Panasonic Lumix DMC-LZ30 Review

Image Quality
Image quality is arguably the most important part of the test. If the camera can't create decent images then it's not worth getting, right? At full resolution, the Panasonic Lumix DMC-LZ30 records images around 4.5Mb in size. Drop that down to the normal compression and the pictures are around 3.15Mb.
Noise
What can we say about the noise results from the Panasonic Lumix DMC-LZ30? Mid-range tones and hilights look great. They're sharp, clean and well exposed. Then we look at the low key areas such as shadows and dark materials in the pictures. Our test shots show blotches of red and blue noise showing through at ISO 100. That's not good by all accounts. Move through to ISO 200 and the colour issues get worse in terms of volume, but not intensity.
At ISO 400, the blue and red seems to drop off, arguably combated by noise reduction software. However, if NR was at work, it would have done a better job so we wonder what it's been doing all this time. Image detail has started to degrade and sharp edges are starting to get broken down.
Move up to ISO 800 and the green drops off with just blue showing this time. Details are getting smudged about in a bid to remove salt and pepper noise. Primary colours are desaturated to try and cap the colour coming through. At ISO 1600 sharp edges are soft and squidgy while primary colours are barely there. Green noise is back which is just really odd.
ISO 100 (100% Crop) |
ISO 200 (100% Crop) |
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ISO 400 (100% Crop) |
ISO 800 (100% Crop) |
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ISO 1600 (100% Crop) |
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Focal Range
The focal length of the Panasonic Lumix DMC-LZ30 is 35x. That ranges from 25mm at the wide end to an eyebrow raising 875mm at the top end. There's also the option to increase that to 78.8x zoom using the Extra Optical Zoom function. It reduces the resolution to 3 megapixel and uses the centre of the sensor to bring the subject closer. It's a feature that's been available on some Canon high end compacts – such as the G series – for some years now.
25mm |
875mm |
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Sharpening
We don't normally see a difference in image quality when using the sharpening tools in editing suites such as Adobe Photoshop. This is because when the image goes through the processor, one of the things it does is sharpen the picture. Still, we saw a definite increase in sharpness on our test shots.
Original (100% Crop) |
Sharpened (100% Crop) |
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File Quality
The Panasonic Lumix DMC-LZ30 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
16M Fine (4.52Mb) (100% Crop) | 16M Normal (3.16Mb) (100% Crop) |
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Chromatic Aberrations
Chromatic aberration is seen easily on high contrast edges which are generally light over dark. They show as various colours and it happens because the camera hasn't focused all the colours of the spectrum on the sensor.
Chromatic Aberrations 1 (100% Crop) |
Chromatic Aberrations 2 (100% Crop) |
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Macro
There are two close focusing modes on the Panasonic Lumix DMC-LZ30. Panasonic say that the camera can get as close as 1cm but that's an ambiguous statement to make. It can only do that in Super Macro which cuts off the zoom function. Normal macro focuses further away and while the lens kept flashing the words 0.3m at us (30cm), we got to around 10cm.
Macro |
Macro (100% Crop) |
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Flash
At wide-angle, the Panasonic Lumix DMC-LZ30 does suffer from vignetting in the corners of the frame. It remains as you zoom in, but the camera can't focus on it as well, so it phases out to be barely noticeable. Our test was against a white wall. In normal shooting conditions, you won't see that. Adding flash stabilises the light and increases it slightly. However, it is an intelligent flash system and will work with the metering to give the impression of ambience.
Flash Off - Wide Angle (25mm) |
Flash On - Wide Angle (25mm) |
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Flash Off - Telephoto (875mm) |
Flash On - Telephoto (875mm) |
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The Panasonic Lumix DMC-LZ30 has a red-eye removal software program, so if you do get it. You can completely eliminate it. However, in our tests, we never got it and we think this is down to the fact that it's a pop up type. Because of the angle that the light enters the pupil, it doesn't bounce off the retina in a way that will reflect into the camera lens.
