Samsung WB2200F Review

June 25, 2014 | Jack Baker | Rating star Rating star Rating star Half rating star


So how do you make a new ultra-zoom bridge camera stand out from the crowd? A massive focal length range is a good start, and the WB2200F’s 60x optical zoom – equivalent to 20-1200mm in 35mm-camera terms – certainly has this base covered.

But Samsung has given the WB2200F a little extra kudos by making it a dual-grip camera. It’s a similar style to that of some top-end DSLRs and gives you a second hand grip and dual controls at the base of the camera for improved ergonomics when shooting portrait-format shots.

Packed into this beefy body is a 16.4-megapixel, back-side illuminated sensor with a sensitivity range of ISO100-6400, as well as Wi-Fi connectivity with NFC pairing. The camera will also record Full HD video with stereo sound and it boasts an electronic viewfinder.

At £400/$450/€449, you certainly get a lot of camera for the cash, but that does make the WB2200F pricier than key rivals like the Canon PowerShot SX50 HS, Fuji FinePix SL1000, Nikon Coolpix P600, Panasonic Lumix DMC-FZ72 and Sony Cyber-shot DSC-H400.

Ease of Use

The big news with the WB2200F is that secondary grip. It’s traditionally something you only see on expensive DSLRs and makes shooting portrait-format shots a much more ergonomic experience thanks to the vertically-orientated shutter release and zoom ring. A locking switch can disable the latter should you find yourself making accidental focal length adjustments and there’s even a third neck strap mounting point too.

Dual grips in the DSLR world usually has the added bonus of providing extra space for a bigger battery. Although the WB2200F is fuelled by a fairly potent 1410mAh Li-ion cell that’s good for a healthy 600 shots per charge, it’s physically no larger than a typical bridge camera battery and hence doesn’t seem to require all the extra space inside the WB2200F.

The camera itself isn’t as vast as you might imagine though. It’s considerably smaller than a dual-grip DSLR like a Canon 1Ds or Nikon D4s, and positively compact if you were to attach a hefty zoom lens to one of those cameras. Whilst it’s certainly one of the bulkier bridge cameras on the market, it’s no heavier than many of its rivals and with all that extra body space, you get nice touches like a side-loading memory card slot that makes card access very convenient.

Sony Cyber-shot DSC-T90 Sony Cyber-shot DSC-T90
Front Rear

Though it’s certainly large, the WB2200F is big on build quality too. Rubberised grips continue the ergonomic ethos and the fit and finish of the casing plastic is easily on a par with an entry-level DSLR. Like the latter you also get a control wheel on the top of the body, making it quick and easy to adjust settings like aperture or shutter speed. Behind this is a proper mode dial where you can select between various shooting modes and control some of the camera’s extra features.

The Smart Auto mode automatically detects the scene conditions you’re focussing on and applies optimal settings to capture the best possible images. If you’d rather a little more control, there’s always a programmable auto mode that lets you set things like ISO sensitivity and white balance.
Shutter and aperture priority modes are also present, as is a full manual option, but all three are grouped as sub options under one position on the mode dial. Alternatively, Smart mode contains the various scene presets, whilst the star icon on the dial activates the camera’s Smart Filter effects and Photo Editor function. Samsung has chosen to locate the camera settings on the mode dial for easy access, and the advanced Wi-Fi functionality is selectable here too.

Sony Cyber-shot DSC-T90 Sony Cyber-shot DSC-T90
Front Side

Samsung’s Smart cameras take Wi-Fi connectivity very seriously, and the WB2200F is no exception. Like many cameras it’ll let you send images to a mobile device and you can control the camera wirelessly from a smartphone or tablet. However, that’s just the start. Thanks to the wonders of NFC, you can transfer an image from camera to smartphone by simply tapping the two together, whilst Samsung’s AutoShare feature enables images to be transferred automatically as you shoot them. But before you get blown away by the sound of such nifty tech, be sure your smartphone or tablet is NFC-enabled, as this is still quite a fledgling feature and Apple devices have yet to incorporate it.

One feature anyone can appreciate is the WB2200F’s electronic viewfinder. This 200k-dot display isn’t the crispest and its colour reproduction could be more accurate, but on a bright sunny day it’s still a better way to judge composition and exposure than an LCD monitor. Unfortunately the camera won’t detect your eye’s presence and automatically activate the EVF, so it’s left to you to manually switch between LCD and EVF using a button above the screen.

