An 800mm super-telephoto prime lens for a 35mm full-frame camera that's light enough to hand-hold all day, focuses quickly and reliably, offers built-in OIS, produces nice bokeh and costs less than £$1000 sounds like something out of a fairy-tale - but that's exactly what Canon have delivered with the new RF 800mm F11 IS STM lens. Sure, as you'd expect there are also quite a few caveats, so read our detailed review to find out just what the new Canon RF 800mm F11 IS STM is capable of and if it deserves a place in your camera bag...
The Sony FE 200-600mm F5.6-6.3 G OSS is a brand new super-telephoto zoom lens for Sony Alpha full-frame and APS-C mirrorless cameras. Read our in-depth Sony FE 200-600m review, complete with full-size sample images, to find out if this zoom lens is a must-buy for for sports, action and wildlife photographers...
The Nikon AF-S Nikkor 180-400mm f/4E TC1.4 FL ED VR is designed to be the best professional zoom lens that money can buy, and with a price tag of £10,999 / $12,399, you'd expect it to be very good indeed. Read our Nikon 180-400mm f/4 review to find out if it lives up to its top-dollar billing...
The Nikon AF-S Nikkor 500mm f/5.6E PF ED VR is the world's lightest 500mm full-frame camera lens. Nearly 40% shorter and over 50% lighter than the Nikkor 500mm f/4, the new Nikkor 500mm f/5.6E PF ED VR uses Phase Fresnel optical technology to help drastically reduce its overall size and weight, resulting in a 500m lens that remarkably is similar in size to a standard 70-200mm f/2.8 zoom. Read our in-depth Nikon AF-S Nikkor 500mm f/5.6E PF ED VR review complete with full-size sample images now...
The Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports is a new professional hyper-telephoto zoom lens for full-frame and APS-C DSLR cameras (Canon, Nikon and Sigma mounts). Offering a much larger focal range than comparable lenses from Nikon, Canon and Tamron, is this 60-600mm "Bigma" lens worth considering? Read our Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports review to find out...
As the sun sets on Photokina 2018 (for us at least - the show is still open tomorrow), we look back at all of the new products that have been launched at the show. And my - there's certainly been a lot of them! I can't remember a show during the last 15 years of Photography Blog that has been quite so vibrant and busy, which is a shame given the rumours that next year's Photokina will be a much smaller affair.
So here, in no particular order, is a quick roundup of everything that we've covered in the last 4 days...
The Panasonic LEICA DG ELMARIT 200mm F2.8 POWER O.I.S. is a new lens that's seemingly perfect for sports and wildlife photographers - 400mm effective focal length, fast f/2.8 aperture, relatively light and compact, and with the option of using a 1.4x or 2x teleconverter to further extend the reach. Read our Leica 200mm f/2.8 review to find out if it can live up to its promise...
The Tamron 100-400mm F/4.5-6.3 Di VC USD is a very versatile telephoto zoom lens for full-frame and APS-C DSLR cameras. Costing much less than rival lenses from Nikon and Canon, whilst being lighter and more compact, is this new Tamron 100-400mm lens worth considering? Read our in-depth Tamron 100-400mm F/4.5-6.3 Di VC USD review, complete with full-size sample images, to find out...
The full line-up of professional photographers and product ambassadors appearing at CameraWorld LIVE 2017 has been announced. On Saturday 28th Oct, London’s Biggest Camera Show will welcome David Noton, Ross Grieve, Simeon Quarrie, Jay McLaughlin, Jeremy Martin, Rob Pugh, Andy Astbury and Jakob Gronkjaer, along with just over 50 brands of cameras, accessories and photo imaging hardware. Additionally, Fujifilm Ambassador Damien Lovegrove will be offering a very limited number of one-to-one GFX 50S studio sessions where attendees will experience the raw power of the GFX’s 51.4 MP medium-format sensor. Matt Hart, Fujifilm X Photographer, will be leading photo walks around the Spitalfields Market and Brick Lane areas focusing on street photography, whilst Phottix experts will be leading 2 photo walks during the day where they will be demonstrating their latest lighting products.
