655 points! These cover almost the entire frame - 88% vertical and 100% horizontal - making tracking moving subjects easier and more precise, and allowing you to focus on off-centre subjects without having to reframe.

The EOS R can also focus in low-light down to a CIPA-rated -6EV (with certain lenses), an incredible achievement that's easily the best of the full-frame mirrorless contenders. In reality this allowed us to quickly and accurately focus in near-dark conditions on moving subjects when using the RF 50mm f/1.2 lens and achieve a surprisingly high number of keepers. If you do a lot of low-light shooting, you'll love this combination (calling all wedding photographers!).

Less impressive, though, is the Eye AF system, enabled as part of the Face Detect AF option rather than as an dedicated option. In the same low-light conditions, I found that it simply wasn't reliable enough, sometimes quickly identifying the subject's eye but more often than not just not recognizing it and focusing on a completely different part of the face or even body. This might be because it only works in AF-S mode, not AF-C too. It did work more reliably outside in bright sunlight, but if you've ever experienced Sony's amazing Eye AF, you'll be disappointed by Canon's implementation. Here's hoping Canon can improve it in via an imminent firmware update.

The Canon EOS R In-hand

When it comes to capturing faster moving subjects, the Canon EOS R also lags behind its main rival in terms of all-out shooting speed. The headline figure is 8fps burst shooting, but that's only when setting the focus point at the first frame, useful for golfers but little else. It drops to 5fps with AF tracking, and curiously again to 3fps when using the dedicated tracking priority mode, which surely would benefit from a faster rate. There's a decent buffer of 47 Raw files or 100 JPEGs, but the camera simply isn't really fast enough for sports photography.

The Canon EOS R has both Wi-Fi and Bluetooth connectivity. You can use the latter as a low-power alternative to Wi-Fi to control the camera and for automatically transferring images across to your phone ready for super quick sharing. It’s also easier and quicker to set up and use than connecting to the camera’s Wi-Fi network, which is still a rather long-winded process.

Overall, the handling experience offered by the EOS R is definitely something of a mixed bag. In trying to satisfy both less experienced new users and loyal DSLR owners, it falls between two stools, tending to satisfy the former rather than the latter.

Image Quality

All of the sample images in this review were taken using the 30 megapixel Fine JPEG setting, which gives an average image size of around 10Mb.

The Canon EOS R produced still images of excellent quality during the review period.

This camera produces noise-free JPEG images from ISO 50 all the way up to ISO 6400, with noise first appearing at ISO 12800. The faster settings of 25600 and 51200 display quite a lot of noise, but they're still fine to use for making smaller prints and web images. We wouldn't advise using the fastest expanded setting of ISO 102400 though.

The EOS R proved to very capable in low-light, with the maximum shutter speed of 30 seconds and the Bulb mode allowing you to capture enough light in all situations and the camera's -6EV rating successfully auto-focusing even in near-dark conditions.

The different Picture Styles and the ability to create your own are a real benefit, as are the HDR settings and multiple exposure mode, all of which can be previewed before you take the shot.

Noise

ISO sensitivity can be set between ISO 50 and ISO 102400 in full-stop increments. Here are some 100% crops which show the noise levels for each ISO setting, with JPEG on the left and RAW on the right.

JPEG	RAW
ISO 50 (100% Crop)	ISO 50 (100% Crop)
ISO 100 (100% Crop)	ISO 100 (100% Crop)
ISO 200 (100% Crop)	ISO 200 (100% Crop)
ISO 400 (100% Crop)	ISO 400 (100% Crop)
ISO 800 (100% Crop)	ISO 800 (100% Crop)
ISO 1600 (100% Crop)	ISO 1600 (100% Crop)
ISO 3200 (100% Crop)	ISO 3200 (100% Crop)
ISO 6400 (100% Crop)	ISO 6400 (100% Crop)
ISO 12800 (100% Crop)	ISO 12800 (100% Crop)
ISO 25600 (100% Crop)	ISO 25600 (100% Crop)
ISO 51200 (100% Crop)	ISO 51200 (100% Crop)
ISO 102400 (100% Crop)	ISO 102400 (100% Crop)

File Quality

The Canon EOS R has three different file quality settings - Raw, Fine and Normal. Here are some 100% crops which show the difference.

Raw (33.3Mb)	Fine (9.8Mb)
Normal (4.87Mb)

Low Light

The Canon EOS R's maximum shutter speed is 30 seconds and there's a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in low light photography.

HDR

The Canon EOS R's HDR Mode captures three different exposures and combines them into one, retaining more shadow and highlight detail, with an Auto mode, three different strengths and several types of HDR style available.

1EV

2EV

3EV

Multiple Exposure

The EOS R's multiple exposure mode allows you to take between two and nine images and merge them into a single photo in-camera.

Picture Styles

Canon's Picture Controls are preset combinations of different sharpness, contrast, saturation and colour tone settings. The EOS R's seven available Picture Controls are shown below in the following series, which demonstrates the differences. There are also three User Defined styes so that you can create your own look.

