Panasonic Lumix G90 Review
Introduction
The Panasonic Lumix G90 (also known as the Panasonic G95 and G91 in some territories) is a new mid-range mirrorless camera for enthusiast photographers and videographers.
The G90 features a 20.3 megapixel Micro Four Thirds sensor with no low pass filter, the very latest Venus Engine processor, 4K video recording at frame rates of 30p/25p/24p, VLog L profile included at no extra charge, headphone and MIC sockets, 5-Axis Dual Image Stabilisation system, a 2,360K-dot OLED Live View Finder, and a 3-inch 1040K-dot Free-Angle touch screen OLED display.
Other highlights include a splash/dust proof magnesium body, 9fps continuous shooting, ISO 100-25,600, ultra-high speed AF of 0.07 sec with Eye AF, mechanical and silent electronic shutters, Eco Mode to extend the battery life from 290 to 900 shots, a Live View Composite mode for long exposures, in-camera USB battery charging and charging whilst in use, and Bluetooth and Wi-Fi connectivity.
The Panasonic Lumix G90 is available in black, body-only (£899 / $899), or in a kit with the G Vario 12-60mm f/3.5-5.6 ASPH lens (£1079 / $1079) or with the G Vario 14-140mm f/3.5-5.6 ASPH. POWER O.I.S. lens (£1259 / $1259). The Panasonic Lumix G90 is also compatible with the optional Battery Grip (DMW-BGG1) which doubles the battery life.
Ease of Use
Key Specifications
- 20.3 megapixels
- 5-Axis Dual IS, 5 stops
- 0.07s Auto-focusing, down to -4EV
- 2.36-million-dot, 0.39-inch OLED electronic viewfinder
- Free-angle 3-inch touchscreen OLED monitor with 1.04-million-dot resolution
- ISO 100-25600
- 6fps burst shooting with continuous AF/AE, 9fps without
- 4K video at up to 30p, 100Mbps
- 4:2.2 8-bit via HDMI, 4:2.0 8-bit to SD card
- VLog L Profile included (no charge)
- 1080p video at 60fps
- 4x slow-motion video, 120fps at 1080/30p
- New Live View Composite mode for long exposures
- Headphone and MIC sockets
- Rear scroll wheel
- Dual control dials
- Pop-up flash
- Bluetooth and wi-fi connectivity
- Single SD memory card slot
- USB battery charging
- Dust/splash resistant
- 290-shot battery life
The new Panasonic Lumix G90 is a little larger than the G80 model that it replaces in the extensive Lumix range, measuring 130.4 x 93.5 x 77.4 mm, and weighs about 28g more at 481g for the body only.
Once again styled very much like a DSLR camera that's been shrunk in the wash, the Panasonic Lumix G90 shares the same sculpted design as the previous G80. It squeezes a 3-inch fully rotating, free-angle OLED screen and an OLED electronic viewfinder into its small frame, yet is still more than comfortable enough for users with average-sized hands to operate.
Apart from the handgrip, rear thumbgrip and the right-hand side of the camera, which are all rubberised, the G90 has a slightly textured plastic finish. It's extremely well-built with a full die-cast magnesium body, metal lens mount and metal tripod socket that belies its relatively affordable price point. Even better, the G90 is both splash and dustproof thanks to seals on every joint, dial and button, just like its predecessor.
The G90 also employs the same Contrast Auto Focus system as used by the G80. As you'd expect, the G90's auto-focus system is just as fast, with a claimed speed of 0.07 second when used with certain lenses, thanks to a digital signal communication that runs at a maximum of 240fps. Panasonic have also incorporated their Depth From Defocus (DFD) technology which shortens the focusing time even further, although note that this only works with Panasonic Micro Four Thirds lenses, not third-party ones. In practice we noticed very little difference in speed between the G90 and a mid-range DSLR, and there were also very few occasions when the G90 failed to lock onto the subject.
The G90 additionally boasts a mode called Low Light AF which allows the camera to focus even in moonlight (down to -4EV) without needing to use the AF assist lamp, while the Starlight AF mode allows you to capture individual stars and constellations in the night sky. There are a wide range of AF modes on offer, including multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. The G90 also has a useful Quick AF function that begins focusing as soon as you point the camera, and it also offers the popular Focus Peaking function that outlines the in-focus subject in the MF and AF+MF modes.
Front of the Panasonic Lumix G90 |
On the front of the Panasonic Lumix G90 is a tiny focus-assist and self-timer indicator lamp, black lens release button, metal lens mount and a large rubberised hand-grip with a pronounced sculpted indent for your forefinger.
For the G90, Panasonic have retained the same image stabilisation system as used by the G80. This 5-axis Dual I.S. MK II system incorporates gyro-sensor technology to combine the 2-axis stabilisation from the lens (if it has OIS built-in) and 5-axis stabilisation from the camera body, resulting in compensation for up to 5-stops slower shutter speed.
On the left flank of the Lumix G90 (when viewed from behind) is a MIC socket for use with an external microphone, which has been repositioned so that the LCD screen can be flipped out to the side unobstructed. Underneath is a large rubber flap that houses the AV Out/Digital port, a port for the optional remote shutter release, an HDMI port for connecting the G90 to a HD television or monitor, and the new 3.5mm headphone socket, which is great news for keen videographers looking to improve their sound quality when recording.
On the right side of the G90 is the single SD/SDHC/SDXC memory card slot. On the bottom of the camera is a metal tripod socket, importantly in-line with the middle of the lens barrel, and the battery compartment. The G90 manages around 290 shots using the supplied 7.2V 1200mAh rechargeable Li-ion battery before needing to be recharged, about 10% shorter than the previous DMC-G80, but this can be boosted to around 900 shots when using the new Power Save Mode mode, some 100 shots more than the G80.
Located on top of the Panasonic Lumix G90 is the drive mode dial on the left which includes the single/burst mode/4K/bracketing/continuous shooting/timer options, an external flash hotshoe and built-in pop-up flash, complete with a manual sliding switch to open it on the side, twin stereo microphones, on/off switch, a handy one-touch movie record button.
The start-up time from turning the Lumix G90 on to being ready to take a photo is very impressive at less than 0.5 seconds. It takes about 1 second to store a JPEG image, allowing you to keep shooting as they are being recorded onto the memory card. Storing a single RAW image only takes around 1 second.
Front of the Panasonic Lumix G90 |
The Panasonic Lumix G90 has a good Burst mode which enables you to take 9 frames per second when using the mechanical shutter for more than 300 JPEG images at the highest image quality, or 45 RAW images. With AF Tracking turned on to capture moving subjects, the G90 can still shoot at 6fps at the full 20 megapixel resolution.
There's now a new row of dedicated White Balance, ISO buttons and Exposure Compensation buttons, just like on the flagship Lumix G9 camera, and a reasonably sized, tactile shutter button that's encircled by the first of two control dials. The second thumb operated control dial changes the aperture by default, but cleverly has a button at its centre that allows you toggle to the white balance and ISO speed - very handy.
Completing the Panasonic Lumix G90's top panel is a traditional shooting mode dial that lets you choose the different exposure modes. The usual selection of Program, Aperture Priority, Shutter Priority, and Manual are available for more experienced photographers, while beginner-friendly Scene modes are accessed via the SCN setting. Additionally there are 2 custom modes, marked C1 and C2, which allow you to configure six of your favourite settings and quickly access them.