The Sigma 100-400mm F5-6.3 DG OS HSM is a versatile telephoto zoom lens for full-frame and APS-C DSLR cameras. Offering a much cheaper price-tag than comparable lenses from Nikon and Canon, is this third-party lens worth considering? Read our Sigma 100-400mm F5-6.3 DG OS HSM review to find out...
Phase One today released Capture One Pro 10.1. New features in this version include an enhanced Stules workflow, tokenised watermarking, a new master reset function, vectorscope orientation for colour wheels, and a number of Apple Script enhancements. This update adds support for raw files generated by the Pentax K-70 and KP, the Panasonic GH5, GX8, TZ85, TZ100 and FZ2000, the Nikon D5600 and D3400, the Fuji X-Pro2, X-T20 . X-A10 and XQ2 cameras, as well as 21 new lenses. Capture One Pro 10.1 for Mac and Windows is available now and free to current Capture One Pro 10 customers.
The Trioplan 100mm f/2.8 is a modern version of the classic "soap bubble" lens from 1916. Does it still have a place in the 21st century? Find out by reading our Meyer-Optik-Goerlitz Trioplan 100mm f/2.8 review...
Adobe Camera Raw 9.8 is now available through the update mechanism in Photoshop CC and the Creative Cloud application. This update adds support for the Canon EOS M5, Fujifilm XA3, Google Pixel, Google Pixel XL, Hasselblad X1D, Leica TL, Nikon D5600, Olympus EM1 Mark II (preliminary), Olympus PEN EPL8, Panasonic LUMIX DMCFZ2500 (DMCFZ2000 and DMCFZH1), Pentax K70 (pictured), Samsung Galaxy S7, Samsung Galaxy S7 Edge, Sony Alpha a6500 (ILCE 6500), Sony Alpha a99 II (ILCA99M2) and Sony DSCRX100 Mark V cameras, and dozens of new camera-lens profiles. Creative Cloud users can select Help>Updates to use the update mechanism in the Creative Cloud app.
Adobe Lightroom CC 2015.8 is now available. This version introduces a new view mode witin the Develop Module called Reference View, which allows you to compare 2 different images in order to make them visually consistent. This is helpful when making a group of images from a single event look similar or setting the white balance appropriately in mixed lighting conditions. Additionally, Adobe Lightroom CC 2015.8 adds support for raw image files generated by the Canon EOS M5, Fujifilm X-A3, Google Pixel, Google Pixel XL, Hasselblad X1D, Leica TL, Nikon D5600, Olympus E-M1 Mark II (preliminary), Olympus PEN E-PL8, Panasonic LUMIX DMC-FZ2500 (DMC-FZ2000 and DMC-FZH1), Pentax K-70, Samsung Galaxy S7, Samsung Galaxy S7 Edge, Sony Alpha a6500 (ILCE-6500). Sony Alpha a99 II (ILCA-99M2) and Sony DSC-RX100 Mark V cameras, plus tethered shooting support for the Canon EOS 5D Mark IV SLR. Creative Cloud users can select Help > Updates to use the update mechanism in the Creative Cloud app.
The Sigma 500mm f/4 DG OS HSM Sports is a new professional hyper-telephoto prime lens for DSLR cameras. Costing thousands of dollars/pounds less than comparable lenses from Nikon and Canon, is this third-party lens worth considering? Read our Sigma 500mm f/4 DG OS HSM Sports review to find out...
The Tamron SP 150-600mm F/5-6.3 Di VC USD G2 is a premium super-telephoto zoom lens for full-frame and APS-C Canon, Nikon and Sony DSLR cameras. Read our in-depth Tamron SP 150-600mm F/5-6.3 Di VC USD G2 to find out if it can improve on the popular original version...