Standard

Portrait

Landscape

Fine Detail

Faithful

Neutral

Monochrome

Sample Images

This is a selection of sample images from the Canon EOS R camera, which were all taken using the 30 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample RAW Images

The Canon EOS R enables users to capture RAW and JPEG format files. We've provided some Canon RAW (CR3) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movies & Video

Product Images

Conclusion

Canon have finally rewarded their loyal fans by jumping on the full-frame mirrorless bandwagon with a radically new camera and, perhaps even more importantly, a completely new lens mount. The EOS R isn't the best full-frame camera on the market, but the EOS R system as a whole certainly has a lot of potential.

As a first generation product, the EOS R is a solid entry to the still fledgling full frame mirrorless market, but ultimately it falls short of both the incumbent manufacturer, Sony, and the other new entrant, Nikon.

If you've got a vested interest in Canon's DSLR range, with a lot of expensive EF glass in your lens cupboard, then the EOS R is a logical enough step into mirrorless that's certainly capable of delivering the same high image quality as the company's DSLRs.

On the other hand, if you're looking to upgrade from a cheaper Canon DSLR and kit lens, or you've made the decision to move completely from DSLR to mirrorless, then the Nikon Z6 and particularly the Sony A7 III are both cheaper and more capable alternatives.

In particular, the lack of IBIS on the Canon EOS R puts it at a distinct disadvantage, as does the rather curtailed 4K video mode and questionable design decisions, including the lack of an AF joystick, single card slot, curious M-Fn bar and lack of a shooting mode dial.

The new RF lenses are the real star of the show, especially the 50mm f/1.2 and 24-70mm f/2. They may be big, but they're also fast, faster than any of their rivals, DSLR or otherwise. And they also show where Canon wants to take its new mirrorless system, aiming for quality at the expense of compactness.

Ultimately the Canon EOS R isn't as DSLR-like as the Nikon Z7 and isn't as well-specced as the Sony A7 III, but it's definitely good enough to satisfy current Canon owners and newbies alike, and therefore to stem the recent flow of Canon's prosumer base to Sony. We're more excited about what the next Canon EOS R model will look like, but in the meantime, this one will more than do...

Ratings (out of 5)
Design	4
Features	4
Ease-of-use	3.5
Image quality	4.5
Value for money	4

Main Rivals

Listed below are some of the rivals of the Canon EOS R.

Review Roundup

Reviews of the Canon EOS R from around the web.

Specifications

News

The Canon EOS R full-frame mirrorless camera features the Worlds fastest autofocus of 0.05sec which is functional down to -6EV, a 30 megapixel full-frame sensor, touch and drag AF with 5,655 AF positions that can be selected virtually anywhere in the frame, a magnesium alloy body, 4K video recording, truly silent shooting, and an EVF with 100% coverage and 3.69 million dots.

The Canon EOS R system has now been officially announced – “This is the first chapter of a new story”. Development of an entirely new mount, plus full-frame sensor, that has been built from the ground up. A new 54mm internal diameter lens mount with short back focus allows for greater freedom for optical design, with a 12-pin data communication system.

The EOS R is made for video, offering 4K recording with full audio control, 10-bit output over HDMI, a vari-angle screen, 12 stops of dynamic range at ISO 400, and 5-axis movie IS.

The Canon EOS R is “Our most personal camera yet” – almost every control on the camera is customisable. Adapters are an integral part of the EOS R system, with 3 new lens mount adapters allowing backwards compatibility with almost all EF lenses ever released.

There are 4 new RF lenses:

RF 50mm f/1.2L USM – fastest AF in its class

RF 24-105mm f/4L IS USM – great for video, 5 stops of OIS

RF 28-70mm f/2L USM - world’s first f/2

RF 35mm f/1.8 Macro IS STM – affordable, high-quality lens

UK/Europe Pricing

The Canon EOS R is available to pre-order from 12th September 2018 and available to purchase from 9th October 2018 with the following RSPs:

• EOS R body and mount adapter - £2,349.99/ €2,729.99

• EOS R body, mount adapter and RF 24-105mm f/4L IS USM lens - £3,269.99/ €3,819.99

• RF 50mm f/1.2L USM lens - £2,349.99/ €2,729.99

• RF 24-105mm f/4L IS USM lens - £1,119.99/ €1,319.99

• Mount adapter EF-EOS R - £99.99/ €119.99

• Control mount ring adapter EF-EOS R - £199.99/ €239.99

Available to purchase from December 2018 with the following RSPs:

• RF 28-70mm f/2L USM lens - £3,049.99/ €3,549.99

• RF 35mm f/1.8 MACRO IS STM lens - £519.99/ €599.99

US Pricing

The Canon EOS R full-frame mirrorless camera is scheduled to be available in October 2018 for an estimated retail price of $2299* for the body only. It will also be sold as a body-and-lens kit with the new RF 24-105mm F4 L IS USM lens for $3399*.