Forced On |
Forced On (100% Crop) |
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Auto/Red-eye Reduction |
Auto/Red-eye Reduction (100% Crop) |
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Night
We tested the Panasonic Lumix DMC-LZ30 using the Night scene mode and Program mode. Because of the camera's seeming inability to remove noise at low ISO, the processor has worked overtime on the long exposures of the night shots. In Night mode, the camera selects the ISO although in our test it chose ISO 100. Night mode does benefit from a longer shutter speed selection. In Program, the camera is limited to one second.
We did get to choose the white-balance setting in Program mode though and it shows with a much more balanced colour temperature.
Night Scene |
Night Scene (100% Crop) |
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Night Program |
Night Program (100% Crop) |
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Sample Images
This is a selection of sample images from the Panasonic Lumix DMC-LZ30 camera, which were all taken using the 16 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
1/250s · f/3.7 · ISO 100
71mm
Download Original
1/160s · f/3.8 · ISO 100
88mm
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1/320s · f/3.8 · ISO 200
88mm
Download Original
1/640s · f/3.8 · ISO 400
88mm
Download Original
1/200s · f/9.9 · ISO 800
88mm
Download Original
2/1s · f/3 · ISO 100
25mm
Download Original
1/80s · f/3.7 · ISO 100
65mm
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1/400s · f/9.9 · ISO 1600
88mm
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1/10s · f/3 · ISO 400
25mm
Download Original
1/160s · f/5.9 · ISO 400
875mm
Download Original
1/200s · f/3 · ISO 100
25mm
Download Original
1/200s · f/5.9 · ISO 100
875mm
Download Original
1/500s · f/3.9 · ISO 100
108mm
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1/400s · f/4.2 · ISO 100
379mm
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1/640s · f/3 · ISO 100
25mm
Download Original
1/250s · f/3.7 · ISO 100
65mm
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1/400s · f/3 · ISO 100
25mm
Download Original
1/125s · f/4.3 · ISO 100
423mm
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1/160s · f/5.9 · ISO 200
875mm
Download Original
1/60s · f/3 · ISO 200
25mm
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1/50s · f/3 · ISO 400
25mm
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1/250s · f/7.7 · ISO 100
25mm
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1/640s · f/5.9 · ISO 100
875mm
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1/640s · f/7.7 · ISO 100
25mm
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1/125s · f/4.5 · ISO 100
521mm
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1/400s · f/3.5 · ISO 100
55mm
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1/160s · f/5.9 · ISO 400
875mm
Download Original
1/160s · f/10.6 · ISO 100
203mm
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1/60s · f/3 · ISO 160
25mm
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1/40s · f/3.2 · ISO 400
35mm
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1/125s · f/4.4 · ISO 400
468mm
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1/640s · f/3.9 · ISO 100
108mm
Download Original
1/30s · f/3 · ISO 400
25mm
Download Original
1/100s · f/4.1 · ISO 100
203mm
Download Original
1/320s · f/5.9 · ISO 100
875mm
Download Original
1/60s · f/3 · ISO 200
25mm
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1/60s · f/3.2 · ISO 100
35mm
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1/60s · f/3.2 · ISO 200
35mm
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1/250s · f/3 · ISO 400
25mm
Download Original
1/160s · f/3.7 · ISO 100
65mm
Download Original
1/30s · f/3 · ISO 100
25mm
Download Original
1/8s · f/3 · ISO 800
25mm
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1/250s · f/7.7 · ISO 100
25mm
Download Original
1/640s · f/5.9 · ISO 100
875mm
Download Original
Sample Movie & Video
This is a sample movie at the quality setting of 1280 x 720 at 30 frames per second. Please note that this 33 second movie is 121Mb in size.
