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Announced this week, the Sony Alpha A7 V is a brand new 33 megapixel, 4K/120p video, 30fps burst shooting, full-frame mirrorless camera designed to be a great all-rounder for both stills and video. Read our Sony A7 V review so far complete with sample images to find out what it's capable of...
The ZV-E1 is Sony's first vlogging camera to feature a 35mm full-frame sensor, offering 4K/120p recording, 12 megapixel stills, and AI-based autofocusing and stabilisation modes. Is the the ultimate camera for for videos and vlogs? Find out now in our in-depth Sony ZV-E1 review...
The Sony A7C II is the second version of a 35mm full-frame camera that's amazingly almost the same size and weight as a smaller APS-C sensor camera. Find out if they've perfected the recipe by reading our Sony A7C II review, complete with full-size sample photos and videos.
The Sony A7R V full-frame camera is a hybrid powerhouse that in some ways outperforms even the flagship Alpha 1 model. Can this exciting camera really meet the needs of all kinds of photographers? Read our in-depth Sony A7R V review to find out...
As the spiritual successor to the popular D850 DSLR, the new Z8 full-frame mirrorless camera could turn out to be one of the most important products that Nikon have ever released. Read our in-depth Nikon Z8 review, complete with full-size sample photos and videos, to find out more about this mirrorless marvel...
The new EOS R6 Mark II is Canon's fastest ever full-frame mirrorless camera, offering blistering 40fps burst shooting, 24.2 megapixel stills, 6K/60p video recording and 8-stops of IBIS.
The Canon EOS R6 Mark II body is priced at £2,779.99 / €3,149.99 / $2,499.00 in the UK and Europe.
The Sony A7R V is a powerful new 61 megapixel full-frame mirrorless camera designed for both stills photography and video.
Key features include 8K 24/25p video and 4K video oversampled from 6.2K without binning, up to 8 stops of image stabilisation, a new AI processing unit which allows for advanced subject recognition through deep learning, and a new 4-axis multi-angle LCD monitor.
The new Sony A7R V will be available in December 2022 priced at €4,500 / £3,999 / $3,900 in Europe, the UK and US respectively.
Ahead of our full review, here are some full-size sample JPEG and RAW photos and videos taken with the Sony A7R V mirrorless camera. The A7RV is an exciting mirrorless camera with a 61 megapixel full-frame BSI sensor, 8K/25p video recording, 8 stops of IBIS and 10fps continuous burst shooting.
The original Sony 70-200mm F2.8 lens is only 5 years old, but that hasn't stopped Sony from updating it with a new Mark II version. Can Sony really improve on what was already an excellent lens, and what exactly have they changed? Find out now by reading our in-depth Sony FE 70-200mm F2.8 GM OSS II review, complete with full-size sample photos.
The new Sony Alpha A7 IV is a new 33 megapixel, 4K/60p video, 10fps burst shooting, cutting-edge auto-focusing hybrid full-frame mirrorless model that pulls no punches in its bid to be the only camera that you need. Find out why we think this is one of the best all-round cameras of 2021 by reading our in-depth Sony A7 IV review...
The Sigma 150-600mm F5-6.3 DG DN OS Sports is a very affordable super-telephoto zoom lens for Sony Alpha and L-mount mirrorless cameras. Read our in-depth Sigma 150-600mm review now to find out if it's the best all-round ultra-telephoto lens for Sony shooters...
Could the Sony Alpha 1 really be the elusive perfect camera? It certainly comes close, according to enthusiastic early reviews...
The Nikon Z7 II full-frame mirrorless camera is the 2020 update of the original Z7 model, principally improving the autofocusing, buffer and video and adding a second memory card slot. Are these changes enough for it to compete with its main rivals like the Sony A7R IV and the Canon EOS R5? Find out now by reading our in-depth Nikon Z7 II review, complete with full size sample photos and videos...