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $199.99.

Canon UK Press Release

Canon once again revolutionises the future of photography and filmmaking with pioneering, new EOS R System

London, UK, 5 September 2018 – Canon Europe, world leader in imaging solutions, has today redefined the frontiers of photography and filmmaking with the launch of the pioneering EOS R System. Over thirty years on from the original, era-defining EOS launch, the bold, new EOS R System will once again expand photographic possibilities in countless ways. The new RF lens mount has been engineered with the perfect blend of optical, mechanical and electronic design to capture unique moments in previously impossible ways. 

A pioneering lens mount, built from the best of EOS legacy 

Since its inception in 1987, the EOS System – including Cinema EOS – has grown into the most recognised imaging system in the world. Today’s introduction takes the EOS platform to new heights, incorporating the best from the existing system, with even greater levels of performance, lens design possibilities and creative flexibility. The new RF mount has been built on the strengths of the existing EF mount and is the result of detailed research by Canon engineers, who have designed an impressive optical system with a flange back distance of 20mm and a wide 54mm diameter lens mount - allowing for even greater freedom when designing lenses. The new mount’s 12-pin connection enables enhanced communication and power transmission between the lens and camera body, further enhancing lens design options, resulting in higher image quality and enhanced usability. 

Mr Yuichi Ishizuka, President and CEO, Canon Europe, Middle East & Africa, commented: “When we launched the EOS System 30 years ago, we sent a clear message that the future of photography was here. Now, as one of the most iconic imaging systems in the world, our commitment remains. Canon will continue to invest in the unrivalled EOS world with cameras, lenses and accessories that set new heights in image quality, optical excellence and performance, all while satisfying the ever-evolving needs and demands of its customers.”

Exceptional quality in every detail 

Built from the ground up, the new System has been reengineered with invaluable input during the System’s development from professional and enthusiast photographers and filmmakers. The EOS R System with RF mount and Dual Pixel CMOS AF delivers unrivalled optical excellence, the world’s fastest autofocusi and faster communication between camera and lens. Features that are synonymous with EOS – fast performance, superb ergonomics and superior, uncompromising, image quality – remain at the heart of the EOS R System.

Featuring innovative technology for photography and filmmaking alike, the EOS R System allows all users to shoot and film in extremely low light with accurate focusing, thanks to Dual Pixel CMOS AF. Small and discreet, the EOS R System gives flexibility, plus the advantage of silent shooting. It also offers the highest standard of movie output from any Canon EOS System camera, outside of the Cinema EOS range, enabling filmmakers to take their storytelling to the next level in 4K with output in 10-bit over HDMI. The whole system has refined handling and enhanced ergonomics, including an electronic viewfinder and extensive customisation, allowing the user to the focus on the subject rather than the camera.

A system designed with lenses at its core 

The EOS R System inherits all the existing system advantages, importantly full compatibility with existing EF and EF-S lenses and accessoriesii, when using one of three newly-developed lens adapters, expanding the boundaries of image capture. Canon has today also launched four new lenses, compatible with the EOS R System – the RF 28-70mm f/2L USM, RF 50mm f/1.2L USM, RF 24-105mm f/4L IS USM and RF 35mm f/1.8 MACRO IS STM. Building on Canon’s lens heritage, these high-performance lenses will push forward the frontiers of creative capture thanks to the new cutting-edge optics and advanced image processing for both stills and video. Additionally, users of existing Canon EOS full frame or APS-C DSLR cameras can enjoy the EOS R System with their existing EF and EF-S lenses thanks to the adapters, while retaining the same performance as when used on a DSLR, as well as access to EOS accessories and Speedlite flashes. 

Adding to the full frame family 

Adding to the EOS full frame line-up, Canon has today unveiled the first camera body to carry the EOS R name and RF lens mount - setting the new standard for the camera of tomorrow. With the world’s fastest autofocusiii, it is also the world’s first camera with the ability to focus in light conditions as low as -6EViv and totally silent shooting, providing stunning quality results every time. The EOS R redefines photo and video performance with unrivalled image quality, state-of-the art connectivity, refined ergonomics and responsive handling. Further expanding the existing EOS System, Canon today also launches the EF-M 32mm f/1.4 STM – a new 32mm lens for the EOS M mirrorless system – and the EF 400mm f/2.8L IS III USM and EF 600mm f/4L IS III USM, two revolutionary, lightweight professional super telephoto lenses for the EF System.

