Fujifilm FinePix S9200 Review

April 18, 2014 | Mark Goldstein |

Introduction
Ease of Use
Image Quality
Sample Images
Product Images
Rating & Conclusion
Main Rivals
Specifications
Comment
More…

Introduction

The Fujifilm FinePix S9200 is a new ultra-zoom bridge camera. Looking and handling very much like a DSLR, the Fujifilm S9200 boasts a 50x zoom lens which covers a 35mm equivalent focal range of 24-1200mm and features 3-stop lens-shift image stabilisation. Other highlights of the Fujifilm S9200 include a 1/2.3-inch 16.4 megapixel backlit CMOS sensor, a 3-inch 460k-dot LCD monitor, 201k-dot electronic viewfinder, and full 1080p HD movie recording at up to 60fps with stereo sound and 5-Axial image stabilisation. In addition there's an ISO range of 100-12,800, continuous shooting at 10fps, High Speed movie capture at 480fps, a customisable Function button, and full manual controls. The Fujifilm FinePix S9200 is available now for £269.99 / $349.99 in the UK / US respectively.

Ease of Use

The Fujifilm FinePix S9200 is identical to the slightly more expensive S9400W model, which additionally offers built-in wi-fi connectivity. The S9200 looks and handles very much like a DSLR camera, measuring 122.6 (W) x 86.9 (H) x 116.2(D) mm and weighing 670g with the battery and memory card fitted. Designed as a do-it-all camera for both beginners and more experienced users, the Fujifilm FinePix S9200 is more than weighty and well built enough to withstand a few knocks. The moulded curves of the body and shiny black finish deliver a purposeful look that is as aesthetically pleasing as it is practical, with nice chunky controls, an ergonomic control layout that allows both quick and easy access to functions, and a very deep hand-grip with a well-thought-out indentation into which a fore-finger slots comfortably.

At the heart of the S9200 is a non-interchangeable 50x zoom lens. This incredibly versatile lens offers a focal range starting at an ultra-wide 24mm and finishing at an ultra-telephoto 1200mm, which, as Fujifilm cannily point out, would take at least two super-zoom DSLR lenses to offer similar reach. Throw in the 1cm Super Macro Mode and impressive maximum apertures of a bright f/2.9 at 24mm wide-angle to a slightly slower f/6.5 at 1200mm telephoto, and it's clear that the S9200 is perfectly suited for any subject that you can think of, near or far.

To help avoid blur resulting from camera shake when shooting in low light or hand-holding the camera at the telephoto extremity of the zoom, Fujifilm have added a 'belt and braces' solution of high ISO sensitivity, stretching up to ISO 12,800 at full resolution, a built-in mechanical stabilizer with Continuous or Shooting Only modes, and digital image stabilisation too if required. Activated via the IS Mode menu option, you can set the system to Continuous, Shooting Only, either mode with the addition of digital stabilisation, or Off. Note that the camera will only automatically adjust the ISO speed when using the Auto shooting mode - in the other modes the ISO speed that you select will always be used, so only the mechanical sensor-shift part of the system is used.


Front	Rear

From the front of the Fujifilm S9200 the large optically stabilised zoom lens dominates proceedings, with a push-on lens cap and retaining strap provided in the box. Above the lens and extending out across the lens barrel, which boasts a textured surround allowing you to get a good firm grip, is a sloping ridge that conceals the pop-up flash (when not in use), which is activated via a dedicated button positioned on the right. Still viewing the S9200 from the front, the stereo sound speakers are positioned just behind the pop-up flash. There's a familiar dual purpose AF-assist illuminator and self-timer lamp to the left of the lens, and located on the right is a clever control that make zooming with the massive 50x lens more intuitive. The S9200 has a a side lever that allows you to smoothly operate the zoom with your left hand, leaving your right hand free to operate the shutter button. You can also assign one of two levels of zoom speed to this lever, with the fastest zooming in/out in just two seconds.