Phew, what a day! Press Day at Photokina 2016 turned out to be much bigger than we expected, with flagship products seemingly being announced on the hour, every hour. So here's a handy roundup of all the highlights if you haven't been able to keep up. We'll be adding more products as they're announced.
Day 2 Update: We've taken a closer look at the Fujifilm GFX 50S, Sony A99 II and Canon EOS M5 cameras and Sigma's new lenses, as well as having an in-depth discussion with Olympus about the new flagship E-M1 Mark II camera. There have also been further announcements from the likes of SanDisk, Lexar, Phase One, Metz, Bowens, Broncolor and Kodak, all of which are listed below.
Day 3 Update: We've been busy bringing you hands-on photos of all the important new cameras, lenses and accessories that have been launched at Photokina, plus taking time to chat with Canon, Nikon and Sigma.
Day 4 Update: More hands-on looks at more interesting new products, including a variety of lenses, plus an interview with Kodak about their new 4K360VR camera.
Day 5 Update: An interview with Hasselblad, plus hands-on photos of 3 Nikon Coolpix cameras, an array of Zeiss, Meyer-Optik and Voigtländer lenses and a number of interesting accessories.
The Olympus M.ZUIKO Digital ED 300mm f/4 IS Pro is a super-telephoto prime lens for the Micro Four Thirds mirrorless camera system. Offering an effective focal length of 600mm, up to 6 stops of image stabilisation, fast and near-silent focusing, and a manual focus clutch, read our in-depth Olympus M.ZUIKO Digital ED 300mm f/4 IS Pro review to find out if it's the best Micro Four Thirds telephoto lens...
Tamron have announced the upcoming launch of the SP 150-600mm F/5-6.3 Di VC USD G2 telephoto zoom lens. This second-generation lens builds upon the success of the SP 150-600mm F/5-6.3 Di VC USD, which was announced in December 2013, but promises to deliver superior optical performance with today’s high resolution DSLRs and to add improvements to several features including the speed and accuracy of the Vibration Compensation and auto focus systems. The design incorporates an upgraded optical construction (21 elements in 13 groups, including 3 low-dispersion lens elements) and a metal lens barrel. The minimum object distance has been reduced to 2.2m from 2.7m in the previous model. A new FLEX ZOOM LOCK mechanism enables the locking of the zoom ring at any position, while the Vibration Compensation system has been upgraded to offer three distinct image stabilisation modes; Standard, Panning and VC Mode 3, which prioritises the stabilisation of the captured images and forgoes the stabilisation of the viewfinder image. Additionally, an electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in the Nikon version too. Two exclusive, separately sold teleconverters, which perfectly match the optics of the new SP 150-600mm G2 offer 1.4x and 2.0x magnification to extend the lens' reach to 1,200mm. The Canon and Nikon mount models will be launched in the second half of September, with a Sony version being released at a later date. In teh US, the lens will be available for $1,399.
The Sigma 50-100mm F/1.8 DC HSM Art is the second ever zoom lens to offer a fast constant aperture of F/1.8 throughout its range. Retailing for £999 / $1099, read our in-depth Sigma 50-100mm F/1.8 DG HSM Art review to find out if it can replace several lenses in your camera bag...
The Canon EF 400mm f/4 DO IS II USM is a relatively lightweight and compact telephoto prime lens for sports and wildlife photographers. Read our in-depth Canon EF 400mm f/4 DO IS II USM review complete with full-size sample images...
The XF 100-400mm F4.5-5.6 R LM OIS WR is a super-telephoto zoom lens for Fujifilm X-series compact system cameras. Offering a focal range of 152-609mm in 35mm terms, 5 stops of built-in image stabilisation, weather-proofing, fast and quiet auto-focusing and an aperture ring, is the new Fujifilm 100-400mm lens the perfect choice for wildlife and sports photographers? Read our Fujifilm XF 100-400mm F4.5-5.6 R LM OIS WR review to find out...