Pricing and Availability

The EOS R is available to pre-order from 12th September 2018 and available to purchase from 9th October 2018 with the following RSPs:

• EOS R body and mount adapter - £2,349.99/ €2,729.99

• EOS R body, mount adapter and RF 24-105mm f/4L IS USM lens - £3,269.99/ €3,819.99

• RF 50mm f/1.2L USM lens - £2,349.99/ €2,729.99

• RF 24-105mm f/4L IS USM lens - £1,119.99/ €1,319.99

• Mount adapter EF-EOS R - £99.99/ €119.99

• Control mount ring adapter EF-EOS R - £199.99/ €239.99

Available to purchase from December 2018 with the following RSPs:

• RF 28-70mm f/2L USM lens - £3,049.99/ €3,549.99

• RF 35mm f/1.8 MACRO IS STM lens - £519.99/ €599.99

About Canon UK

Canon (UK) Ltd is the UK & Ireland marketing and sales operation for Canon Inc., employing around 2,000 people.

Founded in 1937 with the specific goal of making the best quality camera available to customers, Canon’s tireless passion for the Power of Image has since extended its technology into many other markets and has established it as a world leader in both consumer and business imaging solutions. Its solutions comprise products, ranging from digital compact and SLR cameras, through broadcast lenses and portable X-ray machines, to multi-function and production printers, all supported by a range of value added services.

Canon invests heavily in R&D to deliver the most innovative products and services to satisfy customers’ creative needs. From amateur photographers to professional print companies, Canon enables each customer to realise their own passion for image.

Canon’s corporate philosophy is Kyosei – ‘living and working together for the common good’. In EMEA, Canon Europe pursues sustainable business growth, focusing on reducing its own environmental impact and supporting customers to reduce theirs using Canon’s products, solutions and services. Canon has achieved global certification to ISO 14001, demonstrating a world-class environmental management standard.

For further information about Canon UK please visit: http://www.canon.co.uk/

For further information about Canon Ireland please visit: http://www.canon.ie/

i Correct at time of launch (5th September 2018) and based on testing of available full frame mirrorless cameras

ii Compatible with all lenses, except the Canon EF 35-80mm Power Zoom lens

iii Correct at time of launch (5th September 2018) and based on testing of available full frame mirrorless cameras

iv Among all the interchangeable lens digital cameras incorporating the 35mm full frame equivalent image sensor with phase-difference detection AF on the image plane. As of September 4th, 2018 (researched by Canon). According to the Canon standard. (During still photo shooting, f/1.2, Center AF point, One-Shot AF, at 23°C/73°F, ISO100

Canon USA Press Release

Evolution Meets Revolution as Canon Announces The All-New EOS R System

Optical Innovation Inspires the Next Leap Forward in Imaging

MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next revolution in the company’s long history of innovative and award-winning camera systems, the EOS R system featuring the newly designed RF mount. Recognizing the need to advance optical design, the Company sought to create a versatile and powerful new system that supports all current EF, EF-S, TS-E and MP-E lensesi, and also provides the optical advancements and engineering flexibility to build upon for years to come.

When Canon set forth to develop a new interchangeable lens camera system, they focused on three core optical principles: high-image quality, high-specification performance, and compact design. Recognizing that optics is the foundation for any camera system, the RF mount was conceived to open new doors in optical design. Canon’s new RF mount features the same size diameter as the EF mount (54mm) and shorter back focus distance. This allows for lenses to sit closer to the sensor (the focal plane) and allowed Canon optical engineers to reimagine lens design utilizing larger rear lens elements to produce an image on the full-frame sensor. This new optical formula has paved the way for higher performing lenses. In addition, the Canon RF mount features a high-speed 12-pin communication system that provides faster and more in-depth communication between the camera and lens over existing Canon mount systems.

The EOS R system is designed for full, uninhibited compatibility with all existing EF, EF-S, TS-E and MP-E lenses through the use of mount adaptersii. In addition, through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter these lenses, in fact, gain functionality.

“There has never been a time in history in which visual expression has been so prolific. Imaging, both still and video, are the communication mediums of today’s society. Much in the same way we learned to type in the past, today’s youth are skilled in shooting, editing, and visual storytelling in ways that only the masters of each craft were decades ago,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Knowing this, we needed to step back and design a system that delivers all the creative expression and functionality today’s youth crave, now and in the years to come.”

The First in a New System: The EOS R

The new Canon EOS R full-frame mirrorless camera features a 30.3 megapixel CMOS sensor that is powered by the Company’s latest image processor, DIGIC 8, enabling shooting at up to 8.0 frames per secondiii. The new camera inherits a lot from Canon’s legacy in both EOS and Cinema EOS. Video storytellers can capture stunning 4K UHD video up to 30fps and record in 10-bit 4:2:2 (with an external recorder). The EOS R also comes with the ability to shoot Canon Log, providing 12 stops of dynamic range, minimal loss of detail in shadows and highlighted areas and an increased range of choices when color grading. Users with an existing collection of Canon lenses will be excited to know that all EF and EF-S lens are compatible with the camera. In order to do so, photographers and videographers can choose between using one of three new mount adapters, each uniquely designed to meet the individual needs of the user.