Product Images
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Front of the Panasonic Lumix DMC-LZ30 |
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Side of the Panasonic Lumix DMC-LZ30 |
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Side of the Panasonic Lumix DMC-LZ30 |
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Pop-up Flash |
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Rear of the Panasonic Lumix DMC-LZ30 |
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Rear of the Panasonic Lumix DMC-LZ30 / Image Displayed |
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Rear of the Panasonic Lumix DMC-LZ30 / Turned On |
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Rear of the Panasonic Lumix DMC-LZ30 / Quick Menu |
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Rear of the Panasonic Lumix DMC-LZ30 / Creative Controls |
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Rear of the Panasonic Lumix DMC-LZ30 / Scene Modes |
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Rear of the Panasonic Lumix DMC-LZ30 / Main Menu |
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Rear of the Panasonic Lumix DMC-LZ30 / Rec Menu |
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Rear of the Panasonic Lumix DMC-LZ30 / Motion Picture Menu |
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Rear of the Panasonic Lumix DMC-LZ30 / Setup Menu |
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Rear of the Panasonic Lumix DMC-LZ30 / Playback Menu |
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Rear of the Panasonic Lumix DMC-LZ30 / Creative Retouch Menu |
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Top of the Panasonic Lumix DMC-LZ30 |
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Bottom of the Panasonic Lumix DMC-LZ30 |
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Side of the Panasonic Lumix DMC-LZ30 |
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Side of the Panasonic Lumix DMC-LZ30 |
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Front of the Panasonic Lumix DMC-LZ30 |
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Memory Card Slot |
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Battery Compartment |
Conclusion
The Panasonic Lumix DMC-LZ30 is effortlessly easy to use because of its easy point and shoot approach. The controls follow a tried and tested formula that brings everything within easy reach of probing fingers. However, the Manual mode is available for anyone wanting to take their photography further and begin to understand about the fundamentals. The features of the Manual mode are extremely basic but the fact that they're there in the first place is a step forward.
On the outside, the DMC-LZ30 is built very well. It's solid enough to hold, doesn't weigh much, has a metal tripod bush and battery door locking switch. Our discovery of hard chromatic aberration shows that the lens isn't in the same place, quality-wise. The screen also sticks out of the body slightly, which can be an indication of a cheaper unit being used.
The image quality can either be summed up with one word, or we can give a longer, less crude opinion. The fact that the camera shows blue and red noise spots in our test is terrible. We even checked the sample images and they showed consistent results. This would be acceptable at ISO 800 or even 400 at a push. But to have such bad noise showing at ISO 100 is sub-standard. Aside from that, the LZ30 produces well exposed and sharp images. Although, the focusing is a bit slow. Once it's in the zone of finding the focus point, everything else has to wait.
Thank the lucky stars that the Panasonic Lumix DMC-LZ30 costs less than £160, because from an image quality point of view, it's not a very good camera. And this is a shame because the rest of it has been made well. You could argue that viewing the pictures at normal size will negate the noise issue because it's unlikely to be seen and it depends on how pedantic you want to be about it. As reviewers, we have to be pedantic in order to bring all the information and this is our Panasonic Lumix DMC-LZ30 summary: a well built, good looking, easy to use bridge superzoom camera with poor image quality at all settings. Take a close look at our test shots before making your own mind up about whether to buy this camera or not...
Ratings (out of 5) | |
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Design | 4 |
Features | 4 |
Ease-of-use | 4.5 |
Image quality | 3 |
Value for money | 3.5 |
Main Rivals
Listed below are some of the rivals of the Panasonic Lumix DMC-LZ30.
Canon PowerShot SX500 IS
The Canon PowerShot SX500 IS is a pocket-friendly super-zoom camera with a remarkable 30x zoom lens. The Canon SX500 also offers 16 megapixels, a 3-inch LCD screen, full manual controls and 720p HD movies. Read our expert Canon PowerShot SX500 IS review to find out if it's the right camera for you.
Fujifilm FinePix S4200
The new Fujifilm FinePix S4200 super-zoom camera boasts a 24x zoom lens, 14 megapixel sensor, 3 inch LCD screen and 720p movies, all for under under $150 / £150. Does the S4200 cut too many corners though? Find out by reading our in-depth Fujifilm FinePix S4200 review...
Nikon Coolpix L820
The Nikon Coolpix L820 is an affordable super-zoom compact camera with a 30x zoom lens. The 16 megapixel bridge-style Nikon L820 has a 3-inch LCD screen, 1080p movies and uses AA batteries. Read our Nikon Coolpix L820 review to find out if this is the right super zoom camera for you...