The Sigma 30mm F1.4 DC DN C is a fast standard prime lens for Sony E-mount and Micro Four Thirds cameras. Retailing for £299 / $339, read our in-depth Sigma 30mm F1.4 DC DN C review to find out if it's worth the modest investment...
The Panasonic LEICA DG VARIO-ELMAR 100-400mm f/4.0-6.3 ASPH Power O.I.S. is a brand new super telephoto lens for the Micro Four Thirds system of interchangeable lens cameras. Offering an effective focal range of 200-800mm in 35mm terms, the Panasonic 100-400mm lens somehow still weighs less than 1kg. Read our Panasonic 100-400mm review to find out if it offers enough to entice avid bird, wildlife and sports photographers...
The Nikon AF-S Nikkor 200-500mm f/5.6E ED VR is a 2.5x telephoto zoom lens for full-frame FX Nikon DSLR cameras. Read our in-depth Nikon AF-S Nikkor 200-500mm f/5.6E ED VR review to find out if this versatile lens is worth the £1,179.00/$1,399.95 asking price...
The Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary is a versatile telephoto zoom lens for full-frame DSLR cameras. Offering a bigger zoom ratio and much cheaper price than comparable lenses from Nikon and Canon, is this third-party lens worth considering? Read our Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary review to find out...
The Nikon AF-S NIKKOR 500mm f/4E FL ED VR is a new super telephoto lens for Nikon SLR cameras with an FX sized sensor. Read our in-depth Nikon AF-S NIKKOR 500mm f/4E FL ED VR review now...
Photography Blog was recently invited to view a comprehensive new line-up of photo products hitting the UK market from all over the world – courtesy of UK distributor Intro2020, which currently looks after 26 different brands and product lines.
Tamron is displaying samples of a tripod mount ring for its SP 150-600mm Di VC USD at CP+ 2015. Compared to the supplied tripod mount, the new long-type design provides an extended base surface. This extra space not only makes it possible to add a second screw hole for secure mounting, thereby enhancing stability and versatility, but also makes it easier for users to hold the base surface and carry it around. Price and availability are to be communicated.
The Canon EF 100-400mm f/4.5-5.6L IS II USM is a new professional telephoto zoom lens for full-frame DSLR cameras. Is this the perfect do-it-all super-telephoto zoom lens for wildlife and sports photographers? Read our Canon EF 100-400mm f/4.5-5.6L IS II USM review to find out...
The Sigma 150-600mm f/5-6.3 DG OS HSM Sports is a new professional telephoto zoom lens for full-frame DSLR cameras. Offering a bigger zoom ratio and cheaper price than comparable lenses from Nikon and Canon, is this third-party lens worth considering? Read our Sigma 150-600mm f/5-6.3 DG OS HSM Sports review to find out...
If you’re not directly aware of Maidenhead, UK based photographic distributor Intro2020, you’ll certainly be au fait with most if not all of its 28-strong brand offerings. These include lens brands: Samyang photo and video lenses, Tamron photo lenses and Tokina Cine Lenses. Filters from Hoya, Kenko and Cokin and many other leading brands such as Velbon tripods, Metz flash, plus photographic bag ranges including Tamrac and Interceptor.
With responsibility for distributing all these in the UK, Intro2020 is constantly in touch with product developers in Japan and the Far East, and decided to share some of its current and future offerings with PhotographyBlog across a recent press trip to Amsterdam and back.
The Leica Vario-Elmar-T 18-56mm f/3.5-5.6 ASPH is a standard zoom lens for the brand new Leica T system. Offering a focal range of 27-84mm in 35mm terms, a compact and lightweight design, and an optical formula that comprises 10 elements in 7 groups, is the Leica 18-56mm T lens the perfect partner for the new Leica T camera? Read our Leica Vario-Elmar-T 18-56mm f/3.5-5.6 ASPH review to find out...
The Sigma 120-300mm F2.8 DG OS HSM S is a professional telephoto zoom lens for full-frame DSLR cameras. Retailing for £3499.99 / $3499.99, is the Sigma 120-300mm a better option than its Canon and Nikon rivals? Read our Sigma 120-300mm F2.8 DG OS HSM S review to find out...