The new Canon EOS R camera features Dual Pixel CMOS Auto Focus with 5,655 manually selectable AF pointsiv, supporting AF at up to f/11 with a 384 zone (24x16) real-time metering system. With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as EV-6. When using the RF 24-105mm F4 L IS USM lens with the EOS R, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AFv, making it the fastest autofocus speed in the worldvi. These features provide photographers and videographers with Canon’s most advanced AF system to date. The EOS R also features a silent shutter setting when shooting in single-shot mode; an important feature for those who need to capture imagery without disrupting the scene. An upcoming free firmware update will enable silent shutter in continuous shooting mode as well.

“The EOS R system is not just a new camera or a new lens mount, it is a new design that will allow us to produce visual tools that were previously impossible, and allow our customers to tell their stories with greater depth, richness of color, and creative flexibility, in optically stunning ways.” states Kazuto Ogawa

Thoughts From the First Users

“I think every camera system has its place and it’s all about having the right tool for the job,” reported acclaimed outdoor photographer and Canon Explorer of Light Jimmy Chin. “The new EOS R system for me in particular is very useful for the kind of shooting that I do in the mountains, where I need to worry about the size and weight. Having the option to use the new RF lenses or the EF lenses is really great.”

“I was instantly impressed with how quickly the EOS R was able to focus,” remarked celebrated fashion photographer and Canon Explorer of Light Lindsay Adler. “Whether my subject was moving or I was shooting in near-complete darkness, I had no problem getting tack-sharp focus in every shot. It was a relief to know my gear wasn’t going to hold me back from executing my vision, but instead it would really help me to execute this vision.”

“For us, it's all about getting the shot no one else can get, and a lot of this has to do with the camera,” says Devin Graham, director and filmmaker behind YouTube’s DevinSuperTramp. “The new EOS R will become one of our main cameras. It has a very small footprint, yet is able to create amazing images. As for the lenses, the new RF 28-70mm F2 has just become one of my all-time favorites. I’ll be bringing it on every project.”

Conveniently placed just to the right of the EVF, Canon has introduced a new Multi-Function Bar that will allows users to more easily access their customizable settings, such as AF, ISO and White Balance. Users will have the option to either slide or tap the bar to gain access to the settings and adjust on-the-go as they deem necessary depending on each particular shooting situation.

Answering the demand for enhanced mobile editing of RAW image files, Canon is also announcing a new application, Digital Photo Professional Express (DPP Express). In combination with an updated Canon Camera Connect App, DPP Express enables users to send, view, edit and process CR3 RAW files on their iPadvii. A free download of the app will be available October 2018.

Additional noteworthy features of the EOS R Camera include:

RF Mount Compatible with RF Lenses and EF/EF-S Lenses

Built-in EVF with 3.69 Million Dots, Vari-angle Touchscreen LCD and Dot-matrix LCD Panel

ISO range of 100-40,000, expandable to 102,400

USB 3.1 in-camera charging support

Built-in Bluetooth and Wi-Fi® providing easy sharing to compatible smart devices and social media sites

Single UHS-II SD card slot

CR3(RAW/C-RAW) and Dual Pixel RAW Support

Dust and weather resistant

Availability and Pricing

The Canon EOS R full-frame mirrorless camera is scheduled to be available in October 2018 for an estimated retail price of $2299* for the body only. It will also be sold as a body-and-lens kit with the new RF 24-105mm F4 L IS USM lens for $3399*.

To learn more about this system, including in-depth educational tutorials, please visit usa.canon.com/eosrsystem.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean markets. With approximately $36 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2017† and is one of Fortune Magazine's World's Most Admired Companies in 2018. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based service and support for all of the products it distributes in the United States. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA. For media inquiries, please contact [email protected].

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†Based on weekly patent counts issued by United States Patent and Trademark Office.

i When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

ii When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

iii Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

iv Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.

v Based on results of AF speed tests in accordance with CIPA guidelines. Results may vary depending on shooting conditions and lens in use. Relies on internal measurement method.

Brightness at time of distance measurement: EV12(regular temperature, ISO 100)

Shooting mode: M

Lens in use: RF 24-105mm F4 L IS USM, with focal distance of 24mm and live-view mode on(with manual shutter button operation

AF mode: Live single-point AF(central) and AF operation: One-shot AF

vi  Among interchangeable lens digital mirrorless cameras incorporating 35mm full frame equivalent image sensors with phase-difference detection AF on the image plane and contrast detection AF, available in the market as of September 5th, 2018 (Based on Canon's Research).

vii Compatible with iPad models utilizing iOS 11 or later and equipped with at least 2GB of onboard RAM—specifically, iPad Pro (all models), iPad (5th generation), iPad (6th generation), iPad mini 4 and iPad Air 2.

*Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon USA Press Release

Beyond The Realm of Traditional Possibilities: Canon Introduces Four RF Mount Lenses

Canon Also Introduces Three RF Mount Adapters, Providing EF & EF-S Lenses with Full Compatibility and Enhanced Functionality with the New EOS R Camera

MELVILLE, N.Y., September 5, 2018 – Helping to rewrite the rules of visual expression, Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a variety of new RF lenses and accessories to accompany the newly announced EOS R Full-Frame Mirrorless Camera System. The four new RF lenses are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras. The new RF mount enables new possibilities in optical design and lens formulation, allowing for faster and lighter lenses with higher performing optics.