Sony Cyber-shot DSC-T90 Sony Cyber-shot DSC-T90
Pop-up Flash Top

The 3.0” monitor is nothing special but does the job. You don’t get touch sensitivity and its 460k-dot resolution isn’t much to shout about, but images display well with accurate colours and good contrast and the screen is bright enough for most situations.

To the right of the LCD you’ll find typical buttons for playback and video recording, as well as directional navigation buttons doubling as controls for the self-timer/continuous shooting, macro, flash and screen display options. In shooting mode the delete button also activates the useful Smart Panel menu which contains all essential shooting options for quick and easy adjustment. This, along with the rest of the menu interface, looks the part with a modern design and colourful icons that make the WB2200F more pleasing to navigate than many of its rivals.

However, the WB2200F is less enjoyable to use when you want to turn the camera on and capture a quick snap. Although the power button wakes the screen and extends the lens almost instantly, the other controls will not respond for approximately two seconds, making it all too easy to miss a fleeting shot. Both zoom rings also temporarily go on strike, so you can’t even zoom in on your subject whilst the shutter release gets its act together. Hopefully this sluggish start-up can be given a boost with a future firmware fix.

Sony Cyber-shot DSC-T90 Sony Cyber-shot DSC-T90
Memory Card Slot Battery Compartment

Thankfully once the camera has passed those first couple of seconds, it’s fairly spritely. The fast and accurate autofocus system makes light work of locking on to subjects consistently in most lighting and though things inevitably slow slightly in low light, it’s not enough to be annoying. Zoom in past roughly 30x and the camera occasionally struggles to focus, but usually finds its mark after a second or two of focus hunting.

That hefty 60x lens is a pleasure to use thanks to two-speed zoom controls that make it easy to make fine tweaks to your composition as well as fast focal length adjustments. If you need to zoom in even faster, then the iFn button on the side of the lens can be programmed to speed things up still further. Alternatively, you can press the button, flick the zoom ring and the One-Touch Zoom feature will automatically extend the lens to maximum zoom.

The lens’ vast focal length range and its 1200mm-equivlaent telephoto length is mighty impressive and will fill your frame with subjects which go almost unnoticed by the naked eye, but the 20mm-equivalent maximum wide-angle capability is equally impressive. An extra millimetre of wide angle coverage is far more noticeable than the same increase in telephoto reach and gives the WB2200F the ability to capture bigger group shots and more expansive landscapes than virtually any other bridge camera.

Image Quality

All of the sample images in this review were taken using the 16 megapixel Superfine JPEG setting, which gives an average image size of around 6Mb.

You’d be forgiven for assuming that a camera as big as the WB2200F would be hiding an equally large sensor. But whilst Samsung has given it a 16.4-megapixel, back-side illuminated device capable of an ISO100-6400 sensitivity range, its 1/2.3” size is no bigger than the sensor in a typical ultra-compact camera.

Consequently the WB2200F doesn’t resolve any more detail than a camera a fraction of the bulk. It still puts in a good performance at ISO400 and below though, and whilst detail is slightly smeared at ISO800, it’s nothing major. ISO1600 shows considerably more smearing though and a slight green colour cast starts to affect images. It’s more of the same at ISO3200 and here colour speckling is also becoming an issue. The topmost ISO6400 sensitivity is underexposed with very high levels of image noise and is therefore best avoided.

Despite its massive zoom range, the 60x lens produces minimal distortion and maintains good corner sharpness. Chromatic aberration (purple fringing) makes an appearance in high contrast areas and whilst it’s not particularly severe, it is noticeable when viewing at roughly 50% image size or larger.

Generally the WB2200F’s exposure metering produces accurate exposures with good highlight and shadow detail. Images taken in cloudy conditions can look slightly underexposed though and would often benefit from up to 1-stop of positive exposure compensation.


The WB2200F has seven sensitivity settings available at full resolution, ranging between ISO100 and ISO6400.

ISO 100 (100% Crop)

ISO 200 (100% Crop)

iso100.jpg iso200.jpg  

ISO 400 (100% Crop)

ISO 800 (100% Crop)

iso400.jpg iso800.jpg  

ISO 1600 (100% Crop)

ISO 3200 (100% Crop)

iso1600.jpg iso3200.jpg  

ISO 6400 (100% Crop)



Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look.

