Sony FE 24-50mm F2.8 G Review

February 21, 2024 | Mark Goldstein | Rating star Rating star Rating star Rating star

Sharpness at 35mm

For this test, the Sony FE 24-50mm F2.8 G lens was attached to a Sony Alpha A7 IV body, which was in turn mounted to a sturdy tripod. Exposure delay mode was activated. Tonal and colour variance across the crops are due to change in natural light during the session.

The full frame

The full frame at 35mm

The centre is pleasingly sharp even wide open at f/4, with peak performance achieved in the f/5.6-f/11 range. Diffraction starts to set in at f/16.

The edges are almost as sharp as the centre, with f/5.6 to f/11 again being the optimum settings.

Aperture Centre Crop Edge Crop
f/2.8 f4.jpg f4.jpg
f/4 f4.jpg f4.jpg
f/5.6 f5_6.jpg f5_6.jpg
f/8 f8.jpg f8.jpg
f/11 f11.jpg f11.jpg
f/16 f16.jpg f16.jpg
f/22 f16.jpg f16.jpg