The Tamron SP 150-600mm F/5-6.3 Di VC USD is an affordable ultra-zoom lens for full-frame and APS-C Canon, Nikon and Sony DSLR cameras. Read our in-depth Tamron SP 150-600mm F/5-6.3 Di VC USD to find out if it's really a bargain or not...
Ahead of our full review, here are 40 photos taken with the new Tamron SP 150-600mm f/5-6.3 DI VC USD lens, mounted on a Canon 5D Mk III body.
The Tamron SP 150-600mm f/5-6.3 Di VC USD is a telephoto zoom lens designed for full-frame and APS-C DSLR cameras.
Tamron has just announced the development of a new long telephoto zoom lens for full-frame cameras. The Tamron SP150-600mm f/5-6.3 lens features VC image stabilization, speedy USD (Ultrasonic Silent Drive) auto focus and state-of-the-art eBAND (Extended Bandwidth & Angular-Dependency) lens coating. The optical formula incorporates 20 elements arranged in 13 groups and an iris diaphragm with nine rounded aperture blades. The lens will be showcased at the Tamron booth at Salon de la Photo 2013.
The Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM is a brand new fast prime lens for full-frame and APS-C Sony SLT cameras. Offering an ultra-fast maximum aperture of f/1.4 and weather-sealed construction is this a must-have lens for A99/A77 users? Read our Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM review to find out...
The Fujifilm XF 18-55mm F2.8-4 R LM OIS is a fast standard zoom lens for Fujifilm X-series compact system cameras. Offering a focal range of 27-84mm in 35mm terms, 4 stops of built-in image stabilisation, a compact and lightweight design, 0.1 second auto-focusing and an aperture ring, is the Fujifilm XF 18-55mm F2.8-4 R LM OIS a viable alternative to the XF prime lenses that have been released so far? Read our Fujifilm XF 18-55mm F2.8-4 R LM OIS review to find out...
The Tamron SP 24-70mm F/2.8 Di VC USD is a fast standard zoom lens for Nikon and Canon full-frame DSLR shooters. Crucially offering built-in image stabilisation, something that the Big Two don't offer, the Tamron 24-70mm is also weather-sealed and cheaper. Read our Tamron SP 24-70mm F/2.8 Di VC USD review to find out if it's the best standard zoom for full-frame users.
The Fujifilm WCL-X100 is a new wide-angle conversion lens for the popular X100 camera. It converts the X100's 35mm lens to a wider-angle 28mm focal length with no effect on the camera's fast f/2 maximum aperture. Read our in-depth Fujifilm WCL-X100 review complete with full-size sample images to find out if it's a must-buy for X100 owners...
There aren't too many quality standard zoom lenses available for the Sony Alpha system, so the Sony DT 16-50mm F2.8 SSM is something of a breath of fresh air for A-mount users. Introduced at the same time as the A77 SLT camera, this 16-50mm optic is a great match for Sony's excellent prosumer DSLR. Is it a must-have lens for every A77 / A65 shooter? Read our Sony DT 16-50mm F2.8 SSM review to find out...
While the Sony NEX mirrorless camera system offers a number of excellent bodies, most notably the NEX-7 and NEX-5N, the lens range is a little more threadbare in terms of quality optics. The Sony Carl Zeiss Sonnar T* E 24mm f/1.8 ZA is an obvious exception to this rule, offering a versatile focal length of 36mm and a fast maximum aperture. But is it a must-have lens for every NEX owner? Check out our Sony Carl Zeiss Sonnar T* E 24mm f/1.8 ZA review to find out...
The Panasonic Leica DG Summilux 25mm f/1.4 ASPH is a new standard lens for the Micro Four Thirds compact camera system. Providing an effective focal length of 50mm, a fast maximum aperture of f/1.4 and a Nano Surface Coating to help reduce flare, the Leica-branded Panasonic 25mm lens is small in both size and weight. Read our Panasonic Leica DG Summilux 25mm f/1.4 ASPH review to find out if this long-awaited premium optic is a must-have Micro Four Thirds lens.
