Olympus XZ-10 Review
Olympus XZ-10 Introduction
The new Olympus XZ-10 is a pocketable premium compact camera featuring a 12 megapixel backlit 1/2.3” CMOS sensor and an ultra-bright 26-130mm equivalent f/1.8-2.7 zoom lens. The XZ-10 also offers a high-resolution 3-inch touch-sensitive LCD screen, TruePic VI image processor, 1080p Full HD movie recording and Eye-Fi/FlashAir compatibility for sharing images directly on your social network. Other standout features include a customisable control ring around the lens, full manual exposure mode, raw image capture, 120fps high-speed HD video recording and 11 Art Filters. Priced at £349.99 / $399.99, the Olympus XZ-10 is available now in black.
Ease of Use
The Olympus XZ-10 is a serious compact camera which offers full manual control over the picture-taking process. About 40% smaller than its big brother, the XZ-2, the XZ-10 has shrunk in comparison mainly because of the inclusion of a physically smaller 1/2.3” CMOS sensor and a fixed, rather than tilting, LCD screen. It's still a slim yet substantial affair made of a combination of metal and plastics.
The XZ-10 feels good in the hand, thanks to thoughtful ideas like a small but well placed thumb rest on the rear panel and a fixed hand-grip on the front. The design manages to be functional and classy at the same time, with an almost minimalist front plate that nevertheless includes a highly useful click-stop dial around the lens housing; a top plate featuring a power button, shutter release, zoom lever and mode dial; and a rear panel dominated by a high-resolution, touch-sensitive LCD display.
The XZ-10's touchscreen can be configured in one of three ways - turned off, one-touch focusing, or simultaneous one-touch focusing and shutter release. It also enables you to interact with the camera's key settings in addition to setting the focusing point and fire the shutter via the onscreen Super Control Panel. One small limitation is the inability to focus right at the extreme edges of the frame - you're effectively limited to one of the 35 AF points that the XZ-10 offers.
A crucial element of the design is a rear control wheel around the four-way pad, which is used to set shutter speed in manual mode, exposure compensation in a number of other modes, and can also be used to navigate menus. The XZ-10 is small enough to be carried comfortably in a shirt- or jeans pocket. Alternatively, it can be worn around the neck courtesy of an eyelet on the side and a nice neck strap that ships with the camera.
The main attraction of the Olympus XZ-10 is undoubtedly its ultra-fast, 26-130mm equivalent zoom lens. The company is heavily touting the f/1.8 maximum aperture at the 26mm end, but the telephoto end is also interesting with the XZ-10 boasting a maximum aperture of f/2.7 at the 130mm end. As you can see from some of our sample images, this translates into a surprising (for a compact camera) ability to isolate the subject from the background, resulting in images reminiscent of those taken with cameras sporting much bigger sensors.
Subject isolation aside, the biggest benefit of a super-fast lens - combined with sensor-shift image stabilisation - is the ability to take hand-held shots in low light, without having to dial in crazy-high ISO sensitivity settings. This is important, as the 1/2.3” CMOS sensor is very small compared to the sensors used in DSLRs.
The other big attraction of the Olympus XZ-10 is the presence of a full manual exposure mode, complete with a live histogram and raw file support. This mode is very well implemented in the XZ-10, and is therefore likely to become the preferred shooting mode for advanced users. In M mode, the click-stop dial encircling the lens housing controls the aperture, while shutter speed can be set with the scroll wheel around the four-way pad. In order to avoid accidentally bumping this wheel, you first have to hit the Up button on the navigation pad before you can modify the shutter speed setting. The live histogram - as well as a helpful compositional grid - can be activated with the Info button. The fly in the ointment is that the camera still doesn't offer direct-button access to ISO sensitivity settings. You need to enter the function menu - called “live control” by Olympus - to do that. That's a shame, although the Fn button on the rear of the camera can be configured to change the ISO amongst up to 16 different options.
Also present and correct are the usual aperture and shutter priority modes, in which the corresponding exposure variable is controlled via the front dial, with the rear wheel now serving for exposure compensation. Finally, in P mode you now get to control Program AE shift via the front dial, with the ability to change the aperture and override the camera's own settings.
Other shooting modes on the mode dial include Scene, iAuto, Art, and a Custom mode. The Olympus XZ-10 offers eighteen scene modes, most of which are standard fare like Portrait, Landscape, Sport etc. A few of the scene modes are more special though - these include Multi Exposure, Panorama, E-Portrait and Backlight HDR. Multi Exposure has nothing to do with HDR imaging - it's a feature inherited from the film era, which allows you to record and combine two completely different images into a single photo.
The Panorama mode works exactly the same way as on some of the more recent Mju compacts: there are three options on offer, including Auto, Manual and PC. In Auto mode, you only have to press the shutter release once. After that, all you need to do is move the camera to the next position, so that the target marks and pointers overlap, and the camera automatically releases the shutter for you. Three frames can be taken this way, which are then combined into a single panoramic image automatically in-camera. In Manual mode, you can also take three frames with the help of an on-screen guide, but you have to release the shutter manually. Finally, in PC mode, you can take up to 10 photos, which can be stitched using the supplied [ib] software after being downloaded to the computer.