Original (100% Crop)

Sharpened (100% Crop)

sharpen1.jpg sharpen1a.jpg
sharpen2.jpg sharpen2a.jpg

Focal Range

The camera’s 60x optical zoom lens gives you a focal range of 20-1200mm (in 35mm-camera terms). As impressive as the huge telephoto range is, the 20mm wide angle ability shouldn’t be overlooked as it’s wider than almost any rival camera.



focal_range1.jpg focal_range2.jpg

File Quality

Three JPEG compression options can be selected: Super Fine, Fine and Normal. These result in file sizes around 6MB, 4.5MB and 3MB respectively.

16M Super Fine (6.09Mb) (100% Crop) 16M Fine (4.22Mb) (100% Crop)
quality_superfine.jpg quality_fine.jpg
16M Normal (2.92Mb) (100% Crop)  

Chromatic Aberrations

The Samsung WB2200F handled chromatic aberrations only fairly well during the review, with some obvious purple fringing mainly present around the edges of objects in high-contrast situations, as shown in the examples below.

Chromatic Aberrations 1 (100% Crop)

Chromatic Aberrations 2 (100% Crop)

chromatic1.jpg chromatic2.jpg


The WB2200F boasts a Super Macro mode that lets it focus down to 1cm from your subject. You’ll need to keep the zoom set to maximum wide angle to achieve this, and plenty of light is necessary to compensate for the inevitable shadow cast by the camera.


Macro (100% Crop)

macro1.jpg macro1a.jpg


The camera’s built-in flash includes six modes: Off, Auto, Red-eye, Fill in, Slow Sync and Red-eye fix. This last setting fires two flash bursts as in standard Red-eye mode, but also uses internal processing to remove red-eye.

Flash Off - Wide Angle (20mm)

Flash On - Wide Angle (20mm)

ISO 64 ISO 64

Flash Off - Telephoto (1200mm)

Flash On - Telephoto (1200mm)

ISO 64 ISO 64

In our testing with the WB2200F successfully avoided red-eye and the flash produced only minor wide-angle vignetting from a distance of 1.5m.

Flash On

Flash On (100% Crop)
flash_on.jpg flash_on1.jpg

Red Eye Fix

Red Eye Fix (100% Crop)

flash_redeye.jpg flash_redeye1.jpg


The camera’s Smart mode includes a Night setting that’s designed to capture low-light scenes with reduced image noise.  This shot required a 2-second exposure time at ISO100, hence a tripod is essential to avoid blur from camera shake.


Night (100% Crop)

night1.jpg night1a.jpg

Image Stabilisation

Samsung’s Optical Image Stabilisation (OIS) system does a great job at ironing out the effects of camera shake. It’s vital for maintaining sharp shots at the kind of extreme telephoto focal lengths that the WB2200F is capable of.

Shutter Speed / Focal Length

Image Stabilisation Off (100% Crop)

Image Stabilisation On (100% Crop)

1/8 sec / 20mm antishake1.jpg antishake1a.jpg

Smart Filters

Samsung equips the WB2200F with only six Smart Filter effects: Miniature, Vignetting, Cross Filter, Fish Eye, Classic and Retro.



smart_filter_01.jpg smart_filter_02.jpg

Cross Filter


smart_filter_03.jpg smart_filter_04.jpg



smart_filter_05.jpg smart_filter_06.jpg


The WB2200F will automatically capture panoramic shots by pressing and holding the shutter release whilst sweeping right, left, up or down. Unlike many cameras which force you to keep panning for at least 120 degrees, the WB2200F will let you stop the pan wherever you like. But whatever the width, the end result will only be around 950 vertical pixels in size.


Sample Images

This is a selection of sample images from the Samsung WB2200F camera, which were all taken using the 16 megapixel Superfine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample Movie & Video

This is a sample movie at the highest quality setting of 1920 x 1080 pixels at 30 frames per second. Please note that this 16 second movie is 37.7Mb in size.

Product Images

Samsung WB2200F

Front of the Samsung WB2200F

Samsung WB2200F

Front of the Samsung WB2200F / Pop-up Flash

Samsung WB2200F

Side of the Samsung WB2200F

Samsung WB2200F

Side of the Samsung WB2200F

Samsung WB2200F

Rear of the Samsung WB2200F

Samsung WB2200F

Rear of the Samsung WB2200F / Image Displayed

Samsung WB2200F

Rear of the Samsung WB2200F / Main Menu

Samsung WB2200F

Top of the Samsung WB2200

Samsung WB2200F

Bottom of the Samsung WB2200F


Samsung WB2200F

Side of the Samsung WB2200F

Samsung WB2200F
Side of the Samsung WB2200F
Samsung WB2200F
Front of the Samsung WB2200F
Samsung WB2200F
Front of the Samsung WB2200F
Samsung WB2200F
Battery Compartment
Samsung WB2200F
Battery Compartment


You have to hand it to Samsung for producing a bridge camera which stands out from the crowd, but it’s also quite a risky move. Although the WB2200F is roughly the same weight as many of its direct rivals, that dual grip design makes it considerably bigger. Sure, the excellent 600-shot battery life helps offset this size increase, but carrying a second battery with a smaller, single-grip bridge camera would give similar power reserves and save space.