The four new lenses, the Canon RF 28-70mm F2 L USM, RF 50mm F1.2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM capitalize on the robust optic foundation of Canon’s new EOS R system. The design behind Canon’s new EOS R camera and RF lens system started with the concept of the optimal rear lens element diameter and shorter distance (back focus) for a Full-Frame image sensor.

With over 130 million EF lenses in circulation since Canon launched the mount in 1987*, the Company is enhancing the possibilities for its loyal customers who own and love their EF glass. Canon is introducing three RF Lens Mount Adapters that expand the capabilities of existing EF lenses when paired with the EOS R camera. The Canon Mount Adapter EF-EOS R allows photographers to utilize the full breadth of Canon’s EF, EF-S, TS-E, and MP-E lenses on the newly introduced EOS R camera system. The Control Ring Mount Adapter adds a customizable control ring via the adapter that provides photographers with added functionality to their fingertips. The Drop-in Filter Mount Adapter now easily places circular polarizing or variable neutral density filters behind the lens, opening up new options for lenses such as the EF 11-24mm where using optical filters were previously not an option.

“Knowing exceptional optics are a vital tool in shaping the image a photographer captures, Canon designed the EOS R camera system from the ground up with optics as the starting point,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Canon is very excited about the world-class optics we have developed to marry with the new RF mount. With our rich history and more than 130 million EF lenses being used across the globe, Canon optics will continue to be at the forefront of our digital imaging development now and into the future.”

New Canon RF Series Lenses

Three of the newly announced Canon RF lenses are counted among Canon’s top-of-the-line L-series optics; incorporating rugged, dust and water-resistant construction. All four new RF lenses feature a customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO.

The Canon RF 28—70mm F2 L USM lens, the world’s first standard zoom lens with an f/2 aperturei is excellent for capturing landscapes, weddings and portraits with its large aperture for stunning bokeh. Initial testing within Canon has shown this new lens to produce better optical image quality and sharpness over similar focal length EF-series lenses, including the extremely popular and highly regarded EF 24-70mm f/2.8L II USM.

A portrait photographer’s must-have, the Canon RF 50mm F1.2 L USM lens sports an ultra large-diameter f/1.2 aperture and Canon’s Air Sphere Coating (ASC) technology to dramatically reduce flares and ghosting. This amazing new lens is capable of rendering subjects life-size on the full-frame sensor with its minimum focusing distance of only 0.59 inches.

Photographers seeking an all-around utility lens for the new EOS R camera system need to look no further than the Canon RF 24-105mm F4 L IS USM lens. Coming in nine percent shorter in length than the EF 24-105mm f/4L IS II USM, this compact lens employs a CIPA standard of 5 stops of IS and is equipped with NANO USM technology, the first L-series lens with the technology. This small chip-shaped ultrasonic motor is engineered to help deliver high-speed, smooth, precise and near-silent operation, plus full-time manual focus (when using one-shot AF).

A fast, wide-angle single focus lens, the Canon RF 35mm F1.8 MACRO IS STM lens is an excellent option for photographers looking for an affordable compact lens. Featuring a maximum shooting magnification of 0.5x, the lens can easily shoot macro photography of subjects such as flowers, food and even insects. The lens also utilizes a CIPA standard of 5 stops of IS and is compatible with Hybrid IS, compensating for both angular and shift camera shake.

Enhanced Capabilities for Canon EF Lenses

Thanks to its large lens mount design, Canon’s new EOS R series camera system delivers new capabilities in both design and function, but for existing Canon lens owners it does something incredible. It enhances the capabilities of existing EF and EF-S lenses with full compatibility and in some cases, enhanced functionality when paired with one of three RF mount adapters.

Canon lenses are historically top-rated, and the Company is looking to help customers gain even more value in their investment with three new RF mount adapters.

The Canon Mount Adapter EF-EOS R is a standard adapter that provides full compatibility with EF lenses. Autofocus, metadata, and Optical Image Stabilization on EF lenses all continue to work seamlessly with the new EOS R camera through this adapter.

The Control Ring Mount Adapter EF-EOS R continues full EF lens compatibility with the addition of a customizable control ring. Functions that can be assigned and adjusted by the control ring include aperture, shutter speed, ISO speed and exposure compensation.

In addition to full EF lens compatibility, the Drop-In Filter Mount Adapter EF-EOS R allows for lens filters to be used behind any EF lens and help photographers conveniently utilize variable ND and circular polarizing filters with any EF lens. 