The Panasonic S5 is a brand new hybrid full-frame mirrorless camera that's equally as capable at shooting both stills and video. In an ever more crowded market, does the Lumix S5 offer enough to stand out against the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Read our in-depth review of the Panasonic S5 to find out, complete with full-size sample photos and videos.
It's been 5 long years since its popular predecessor was launched, but now the new Sony A7S III full-frame mirrorless camera is finally with us! Is this the most capable hybrid 4K video camera available today? Find out now by reading our in-depth Sony Alpha 7S III review, complete with full-size photos and videos for you to download and evaluate...
Sony are attempting to turn the camera world on its head by creating a new 35mm full-frame camera that's the same size and weight as one with a smaller APS-C sensor. Have they succeeded with the new Sony A7C, and is it a great camera in its own right? Find out now by reading our Sony A7C review complete with full-size sample photos and videos.
The EOS R5 has been the hottest full-frame camera on the block ever since Canon pre-announced it back at the start of 2020, thanks to its headline grabbing twin features of a 45 megapixel sensor and 8K video recording. We've seen it a few times since then, but now we can finally bring you our final Canon R5 review, complete with full-size sample photos and videos!
The Z5 is Nikon's brand new entry-level full-frame mirrorless camera, sitting below the mid-range Z6 and flagship Z7 models in the three-camera lineup, and above the APS-C sensor Z50. Designed to compete with the likes of the Canon EOS R, Sony A7 III and Panasonic Lumix S1, does the Z5 have what it takes to stand out in an increasingly crowded market? Find out now by reading our in-depth Nikon Z5 review, complete with full-size sample photos and videos.
Traditionally, you'd have to make a tough choice between resolution and speed when it comes to high-end cameras, but with the new flagship A7R IV mirrorless model, Sony are attempting to offer the best of both worlds. Can it really succeed as a camera that suits all kinds of photographers? Read our in-depth Sony A7R IV review to find out...
We've just spent a couple of days shooting with the new Sony RX100 VI compact camera in Venice, Italy, at the official Sony Europe press event. Check out our detailed first impressions of using the Sony RX100 VI travel-zoom camera now...
The new A7 III is the most affordable Sony full-frame camera in the Alpha range, but as our in-depth review reveals, it's far from being the most basic. Find out why we think this is the best camera of 2018 (so far at least) by reading our in-depth Sony A7 III review...
Yesterday we spent some time shooting with the new Sony A7 III compact system camera in Surrey, UK, at the official Sony Europe press event. Check out our first impressions of using the Sony A7 III camera now...
The Sony A7R III is a 42 megapixel camera that can shoot at 10fps with continuous auto-focusing. Yes, you read that right - 42 megapixels at 10fps. Find out why we think this is one of the best cameras available today by reading our full Sony A7R III review, complete with full-size sample images and videos...
The Panasonic LUMIX GH5S is a new flagship compact system camera aimed firmly at videographers, sitting alongside the G9 and GH5 models. Whereas the recently released Lumix G9 is aimed at stills photographers and the popular GH5 at both stills and videographers, the new GH5s has been designed and developed for professional filmmakers. It features a brand new 10.2 megapixel sensor, 4K 60p / 50p video recording in Cinema 4K, internal 4:2:2 10-bit recording, Dual Native ISO Technology, Timecode IN/OUT compatibility, 14-bit RAW recording, true Multi-Aspect Ratios, and it ships with V-Log pre-installed (rather than being a paid upgrade, as on the GH5).
We've spent a little time getting to know the Panasonic LUMIX GH5S, so check out our first impressions of Panasonic's new compact system camera...
The Sony A7R III is a new premium compact system camera that boasts a 42 megapixel 35mm full-frame CMOS sensor, ISO range of 50-102400, 10fps burst shooting, 5.5-stop in-body image stabilisation, a tilting touchscreen and an electronic viewfinder. We've spent some time getting to know the Sony A7R II, so check out our first impressions of Sony's new compact system camera...