Ultimately you’ll need to really relish the WB2200F’s improved ergonomics and secondary controls to be willing to carry its extra bulk. However, if you’re that keen a photographer, chances are you’ll also be after better image quality than this camera can deliver.

That’s not to say the WB2200F produces shabby shots. In good light at ISO400 and below there’s plenty of detail and punchy colours, and although noise is an issue at ISO800 and above, it doesn’t become overly distracting until ISO3200. But there’s no getting away from the fact that the WB2200F’s results are no better than a typical compact camera.

Should you buy a WB2200F? It combines ease of use with advanced controls and has a terrific zoom range, but the same can be said of bridge camera like the Nikon Coolpix P600, Panasonic Lumix FZ72 and Sony Cyber-shot DSC-H400, all of which can currently be had for less money than the WB2200F.

Samsung’s terrific Wi-Fi connectivity does set the WB2200F apart, however so too does its extra bulk, and though this adds occasional ergonomic benefits, it’ll always result in the WB2200F being more unwieldy than its cheaper, equally well-specced and more portable rivals.

3.5 stars

Ratings (out of 5)
Design 3.5
Features 4
Ease-of-use 4
Image quality 3.5
Value for money 3.5

Main Rivals

Listed below are some of the rivals of the Samsung WB2200F.

Canon PowerShot SX700 HS

The Canon PowerShot SX700 HS is a new premium travel-zoom camera with a 30x zoom lens in a slim and compact body. The Canon SX700 also offers 16 megapixels, a 3-inch LCD screen, PASM shooting modes, built-in wi-fi/NFC and Full HD 60p movies. Read our in-depth Canon PowerShot SX700 HS review to find out if it's the right compact camera for you...

Fujifilm FinePix HS50EXR

The Fujifilm FinePix HS50EXR is a bridge compact camera with a massive 42x, 24-1000mm zoom lens. The HS50 also offers an autofocus lag of just 0.05 seconds, full 1080p movies at 60fps with stereo sound, a 3 inch vari-angle LCD screen, 11ps burst shooting and a 16 megapixel back-illuminated EXR sensor with RAW support. Is this the only camera you'll ever need? Read our Fujifilm FinePix HS50EXR review to find out...

Fujifilm FinePix SL1000

The Fujifilm FinePix SL1000 is a brand new super-zoom camera sporting a massive 50x zoom lens. The SL1000 also features a 16 megapixel sensor, tilting 3-inch LCD screen, electronic viewfinder, 1080i movies, 10fps burst shooting, full range of manual shooting modes and RAW format support. Read the World's first Fujifilm FinePix SL1000 review now...

Fujifilm X-S1

The Fujifilm X-S1 is a premium bridge-style super-zoom camera with a 26x zoom lens and a long list of stand-out features. The X-S1 boasts a 24-624mm focal range, full 1080p movies with stereo sound, 3 inch tilting LCD screen, a high resolution electronic viewfinder, 7fps burst shooting, full manual controls and a 12 megapixel 2/3-inch sensor with JPEG and RAW formats. Read our in-depth Fujifilm FinePix X-S1 review to find out if this is the only camera that you need.

Kodak PixPro AZ521

The new Kodak PixPro AZ521 super-zoom camera features a massive 52x zoom lens with a focal range of 24-1248mm. Other highlights of the affordable Kodak AZ521 include a 3 inch LCD screen, full 1080p HD movies, and a 16 megapixel CMOS sensor. Read our in-depth Kodak PixPro AZ521 review now...

Nikon Coolpix P600

The Nikon Coolpix P600 is a new super-zoom bridge camera with an incredible 60x zoom lens. The Nikon P600 also has a back illuminated 16 megapixel CMOS sensor, 3-inch 921K-dot vari-angle LCD screen, full 1080p high-definition movies with stereo sound, built-in Wi-Fi connectivity, an electronic viewfinder and 7fps burst shooting. Read our Nikon Coolpix P600 review to find out just what a 60x zoom lens is capable of...