Olympus SP-720UZ
The Olympus SP-720UZ is an affordable new ultra-zoom compact camera, featuring a 26x zoom lens with a focal range of 26-676mm. Other key features offered by the SP-720 UZ include a 14 megapixel sensor, 1080p HD video recording, sensor-shift image stabilisation and a range of Magic Filters. Priced at £230, we find out if the Olympus SP-720UZ super-zoom is all the camera you'll ever need...
Pentax Optio X90
The Pentax Optio X90 is a brand new super-zoom compact camera featuring a 26x image-stabilized zoom lens with a focal range of 26-676mm. Successor to the X70 model, the X90 has a 12 megapixel sensor, 2.7 inch screen, full range of creative shooting modes and can record 720p HD movies. Retailing for £329.99 / $399.95, does the Pentax Optio X90 offer enough to match its super-zoom rivals? Gavin Stoker finds out in our Pentax Optio X90 review.
Samsung WB5000
The WB5000 / HZ25W is Samsung's first entry into the big boy world of all-in-one super-zoom cameras. Offering a 24x zoom lens with 26mm wide-angle setting, the WB5000 literally has most photographic subjects covered, for both 12 megapixel stills and 720p movies. Throw in a range of hand-holding smart modes for beginners and RAW format and Manual mode for advanced users, and Samsung could be onto a winner at their very first attempt. Read our expert Samsung WB5000 / HZ25W review to find out if Panasonic, Olympus et al have anything to fear...
Sony Cyber-shot DSC-H200
The Sony Cyber-shot DSC-H200 is a new superzoom compact camera that won't break the bank. The Sony H200 features a 26x 24-633mm lens, 20 megapixel CCD sensor, 720p HD video with stereo sound, 3-inch screen, and even a manual shooting mode. Read our expert Sony Cyber-shot DSC-H200 review to find out if it's the right super-zoom bridge camera for you...
Review Roundup
Reviews of the Panasonic Lumix DMC-LZ30 from around the web.
ephotozine.com »
The Panasonic Lumix DMC-LZ30 was launched in January 2013 and is a mid-range ultra-zoom bridge camera, with 35x optical zoom lens, manual controls, optical image stabilisation and it uses AA batteries. It is available for £149.00.
Read the full review »
Specifications
Dimensions (W x H x D) (Approx.) |
123.8 x 83.7 x 91.4 mm |
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Weight (Approx.) |
465 g (1.03 lb) without Battery and SD Memory Card |
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Camera Effective Pixels | 16.1 Megapixels | ||||||||
Sensor Size / Total Pixels / Filter | 1/2.3-inch CCD sensor / 16.4 Total Megapixels / Primary Color Filter | ||||||||
Aperture | F3.0 - 5.9 / 2-step (F3.0 / 7.7 (W), F5.9 / 15.3 (T)) | ||||||||
Optical Zoom | 35x | ||||||||
Focal Length |
f = 4.5 - 157.5 mm (25 - 875 mm in 35 mm equiv.) (30 - 1,050 mm in 35 mm equiv. in video recording) |
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Extra Optical Zoom (EZ) | 44.2x (4:3 / 10M), 63.0x (4:3 / 5M), 78.8x (4:3 / under 3M) | ||||||||
Lens |
14 elements in 10 groups (1 Aspherical Lens / 2 Aspherical Surfaces, 3 ED Lenses) |
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Optical Image Stabilizer | O.I.S. (On / Off) | ||||||||
Digital Zoom | Max. 4x | ||||||||
Focusing Area |
Normal: Wide 30 cm - infinity / Tele 200 cm - infinity Macro / Intelligent Auto / Motion Picture: Wide 1 cm - infinity / Tele 150 cm - infinity |
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AF Assist Lamp | Yes (On / Off) | ||||||||
Focus | Normal / AF Macro / Zoom Macro, Continuous AF (On / Off), AF Tracking | ||||||||
AF Metering | Face / AF Tracking / 1-area / 9-area / Spot | ||||||||
Shutter Speed | Approx.15 - 1/2,000 sec | ||||||||
Recording File Format |
Still Image: JPEG (DCF / Exif 2.3) Motion Picture: QuickTime Motion JPEG |