The G90 has an extensive range range of Creative Controls, denoted by an artist's palette on the shooting mode dial, which offers a whopping 22 options. Some are more useful than others, and you do lose control of the exposure and other key settings when using the Creative Controls, whereas the 6 available Photo Styles still allow full control of the camera's settings and also work when shooting Raw files.
The Lumix G90 offers both AVCHD video capture and MP4, with the latter offering 4K recording at 3840x2160 pixels at 30p/25p/24p in the MP4 format for an unlimited amount of time. It can record in 4:2.2 8-bit quality to an external HDMI recorder or 4:2.0 8-bit to the UHS-II SD card. Full 1080p recording is also available up to 60fps, and there's up to 4x slow-motion recording too, again in Full HD quality but this time around at up to 120fps (although sound and continuous AF only work at 60fps).
Rear of the Panasonic Lumix G90 |
The VLog L profile is included with the G90, which is actually a paid upgrade for the much more expensive GH5 camera, and not available at all on the flagship Lumix G9. This provides a very flat profile with an impressive 12 stops of dynamic range that's perfect for grading in post-production.
The Panasonic Lumix G90 also gives you access to the same creative exposure P,A,S,M modes that are selectable when shooting stills. You can also use all the same Photo Style and Creative Control modes when shooting video, plus the ISO settings, white balance and AF tracking mode. The normal bugbear of exterior location shoots is also dealt with thanks to a wind cut option among the four screen's worth of menu settings that are available when using the dedicated Video shooting mode.
As this is a modern Lumix mirrorless camera, the G90 offers the usual array of Panasonic 4K shooting options for stills. There are three 4K Photo functions - 4K Burst Shooting, 4K Burst (Start/Stop) and 4K Pre-burst which all record continuous 8 megapixel stills at a 30fps shooting rate. 4K Burst allows you to continuously record 8 megapixel images at 30fps, 4K Pre-Burst does the same but for one second prior to and one second after pressing the shutter button in order, giving you 60 frames to choose from, and 4K Burst (S/S) allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 megapixel frame.
A brand new Auto Marking function automatically detects frames with changes to the image, while a Sequence Composition function has also been added for creating “stromotion” images by combining multiple images into one shot for a fun effect.
The Post Focus mode allows you to take a series of photos all with a different focus point, and then choose your preferred one after you've captured the shot. This can be more useful for some subjects than others, for example with macro it’s a great idea. Focus Stacking is new to the G90. This feature enables you to take multiple shots with different aperture values, then combine them into a single image and choose how much of the subject is in focus, again good news for macro photographers.
Top of the Panasonic Lumix G90 |
Live View Composite is a shooting mode which Olympus users have enjoyed many years. Now for the very first time it's making its debut on a Panasonic camera, giving you the ability to view a long exposure in real time on the rear OLED screen and the power to stop it when you think it's perfect. Simply set the camera to Manual mode and then rotate the shutter speed to "LC" to enable this new option.
The G90's Wi-Fi function (IEEE 802.11 b/g/n) lets you use your smartphone to change the key camera settings (focus setting, exposure compensation, ISO, WB and Photo Styles) and even fire the shutter button remotely (including interval video recordings), while the auto transfer function automatically backs up your photos onto a tablet. You can also use GPS data from your smartphone to record the shooting location onto your images. The Bluetooth option inherited from the Lumix G9 establishes a low-energy, permanent connection between the camera and a smart device for easier transfer of images.
The Panasonic Lumix G90 offers a time lapse function in which you can set the time interval and the number of images to take, plus a multi-exposure option that lets you combine up to four exposures in a single frame.
On the rear of the Lumix G90 is a 3 inch OLED screen which has 1040K-dots. The rotating, free-angle monitor, which is hinged on the left side of the camera (looking from the rear), can be rotated 180 degrees for side to side and flipped out and twisted through 270 degrees. You can use the screen as a waist-level viewfinder, holding the camera overhead, and even for turning the G90 on yourself for arm-length self-portraits. There's also the added benefit of folding the screen away against the camera body to protect it when stored in a camera bag, preventing it from becoming marked or scratched.
The G90 inherits the DMC-G80's intuitive touchscreen interface. The G90 has a feature called Touchpad AF which allows you to move the focus point area with your finger on the OLED monitor whilst you're looking through the EVF, which goes some way (but not all) towards mitigating the lack of a dedicated AF joystick, as seen on some rival models.
Swivelling LCD Screen |
One other key touchscreen function is the ability to use the 1-area AF mode to focus on your main subject simply by touching it on the OLED monitor. If the subject then moves, the G90 cleverly follows it around the screen using the the AF tracking function. If the subject exits the frame entirely, simply recompose and tap it again to start focusing. Impressive stuff that makes focusing on off-center subjects fast and intuitive. It is a little too easy to accidentally press the screen and set the focus point to the wrong area for the current subject, but a simple tap in the middle of the monitor will center the AF point (or you can turn this feature off altogether).
The size of the AF point itself can also be changed via an interactive onscreen slider. If Face Detection is enabled, the 1-area AF point can be manually set to a person's eye to help ensure that the most important part of a portrait is in focus. If Multi-area AF rather than 1-area AF is enabled, then you can select a group of 4, 5 or 6 AF points from 9 different areas, again providing some manual control over what is traditionally a rather hit and miss affair.
When Intelligent Auto is switched on, the G90 changes the scene mode used when you touch the subject, for example selecting portrait mode if you touch a face and macro mode if you touch a close-up flower. If you prefer to manually focus rather than use the snappy AF, you can magnify any part of the subject by 1x, 5x or 10x by simply dragging the image around the screen. The final touchscreen ability from an image composition point of view is the ability to release the shutter, with a small icon on the right hand screen enabling this functionality, and then a single on-screen tap all that's required to take the picture.
All of the menu options can be changed via the touchscreen interface. You can also control image playback by touching the screen, with the ability to tap a thumbnail to see the full-size version, scroll through your images by dragging them from side to side, and magnifying them up to 16x.
The Panasonic Lumix G90 has the same electronic viewfinder as used on the previous G80 - an OLED Live View Finder with 2,360k dots. It has a large 1.4x (0.7x on 35mm equiv.) magnification, very high contrast at 10,000:1, a minimum time lag of less than 0.01 sec, and offers 100% field of view, resulting in a very usable display indeed. The EVF (and also the main OLED screen) operates at 60fps, twice the usual speed, which helps make it relatively flicker-free (although it is still slightly noticeable).
The Panasonic Lumix G90 In-hand |
The G90 has a handy eye proximity sensor which detects when the camera is held up to your eye and automatically switches from the rear OLED screen to the EVF. You can also manually switch between the two via the LVF button (this button can also be usefully reconfigured to the Function3 button). As the EVF is reading the same signal from the image sensor as the rear OLED screen, it can also display similar information - for example, you can view and operate the G90's Quick Menu, giving quick access to all the key camera settings while it's held up to your eye.
The main downside of the G90's EVF system occurs indoors in low light, as it has to "gain-up" to produce a usable picture, resulting in a noticeably grainier picture. In all other situations, however, the electronic viewfinder on the G90 is the equal of and in many areas better than a DSLR's optical viewfinder, particularly those found on entry-level models which are typically dim and offer limited scene coverage.
Positioned to the right of the EVF are the Focusing switch and a very useful AF/AE Lock button. Below this is the Playback, and underneath that is a new scroll wheel with a Menu/Set button in the centre, which replaces the more traditional 4-way D-pad found on the G80 camera. Pressing left on the scroll wheel allows you to select the AF Point.