Ahead of our full review, here are some sample images taken with a final production version of the brand new Zeiss Batis 135mm f/2.8 lens. The Zeiss Batis 135mm f/2.8 lens is a fast short telephoto lens for Sony 35mm full-frame cameras.
Ahead of our full review, here are some sample images taken with a final production version of the new Sony FE 100mm F2.8 STF GM OSS lens. The Sony FE 100mm f/2.8 STF GM OSS is a new mid- telephoto prime lens with a unique STF (Smooth Trans Focus) design.
Ahead of our full review, here are some sample images taken with a final production version of the new Sony FE 85mm F1.8 lens. The Sony FE 85mm f/1.8 is a new, affordable mid-telephoto prime lens for full-frame Sony cameras.
Ahead of our full review, here are some sample images taken with the Zeiss Loxia 85mm f/2.4 lens. The Zeiss Loxia 85mm f/2.4 is a new manual focus telephoto lens for Sony E-mount mirrorless full-frame cameras.
The Sony FE 50mm F2.8 Macro is an affordable new macro lens for Sony full-frame mirrorless cameras. Read our expert Sony FE 50mm F2.8 Macro review to find out if you should add this lens to your camera bag...
Ahead of our full review, here are sample images taken with the new Sony FE 50mm f/2.8 Macro lens mounted on an A7R camera. The Sony FE 50mm f/2.8 Macro has a maximum reproduction ratio of 1:1 and a 0.16m minimum focusing distance.
The Voigtlander 10mm F5.6 Hyper Wide Heliar is the widest angle lens available for Sony's 35mm full-frame E-mount camera system. The manual-focus Voigtlander 10mm F5.6 Hyper Wide Heliar offers a 130-degree angle of view, 10 aperture blades, fantastic build quality, and an aperture ring that can be easily de-clicked for video use. Read our Voigtlander 10mm F5.6 Hyper Wide Heliar review now...
The Voigtlander 12mm F5.6 Ultra Wide Heliar is one of the widest-angle lenses currently available for Sony's 35mm full-frame E-mount camera system. The manual-focus Voigtlander 12mm F5.6 Ultra Wide Heliar offers 10 aperture blades, superlative build quality, and an aperture ring that can be easily de-clicked for video use. Read the World's first Voigtlander 12mm F5.6 Ultra Wide Heliar review now...
Ahead of our full review, here is a gallery of sample images taken with the brand new Voigtlander 12mm f5.6 Ultra Wide Heliar lens for Sony E mount. There are 26 sample JPEG and Raw images taken with the Voigtlander 12mm f5.6 Ultra Wide Heliar mounted on the Sony A7R II mirrorless camera.
Ahead of our full review, here is a gallery of sample images taken with the brand new Voigtlander 10mm f5.6 Hyper Wide Heliar lens for Sony E mount. There are 27 sample JPEG and Raw images taken with the Voigtlander 10mm f5.6 Hyper Wide Heliar mounted on the Sony A7R II mirrorless camera.
Ahead of our full review, here are sample images taken with the new Sony Planar T* FE 50mm F1.4 ZA lens mounted on an A7R II camera. Please note that the sample photos were taken using a full production Sony Planar T* FE 50mm F1.4 ZA lens, and are therefore representative of the final shipping product.
Ahead of our full review, here are sample images taken with a final production version of the brand new Zeiss Batis 18mm f/2.8 lens.
The Voigtlander 15mm F4.5 Super Wide Heliar is a premium ultra-wide-angle prime lens for Sony's 35mm full-frame E-mount camera system. The manual-focus Voigtlander 15mm F4.5 Super Wide Heliar offers 10 aperture blades, superlative build quality, and an aperture ring that can be easily de-clicked for video use. Read our Voigtlander 15mm F4.5 Super Wide Heliar review now...