Looking down on top of the Fujifilm FinePix S9200 when viewed from the rear, there's a clearly labeled and logically laid out control set. Slide the On/Off switch to turn the Fujifilm FinePix on, and the rear LCD or electronic viewfinder – depending on which one you previously had selected – blinks into life, a process taking only around a second. The Fujifilm FinePix S9200 is quick to determine focus and exposure with a half press of the shutter button, only taking 0.3 seconds to lock onto the subject in ideal lighting conditions. Both JPEGs and RAW files are quickly committed to SD / SDHC / SDXC memory in single-shot mode with only 0.5 second pause between each one.

The S9200 has a chunky, ridged shooting mode dial which is reminiscent of those found on, yes you've guessed it, DSLR cameras. Ranged around the dial, which turns with just the right amount of resistance for it to lock firmly into place at each setting, are the expected shooting options, such as full auto, program, shutter priority, aperture priority and manual modes, along with a customizable mode via which favoured shooting settings can be saved for rapid access, plus a scene position mode that's pre-optimised for common subjects.


Front	Side

In addition, there are several more shooting modes that are particularly noteworthy. First up is the SR Auto mode, which is an 'auto everything' scene recognition mode. Although far from infallible - if you're not paying close attention and it's presented with a busy scene it will call up landscape when macro is needed and vice versa – it instantly makes the S9200 more beginner friendly, automatically recognising 10 basic scenes and applying the right mode.

Next is the rather misleadingly named Advanced mode, which actually has five options that are well suited to all experience levels. The first shooting mode is the Advanced Filter, which as the name suggests houses a range of artistic filters that can be applied to your photos as you take them. The Pro Low-light mode uses multi-bracketing technology, taking a series of four high sensitivity/low-noise shots in quick succession and combining them into an image with less noise than the single exposures. In the HDR advanced mode the Fujifilm FinePix S9200 can combine three seperate images into one with greater dynamic range. The Natural Flash mode takes one shot with flash and one without at the same time, while the Zoom Bracketing mode takes three shots with a single press of the shutter button, at varying degrees of magnification (original, 1.4x and 2.0x).

The final shooting mode on the top dial is the Panorama option, clearly inspired by Sony's popular Sweep Panorama function. This lets you capture a 120, 180 or 360 degree panoramic image very easily without the use of a tripod. All you need to decide is whether you would like to start from left or right, top or bottom, then press and hold down the shutter release while doing a "sweep" with the camera in hand. Exposure compensation is available before you start the sweep, with the exposure fixed once you depress the shutter button. After you are done with the sweeping, the camera does all the processing required, and presents you with a finished panoramic image.

Although undoubtedly fun, there are a few catches. The final panorama is of relatively low resolution, and if you do the sweeping too slowly, or you let go of the shutter release button too early, the panorama will be truncated. If the exposure varies throughout the scene, then some areas will be over or under exposed, depending upon the exposure value that was chosen as the panorama was started. Finally, people and indeed anything that moves in the frame are recorded as several ghost outlines, which means that you can really only record static, empty scenes, something that Sony have solved in the latest iteration of their Sweep Panorama feature.


Top	Pop-up Flash

Next to the Exposure Compensation button is the rather innocent-looking Continuous Shooting button. Pressing this button brings up six options - Off, Continuous H, Continuous M, Continuous L, Best Frame Capture, SuperHigh 1 and SuperHigh 2. The Continuous H option shoots at 10fps for 10 frames at full resolution, the Continuous M option at 5fps for 10 frames, and the Continuous L option at 3fps for 10 frames. The SH1 option takes 60fps for 60 frames (1080 x 960 pixels) while SH2 shoots at 120fps for 60 frames (640x480 pixels). Forward of these two controls is the main shutter release button encircled by a responsive, protruding zoom lever.

Moving to the rear of the Fujifilm FinePix S9200, your attention is immediately drawn to the large 3-inch monitor, which curiously only offers 97% scene coverage, not 100% as you'd expect, and a reasonable resolution of 460K dots. Above the LCD screen is a small button for swapping the display between monitor and the 201k-dot resolution electronic viewfinder, again complete with 97% scene coverage, and asurrounding eyecup. The EVF also has its own dioptric correction wheel to its immediate left, which is far less stiff and physically larger than found on competing models, meaning that for the myopic adjustment can be made in a fraction of a second. The viewfinder display is rather small and dim, making the temptation to predominantly utilise the LCD screen below almost overwhelming.