The main menu system on the G90 is straight-forward to use and is accessed by pressing the Menu/Set button in the middle of the navigation D-Pad. There are five main menus represented by large icons, Record, Motion Picture, Custom, Setup and Playback.
The Q.Menu/Fn2 button underneath the scroll wheel provides quick access to most of the camera's principal controls, including the photo style, flash, movie type, image size, image quality, auto-focus and metering options. Below is the Display button, which cycles through the various LCD views, including a useful level gauge for helping to keep your horizons straight.
That concludes our tour of the Lumix G90's design and features - now let's take a look at its image quality...
Image Quality
All of the sample images in this review were taken using the 20 megapixel Fine JPEG setting, which gives an average image size of around 8Mb.
The Panasonic G90 captured images of excellent quality. It produces noise-free images at ISO 100 to 3200, with limited noise starting to appear at ISO 6400. ISO 12800 exhibits quite visible noise and loss of fine detail, and the fastest setting of ISO 25600 is even noisier but still usable for small prints and web use. The night photograph was excellent, with the maximum shutter speed of 30 minutes allowing you to capture plenty of light.
Post Focus and Focus Stacking is a great feature inherited from the Lumix GH5 and G9 cameras. The Intelligent Resolution, Intelligent D-range and HDR modes are all effective features for capturing more detail in both the shadows and highlights, while the plethora of Creative Filters and Photo Styles allow you to quickly and easily customise the look of the camera's JPEG and Raw images respectively.
Noise
There are 9 ISO settings available on the Panasonic Lumix G90. Here are some 100% crops which show the noise levels for each ISO setting:
JPEG |
RAW |
ISO 100 (100% Crop) |
ISO 100 (100% Crop) |
ISO 200 (100% Crop) |
ISO 200 (100% Crop) |
ISO 400 (100% Crop) |
ISO 400 (100% Crop) |
ISO 800 (100% Crop) |
ISO 800 (100% Crop) |
ISO 1600 (100% Crop) |
ISO 1600 (100% Crop) |
ISO 3200 (100% Crop) |
ISO 3200 (100% Crop) |
ISO 6400 (100% Crop) |
ISO 6400 (100% Crop) |
ISO 12800 (100% Crop) |
ISO 12800 (100% Crop) |
ISO 25600 (100% Crop) |
ISO 25600 (100% Crop) |
File Quality
The Panasonic Lumix G90 has 2 different JPEG image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
Fine (9.04Mb) (100% Crop) |
Standard (4.11Mb) (100% Crop) |
RAW (23.1Mb) (100% Crop) |
|
Flash
The flash settings on the Panasonic Lumix G90 are Auto, Auto/Red-eye Reduction, Forced Flash On, Slow Sync./Red-eye Reduction and Forced Flash Off. These shots of a white coloured wall were taken at a distance of 1.5m.
Flash Off (24mm) |
Flash On (24mm) |
Flash Off (120mm) |
Flash On (120mm) |
And here are some portrait shots. As you can see, neither the Flash On setting or the Red-Eye Reduction option caused any amount of red-eye.
Flash Off |
Flash On |
Red-eye Reduction |
Night
The Panasonic Lumix G90's maximum shutter speed is 60 seconds and there's also a Bulb option for exposures up to 30 minutes long, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 30 seconds at ISO 200. The G90 takes the same amount of time again to apply noise reduction, so for example at the 30 second setting the actual exposure takes 60 seconds.
Night |
Post Focus and Focus Stacking
Post Focus is a function that enables users to select the in-focus area after shooting simply by touching it on the LCD screen. The first three images show the effects of switching between the three memory cards.
The Post Focus Stacking function enables users to take multiple images of the same frame with different areas in focus, then combine all or selected focus areas into one image. The fourth image below shows the effect of merging the first three images into one stacked image.
Right |
Middle |
Left |
Focus Stacking |
Multiple Exposure
The Panasonic Lumix G90's Multiple Exposure mode combines two or three different pictures to create one composite image.
Multiple Exposure |
Photo Styles
The Panasonic Lumix G90 has eight preset Photo Styles, with Standard as the default setting. The contrast, sharpness, saturation and noise reduction can be individually set for each picture style, and there is also a Custom style so that you can create your own look.
Standard |
Vivid |
Natural |
Monochrome |
L.Monochrome |
L.Monochrome D |
Scenery |
Portrait |
Filters
The Panasonic Lumix G90 has an extensive range of Creative Filters with 22 different options on offer.
Expressive |
Retro |
Old Days |
High Key |
Low Key |
Sepia |
Monochrome |
Dynamic Monochrome |
Rough Monochrome |
Silky Monochrome |
Impressive Art |
High Dynamic |
Cross Process |
Toy Effect |
Toy Pop |
Bleach Bypass |
Miniature Effect |
Soft Focus |
Fantasy |
Star Filter |
One Point Color |
Sunshine |
Sample Images
This is a selection of sample images from the Panasonic Lumix G90 camera, which were all taken using the 20 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
1/160s · f/8 · ISO 200
24mm
Download Original
1/160s · f/8 · ISO 200
120mm
Download Original
1/320s · f/11 · ISO 200
24mm
Download Original
1/125s · f/11 · ISO 200
120mm
Download Original
1/3200s · f/5.6 · ISO 200
24mm
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1/4000s · f/5.6 · ISO 200
120mm
Download Original
1/80s · f/11 · ISO 200
24mm
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1/100s · f/11 · ISO 200
70mm
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1/60s · f/5.6 · ISO 500
24mm
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1/125s · f/5.6 · ISO 800
120mm
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1/125s · f/5.6 · ISO 1000
110mm
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1/800s · f/4 · ISO 200
24mm
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1/4000s · f/5.6 · ISO 200
106mm
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1/60s · f/3.5 · ISO 640
24mm
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1/125s · f/5.6 · ISO 1250
120mm
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1/400s · f/8 · ISO 200
24mm
Download Original
1/320s · f/8 · ISO 200
104mm
Download Original
1/250s · f/11 · ISO 200
24mm
Download Original
1/200s · f/11 · ISO 200
120mm
Download Original
1/125s · f/11 · ISO 200
24mm
Download Original
1/400s · f/11 · ISO 200
76mm
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1/320s · f/5.6 · ISO 200
24mm
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1/200s · f/8 · ISO 200
24mm
Download Original
1/320s · f/8 · ISO 200
104mm
Download Original
1/400s · f/8 · ISO 200
40mm
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1/250s · f/8 · ISO 200
24mm
Download Original
1/1300s · f/8 · ISO 200
24mm
Download Original
1/60s · f/11 · ISO 3200
24mm
Download Original
Sample RAW Images
The Panasonic Lumix G90 enables users to capture RAW and JPEG format files. We've provided some Panasonic RAW (RW2) samples for you to download (thumbnail images shown below are not 100% representative).