E-Portrait is an on-board solution to touch up portraits. In this mode, you take a picture of a person, then the camera identifies the face and tries to remove blemishes and other minor imperfections, giving the skin a smooth look in the process. The resulting image is then saved alongside the original. The Backlight HDR combines several frames taken at different exposures into a single image with greater detail in the shadow and highlight areas.
The iAuto mode is a fully automatic shooting mode in which the camera analyses the scene in front of its lens, and tries to decide which scene mode to apply. Most of the typical camera controls/functions are inaccessible while you are in iAuto, but there is a live guide featuring on-screen sliders to modify things like saturation, colour, image brightness and depth of field. Additionally, the camera offers up various shooting tips on demand.
The Art setting on the mode dial lets you choose from 11 Art Filters that include Pop Art, Diorama, Grainy Film, Soft Focus, Pinhole and Dramatic Tone. The optimum shooting settings are preprogrammed for each filter, and you have very little control over the final look. Because of this, it is worth shooting RAW+JPEG, as the raw files can be modified later if you do not like the effect. You can see some examples of these art filters at work in the Image Quality section of this review.
Of probably more interest to serious shooters are the Custom Mode setting, denoted with a “C” on the mode dial. This allows you to retrieve your saved settings, which is great if you often find yourself shooting under the same conditions. To save your current settings, go to the Setup menu, select Custom Mode Setup, and hit Set.
As mentioned earlier, most of the shooting settings and functions are available from the “live control”, a function menu called up by pressing the OK button that sits in the middle of the four-way pad. The range of available functions may differ slightly depending on the shooting mode you are in, but the full list includes the following: image stabilisation, picture mode, white balance, drive mode, aspect ratio, image quality and resolution, movie quality, flash mode, flash exposure compensation, metering mode, auto focus mode, ISO speed, face priority, and ND filter.
Most of these are self explanatory. The ND filter is an integrated 3-stop neutral density filter, which can be engaged when shooting in very bright light - with the top shutter speed being only 1/2000 of a second, it is sometimes necessary to use this filter when you would like to pick a wide aperture for a shallow depth-of-field effect, otherwise the photo would be overexposed even at the lowest ISO sensitivity setting. The Olympus XZ-10 has a neat little pop-up flash that is automatically raised when you select on of the 11 different flash modes.
In use, we found the large, high-resolution LCD screen on the rear to be eminently usable, with great detail and excellent colour retention even when viewed from the most extreme angles. The new LCD cannot be tilted up or down, as on the XZ-2 model.
Some of the shooting functions are mapped onto the four-way pad, including focus mode and AF point selection, drive mode and self-timer, and flash mode. To change the active AF point, press the Left arrow button, and pick one, nine or all of the 35 auto focus points using the arrow keys - simple and effective.
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The available focus mode settings are “normal” AF, when the focus range is limited to 60cm-infinity, allowing the camera to acquire focus surprisingly quickly; Macro AF, which lets you focus down to 10cm at the wide end and 30cm at full telephoto; Supermacro AF, which disables the zoom and the built-in flash but allows you to focus as close as 1cm from the front lens; Tracking AF which tracks the selected subject as it moves across the frame; and MF.
The inclusion of manual focus is a nod towards experienced photographers, who will appreciate this feature. In Manual Focus mode the centre of the image automatically enlarges for accurate focusing. This is intuitively performed with the front control dial and also displays a distance scale, which proves very useful for zone focusing. Shutter lag in MF mode is negligible. For those who prefer auto focus, there is an AF assist light that enables the camera to focus even in low light. This lamp can be disabled if necessary.
As far as drive modes are concerned, there are no less than 3 different continuous shooting modes on offer: the “regular” sequential shooting is at 5 frames per second at full resolution for up to 200 frames, and there's a High-Speed option available at a reduced resolution setting.
Besides capturing stills, the Olympus XZ-10 can also record HD videos, and has a dedicated movie record button in the top right corner of the rear panel for one-touch video recording. Unfortunately the camera offers precious little in the way of video controls. You can apply exposure compensation before starting to record a video clip, but that's about it. On a more positive note, you can use the optical zoom while filming, and can also have the camera apply any of the Art Filters to movies on the fly. The XZ-10 tries its best to keep the subject in focus while recording a video clip, but doesn't always succeed. Movies are stored in MOV(MPEG-4AVC/H.264) format and clip length is limited to 29 minutes.
When it comes to playing back your images, the Olympus XZ-10 offers three main playback views: picture only, photo with image number and date, and a thumbnail with detailed information and a very useful RGB histogram. There is also an optional blinking highlights warning.
The Olympus XZ-10 is powered by a proprietary lithium-ion battery, which can be charged in-camera via USB. You need to connect the USB cable either to a computer running Windows 7/8, Vista or XP; or to the supplied USB-AC adapter, which must, in turn, be plugged into a mains socket using a mains cable. So unless you want to charge the battery via a Windows computer, you will need two cables, an adapter, and the camera itself. Olympus does offer a conventional external charger as well, but only as an optional accessory.