To the right of the Fujifilm FinePix S9200's LCD screen is the one-touch movie record button. The S9200's full 50x zoom range can be accessed in the Motion JPEG format movie mode, with the S9200 offering full 1920x1080 pixel footage at up to 60 frames per second with constantly adjusting auto exposure and auto-focus with stereo sound. You can also manually focus during movie shooting. It can record video clips up to 29 minutes long for the 1920x1080 and 1280x720 pixel formats, with longer times available for VGA and SVGA modes. The dedicated Movie button on the rear makes it quick and easy to shoot a movie without missing the start of the action, and there's a mini-HDMI port for connection to a HDTV (cable not supplied). You can select one of the Film Simulation or Advanced Filter modes to give your footage a more creative look, and there's the option to take a still photo at any time during movie recording.

In addition to these "normal" movie modes, the S9200 also offers several high-speed modes. There are three different speeds on offer - 480, 240 and 120fps, with the file size varying from 320x120 to 640x480 pixels. This slow-motion effect is initially very appealing and sure to impress your friends, but there are some drawbacks to be aware of. Sound isn't recorded at all, horizontal bands can appear as the lighting fluctuates, and the actual sizes of the recorded movies are pretty small.


Front	Memory Card Slot

Underneath that is a self-explanatory playback button for quickly viewing captured images. Below that again is a familiar four-way controller with a dual-purpose menu/OK button at its centre. Ranged at north, south, east and west around this control are variously, the customisable Function button which can be set to one of 10 key options (also doubling up as a file deletion button when in playback mode), the various flash modes, the self timer options, and shifting focus from infinity to either macro or super macro. The rather thin scroll wheel is used to set the aperture/shutter speed in the advanced shooting modes.

Press the Menu button in the shooting mode and you get a comprehensive choice of options from two main folders, Shooting and Set-Up, with up to 6 screens containing 6 icons per screen. Most of the options are the "set once and forget" kind, so you won't have to dip into the menu system too often. Below the navigation pad is a dual-purpose control marked Display/Back that switches between the various LCD modes and also allows you to retrace your steps at any point.

The right hand flank of the Fujifilm FinePix S9200 features a chunky rubber flap hiding the mini-HDMI port and the regular USB / AV out sockets. The base of the Fujifilm FinePix S9200 features a screw thread for a tripod, sadly made of plastic and not in line with the lens barrel, and a sliding door hiding the compartment for the batteries and the SD / SDHC / SDXC card slot. The S9200 use AA-type batteries, with battery life ranging from 300-700 shots depending upon which type you use. There are recessed metal eyelets on either side of the body for attaching the provided shoulder strap.

Image Quality

All of the sample images in this review were taken using the 16 megapixel Fine JPEG setting, which gives an average image size of around 6Mb.

The Fujifilm FinePix S9200 produced images of above average quality during the review period. It handled noise fairly well, with some noise already appearing at the relatively slow speed of ISO 200 and then becoming progressively worse at ISO 400 and ISO 800. The fastest full-resolution settings of ISO 1600 and 3200 suffer from a loss of fine detail and colour saturation, while the headline-grabbing settings of ISO 6400 and 12800 are very noisy indeed. Chromatic aberrations were well controlled, with limited purple fringing effects appearing only in high contrast situations. The 16 megapixel images were just a little soft straight out of the camera at the default sharpen setting.

Macro performance is excellent, allowing you to focus as close as 1cm away from the subject when the lens is set to wide-angle. Commendably barrel distortion is well controlled even at the 24mm focal length. The built-in flash worked well indoors, with no red-eye and adequate overall exposure, although there is noticeable vignetting at 24mm. The anti-shake system works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the zoom range. The maximum shutter speed of 30 seconds allows the cameras to capture enough light for most after-dark situations.

The Pro Low-Light scene mode produces better image clarity at high ISO levels at the expense of a loss of fine detail, while the HDR mode effectively produces images with greater dynamic range. The Sweep Panorama mode works largely as advertised, making it simple to take hand-held low-light and wide-vista shots, although there is a clear ghosting effect around any moving subjects. The range of Advanced Filters provide some creative control over your JPEGs.