1/160s · f/8 · ISO 200
24mm
Download original
1/160s · f/8 · ISO 200
120mm
Download original
1/320s · f/11 · ISO 200
24mm
Download original
1/125s · f/11 · ISO 200
120mm
Download original
1/3200s · f/5.6 · ISO 200
24mm
Download original
1/4000s · f/5.6 · ISO 200
120mm
Download original
1/80s · f/11 · ISO 200
24mm
Download original
1/100s · f/11 · ISO 200
70mm
Download original
1/60s · f/5.6 · ISO 500
24mm
Download original
1/125s · f/5.6 · ISO 800
120mm
Download original
1/125s · f/5.6 · ISO 1000
110mm
Download original
1/800s · f/4 · ISO 200
24mm
Download original
1/4000s · f/5.6 · ISO 200
106mm
Download original
1/60s · f/3.5 · ISO 640
24mm
Download original
1/125s · f/5.6 · ISO 1250
120mm
Download original
1/400s · f/8 · ISO 200
24mm
Download original
1/320s · f/8 · ISO 200
104mm
Download original
1/250s · f/11 · ISO 200
24mm
Download original
1/200s · f/11 · ISO 200
120mm
Download original
1/125s · f/11 · ISO 200
24mm
Download original
1/400s · f/11 · ISO 200
76mm
Download original
1/320s · f/5.6 · ISO 200
24mm
Download original
1/200s · f/8 · ISO 200
24mm
Download original
1/320s · f/8 · ISO 200
104mm
Download original
1/400s · f/8 · ISO 200
40mm
Download original
1/250s · f/8 · ISO 200
24mm
Download original
1/1300s · f/8 · ISO 200
24mm
Download original
1/60s · f/11 · ISO 3200
24mm
Download original
Sample Movies & Video
This is a sample movie at the highest quality setting of 3840x2160 pixels at 30 frames per second. Please note that this 21 second movie is 231Mb in size.
This is a sample movie at the highest quality setting of 3840x2160 pixels at 25 frames per second. Please note that this 21 second movie is 239Mb in size.
This is a sample movie at the quality setting of 1920x1080 pixels at 50 frames per second. Please note that this 20 second movie is 67Mb in size.
Product Images
Conclusion
Panasonic have moved the Lumix G90 in a different direction to previous versions. They've added several major new features to make it more video-friendly, namely the unlimited recording time, free built-in V-Log L profile, slow-motion recording at 120fps, and the addition of a headphone jack, making it a great B-cam to accompany the flagship GH5/GH5s cameras.
There have also been some improvements on the stills side of things, too, most notably the latest 20 megapixel sensor with no low-pass filter, USB charging and power delivery, new Live View Composite mode, new dedicated buttons for white balance, ISO and exposure compensation, and Bluetooth connectivity. Whilst these are all nice-to-haves, there's definitely less to get excited about for stills photographers than for videographers in terms of new features.
Both user groups will be less than impressed by the price hike that all of these new features have warranted, with the G90's launch price jumping up some £$200 when compared to the G80's launch price back in 2017. With the street price of the G80 naturally now much lower, we feel that photographers who mainly shoot stills should definitely consider the older model if they can find one on sale, whilst videographers will definitely be best served by the new Lumix G90.
Ratings (out of 5) | |
---|---|
Design | 4.5 |
Features | 5 |
Ease-of-use | 4.5 |
Image quality | 5 |
Value for money | 4 |
Main Rivals
Listed below are some of the rivals of the Panasonic Lumix G90.
Canon EOS M5
The Canon EOS M5 is a brand new compact system camera that offers 24 megapixels, 9fps continuous shooting, Dual Pixel CMOS AF, full HD 60p high-definition videos, and a touch-screen interface. Other key features of the EOS M5 include a tilting 3-inch LCD screen, ISO range of 100-25600, and wi-fi and NFC connectivity. Is Canon's new mirrorless model the camera that enthusiasts have been waiting for? Read our Canon EOS M5 review to find out...
Fujifilm X-T100
The Fujifilm X-T100 is the latest mirrorless camera to hit the streets, combining the image quality of the entry-level X-A series cameras with the features and styling of the more premium X-T models, at a price that won't break the bank. Does it hit the right balance between those two ranges? Find out now by reading our detailed Fujifilm X-T100 review...
Fujifilm X-T30
Dubbed the Little Giant by Fujifilm, the new X-T30 mirrorless camera takes most of the things that we loved about the flagship X-T3 and packages them into a smaller, lighter body. It even has a few tricks up its sleeve that the X-T3 doesn't currently offer, most notably a more advanced auto-focusing system. Read our Fujifilm X-T30 review to find out how it compares to the X-T3 and the previous X-T20, and why you should definitely consider buying this new mid-range mirrorless camera...
Nikon D3400
The Nikon D3400 is a brand new entry-level DSLR camera. Key improvements to this latest model include extended battery life, SnapBridge support, a new kit lens and a lower price. Read our detailed Nikon D3400 review, complete with sample JPEG and raw images, test shots, videos and more...
Olympus OM-D E-M10 Mark III
The new Olympus OM-D E-M10 III is an evolutionary upgrade of 2015's E-M10 II camera, principally adding 4K video recording, the latest TruePic VIII processor, 121 AF points, 8.6fps continuous shooting and a revised control layout and menu system. Find out how it performs in our Olympus OM-D E-M10 Mark III review, complete with full-size sample photos (JPG and Raw), test shots, videos and more...
Panasonic Lumix DMC-G80
The Panasonic Lumix DMC-G80 is a new compact system camera that looks like a DSLR that's been shrunk in the wash. Read our in-depth Panasonic Lumix DMC-G80 review with sample photos, test shots, videos and more...
Sony A6400
The Sony A6400 is a new mirrorless camera with an APS-C size sensor and a cutting-edge auto-focusing system. With 24.2 megapixels, 4K movie recording, a touchscreen 180-degree LCD touchscreen, 11fps burst shooting, electronic viewfinder, built-in flash, and Wi-fi / Bluetooth / NFC connectivity, is this the best APS-C camera on the market? Read our Sony Alpha A6400 review to find out...