New Speedlite Series

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

Additional Features of the Canon Speedlite EL-100 include:

Maximum Guide Number of Approx. 85 ft./26m at ISO 100

24mm Wide-angle Coverage

Optical Wireless Flash Function (Sender and Receiver)

Flash Exposure Control Including Support for Stroboscopic Flash and Continuous Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off

Mode Dial with AUTO Position

Availability and Pricing**

The Canon RF 50mm F1.2 L USM will be available in October 2018 for an estimated retail price of $2299. The Canon RF 28-70mm F2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM will all be available for purchase in December 2018 for an estimated retail price of $2999, $1099 and $499.99 respectively.

The Canon Mount Adapter EF-EOS R and Control Ring Mount Adapter EF-EOS R will be available for purchase in October 2018 for an estimated retail price of $99.99 and $199.99 respectively. The Drop-in Filter Mount Adapter EF-EOS R will all be available for purchase in February 2019 for an estimated retail price of $399.99 with a variable ND filter or $299.99 with a circular polarizing filter.

The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $199.99.

For more information on the new Canon RF lenses and accessories, please visit usa.canon.com/eosrsystem.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean markets. With approximately $36 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2017† and is one of Fortune Magazine's World's Most Admired Companies in 2018. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based service and support for all of the products it distributes in the United States. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA. For media inquiries, please contact [email protected].

#  #  # 

†Based on weekly patent counts issued by United States Patent and Trademark Office.

i The world's first autofocus standard zoom lens compatible with 35mm full frame sensor to have a maximum f/2 aperture. As of September 5, 2018, based on Canon's research

*Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to Second Half of 2017.

**Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

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First Impressions

We've just spent a day shooting with the new Canon EOS R mirrorless camera in Shoreditch, London at the official Canon Europe press launch event. Check out our detailed first impressions of using the Canon EOS R mirrorless camera now...

Canon EOS R - Ease of Use

Autofocusing - 5,655 Points and -6EV with F/1.2 Lenses

Auto-focusing with the EOS R and new 50mm f/1.2 lens in near darkness was very quick and reliable thanks to the camera's amazing -6EV rating, allowing me to get on with the job of shooting in the very dimly lit futuristic environment of Canon's spectacular launch event.

Getting the focus point in exactly the right spot is another thing altogether though - shooting at f/1.2 is already inherently problematic, and with so many AF points to choose from, the camera sometimes missed critical focus, for example when trying to focus on the iris of an eye.

Still, it would be churlish to complain about the AF coverage, especially as it reaches all the way from the top to the bottom of the frame, and almost all the way from left to right - we'd estimate that you can select an AF point anywhere in about 95% of the total frame.

Eye AF

Sadly Eye AF is a definite miss on the Canon EOS R, at least in this first full-production firmware version. It can be enabled or disabled as part of the Face Detect AF option, but I found that it simply wasn't reliable enough, sometimes quickly identifying the subject's eye but more often than not just not recognizing it and focusing on a completely different part of the face or even body. Eye AF seemed to work a little more reliably outside in bright sunlight, but if you've ever experienced Sony's amazing Eye AF, you'll be disappointed by Canon's implementation. Here's hoping they can improve it in via a firmware update.

Battery Life

The EOS R's battery life was better than promised by its CIPA rating, running down to 25% after half a day shooting about 400 stills and 10-15 short video clips. We'd still advise adding a couple of spare batteries for an intensive day's shooting, but it's a rosier picture than the spec sheet suggests.

Touchscreen LCD

With no rear AF joystick on the EOS R, one of the main ways to set the AF point is by touch and dragging on the touchscreen LCD, an approach that we've seen on other recent mirrorless cameras. The Canon EOS R's implementation isn't as responsive as other's we've tested, though, so much so that I occasionally missed the shot as the camera didn't move the AF point quickly enough. I'd have much preferred a physical joystick instead, either in place of or in addition to the touch and drag method.

No IBIS

Canon have taken their usual decision to not include in-camera IBIS on the EOS R, instead making it available via specific, but not all lenses, just like on their DSLRs. With Sony and Nikon both implementing on-board IBIS, this is one of the key differences between the three 35mm full-frame systems.

Deep Handgrip

The EOS R has a lovely deep handgrip that makes holding the camera easy and secure, even when using a heavy lens like the RF 50mm f/1.2 without the battery grip fitted. Sony should definitely take note here...

Multi-Function Bar

The most unfamiliar control on the EOS R is the new multi-function bar, something that I've not seen on any other camera, Canon or another brand. Sitting under your right thumb, it can be configured to control one of a multitude of key settings e.g ISO speed, and you can then change the setting either by swiping left to right along the bar, or by pressing the left and right buttons.

Sounds useful, right? Maybe after a few more days using the camera, but in practice I almost completely ignored it, other than initially testing it to find out what it actually did. I'd have preferred an AF joystick and AE Lock button instead, both of which are missing on the EOS R seemingly as a result of including the multi-function bar.

