The Olympus OM-D E-M10 Mark IV mirrorless camera has a new 20 megapixel Live MOS sensor and offers improved C-AF precision for continuous focusing on moving subjects.

"The E-M10 Series has always been a personal favourite as it captures the essence of the original film OM-10: great to hold; easy to carry around and really rewarding to use." Mark Thackara, Olympus UK

The Olympus OM-D E-M10 Mark IVwill be available from mid-August priced at £699.99 in the UK.

The Olympus M.Zuiko Digital ED 100-400mm F5.0-6.3 IS offers a huge focal length range of 200-800mm in a compact and lightweight format, combined with the acclaimed Olympus weather sealing.

"All the wildlife photographers I know well are really excited about this lens. It hits a sweet spot and for travelling light it's perfect" Claire Voyle, Olympus UK Marketing Product Specialist.

The new M.Zuiko Digital ED 100-400mm F5.0-6.3 IS will be available from late August priced at £1099.99 in the UK.

The cinema industry is changing as it moves from Super35mm to full-frame.

Sony's one-mount strategy is focusd on E-mount, with 57 lenses in total, 37 of which are full-frame.

It's been 5 years since the launch of the A7S II, with lots of requests during the last 2 years for its successor.

Now Sony have launched the A7S III mirrorless camera, which they claim delivers “The best 4K Sony ever made”.

The whole concept of the product has changed to achieve this. With freelancers now working on their own more, the Sony A7S III is aimed at this new workflow for hybrid shooters.

Delivering high transfer speed, durability and reliability, Sony’s new CFexpress Type A cards offer professional and stress-free performance for photographers and content creators.

After a last minute delay due to a technical issue, RAW video data output via HDMI on the Panasonic LUMIX S1H is finally available via the free Firmware Version 2.1.

Working together with Atomos, the new firmware enables the output of maximum 5.9K/29.97p and 59.94p 4K RAW video data over HDMI to the Atomos Ninja V HDR monitor-recorder and saves it as Apple ProRes RAW.

Fujifilm have unveiled a compact and high-power flashgun, the EF-60, which supports radio-controlled wireless remote triggering when combined with the new EF-W1 Wireless Commander.

The EF-60 flash is available now priced at £389, whilst the EF-W1 Wireless Commander costs £199.

Six Laowa lenses are now available for L-mount, which can currently be used on Panasonic S1 series , Sigma FP and Leica SL/CL cameras. They are:

• Laowa 10-18mm f/4.5-5.6
• Laowa 12mm f/2.8 Zero-D
• Laowa 15mm f/2 Zero-D
• Laowa 15mm f/4 Wide Angle Macro
• Laowa 65mm f/2.8 2X Ultra-Macro
• Laowa 100mm f/2.8 2X Ultra Macro APO
  

Pricing is the same as the other available mounts and shipping will start from August onwards.

Nikon have just announced the Z5, an entry-level full-frame mirrorless camera with 4K Video and IBIS that sits below the Z6 and Z7 models.

Other key features include a 24.3 megapixel CMOS sensor, 100-51200 ISO range, 273-point Hybrid AF system with eye and animal detection, 3690k-dot electronic viewfinder, tilting touchscreen, weatherproof magnesium alloy body, dual UHS-II SD card slots, and built-in Wi-Fi and Bluetooth.

Pitched directly against the Canon EOS RP, the Nikon Z5 has the main advantage of 5-axis vibration reduction, something that the Canon rival notably lacks. The Z5's 4K video mode does suffer from a very similar 1.7x crop, though (1.6x on the EOS RP).

Meanwhile, the 2-year-old Sony A7 III is more than a match for the new Nikon Z5 and is still our pick for "best entry-level full-frame camera", on paper at least, although it is admittedly slightly more expensive than the Canon EOS RP and Nikon Z5 at full RRP.

Compared to the Nikon Z6, the new Z5 commendably shares a lot of the same features, with a simpler top-plate with a shooting mode dial rather than a status LCD (which some people may actually prefer), polycarbonate rear and base plates rather than fully magnesium alloy (still the same level of weatherproofing though), and fewer video options. The Z5 is so similar to its siblings that it even uses the same MB-N10 battery grip as the Z6 and Z7.

The NIKKOR Z 24-50mm f/4-6.3 is the new kit lens for the Z5 entry-level full-frame mirrorless camera. This portable lens features a retractable design that is extended by rotating the zoom ring.

It doesn suffer somewhat from having a rather modest 24-50mm focal range, wide but pretty short for an all-in-one lens, and very slow f/4-6.3 maximum apertures, but there is a customisable control ring and Nikon claims that the focusing is quiet enough for video use.

The Nikon Z5 looks like such a capable camera that we'd probably skip this lens entirely and invest in some decent glass, like the Z 24-70mm f/4 S, unless the price for the Z5 kit is simply too tempting.

Nikon has announced that it will continue to expand the NIKKOR Z lens line-up with a variety of high-performance lenses that help to "stimulate photographers' creative intent".