Specifications
TYPE | Type | Digital Single Lens Mirrorless camera | |
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Recording media | SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I / UHS-II UHS Speed Class 3 standard SDHC / SDXC Memory Cards.) |
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Image sensor size | 17.3 x 13.0 mm (in 4:3 aspect ratio) | ||
Lens mount | Micro Four Thirds mount | ||
IMAGE SENSOR | Type | Live MOS Sensor | |
Total pixels | 21.77 megapixels | ||
Camera effective pixels | 20.30 megapixels | ||
Color filter | Primary color filter | ||
Dust reduction system | Supersonic wave filter | ||
IMAGE STABILIZATION SYSTEM | Image sensor shift type (5-axis / 5.0-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm), when H-FS12060 is used.] Dual I.S. (X.X-stop* Dual I.S. 2 compatible) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=XXmm (35mm camera equivalent f=XXXmm), when H-XXXXXXX is used.] |
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RECORDING SYSTEM | Recording file format | Still image | JPEG (DCF, Exif 2.31), RAW |
4K PHOTO** | MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) Extracted still images: JPEG (DCF, Exif 2.31) |
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Motion picture | MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch) |
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File size (Pixels) | Still image | [4:3] 5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 3328x2496(4K PHOTO) [3:2] 5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 3504x2336(4K PHOTO) [16:9] 5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO) [1:1] 3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO) |
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Motion picture** MP4** | [4K] 3840x2160 4K/30p: 100Mbps [4K] 3840x2160 4K/25p: 100Mbps [4K] 3840x2160 4K/24p: 100Mbps [Full HD] 1920x1080 FHD/60p: 28Mbps [Full HD] 1920x1080 FHD/50p: 28Mbps [Full HD] 1920x1080 FHD/30p: 20Mbps [Full HD] 1920x1080 FHD/25p: 20Mbps [HD] 1280x720 HD/30p: 10Mbps [HD] 1280x720 HD/25p: 10Mbps |
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Motion picture** AVCHD Progressive** AVCHD** | [Full HD] 1920x1080 FHD/50p: 28Mbps, 50p recording [Full HD] 1920x1080 FHD/50i: 17Mbps, 50i recording [Full HD] 1920x1080 FHD/25p: 24Mbps, 50i recording (sensor output is 25fps) [Full HD] 1920x1080 FHD/24p: 24Mbps, 24p recording |
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High speed video** *When Creative Video Mode is selected. | MP4** | [Full HD] 1920x1080 30p, 20Mbps (Sensor output is 120fps / 100fps / 90fps / 75fps / 60fps / 50fps) | |
Aspect ratio | 4:3, 3:2, 16:9, 1:1 | ||
Image quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard | ||
Color space | sRGB, AdobeRGB | ||
Continuous recordable time (Motion picture)** | AVCHD [FHD/50p]: Approx. 100 min (rear monitor, LVF) with H-FS12060 / H-FSA14140 AVCHD [FHD/50i]: Approx. 110 min (rear monitor, LVF) with H-FS12060, Approx. 100 min (rear monitor, LVF) with H-FSA14140 MP4 [4K/30p, 4K/25p]: Approx. 90 min (rear monitor, LVF) with H-FS12060 / H-FSA14140 |
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Actual recordable time (Motion picture)** | AVCHD [FHD/50p]: Approx. 50 min (rear monitor, LVF) with H-FS12060 / H-FSA14140 AVCHD [FHD/50i]: Approx. 55 min (rear monitor, LVF) with H-FS12060, Approx. 50 min (rear monitor, LVF) with H-FSA14140 MP4 [4K/30p, 4K/25p]: Approx. 45 min (rear monitor, LVF) with H-FS12060 / H-FSA14140 |
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VIEWFINDER | Type | OLED Live View Finder | |
Pixels | Approx. 2,360k dots | ||
Field of view / Magnification | Approx. 100% / Approx. 1.48x / 0.74x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 | ||
Eye point / Diopter adjustment | Approx. 20 mm at infinity; -1.0 m-1 / -4.0 - +4.0 (dpt) | ||
Eye sensor | Yes | ||
REAR MONITOR | Type | OLED monitor with static touch control | |
Monitor size | Free-angle, 7.66cm (3.0-inch), 3:2 aspect | ||
Pixels | Approx. 1,040k dots | ||
Field of view | Approx. 100% | ||
FOCUS | Type | Contrast AF system | |
DFD technology | Yes | ||
Focus mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||
AF mode | Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) (Scalable AF frame size and flexible AF position) |
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AF detective range | EV -4 - 18 (F1.4, ISO100 equivalent, AFS) | ||
Starlight AF | Yes | ||
AF assist lamp | Yes | ||
AF lock | Yes (AF/AE LOCK button) | ||
Post Focus / Focus Stacking | Yes / Yes | ||
Others | AF Sensitivit, AF-ON, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock | ||
EXPOSURE CONTROL | Light metering system | 1728-zone multi-pattern sensing system | |
Light metering mode | Multiple / Center Weighted / Spot | ||
Metering range | EV 0 - 18 (F2.0 lens, ISO100 equivalent) | ||
Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual Exposure | ||
ISO sensitivity (Standard output sensitivity) | Still image: Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 (Changeable to 1/3 EV step) |
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Exposure compensation | 1/3 EV step, ±5EV (±3 EV for motion picture) | ||
AE lock | Yes (AF/AE LOCK button) | ||
WHITE BALANCE | White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 | |
White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||
Color temperature setting | 2500-10000K in 100K | ||
SHUTTER | Type | Focal-plane shutter | |
Shutter speed | Still image: Bulb (Max. 30 minutes), 1/4,000 - 60 Electronic first curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: 1/16,000 - 1 Motion picture: 1/16,000 - 1/25 |
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Live View Composite | 1/2 - 60 | ||
Self timer | 10sec, 3 images / 2sec / 10sec | ||
Remote control | Remote control by DMW-RS2 (sold separately) | ||
Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic) | ||
BRACKET | AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |
Aperture bracket | 3, 5 or all positions in 1 EV step | ||
Focus bracket | 1 to 999 images, focus steps can be set in 10 levels | ||
White balance bracket | 3 images in blue/amber axis or in magenta/green axis, color temperature setting | ||
PANORAMA SHOT | Yes (Standard / Wide) | ||
BURST SHOOTING | Burst speed | [Mechanical shutter / Electronic first curtain shutter] AFS/MF: H: 9 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-FS12060 is used. AFF/AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-FS12060 is used. [Electronic shutter] AFS/MF: H: 9 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFF/AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) |
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Number of recordable images | More than 45 images (when there are RAW files with the particular speed) More than 300 images (when there are no RAW files) (depending on memory card type, aspect, picture size and compression) |
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4K PHOTO** | Burst speed | 30 frames/sec | |
Exif information | Yes (Each JPEG image cropped out of the 4K burst file complies with EXIF.) | ||
TIME LAPSE SHOT | Yes | ||
STOP MOTION ANIMATION | Yes | ||
FLASH | Flash type | TTL Built-in-Flash, GN9.0 equivalent (ISO200 ・m) / GN6.4 equivalent (ISO100 ・m) (Reference), Built-in Pop-up | |
Flash mode | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ only. | ||
Synchronization speed | Less than 1/200 second | ||
Flash output adjustment | 1/3EV step ±3EV | ||
Flash synchronization | 1st. Curtain Sync., 2nd Curtain Sync. | ||
Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch | ||
LIVE VIEW | Digital zoom | 2x, 4x | |
Extra Tele Conversion | Still image: Max. 2x Motion picture: 2.7x (FHD), 4.0x (HD) |
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Other functions | Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Center Marker, Highlight display (Still image / motion picture), Zebra Pattern (Still image / motion picture) | ||
DIRECTION DETECTION FUNCTION | Yes | ||
FUNCTION BUTTON | REC | Wi-Fi / Q.MENU / Video Record / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot "4K PHOTO" / Operation Lock / Focus Ring Lock / Dial Operation Switch / Photo Style / Filter Effect / Aspect Ratio / Picture Size / Quality / AFS/AFF / Metering Mode / Burst Rate / 4K PHOTO / Self Timer / Bracket / Highlight Shadow / i. Dynamic / i. Resolution / Min. Shtr Speed / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Flash Setup / Ex. Tele Conv. / Digital Zoom / Stabilizer / E-Stabilization (Video) / I.S. Lock (Video) / 4K Live Cropping / Snap Movie / Motion Pic. Set / Picture Mode in Rec. / Sound Rec Level Adj. / Sound Rec Level Disp. / Mic. Directivity Adjust / Silent Mode / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Constant Preview / Live View Boost / Rec Area / Step Zoom / Zoom Speed / Exposure Comp. / Sensitivity / White Balance / AF Mode/MF / Rec/Playback Switch / Restore to Default | |