Mode Button Instead of Shooting Mode Dial

Similarly, there's no traditional shooting mode dial on the EOS R - instead, you have to press the Mode button on top of the camera, then select the particular shooting mode via the LCD screen or EVF, which slows down switching between the various modes. This proved particularly troublesome for shooting 4K video. The one-touch movie button records in 1080p by default (you may be able to re-configure this), so you have to additionally toggle between the still shooting modes and video modes every time you want to shoot in 4K! I didn't find out if this can be changed, let's hope so...

Only One Memory Card Slot

The less said about this the better, given the amount of online furore surrounding the Nikon Z-series, other than to clearly state that the EOS R has a single USH-II SD card slot. You'll already know if this is a deal-breaker for you or not.

RF Lenses

For me the new RF lenses proved to be more interesting than the EOS R body itself. Canon have taken the opportunity of creating a new system that supports faster lenses than ever before in the shape of the RF 50mm f/1.2 and the 28-70mm f/2, making a real statement of technological intent and prowess. On the flipside, they are both physically huge and eye-wateringly expensive.

Lens Control Ring

This was another new feature that I didn't really use very much, again perhaps due to lack of familiarity. Similar to the control ring on some of Canon's Powershot cameras, it can be customised to control one of a number of key settings, usefully including aperture as per Fujifilm's XF lens range.

Adapted EF Lenses

I tried a couple of EF lenses on the EOS R using the dedicated adapter - the EF 85mm f/1.4 L and EF 70-200mm f/2.8 L. In practice they operated just like they do on a Canon DSLR body, so early signs are good if you have an extensive collection of EF glass, something that will be crucial for the success or otherwise of the EOS R.

As with the native lenses, though, Eye AF was too unreliable to use, so as it currently stands you'll get a better experience using Canon EF lenses on a Sony Alpha body with a Sigma adapter that by using the Canon EOS R with a Canon EF lens using a Canon adapter, solely thanks to Sony's flawless Eye AF.

Check out our hands-on gallery of photos of the Canon EOS R camera

Canon EOS R - Image Quality

For stills photography, the Canon EOS R employs a 30 megapixel, 35mm full-frame image sensor, very similar to the one found in the EOS 5D IV DSLR camera. It's not that latest or greatest full-frame sensor around, but it does deliver excellent image quality in conjunction with the impressive new RF lenses.

We've already shot an extensive gallery of sample JPEG and Raw images for you with a full production version of the EOS R which you can check out here, and we'll be bringing you even more sample images when we get our hands on a final review sample.

For video, the EOS R can record 4K movies (3840x2160 pixels) at 25/24fps, with the excellent Dual Pixel CMOS AF system keeping accurate track of your subject.

Sadly, 4K video is something of a non-starter on the EOS R, as it applies a 1.8x crop factor when recording in this mode, turning the wide end of the 24-105mm kit lens into a 43mm focal length, which is far less than ideal for shooting video. With no wider RF lenses currently available, you'll currently need to use a super-wide EF lens with the EF to EOS-R adapter to get an acceptable focal length when shooting 4K on the EOS R. Slow-motion recording is also a miss too, with 120fps only available at 720p quality...

You can find some 4K and 1080p sample videos in our Canon EOS R Sample Images gallery.

Take a look at some sample JPEG and Raw images and movies taken with the Canon EOS R camera

Canon EOS R - Early Verdict

The EOS R is a promising first step into Canon's future, mixing together DSLR-design with some new features to create a unique take on what a mirrorless camera should be like. It's a world away from the early days of mirrorless, where the emphasis was very much on creating the smallest camera and lens system possible. Instead Canon have take the opportunity to make a reasonably sized camera with a mount that can support some seriously fast glass, albeit lenses that are just as big as their DSLR equivalents.

So what do you think of the new Canon EOS R and the RF system overall? Leave a comment below...

Hands On

Want to see exactly what the new Canon EOS R full-frame mirrorless camera look like in the flesh?

Check out our extensive hands-on gallery of photos of the Canon EOS R full-frame mirrorless camera, 4 RF mount lenses, 3 RF adapters and RF accessories now.

A gallery of hands-on photos of the Canon EOS R full-frame mirrorless camera, RF mount lenses, and RF accessories.

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Preview Images

Ahead of our full review, here are some sample JPEG and Raw images and a 4K movie taken with a full production version of the brand new Canon EOS R compact system camera and the RF 24-105mm f/4L IS USM lens.

We've also included the entire ISO range from 100 to 40000, plus the Hi1 and Hi2 settings too.

UPDATE: We've now updated our gallery with more sample images taken with the RF 24-105mm f/4L IS USM and RF 50mm f/1.2L USM lenses, plus the EF 85mm f/1.4 and EF 70-200mm f/2.8 lenses with the use of the new EF-EOS R adapter.

A gallery of sample images taken with the Canon EOS R compact system camera.

Canon EOS R Sample Images

Sample RAW Images

The Canon EOS R enables users to capture RAW and JPEG format files. We've provided some Canon RAW (CR3) samples for you to download (thumbnail images shown below are not 100% representative).

Sample Movie & Video

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