Noise

There are 8 ISO settings available on the Fujifilm FinePix S9200. Here are some 100% crops which show the noise levels for each ISO setting.

ISO 100 (100% Crop)	ISO 200 (100% Crop)


ISO 400 (100% Crop)	ISO 800 (100% Crop)


ISO 1600 (100% Crop)	ISO 3200 (100% Crop)


ISO 6400 (100% Crop)	ISO 12800 (100% Crop)

Focal Range

The Fujifilm FinePix S9200's 50x zoom lens provides an astonishing focal range of 24-1200mm in 35mm terms, as demonstrated below.

24mm	1200mm

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little bit soft at the default sharpening setting, but don't really benefit from further sharpening in a program like Adobe Photoshop.

Original (100% Crop)	Sharpened (100% Crop)


Original (100% Crop)	Sharpened (100% Crop)

File Quality

The Fujifilm FinePix S9200 has 2 different JPEG image quality settings available, with Fine being the highest quality option, and it supports the RAW format too. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

Fine	Normal

Chromatic Aberrations

The Fujifilm FinePix S9200 handled chromatic aberrations well during the review. A little purple fringing was present around the edges of objects in high-contrast situations, as shown in the examples below.

Chromatic Aberrations 1 (100% Crop)	Chromatic Aberrations 2 (100% Crop)

Macro

The Fujifilm FinePix S9200 has two macro modes. The standard macro can focus as close as 7cm at wide-angle and 1.3m at full zoom. Go into super-macro and you can close into 1cm. However, the zoom is disabled in this mode.

Macro	Macro (100% Crop)

Flash

The flash settings on the Fujifilm FinePix S9200 are Auto, Forced Flash, Suppressed Flash, Slow Synchro, and any of those modes combined with Red-eye Reduction. These shots of a white coloured wall were taken at a distance of 1.5m.

Flash Off - Wide Angle (24mm)	Flash On - Wide Angle (24mm)


Flash Off - Wide Angle (1200mm)	Flash On - Wide Angle (1200mm)

And here are some portrait shots. Neither the Auto or Red-eye reduction mode caused any amount of red-eye.

Flash On	Flash On (100% Crop)


Red Eye Reduction	Red Eye Reduction (100% Crop)

Night

The Fujifilm FinePix S9200's maximum shutter speed is 30 seconds, which is great news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 30 seconds at ISO 100.

Night	Night (100% Crop)

Anti Shake

The Fujifilm FinePix S9200 has an anti-shake mechanism, which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, we took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results.

Shutter Speed / Focal Length	Anti Shake Off (100% Crop)	Anti Shake On (100% Crop)
1/50th / 24mm

1/10th / 1200mm

Intelligent Digital Zoom

The Intelligent Digital Zoom function can digitally boost the optical 50x zoom up to 100x, the equivalent of a 2400mm focal length!

50x	50x (100% Crop)


100x	100x (100% Crop)

Advanced Filter

The Advanced Filter mode on the Fujifilm FinePix S9200 offers 10 artistic special effects to help customise the look of your images as you take them.

Toy Camera	Miniature


Pop Color	High-Key


Low-Key	Dynamic Tone


Fish-Eye	Soft Focus


Cross Screen	Partial Color (Red)

Pro Low-Light

The Fujifilm FinePix S9200's Pro Low-Light advanced mode produces better image clarity at high ISO levels, with the camera automatically taking a series of four high sensitivity/low-noise shots in quick succession which are then combined together using in-camera processing into an image with less noise than the single exposures. The main drawback is a noticeable softening of fine detail.

Pro Low-Light Off	Pro Low-Light On

Film Simulation Modes

The Fujifilm FinePix S9200 offers three different film simulation modes to help replicate the look of your favourite film stock from the past.

Standard	Chrome


Black & White

Panorama Mode

The Fujifilm FinePix S9200 allows you to take panoramic images very easily by 'sweeping' with the camera while keeping the shutter release depressed. The camera does all the processing and stitching, and there are three views available. The main problems are that the resulting image is of fairly low resolution - 1080 pixels high and 5760 pixels wide for the 360 degree image - and moving objects are recorded as "ghost" images.

