Sigma 50-100mm F/1.8 DC HSM Art Review

August 19, 2016 | Amy Davies |

Sigma 50-100mm F/1.8 DC HSM Art Review Roundup

Reviews of the Sigma 50-100mm F/1.8 DC HSM Art from around the web.

the-digital-picture.com »

The Sigma 50-100mm f/1.8 DC HSM Art Lens will win no awards for its zoom focal length range, but as of review time, no zoom lens has a wider aperture. And, at the 100mm end of the range, there is no equal even among the prime lens offerings. The f/1.8 max aperture, available over the entire zoom range, makes this lens an extremely attractive option. It is especially attractive compared to the trio of prime lenses otherwise required to cover this range.
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lenstip.com »

When it comes to fixed focus lenses the last Sigma launches have been characterized by an excellent optics quality but quite classic parameters. A bit different situation might be observed in the segment of zoom lenses where Sigma is known for offering instruments with very original, unique parameters. It’s enough to mention here such models as the A 18–35 mm f/1.8 DC HSM designed for smaller sensors of the full frame A 24–35 mm f/2.0 DG HSM.
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dustinabbott.net »

The new Sigma 50-100mm f/1.8 DC HSM ART once again pushes the envelope by putting a very large maximum aperture (f/1.8) in a zoom lens that covers a number of key focal lengths. Is the 50-100 ART a lens for you?
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whatdigitalcamera.com »

Three years ago, Sigma provoked genuine excitement amongst photographers by developing the world’s first APS-C zoom with a maximum aperture of f/1.8 across its focal range. The Sigma 18-35mm f/1.8 DC HSM became a sought-after lens by those who fancied a fast wideangle to standard focal length lens at an attractive price, the only caveat with its design being that its use is strictly confined to those using APS-C sensor cameras. At the time of its release, there were suggestions that the lens might be the first in a series of fast f/1.8 zoom lenses from Sigma, but as the years rolled by it seemed like the 18-35mm f/1.8 DC HSM may have been a one off.
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