Introduction

Ease of Use

With a maximum diameter of 92.6mm and a length of 145.5mm when zoomed out to 64mm, the Fujifilm GF 32-64mm f4 R LM WR is a wide-normal zoom lens that's well-suited to the GFX 50S camera that we tested it with. Weighing in at 875g, it's quite a heavy lens, but proved to be well-balanced on the GFX 50S.

The Fujifilm GF 32-64mm f4 R LM WR lens mounted on a Fujifilm GFX 50S

The Fujifilm GF 32-64mm f4 R LM WR lens mounted on a Fujifilm GFX 50S

The Fujifilm GF 32-64mm f4 R LM WR lens mounted on a Fujifilm GFX 50S

As with the other GF lenses that we've reviewed, the Fujifilm GF 32-64mm f4 R LM WR boasts excellent build quality. The lens is dust, freeze and moisture resistant and it features a metal bayonet. The Fujifilm GF 32-64mm f4 R LM WR lens is comprised of 14 elements in 11 groups including 3 extra-low dispersion elements. It accepts 77mm filters via metal threads. There is no built-in optical image stabilisation in this lens.

The Fujifilm GF 32-64mm f4 R LM WR lens mounted on a Fujifilm GFX 50S

The Fujifilm GF 32-64mm f4 R LM WR lens mounted on a Fujifilm GFX 50S

The Fujifilm GF 32-64mm f4 R LM WR lens alongside the Fujifilm GFX 50S

The focus ring is pleasingly wide, smooth and beautifully well-damped in action without being loose, and has a ridged, rubberised grip band. There are no “hard stops” at either end of the 50/60cm-infinity focus range though. It has a large rotation angle which enables precise focusing and moves smoothly without any play. Two different focusing aids are provided - auto magnification and focus peaking. In conjunction with the GFX 50S' high-resolution electronic viewfinder, we found it very easy to accurately determine critical sharpness.

The side of the Fujifilm GF 32-64mm f4 R LM WR lens

The side of the Fujifilm GF 32-64mm f4 R LM WR lens

When it comes to auto-focusing, the Fujifilm GF 32-64mm f4 R LM WR is a very quiet performer on the Fujifilm GFX 50S that we tested it with thanks to the linear motor, and it's also pretty fast too, taking about 0.25 second to lock onto the subject in good light. We didn't experience too much "hunting" either, with the lens accurately focusing almost all of the time.

Focusing is usefully internal and manual focusing is possible when set via the camera body. Full-time manual focus override is available at any time simply by rotating the focus ring, if specified in the menu system, or you set the focusing switch to M, C or S.

The front of the Fujifilm GF 32-64mm f4 R LM WR lens

The rear of the Fujifilm GF 32-64mm f4 R LM WR lens

The side of the Fujifilm GF 32-64mm f4 R LM WR lens

The side of the Fujifilm GF 32-64mm f4 R LM WR lens

The Fujifilm GF 32-64mm f4 R LM WR lens has a traditional aperture ring on the lens barrel, which allows you to set the aperture in 1/3 steps, complete with full aperture markings. The aperture is also shown in the viewfinder or on the LCD screen. The aperture ring is nicely damped and makes a distinctive click as you change the setting. The aperture ring toggles between auto aperture control (the ring is set to A) or manual aperture control (the switch is set to one of the aperture values) or the C (Command) position which allows you to set the aperture via the camera body rather than the lens.

A soft cloth bag and a large plastic petal-shaped lens hood are supplied in the box.

The Fujifilm GF 32-64mm f4 R LM WR lens in-hand

The Fujifilm GF 32-64mm f4 R LM WR lens with the supplied lens hood fitted

Focal Range

The 32mm focal length gives an angle of view of 81 degrees on a 35mm full frame sensor, which is equivalent to a focal length of 25mm, and the 64mm focal length gives an angle of view of 46.3° degrees on a 35mm full frame sensor, which is equivalent to a focal length of 51mm.

 Field of view at 32mm

 Field of view at 64mm

Chromatic Aberrations

Chromatic aberration (purple fringing) is a non-issue with the Fujifilm GF 32-64mm f4 R LM WR lens, only appearing in very high contrast situations.

Light Fall-off and Distortion

Light fall-off is noticeable wide open at f/4, though this can easily be corrected in Photoshop. Stop down to f/8 and the vignetting is already much less prominent, but it is still visible when shooting pale scenes that fill the frame.

Light fall-off at 32mm

Light fall-off at 64mm

Macro

A minimum focus distance of 50cm at 32mm and 60cam at 64mm doesn't make the lens very useful for shooting close subjects, not helped by the maximum magnification ratio of 0.12x. This image is uncropped and shows how close you can get to a Compact Flash card.

Close-up performance

Bokeh

With a maximum aperture of f/4, the Fujifilm GF 32-64mm f4 R LM WR isn't the fastest of lenses, but it still manages to generate smooth out of focus areas thanks to having 9 rounded aperture blades. Bokeh is however a fairly subjective part of a lens’ image quality, so check out these 100% crops to see the Fujifilm GF 32-64mm f4 R LM WR’s bokeh quality for yourself.

Sharpness

In order to show you how sharp this lens is, we are providing 100% crops on the following pages.