The Olympus Zuiko Digital ED 50-200mm f/2.8-3.5 SWD is a weatherproof telephoto lens for the Four Thirds system. Featuring fast maximum apertures of f/2.8-3.5, this lens offers an equivalent focal length of 100-400mm in 35mm terms. Read our expert Olympus Zuiko Digital ED 50-200mm f/2.8-3.5 SWD review to find out if it's worth the £979 / $1,199 investment.
The Nikon AF-S DX Micro-Nikkor 85mm f/3.5G ED VR is a compact and lightweight DX format macro lens. Featuring built-in Vibration Reduction and a 1:1 reproduction ratio, the affordable Nikkor 85mm macro lens is compatible with every DX-format Nikon digital single-lens reflex camera ever made. But does that make it worth investing in? Read our Micro-Nikkor 85mm review to find out...
The Canon EF 70-300mm f/4-5.6 L IS USM is a new compact L-series telezoom lens. It offers the usual high build quality of Canon's luxury lenses, optical image stabilisation, a ring-type ultrasonic motor for fast auto-focusing, and an eight-blade circular diaprhragm which promises excellent bokeh. That distinctive white coating doesn't come cheap, though, so read our Canon EF 70-300mm f/4-5.6 L IS USM Review to find out if it's worth the investment.
The Panasonic LUMIX G FISHEYE 8mm F3.5 is a fisheye lens for the Micro Four Thirds system of interchangeable lens cameras. Offering a diagonal angle of view of 180 degrees, the Panasonic 8mm lens certainly offers a unique perspective on the world. Read our Panasonic LUMIX G FISHEYE 8mm F3.5 review to find out if it's worth adding to your lens collection.
The Olympus M.ZUIKO Digital ED 14-150mm f/4-5.6 is a do-it-all superzoom lens for the Micro Four Thirds compact system camera range. Providing a 35mm equivalent focal range of 28-300mm, this could be the only lens that you need for your Olympus Pen or Panasonic G-series camera. Zoltan Arva-Toth finds out if it makes the grade in our Olympus M.ZUIKO Digital ED 14-150mm f/4-5.6 Review.
The Zuiko Digital ED 50mm f2 Macro is an affordable macro lens for the Four Thirds system. Offering an equivalent range of 100mm on a 35mm film camera, the Olympus 50mm Macro has a constant maximum aperture of f2.0, closest focusing distance of 0.24m and ED lens elements for highest picture quality. Currently priced at around $450 / £450, we find out if the Zuiko Digital ED 50mm f2 Macro is a must-have lens for the Four Thirds photographer.
The AF-S DX Nikkor 35mm f1.8G is an affordable prime lens for Nikon DX DSLR cameras. Providing an equivalent focal length of 52.5mm, this Nikon lens mimics our everyday view of the world, replicating the standard prime lens that was popular back in the days of 35mm film photography. Competitively priced at £199 / $199 / €243, Zoltan Arva-Toth finds out if the AF-S DX Nikkor 35mm f1.8G deserves a place in every Nikon shooter's camera bag...
The ZUIKO DIGITAL ED 14-35mm F2.0 SWD is the world’s first standard zoom lens to feature a constant f2.0 aperture. It provides an equivalent focal length of 28-70mm in 35mm terms and features the SWD-driven ultra-fast AF system. Part of the premium Super High Grade (SHG) series for Olympus DSLR cameras, the Olympus 14-35mm F2.0 SWD also offers dust-/drip-proofing, a mechanically interlocked manual focusing mechanism, and a large, flower-shaped hood with a polarization filter control window. Priced at $2,299 / £1,999, we find out if the ZUIKO DIGITAL ED 14-35mm F2.0 SWD is the best standard zoom lens that money can buy.