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Rec Mode (Mode Button) | Intelligent Auto, P (Program), M (Manual), Creative Control, Scene, Portrait, Scenery, Sports | ||||||||
Creative Control | Expressive, Retro, High Key, Low Key, Sepia, Dynamic Monochrome, Impressive Art, High Dynamic, Cross Process, One Point Color | ||||||||
Still Image Scene Mode |
Panorama Shot, Night Portrait, Night Scenery, Food, Baby*, Sunset, High Sensitivity, HDR * Birthday only. |
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Continuous Shooting Mode |
Full-resolution Image: Approx. 1 frame / sec High-speed Burst: Approx. 3 frames / sec (recorded in 3M for 4:3, 2.5M for 3:2, 2M for 16:9, 2.5M for 1:1) |
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Motion Picture Recording*1 |
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Exposure | Program AE, Manual | ||||||||
Exposure Compensation | 1/3 EV step, ±3 EV | ||||||||
Auto (AE) Bracketing | 1/3 - 2 EV step, Max. ±2 EV, 3 frames | ||||||||
Light Metering | Multiple / Center Weighted / Spot | ||||||||
ISO Sensitivity (Standard Output Sensitivity) |
Auto / 100 / 200 / 400 / 800 / 1600 High Sensitivity Mode (ISO1600 - 6400) |
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Still Image Recording |
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Image Quality | Fine / Standard | ||||||||
White Balance | Auto / Daylight / Cloudy / Shade / Incandescent / White Set / White Balance Adjustment (Except Auto) | ||||||||
Color Mode | Standard, Black & White, Sepia, Vivid | ||||||||
Digital Red-Eye Correction (Red-Eye Removal) |
Yes | ||||||||
Self Timer | 2 sec / 10 sec | ||||||||
Playback Mode | Normal Play, Slide Show, Category Selection, Calendar | ||||||||
Thumbnails / Zoomed Playback |
12, 30 thumbnails / Yes |
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Calendar Display | Yes | ||||||||
Show Histogram | Yes | ||||||||
Set Protection | Yes | ||||||||
Retouch | Creative Retouch | ||||||||
Resize / Cropping |
Yes / Yes |
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Copy | Yes | ||||||||
PictBridge Support | Single / Multi / All | ||||||||
OSD Language |
English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Russian, Chinese (Traditional), Chinese (Simplified), Netherlandic, Thai, Turkish, Portuguese, Arabic, Persian, Japanese, Swedish, Danish, Finnish, Greek, Vietnamese, Hindi * Check the website of Panasonic sales company in your country / region or ask customer support for details of the OSD language available on the products sold in your country / region. |
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LCD |
3.0" (7.5 cm) TFT Screen LCD Display (460K dots) Field of View: Approx. 100% Auto Power Monitor Mode, Power Monitor Mode, High-angle Mode |
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Built-in Flash |
Auto, Auto / Red-eye Reduction, Forced On, Slow Sync. / Red-eye Reduction, Forced Off 0.6 - 10.0 m (Wide / ISO Auto), 1.5 - 5.0 m (Tele / ISO Auto) |
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Recording Media | Built-in Memory, SD Memory Card, SDHC Memory Card, SDXC Memory Card | ||||||||
Built-in Memory | Approx. 100 MB | ||||||||
Microphone / Speaker | Mono / Mono | ||||||||
Interface | AV Output, USB (AV / USB Multi) | ||||||||
Power | Alkaline AA Battery / Ni-MH Battery x 4 | ||||||||
Battery Life*2 (Approx.) |
380 pictures (AA Battery) (CIPA Standard) | ||||||||
Included Software |
PHOTOfunSTUDIO 9.0 LE, Adobe Reader | ||||||||
Standard Accessories |
Alkaline AA Battery × 4, AV Cable, USB Cable, Shoulder Strap, CD-ROM, Lens Cap, Lens Cap String * Check the website of the Panasonic sales company in your country or region for details on the standard accessories on the products that are available in your market. |
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