Olympus SH-50

The Olympus SH-50 is a premium travel-zoom compact camera, featuring a 24x lens, 16 megapixel sensor, 1080p HD video recording, 5-axis image stabilisation and a 3 inch LCD touchscreen. With a current street price of less than £200 / $250, read our Olympus SH-50 review to discover if this is the only camera you need...

Panasonic Lumix DMC-FZ200

The Lumix DMC-FZ200 is Panasonic's premium super-zoom compact camera. Stand-out features of the FZ200 include a 24x zoom lens with a constant aperture of f/2.8 throughout the 25-600mm range, 1080p HD movies, a high-resolution LCD and EVF, fast auto-focusing, 12fps burst shooting and a 12 megapixel MOS image sensor. Read our expert Panasonic Lumix DMC-FZ200 review now...

Panasonic Lumix DMC-FZ72

The brand new Panasonic Lumix DMC-FZ72 super-zoom camera (also known as the DMC-FZ70) features a massive 60x zoom lens with a focal range of 20-1200mm, the biggest of any camera on the market. Other highlights of the FZ72 / FZ70 include a 3 inch LCD screen, full 1080i HD movies, 9fps burst shooting, P/A/S/M modes, RAW support, a flash hotshoe and a 16.1 megapixel MOS sensor. Read our in-depth Panasonic Lumix DMC-FZ72 review now...

Pentax Optio X90

The Pentax Optio X90 is a brand new super-zoom compact camera featuring a 26x image-stabilized zoom lens with a focal range of 26-676mm. Successor to the X70 model, the X90 has a 12 megapixel sensor, 2.7 inch screen, full range of creative shooting modes and can record 720p HD movies. Retailing for £329.99 / $399.95, does the Pentax Optio X90 offer enough to match its super-zoom rivals? Gavin Stoker finds out in our Pentax Optio X90 review.

Sony Cyber-shot DSC-H400

The Sony Cyber-shot DSC-H400 is a new superzoom compact camera with a incredible 63x zoom lens. The Sony H400 also features a 20 megapixel CCD sensor, 720p HD video with stereo sound, 3-inch screen, electronic viewfinder and a range of manual shooting modes. Read our Sony Cyber-shot DSC-H400 review to find out if it's the right super-zoom camera for you...

Sony Cyber-shot DSC-HX400V

The Sony Cyber-shot DSC-HX400V is a new premium super-zoom compact camera. A 50x zoom lens, 20.4 megapixel CMOS sensor, 1920x1080 50p Full HD video with stereo sound, tilting 3-inch screen, 10fps continuous shooting, built-in Wi-Fi/NFC/GPS, and a full range of creative shooting modes are all offered by the Sony HX400V. Read our in-depth Sony Cyber-shot DSC-HX400V review complete with sample photos, test shots, videos and more...

Review Roundup

Reviews of the Samsung WB2200F from around the web. »

The Samsung WB2200F is a new ultra zoom bridge camera from Samsung with a vertical and horizontal grip. The camera offers an electronic viewfinder, a 60x optical zoom lens, equivalent to 20-1200mm in 35mm terms, optical image stabilisation and full HD video recording with stereo sound.
Read the full review » »

Meet the Samsung WB2200F, a "premium super bridge long-zoom SMART camera" with a crazy-long 60x optical zoom lens. Thankfully, Samsung tosses in OIS (Optical Image Stabilization) and a fast f/2.8 - 5.9 maximum aperture range to reduce blur and/or shaky cam syndrome; whether you're snapping stills or recording Full HD 1080p video at up to 30 frames per second. It's sturdy dual-grip design makes this 16-megapixel camera look like a high end DSLR, and they even added vertical controls. The WB2200F has both a 3.0-inch LCD as well a electronic view finder (EVF).
Read the full review »


Network and Wireless Connectivity

  • NFC Yes
  • Wi-F i802.11b/g/n

Image Sensor

  • Type BSI CMOS
  • Sensor Size 1/2.3
  • Effective Pixel Approx. 16.4


  • Focal Length f = 3.58 ~ 214.8mm (35mm film equivalent : 20 ~ 1200 mm)
  • F No. 2.8 (W) ~ 5.9 (T)
  • Optical Zoom 60X
  • Digital Zoom 2X


  • TypeTFT LCD
  • Size3.0" (75.0mm)
  • Resolution460K dots


  • i-Function Yes

Image Stabilisation

  • Type OIS (Optical Image Stabilization)


  • External Media SDSC (up to 2GB guaranteed), SDHC (up to 32GB guaranteed), SDXC (up to 64GB guaranteed)
  • Internal Approximate 17MB

Physical specification

  • Dimension (WxHxD) 119 X 121.8 X 105
  • Weight 618g


  • Capacity 1410 (BP-1410)


  • Speed Smart Auto : 1/8 ~ 1/2,000 sec., Program : 1 ~ 1/2,000 sec., Night : 8 ~ 1/2,000 sec.