PLAY | Wi-Fi / LVF/Monitor Switch / Rec/Playback Switch / 4K PHOTO Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / RAW Processing / 4K PHOTO Bulk Saving / Off / Restore to Default | ||
PHOTO STYLE | Standard / Vivid / Natural / Monochrome / L. Monochrome / L. Monochrome D / Scenery / Portrait / Custom / Cinelike D / Cinelike V / V-LogL | ||
FILTER | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. |
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Direct print | PictBridge compatible | ||
INTERFACE | USB | USB 2.0 Micro-B | |
HDMI*** | Monitor-through | 4:2:2 8bit / 4:2:0 8bit | |
Playback | microHDMI TypeD / VIERA Link Video: Auto / 4K / 1080p / 1080i / 720p / 576p Audio: Stereo |
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Audio video output | No | ||
Remote input | φ2.5mm | ||
External microphone input | φ3.5mm Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). |
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Headphone output | φ3.5mm | ||
Microphone | Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). | ||
Speaker | Monaural | ||
WIRELESS | Wi-Fi | IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode | |
Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) | ||
LANGUAGE | OSD language | Japanese, English, German, French, Italian, Spanish | |
POWER | Battery | Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included) USB power supply, USB power charging |
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Battery life (CIPA standard) | Approx. 290 images (rear monitor), 290 images (LVF), 1000 images (Power Save LVF mode*) with H-FS1442A / H-FS12060 / H-FSA14140 *Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
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Battery grip | DMW-BGG1 (sold separately) | ||
DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 130.4 x 93.5 x 77.4 mm / 5.14 x 3.69 x 3.05 inch (excluding protrusions) | |
Weight | Approx. 533g / 1.18 lb (SD card, Battery, Body) Approx. 481g / 1.06 lb (Body only) Approx. 743g / 1.64 lb (SD card, Battery, H-FS12060 lens included) Approx. 798g / 1.76 lb (SD card, Battery, H-FSA14140 lens included) |
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DUST AND SPLASH RESISTANT* | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
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OPERATING ENVIRONMENT | Operating temperature | 0℃ to 40℃ (32°F to 104°F) | |
Operating humidity | 10%RH to 80%RH | ||
STANDARD ACCESSORIES | Software | Playback / Editing | ・ The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0AE is available for download at Panasonic website using computer connected to the Internet. https://panasonic.jp/support/software/photofun/download/d_pfs10ae.html (For Windows) ・ The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) |
Standard accessories | DC-G90 Kit / DC-G91 Kit Body Cap, Hot Shoe Cover, Battery Pack, Battery Charger (AC Adaptor, USB connection Cable included), USB Connection Cable, Shoulder Strap ・ Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet. |
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NOTE | ** About motion picture recording / 4K PHOTO recording - Use a card with SD Speed Class with "Class 4" or higher when recording motion pictures in [AVCHD] or [MP4 (under 28Mbps)]. - Use an SD memory card with SD Speed Class with "UHS-I / UHS-II UHS Speed Class 3 (U3)" when recording motion pictures with [MP4] in [4K] [High Speed Video] or [4K PHOTO]. (SD speed class is the speed standard regarding continuous writing.) - MP4 motion pictures with [MP4] in [4K]: - When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately. - When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. - MP4 motion pictures with [MP4] in [FHD] [HD]: - You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately. - When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down. *** For [4K] video output, use an HDMI cable that has the HDMI logo on it, and that is described as"4K compatible". |
News
The Panasonic Lumix G90 is a new mirrorless camera aimed at both amateur photographers and vloggers. Featuring a 20.3-megapixel Digital Live MOS sensor, the latest Venus Engine and 5-axis Dual I.S., the Panasonic G90 can record 4K 30p video for an unlimited time, with a 3.5mm headphone jack, headphone socket and V-Log L included.
The Panasonic G90 will be available in June 2019, with an anticipated retail price of £899.99 / €1,075.00 (Ireland) body only, £1,079.99 / €1,290.00 with a 12-60mm lens, or £1,259.99 / €1,505.00 with a 14-140mm lens.
Panasonic UK Press Release
Powerful and portable
Get the best of both worlds with the LUMIX G90
• Hybrid mirrorless camera with rugged design
• 5-axis Dual I.S.2 and high speed AF
• Unlimited 4K Video / Photo technology
5th April 2019 - Designed for high mobility and ease of use, the new LUMIX G90 features a range of functions perfectly primed for both photo and video.
With a 20.3-megapixel Digital Live MOS sensor, the latest Venus Engine and 5-axis Dual I.S. 2, the G90 is ready to record the action in a wide variety of different shooting situations.
Redesigned externally for maximum comfort and easy one-handed operation, the G90 is sealed to ensure splash and dust resistance.
An integrated OLED LVF (Live Viewfinder) combines with a free-angle 3.0-inch large OLED rear monitor for composition from every angle.
For videography, the G90 offers both 4K and Full HD video recording at a range of frame rates, with external recording available, along with a 3.5mm headphone jack and newly added headphone socket.
As with other LUMIX products, 4K Photo helps to capture fleeting moments, with newly added functions for the G90 including Sequence Composition and Auto Marking.
Bluetooth and Wi-Fi connectivity make sharing on the move simple, while USB charging allows for power boosts on the go.
High image quality and super-fast AF
The G90’s 20.3-megapixel Digital Live MOS sensor has been designed without low-pass filter to capture the largest amount of detail. Working in combination with the Venus Engine, images are rendered to appear natural, true-to-life and with a wide dynamic range.
For the sharpest shots, the LUMIX G90 includes 5-axis Dual I.S. (Image Stabiliser) 2 which combines OIS (Optical Image Stabiliser) with BIS (Body Image Stabiliser) to compensate for movement while shooting up to an equivalent of 5-stops shutter speed. 5-axis Dual IS 2 works for both photo and video, including 4K video for the smoothest possible footage.
High-speed autofocus (AF) acquisition of 0.07sec, along with high-speed burst shooting at 9fps (AF-S) or 6fps (AF-C) helps to capture sharp shots of fast-moving subjects. Using Depth From Defocus (DFD) technology, the G90 also tracks moving subjects, allowing the user to adjust the sensitivity settings to tailor the AF-behaviour to the shooting subject.
Face / Eye Detection AF automatically detects human faces for sharp eye focus, while other focusing modes include Pinpoint AF for targeting precise areas, Low Light AF which has been optimised for shooting when light levels drop, and Custom Multi AF which allows users to select blocks from 49 focus detection areas. For manual focusing, Focus Peaking is available.
Improved design and ergonomics
• New buttons for easy reach of key functions
• Redesigned grip for comfortable and stable shooting
• Splash/Dust-resistant design
The LUMIX G90 has been redesigned for easy one-handed operation. Three new buttons are located in-line on the top plate for adjusting exposure, ISO and white balance. Buttons on the back are positioned around the wheel dial for quick access to various settings in both shooting and playback. Front and rear dials enable direct setting and can be configured to individual preference.
Image composition is done via the large OLED Live Viewfinder with 2,360k-dot resolution, 100% field of view and 0.74x magnification or the three-inch OLED rear monitor with 1040k-dot resolution, free-angle movement and touch-sensitivity.
The rugged design of the G90 starts a body constructed of a magnesium alloy full die cast front frame and goes to a redesigned grip for more comfortable and stable shooting. To be ready in every condition, LUMIX G90 is splash/dust-resistant*1 thanks to sealing for every joint, dial and button.
*1 Dust and Splash Resistant does not guarantee that damage will not occur if the camera is subject to direct contact with dust and water.
Video functionality
The LUMIX G90 is a true hybrid camera, with equal importance given to its extensive video capability.
It can record unlimited 4K video (3840x2140) at 30p/25p (50Hz Area)/30p (60Hz) or 24p in addition to Full HD (1920x1080) at 60p/50p (50Hz Area), 60p (60Hz Area) with full-time AF. High Speed Video can also be utilised to record slow-motion video in Full HD at 120fps (1/4x), 90fps (1/3x) and 60fps (1/2x).