120 Degrees

180 Degrees

360 Degrees

Sample Images

This is a selection of sample images from the Fujifilm FinePix S9200 camera, which were all taken using the 16 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Ratings (out of 5)
Design	3.5
Features	3.5
Ease-of-use	4
Image quality	3.5
Value for money	3.5

Model	FinePix S9200
Effective Pixels	16.2 million pixels
Sensor type	1/2.3-inch CMOS with primary colour filter Total number of pixels: 16.79 million pixels
Storage media	Internal memory (approx. 38MB) SD / SDHC / SDXC (UHS-I) memory card^*1
File format	still image JPEG (Exif Ver 2.3)^*2 / (Design rule for Camera File system compliant / DPOF-compatible) movie Movie File Format : MOV Movie Video Compression : H.264 Audio : Linear PCM Stereo
Number of recorded pixels	L : (4:3) 4608 x 3456 / (3:2) 4608 x 3072 / (16:9) 4608 x 2592 / (1:1) 3456 x 3456 M : (4:3) 3264 x 2448 / (3:2) 3264 x 2176 / (16:9) 3264 x 1840 / (1:1) 2432 x 2432 S : (4:3) 2304 x 1728 / (3:2) 2304 x 1536 / (16:9) 1920 x 1080 / (1:1) 1728 x 1728 <Motion Panorama> 360° Vertical : 11520 x 1624 Horizontal : 11520 x 1080 180° Vertical : 5760 x 1624 Horizontal : 5760 x 1080 120° Vertical : 3840 x 1624 Horizontal : 3840 x 1080
	name Fujinon 50x optical zoom lens focal length f=4.3mm - 215mm, equivalent to 24 - 1200mm on a 35mm format full-aperture F2.9 (Wide) - F6.5 (Telephoto) constitution 17 elements in 12 groups (includes 3 aspherical and 2 extra low dispersion elements)
Digital zoom	Intelligent digital zoom approx. 2.0x (up to approx. 100x, with 50x optical zoom)
Aperture	F2.9 / F8.4 (Wide) F6.5 / F7.8 / F19.0 (Telephoto) with ND filter
Focus distance (from lens surface)	Normal Wide : approx. 40cm to infinity / 1.3 ft. to infinity Telephoto : approx. 3.5m to infinity / 11.4 ft. to infinity Macro Wide : approx. 7cm - 3.0m / 2.7 in. - 9.8 ft. Telephoto: approx. 3.5m - 5.0m / 11.8 ft. - 16.4 ft. Super Macro Wide : approx. 1cm - 1.0m / 0.3 in. - 3.2 ft.
Sensitivity	AUTO / AUTO (400) / AUTO (800) / AUTO (1600) / AUTO (3200), Equivalent to ISO 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Standard Output Sensitivity)
Exposure control	TTL 256-zone metering, Spot, Multi, Average
Exposure mode	Programmed AE, Shutter priority AE, Aperture priority AE, Manual exposure
Shooting modes	SP Portrait, Baby, Smile & Shoot, Landscape, Sport, Night, Night (Tripod), Fireworks, Sunset, Snow, Beach, Party, Flower, Text MODE DIAL SR AUTO, AUTO, Adv., SP, Panorama, P, S, A, M, Custom
Image stabilisation	Lens shift type
Exposure compensation	-2.0EV - +2.0EV 1/3EV step
Shutter speed	(Auto mode) 1/4 sec. to 1/1700 sec., (All other modes) 8 sec. to 1/1700 sec. with mechanical shutter
Continuous shooting	TOP H : approx. 10 fps max. 10 frames M : approx. 5.0 fps max. 10 frames L : approx. 3.0 fps max. 10 frames SH1 : approx. 60 fps max. 60 frames (Max. number of recorded pixels : 1080 x 960) SH2 : approx. 120 fps max. 60 frames (Max. number of recorded pixels : 640 x 480) LAST - Best Frame capture approx. 10 fps 10 frames (Size L, M, S) / 20 frames (Size S) * Use a card with SD Speed Class with or higher. * The frame rate and the recorded number of frames varies with shooting conditions.
Auto bracketing	AE Bracketing (±1/3EV, ±2/3EV, ±1EV)
Focus	mode Single AF / Continuous AF type TTL contrast AF, AF assist illuminator available AF frame selection Center, Multi, Area, Tracking
