Fujifilm FinePix Real 3D W3 Review

October 25, 2010 | Gavin Stoker | Rating star Rating star Rating star Rating star

Image Quality

All of the sample images in this Review were taken using the 10 megapixel Fine JPEG setting, which gives an average image size of around 4.5Mb.

This is a difficult one to rate for image quality as what we're dealing with here is a basically snapshot camera, so strip away the 3D and we're left with 2D snapshot-type images with the occasional softness that entails. However, this camera is all about 3D. And it has to be said that viewing any image you've just snapped in 3D, even if just on the back of the camera, has a real and immediate pull. Especially when said screen is as sharp and clear as that on the W3. It isn't just people and shapes that pop out crisply but colours too - reds in particular being eyeball searing.

Though we did get instances of camera shake and resultant blur on occasion in lower lighting conditions, this is again what you'd expect of any snapshot camera. But generally detail is well maintained from edge to edge.

As we noted in the body of the review, getting the best out of the 3D medium takes a little practice, and looking for points of interest in both foreground, middle and background pays dividends when playing back the shots, as these elements appear to float on separate layers, thus lending that all important depth to an image, or at least the illusion of depth.

Though the camera isn't as sophisticated as others in the Fujifilm range when it comes to shooting in lower light - with ISO 1600 being the maximum - the W3 does a decent job of maintaining a noise free image at ISO 800, so it's only really at that top ISO 1600 setting that detail is beginning to visibly degrade and the shot take on a tell tale gritty appearance. Generally speaking we were impressed, and again, the wow of the camera's 3D capabilities really needs to be appreciated first hand to get the gist.

Noise

There are 5 ISO settings available on the Fujifilm FinePix Real 3D W3. Here are some 100% crops which show the noise levels for each ISO setting.

ISO 100 (100% Crop)

ISO 200 (100% Crop)

   

ISO 400 (100% Crop)

ISO 800 (100% Crop)

   

ISO 1600 (100% Crop)

 
 

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft and ideally benefit from some further sharpening in a program like Adobe Photoshop. You can't change the in-camera sharpening level.

Original (100% Crop)

Sharpened (100% Crop)

   

Chromatic Aberrations

The Fujifilm FinePix Real 3D W3 handled chromatic aberrations very well during the review, with limited purple fringing present around the edges of objects in high-contrast situation, as shown in the example below.

Example 1 (100% Crop)

Macro

The Fujifilm FinePix Real 3D W3 offers a Macro setting that allows you to focus on a subject that is 8cms away from the camera when the lens is set to wide-angle. The first image shows how close you can get to the subject (in this case a compact flash card). The second image is a 100% crop.

Macro Shot

100% Crop

Flash

The flash settings on the Fujifilm FinePix Real 3D W3 are Auto, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction Auto, Red-eye Reduction & Forced Flash and Red-eye Reduction & Slow Synchro. These shots of a white coloured wall were taken at a distance of 1.5m.

Suppressed Flash - Wide Angle (35mm)

Forced Flash - Wide Angle (35mm)

ISO 64 ISO 64
   

Suppressed Flash - Telephoto (105mm)

Forced Flash - Telephoto (105mm)

ISO 64 ISO 64

And here are some portrait shots. As you can see, neither the Forced Flash setting or the Red-Eye Correction option caused any red-eye.

Forced Flash

Forced Flash (100% Crop)
   

Red-eye Reduction Auto

Red-eye Reduction Auto (100% Crop)

Night Shot

The Fujifilm FinePix Real 3D W3's maximum shutter speed is 3 seconds in the Night (Tripod) mode, which is not very good news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 1/20th second at ISO 800. I've included a 100% crop of the image to show what the quality is like.

Night Shot

Night Shot (100% Crop)

Sample Images

This is a selection of sample images from the Fujifilm FinePix Real 3D W3 camera, which were all taken using the 10 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample Movie & Video

This is a sample movie at the quality setting of 1280x720 at 30 frames per second. Please note that this 28 second movie is 167Mb in size.

Product Images

Fujifilm FinePix Real 3D W3

Front of the Camera

 
Fujifilm FinePix Real 3D W3

Front of the Camera / Lens Cover Opened

 
Fujifilm FinePix Real 3D W3

Isometric View

 
Fujifilm FinePix Real 3D W3

Isometric View

 
Fujifilm FinePix Real 3D W3

Rear of the Camera

 
Fujifilm FinePix Real 3D W3

Rear of the Camera / Image Displayed

 
Fujifilm FinePix Real 3D W3

Top of the Camera

 
Fujifilm FinePix Real 3D W3

Bottom of the Camera

 
Fujifilm FinePix Real 3D W3

Side of the Camera

 

Fujifilm FinePix Real 3D W3

Side of the Camera

 
Fujifilm FinePix Real 3D W3

Memory Card Slot

 
Fujifilm FinePix Real 3D W3

Battery Compartment

Conclusion

While debate rages on as to whether 3D is just a passing fad - as it was cinematically way back in the 1950s - or, thanks to technological advancements, here to stay, Fujifilm is offering a 3D capture solution in the here and now, the output from which can be enjoyed without Matrix style spectacles if using the camera's own impressive screen. For those reasonably serious about 3D capture who don't want to spend a fortune at this stage achieving it, Fujifilm's W3 presents a user friendly and relatively affordable option - particularly given the limited alternatives at present.

So is the W3 ultimately a gimmick? We were allowed to play with the camera for just over a week and hadn't exhausted its possibilities in that time - in fact we'd barely scratched the surface - so we'd suggest it's rather more than a five-minute wonder.