Real-time image output to an external monitor in 4:2:2 / 8-bit*1 via an optional micro HDMI cable is available, while V-Log L is pre-installed for wider dynamic range for colour rendering in post-production. Additionally, a 3.5mm microphone jack for high-quality audio recording is included, as well as a headphone socket.
The G90 features LUMIX’s well-known 4K Photo modes. Giving users the ability to extract fleeting moments at 30fps from a 4K video, it’s now even easier thanks to a new Auto Marking function which automatically detects frames with changes to the image. Sequence Composition has also been added for creating “stromotion” images by combining multiple images into one shot for a fun effect.
*1 4:2:0 8-bit recording on an SD Memory Card.
Creative controls
As well as providing Automatic, Semi-Automatic and Manual modes, the G90 features a range of options to help you unleash your creativity, including:
• Post Focus / Focus Stacking and Bracketing modes
• Versatile Photo Styles including dynamic monochrome
• Live View Composite Recording
Utilising the power of DFD (Depth From Defocus) AF technology and combining it with 4K Photo, the G90 gives you the option to change the focus point after the image has been taken (Post Focus Mode). You can also make use of the Focus Stacking function to adjust depth of field by combining multiple images. Users can also shoot a maximum of 999 images can be shot with different focus points using newly added Focus Bracketing, while Aperture Bracket allows for different depth of fields to be shot and selected from later.
Adding to the many Photo Styles known from LUMIX cameras, G90 allows to shoot dynamic monochrome images with emphasised highlights and shadows while preserving details. L.Monochrome D is added to standard Monochrome and L.Monochrome and provides even darker depth tones. All monochrome modes can be combined with a grain effect for filmic results.
Newly added Live View Composite Recording is useful for shooting fireworks or stars in the night sky. This function releases the shutter at designated intervals, combining areas of high brightness in a single picture, while keeping the background the same.
Powerful performance
A new power-saving function is introduced for the G90, automatically putting the camera to sleep after a set period of inactivity detected by the eye sensor. A half-press of the shutter button reawakens the camera ready for shooting, resulting in a long battery life of approximately 900 images per charge.*1
For even more power, a Battery Grip (DMW-BGG1) is also available. As well as increasing battery life, it adds a set of extra controls for more comfortable vertical shooting. Just like the G90, the DMW-BGG1 boasts a rugged, splash and dust resistant design.*2
Sharing your shots live from the scene has never been more important. With integrated Bluetooth 4.2 and Wi-Fi 2.4GHz you can update your friends and family no matter where you are. Bluetooth Low Energy enables a constant connection with minimal power consumption for simple and quick sharing, as well as optional automatic GPS tagging.
* Under the test conditions specified by Panasonic based on CIPA standard. When the sleep mode timer is set to 3 seconds.
*2 Dust and Splash Resistant does not guarantee that damage will not occur if the camera is subject to direct contact with dust and water.
Price and availability
The Panasonic LUMIX G90 will be available to buy from June 2019, with an anticipated retail price of £899.99 / €1,075.00 (Ireland) body only, £1,079.99 / €1,290.00 with a 12-60mm lens, or £1,259.99 / €1,505.00 with a 14-140mm lens.
Image Gallery
Click on a thumbnail to see the full version.
First Impressions
The Panasonic Lumix G90 (also known as the Lumix G95 in some territories) is a new hybrid mirrorless camera for enthusiast photographers and videographers, offering 20 megapixel resolution and using the Micro Four Thirds lens mount.
Despite recently launching the Lumix S1 full-frame camera system, Panasonic have underlined their ongoing commitment to the G-series Micro Four Thirds range by unveiling the new G90 just a couple of months later.
We were shown a pre-production version of the Lumix G90 / G95 by Panasonic ahead of today's launch. We've shot a big gallery of hands-on shots of the camera and spent some time getting to know the Lumix G90.
So read on for our detailed first impressions of the new Panasonic Lumix G90 mirrorless camera...
Key Specifications
Here's a list of the key specifications for the Lumix G90:
- 20.3 megapixels
- 5-Axis Dual IS, 5 stops
- 0.07s Auto-focusing, down to -4EV
- 2.36-million-dot, 0.39-inch OLED electronic viewfinder
- Free-angle 3-inch touchscreen LCD with 1.04-million-dot resolution
- ISO 100-25600
- 6fps burst shooting with continuous AF/AE, 9fps without
- 4K video at up to 30p, 100Mbps
- 4:2.2 8-bit via HDMI, 4:2.0 8-bit to SD card
- VLog L Profile included (no charge)
- 1080p video at 60fps
- 4x slow-motion video, 120fps at 1080/30p
- New Live View Composite mode for long exposures
- Headphone and MIC sockets
- Rear scroll wheel
- Dual control dials
- Pop-up flash
- Bluetooth and wi-fi connectivity
- Single SD memory card slot
- USB battery charging
- Dust/splash resistant
- 290-shot battery life
Design
Panasonic have tweaked the design of the Lumix G90, which offers a slightly different control layout to its predecessor, taking several design cues from the flagship G9 model. The G90 has been designed so that it can be used one-handed, important for Vloggers, with the button layout and chunky grip specially configured.
The G90 has inherited the three WB / ISO / EV buttons found on top of the G9, next to the shutter release button, a welcome addition that makes it a lot easier to change these key creative controls.
Also the G9's rear scroll wheel has been implemented in place of the G85's more traditional D-pad, while the G90 also greatly benefits from having not one, but two control dials, both of which can be customised.
The G9's AF joystick hasn't trickled down to the G90 though, something of a missed opportunity which is offered by one of the G90's main rivals, the Fuji X-T30.
There is now a new 3.5mm headphone socket, something that was missing on the previous G80 model and which will again be music to the ears (excuse the pun) of videographers.
The G90 has a dust and splash resistant design thanks to the magnesium alloy front frame and internal weather sealing.
Megapixels
The Lumix G90 has a very similar 20 megapixel sensor to the G9 (although they're not actually the same) and the two cameras share the same Venus Engine processor too, so expect to see very similar image quality from the Lumix G90 to the G9, which is certainly no bad thing. We'd expect Panasonic to adopt a 20 megapixel sensor for all their future G-series cameras, bringing the venerable 16 megapixel sensor to an end.
ISO Speed
The Lumix G90's highest native ISO speed is 25,600, just like the G9, and the lowest setting is ISO 200, which can be expanded to ISO 100.
Autofocusing
Another feature inherited from further up the G-series range is Panasonic's DFD contrast detection system, which the company claims results in a fast auto-focus response time of 0.07secs on the G90.
The camera also supports the now compulsory Eye AF, with the ability to switch between eyes, although the lack of an AF joystick is a missing feature that some other rival cameras offer, most notably the new Fujifilm X-T30.
As with other Panasonic cameras with touchscreens, the G90 offers both Touch AF and Touch Shutter functions, which somewhat mitigates the lack of an AF joystick (but not entirely).
Image Stabilisation
The G90 inherits the same 5-axis Dual IS system from the G9, which provides a healthy 5 stops of stabilisation, making the camera very usable in low-light, especially as it can focus down to -4EV.
Electronic Viewfinder
The Panasonic Lumix G90 has a large OLED viewfinder with 2.36-million-dot resolution, 100% field of view and 0.74x magnification.
LCD Screen
There's a 3-inch touchscreen free-angle display on the rear with 1.04-million-dot resolution, which can be flipped out to the side and rotated to face forwards, making it ideal for shooting from more unusual angles and also for vlogging.