White balance	Automatic scene recognition Preset Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Custom
Self timer	10 sec. / 2 sec. Delay
Flash	Manual pop-up flash (i-Flash) Effective range : (ISO AUTO) Normal Wide : approx. 40cm - 7.0m / 1.3 ft. - 22.9 ft. Telephoto : approx. 2.5m - 3.6m / 8.2 ft. - 11.8 ft. Macro Wide : approx. 30cm - 3.0m / 0.9 ft. - 9.8 ft. Telephoto : approx. 2.0m - 3.0m / 6.5 ft. - 9.8 ft.
Flash modes	Red-eye removal OFF Auto, Forced Flash, Suppressed Flash, Slow Synchro. Red-eye removal ON Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.
Hot shoe	-
Electronic viewfinder	0.2-inch, approx. 201K-dot, colour LCD viewfinder approx. 97% coverage for shooting, 100% for playing back
LCD monitor	3.0-inch, approx. 460K-dot, TFT colour LCD monitor, approx. 97% coverage
Movie recording	Full HD 1920 x 1080 60i (max. 29 min) HD 1280 x 720 60p 640 x 480 30p with stereo sound. Wind filter Optical or digital zoom function can be used. * Use a card with SD Speed Class with or higher.
Photography functions	SR AUTO, High Speed Movie (120 / 240 / 480 frames/sec),　Adv. mode (Advanced Filter for still image : Toy camera / Miniature / Pop colour / High-key / Low-key / Dynamic tone / Soft Focus / Cross Screen / Fish-eye / Partial colour, Advanced filter for movie : Toy camera / Pop colour / High-key / Low-key / Fish-eye / Partial colour, Pro Low-Light, HDR, Natural Light & with Flash, Zoom Bracketing), Instant zoom, Framing guideline, Frame No. memory, Histogram display, Date stamp
Playback functions	Multi-frame playback (with micro thumbnail), Protect, Crop, Resize, Slide show, Image rotate, Histogram display, exposure warning, Photobook assist, image search, Favorites, Mark for upload, Panorama, Erase selected frames, Movie edit
Other functions	Video output - Digital interface USB2.0 (High-Speed) Multi USB terminal HDMI output HDMI Mini connector (Type C)
Terminal	Video output - Digital interface USB 2.0 High-Speed HDMI output HDMI mini connector
Power supply	4xAA type alkaline batteries (included) / 4xAA type Ni-MH rechargeable batteries (sold separately) / 4xAA type lithium batteries (sold separately)
Dimensions	122.6 (W) x 86.9 (H) x 116.2(D) mm / 4.8 (W) x 3.4 (H) x 4.6 (D) in.
Weight	Approx. 670g / 23.6 oz. (including batteries and memory card) Approx. 577g / 20.3 oz. (excluding batteries and memory card)
Operating temperature	0°C - 40°C
Operating humidity	10% - 80% (no condensation)
Battery life	Alkaline batteries : approx. 300 frames (AUTO mode) Ni-MH rechargeable batteries : approx. 500 frames (AUTO mode) Lithium batteries : approx. 700 frames (AUTO mode) * Fujifilm research based on CIPA standards
Accessories included	4xAA type alkaline batteries Shoulder strap USB cable Lens cap and Lens cap cord CD-ROM^*3 Owner's manual
Optional accessories	AC Power Adapter AC-5VX DC coupler CP-04

Fujifilm FinePix S9200 Review

Latest Reviews

Introduction

Ease of Use

Image Quality

Noise

Focal Range

Sharpening

File Quality

Chromatic Aberrations

Macro

Flash

Night

Anti Shake

Intelligent Digital Zoom

Advanced Filter

Pro Low-Light

Film Simulation Modes

Panorama Mode

Sample Images

Sample Movie & Video

Product Images

Conclusion

Main Rivals

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Fujifilm FinePix HS50EXR

Fujifilm FinePix S1

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Sony Cyber-shot DSC-H400

Specifications

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