  • Resolution 300(H) x 224(V)
  • Type EVF


  • AF-Assist Lamp Yes
  • Type TTL Auto Focus (Center AF, Multi AF, Tracking AF, Face Detection AF, Selection AF)
  • Range Normal : 80cm ~ Infinity (Wide), 350cm ~ infinity(Tele), Macro : 10cm ~ 80cm (Wide), 150cm ~ 350cm (Tele), Auto Macro : 1cm ~ infinity (Wide), 150cm ~ infinity (Tele), Super Macro : 1cm (Wide, Minimum Focus Distance)

Drive Mode

  • Mode Single, Continuous(8fps, 5fps, 3fps), BKT(WB, AE), Precapture,
  • Self-Timer Off, 2 sec., 10 sec.


  • Digital Output Connector USB 2.0
  • Audio Microphone : Stereo, Internal Speaker : Mono
  • Video Out AV, HDMI 1.4(D-Type) : NTSC / PAL (user selectable)


  • Control Program AE
  • Metering System Metering : Multi, Spot, Center-weighted, Face Detection AE, Metering Range : EV 2~17 (Wide, ISO Auto), EV 4~17 (Tele, ISO Auto)
  • Compensation ±2EV (1/3EV steps)
  • ISO Equivalent Auto, 100, 200, 400, 800, 1600, 3200, 6400


  • Mode Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash Off, Red-eye fix
  • Range Wide : 80cm ~ 6m (ISO Auto), Tele : 1.5m ~ 3m (ISO Auto)
  • Recharging Time Approx. 5 sec. ※1st flash charge time :to be 12 sec

White Balance

  • Mode Auto WB, Daylight, Cloudy, Fluorescent_H, Fluorescent_L, Tungsten, Custom, K


  • Still Miniature, Vignetting, Fish Eye, Classic, Retro, Cross Filter
  • Movie Miniature, Vignetting, Fish-eye, Classic, Retro, Palette Effect 1, Palette Effect 2, Palette Effect 3, Palette Effect 4


  • Mode1) Smart Auto, 2) Program, 3) A/S/M, 4) Smart, 5) Magic Plus, 6) Set, 7) Movie, 8) Wi-Fi
  • SmartBeauty Face, Contiuous Shot, Landscape, Macro, Panorama, Action Freeze, Rich tone, Silhouette, Sunset, Night, Fireworks, Light Trace
  • Image Size16M : 4608×3456, 14MP : 4608×3072, 12M W : 4608×2592, 10M : 3648×2736, 8M (1:1) : 2832×2832, 5M : 2592×1944, 3M : 1984×1488, 2MW : 1920×1080, 1M : 1024×768

Image Play

  • TypeSingle image, Thumbnails, Advanced Slide Show, Movie Clip, Smart Album

Date Imprinting

  • Date ImprintingDate&Time, Date, Off (user selectable)


  • Mode* Smart Movie : Landscape, Blue Sky, Natural Green, Sunset * Dual Capture (Movie 1080@30p & Still 2Mpixels)
  • Image Size Movie Size : 1920x1080(30fps), 1280x720(30fps), 640x480(30fps), 240 web
  • Sound Voice recording : On/Off/Zoom Mute
  • Format MP4 (Video: MPEG4, AVC/H.264, Audio: AAC)


  • Application iLauncher inside

System Requirement

  • Macintosh Mac OS 10.5 or higher (except PowerPC), Minimum 256MB RAM , 110MB of available hard-disk space , USB 2.0 port
  • Windows ntel® Core™ 2 Duo®2GHz or higher / AMD Phenom 2.4GHz or higher, Minimum 512MB RAM (Over 1GB recommended) , Windows 7 / 8 , 250MB of available hard-disk space (Over 1GB recommend) , USB 2.0 port , nVIDIA Geforce 7600GT or later / Ati X1600 series or later, 1024 x 768 pixels, 16-bit colour display compatible monitor , (1280 x 1024, 32-bit colour display recommended) , Microsoft DirectX 9.0c or later

Operating Environment

  • Operating Temperature 0 ~ 40
  • Operating Humidity 5 ~ 85

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