And yes you need a 3D TV or monitor to get the best out of the camera, or you're stuck with using the W3 itself as a glorified viewer, or, presently, dispatching files to Japan to get prints made. Still, the W3 works, it's well built and it's a lot of fun. Though there are bound to be further improvements, refinements and enhancements down the line, what more could you ask for at the present time?

4 stars

Ratings (out of 5)
Design 4
Features 4.5
Ease-of-use 4
Image quality 4
Value for money 4

Main Rivals

Listed below are some of the rivals of the Fujifilm FinePix Real 3D W3.

Fujifilm FinePix Real 3D W1

Tired of seeing the world in plain old two dimensions? Then Fujifilm have the answer - enter stage left the World's first 3D camera that doesn't require those dorky glasses, the Fujifilm FinePix Real 3D W1. This remarkable device uses two lenses, two image sensors and a special LCD screen to create an utterly convincing stereoscopic 3D photograph. And the W1 also doubles up as a perfectly functional 2D point and shoot camera too. Mark Goldstein catches a glimpse of the future as he reviews the Fujifilm W1...

Review Roundup

Reviews of the Fujifilm FinePix Real 3D W3 from around the web.

pocket-lint.com »

The Fujifilm FinePix Real 3D W3 updates the previous W1 that, as some of you may remember, we though was crying out for a “slimmer, more compact model”. Well the Fujifilm FinePix W3 delivers all that and much more – in fact it’s a giant leap forward over the previous generation camera.
Read the full review »

pcmag.com »

The easy-to-use Fujifilm Finepix Real 3D W3 captures still images and video in 3D and is compatible with most new 3D HDTVs and computer monitors, but taking a good 3D image is challenging.
Read the full review »

Specifications

Number of effective pixels

10.0 million pixels

CCD sensor

1/2.3-inch CCD x2

Storage media

Internal memory (Approx.34MB) ? SD memory card / SDHC memory card *2

File format

3D Still image: MPO+JPEG, MPO (Multi Picture Format compatible)

2D Still image: JPEG (Exif Ver 2.2 * (Design rule for Camera File system compliant / DPOF-compatible)

3D Movie: 3D-AVI (Stereo AVI format with 2 image channels)

2D Movie: AVI format (Motion JPEG with sound)

Lens

Fujinon 3x optical zoom lens, F3.7(Wide) - F4.2(Telephoto)

Lens focal length

f=6.3 - 18.9mm, equivalent to 35 - 105 mm on a 35mm camera

Focus

Mode: Single AF
AF mode:

  • 3D: Center
  • 2D: Center, Multi (for Face Detection off only)
Focus distance

Normal: Approx. 60cm / 2ft. to infinity Macro(3D) Wide: Approx. 38cm -70cm / 1.2ft -2.3 ft. Telephoto: Approx.1.1m - 2.3m /3.6ft. -7.5ft. Macro (2D) Wide: Approx. 8cm - 80cm / 0.3ft. - 2.6ft. Telephoto: Approx. 60cm - 3m / 2.0ft. - 9.8ft.

Shutter speed

Night: 1/8sec. - 1/500sec. Night (Tripod): 3sec. - 1/500sec. Manual: 1/2sec. - 1/1000sec. All other modes including AUTO: 1/4sec. - 1/1000sec.

Aperture

Wide: F3.7-?F8.0, Telephoto: F4.2- F9.0

Sensitivity

AUTO(400)/AUTO(800)/AUTO(1600)?/ Equivalent to ISO 100 / 200 / 400 / 800 / 1600 (Standard Output Sensitivity)

Exposure modes

Programmed AE, Aperture Priority AE, Manual

White balance

Automatic scene recognition Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm white), Fluorescent light (Cool white), Incandescent light, Underwater lighting

LCD Monitor

3.5-inch, Approx. 1,150,000 dots color LCD monitor with Lenticular type, Approx. 100% coverage

Self-timer

Approx. 10sec. / 2sec. delay

Video Output

HDMI: HDMI 1.4 - 3D compliant, HDMI mini-terminal
Normal: NTSC / PAL selectable

Digital Interface

USB 2.0 High-speed

Power source

NP-50 Li-ion battery (included)

Dimensions

Approx. 124.0 (W) x 65.9(H) x 27.8 (D) mm / 4.9 (W) x 2.6 (H) x 1.1 (D) in.

Weight

Approx. 230 g / 8.1oz (excluding accessories, battery and memory card)

Shooting modes

SP mode:Natural light, Natural light and with Flash, Portrait, Landscape, Sport, Night, Night (Tripod), Sunset, Snow, Beach, Underwater, Party, Anti-Blur ADV

3D: Interval 3D shooting, Individual shutter 3D shooting ADV

2D: Tele/Wide simultaneous shooting, 2-Color simultaneous shooting, 2-Sensitivity simultaneous shooting

Movie recording

640 x 480 pixels / 320 x 240 pixels (30 frames/sec.) with stereo sound * Zoom function cannot be used during movie recording.

Playback

SP mode: Natural light, Natural light and with Flash, Portrait, Landscape, Sport, Night, Night (Tripod), Sunset, Snow, Beach, Underwater, Party, Anti-Blur ADV 3D: Interval 3D shooting, Individual shutter 3D shooting ADV 2D: Tele/Wide simultaneous shooting, 2-Color simultaneous shooting, 2-Sensitivity simultaneous shooting

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