Burst Shooting
The Lumix G90 can shoot at 6fps in AF-C mode or 9fps in AF-S mode for up to 30 Raw or 600 JPEG images in a single burst, respectable rather than class-leading.
4K Video
The Panasonic G90 is capable of shooting 4K video (3840x2160 pixels) at frame rates of 30p/25p/24p for an unlimited amount of time at 4:2.2 8-bit quality to an external HDMI recorder or 4:2.0 8-bit to the UHS-II SD card.
Full 1080p recording is also available up to 60fps, and there's up to 4x slow-motion recording too in Full HD quality.
The VLog L profile is included, which is actually a paid upgrade for the more expensive GH5 camera, and not available at all on the Lumix G9. It provides a very flat profile with an impressive 12 stops of dynamic range that's perfect for grading in post-production.
Live View Composite
Olympus users have enjoyed this feature for many years - now for the very first time it's making its debut on a Panasonic camera, giving you the ability to view a long exposure in real time on the LCD screen and the power to stop it when you think it's perfect.
Memory Card Slot
The new camera features a single UHS-II memory card slot, unlike the more expensive Lumix G9 model which has dual card slots.
Battery Life
The Lumix G90 provides a CIPA rated life of 290 shots, which isn't anything to write home about, but this can be boosted to a much more impressive 1,000 shots using the clever Power Save mode.
You can also recharge the camera via its Micro USB port, as well as using the supplied charger, and the same Battery Grip (DMW-BGG1) that's used by the previous G80 model is also compatible with the G90, so there's lots of ways to charge the G90.
Connectivity
The Panasonic Lumix G90 offers two different connectivity options:
- Bluetooth - creates a constant, low-power connection between the Lumix G90 and a smartphone/tablet to transfer images and video using the Panasonic smartphone app
- Wi-fi - remotely control the Lumix G90 via a wi-fi connection using a smartphone or tablet and the Panasonic app, and transfer images and video
Colours and Availability
The Panasonic Lumix G90 will be available in Black from June 2019.
UK Pricing
- Lumix G90 body only - £899
- Lumix G90 with XC 12-60mm lens - £1079
- Lumix G90 with XF 14-140mm lens - £1259
US Pricing
- Lumix G90 body only - $899
- Lumix G90 with 12-60mm lens - $1079
- Lumix G90 with 14-140mm lens - $1259
Initial Conclusion
The new Panasonic Lumix G90 offers quite a lot of the key features of the flagship G9 in a more portable and more affordable package - this is a camera designed to appeal to both stills photographers and videographers alike.
It upgrades the previous G80/G85 model (which still carries on in the range) in quite a lot of ways, resulting in a more full-featured camera that's easier to use, so if you're a fan of the G80, you'll definitely want to take a good look at this new version.
So what do you think? Leave a comment on the new Panasonic Lumix G90 mirrorless camera below...
Hands On
Want to see exactly what the new Panasonic Lumix G90 mirrorless camera looks like in the flesh?
Check out our extensive hands-on gallery of photos of the Panasonic Lumix G90 mirrorless camera, including all the menu screens and a side-by-side comparison with the Fujifilm X-T3.
A gallery of hands-on photos of the new Panasonic Lumix G90 mirrorless camera.
Image Gallery
Click on a thumbnail to see the full version.
Preview Images
Ahead of our full review, here are some sample images and videos taken with a final production version of the new Panasonic Lumix G90 mirrorless camera. The Panasonic Lumix G90 is a mid-range compact system camera that features a 20 megapixel sensor and free-angle touchscreen LCD.
A gallery of sample JPEG and Raw images and videos taken with the Panasonic Lumix G90 camera.
Panasonic Lumix G90 Sample Images
1/160s · f/8 · ISO 200
24mm
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1/160s · f/8 · ISO 200
120mm
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1/320s · f/11 · ISO 200
24mm
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1/125s · f/11 · ISO 200
120mm
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1/3200s · f/5.6 · ISO 200
24mm
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1/4000s · f/5.6 · ISO 200
120mm
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1/80s · f/11 · ISO 200
24mm
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1/100s · f/11 · ISO 200
70mm
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1/60s · f/5.6 · ISO 500
24mm
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1/125s · f/5.6 · ISO 800
120mm
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1/125s · f/5.6 · ISO 1000
110mm
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1/800s · f/4 · ISO 200
24mm
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1/4000s · f/5.6 · ISO 200
106mm
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1/60s · f/3.5 · ISO 640
24mm
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1/125s · f/5.6 · ISO 1250
120mm
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1/400s · f/8 · ISO 200
24mm
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1/320s · f/8 · ISO 200
104mm
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1/250s · f/11 · ISO 200
24mm
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1/200s · f/11 · ISO 200
120mm
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1/125s · f/11 · ISO 200
24mm
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1/400s · f/11 · ISO 200
76mm
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1/320s · f/5.6 · ISO 200
24mm
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1/200s · f/8 · ISO 200
24mm
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1/320s · f/8 · ISO 200
104mm
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1/400s · f/8 · ISO 200
40mm
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1/250s · f/8 · ISO 200
24mm
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1/1300s · f/8 · ISO 200
24mm
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1/60s · f/11 · ISO 3200
24mm
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Sample RAW Images
The Panasonic Lumix G90 enables users to capture RAW and JPEG format files. We've provided some Panasonic RAW (RW2) samples for you to download (thumbnail images shown below are not 100% representative).
1/160s · f/8 · ISO 200
24mm
Download original
1/160s · f/8 · ISO 200
120mm
Download original
1/320s · f/11 · ISO 200
24mm
Download original
1/125s · f/11 · ISO 200
120mm
Download original
1/3200s · f/5.6 · ISO 200
24mm
Download original
1/4000s · f/5.6 · ISO 200
120mm
Download original
1/80s · f/11 · ISO 200
24mm
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1/100s · f/11 · ISO 200
70mm
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1/60s · f/5.6 · ISO 500
24mm
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1/125s · f/5.6 · ISO 800
120mm
Download original
1/125s · f/5.6 · ISO 1000
110mm
Download original
1/800s · f/4 · ISO 200
24mm
Download original
1/4000s · f/5.6 · ISO 200
106mm
Download original
1/60s · f/3.5 · ISO 640
24mm
Download original
1/125s · f/5.6 · ISO 1250
120mm
Download original
1/400s · f/8 · ISO 200
24mm
Download original
1/320s · f/8 · ISO 200
104mm
Download original
1/250s · f/11 · ISO 200
24mm
Download original
1/200s · f/11 · ISO 200
120mm
Download original
1/125s · f/11 · ISO 200
24mm
Download original
1/400s · f/11 · ISO 200
76mm
Download original
1/320s · f/5.6 · ISO 200
24mm
Download original
1/200s · f/8 · ISO 200
24mm
Download original
1/320s · f/8 · ISO 200
104mm
Download original
1/400s · f/8 · ISO 200
40mm
Download original
1/250s · f/8 · ISO 200
24mm
Download original
1/1300s · f/8 · ISO 200
24mm
Download original
1/60s · f/11 · ISO 3200
24mm
Download original
Sample Movies & Video
This is a sample movie at the highest quality setting of 3840x2160 pixels at 30 frames per second. Please note that this 21 second movie is 231Mb in size.
This is a sample movie at the highest quality setting of 3840x2160 pixels at 25 frames per second. Please note that this 21 second movie is 239Mb in size.
This is a sample movie at the quality setting of 1920x1080 pixels at 50 frames per second. Please note that this 20 second movie is 67Mb in size.
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