Ahead of our full review, here is a gallery of sample images taken with the brand new Voigtlander 15mm f4.5 Super Wide Heliar lens for Sony E mount. There are 57 sample images taken with the Voigtlander 15mm f4.5 Super Wide Heliar mounted on the Sony A7R II mirrorless camera.
Ahead of our full review, here are sample images taken with the new Sony FE 70-200mm F2.8 GM OSS lens mounted on an A7R II camera. Please note that the sample images were taken using a full production Sony FE 70-200mm F2.8 GM OSS lens, and are therefore representative of the final shipping product.
The Sony FE 50mm f/1.8 is the first affordable "nifty-fifty" lens for the Sony Alpha full-frame compact system camera range. Read our Sony FE 50mm f/1.8 review to find out if you should add this lens to your camera bag...
The Sony FE 70-300mm f/4.5-5.6 G OSS is the longest reaching E-mount lens for the Sony Alpha full-frame compact system camera range. Read our Sony FE 70-300mm f/4.5-5.6 G OSS review to find out if this lens is an essential purchase for Sony Alpha full-frame owners...
The Sony A6300 is a new high-end compact system camera that features the fastest auto-focusing system in the world and the highest number of AF points. With a 24.2 megapixel APS-C CMOS sensor, 4K movie recording, high-res 3-inch tilting LCD screen, electronic viewfinder and built-in flash, the Sony NEX-6 also offers 11fps burst shooting, wi-fi and NFC connectivity, and downloadable PlayMemories Camera Apps. Read our in-depth Sony A6300 review to find out if it's the best Sony APS-C camera yet...
Ahead of our full review, here are sample images taken with the new Sony FE 70-300mm f/4.5-5.6 G OSS lens mounted on an A7R II camera. Please note that the sample images were taken using a full production Sony FE 70-300mm f/4.5-5.6 G OSS lens, and are therefore representative of the final shipping product.
Ahead of our full review, here are sample images taken with the new Sony FE 50mm f/1.8 lens mounted on an A7R II camera. Please note that the sample images were taken using a full production Sony FE 50mm f/1.8 lens, and are therefore representative of the final shipping product.
The Sigma 30mm F1.4 DC DN C is a fast standard prime lens for Sony E-mount and Micro Four Thirds cameras. Retailing for £299 / $339, read our in-depth Sigma 30mm F1.4 DC DN C review to find out if it's worth the modest investment...
Ahead of our full review, here are 32 full-size sample images taken with the Sigma 30mm F1.4 DC DN | C lens mounted on a Sony A7R II body. The Sigma 30mm F1.4 DC DN | C is a fast standard prime lens for compact system cameras.
Ahead of our full review, here are 54 sample images taken with a final production version of the new Sony FE 24-70mm F2.8 GM lens.
Ahead of our full review, here are 45 sample images taken with a final production version of the new Sony FE 85mm F1.4 GM lens.
The Sony A7S II is a new compact system camera that can literally shoot in the dark. Building on last year's A7S model, the new mark II version offers more video features, enhanced ergonomics, built-in image stabilisation and faster focusing. Read our in-depth Sony A7S II review now...
Ahead of our full review, here are 58 JPEG and 58 RAW images taken with the new Sony A7S II compact system camera. The Sony A7S II is a 12.2-megapixel full-frame compact system camera with 4K video recording.
Last week we had the opportunity to shoot with a final production version of the brand new Zeiss Otus 28mm f/1.4 lens, which Zeiss claims "offers unrivalled image quality unseen until now in wide-angle photography, even with a wide-open aperture." Here are 62 JPEG and 62 Raw images taken with a final production version of the Zeiss Otus 28mm f/1.4 lens mounted on the Sony A7R II mirrorless camera.
Last week we had the opportunity to shoot with a final production version of the brand new Zeiss Loxia 21mm f/2.8 lens. Here are 21 JPEG and 21 Raw images taken with the Zeiss Loxia 21mm f/2.8 lens mounted on the Sony A7R II mirrorless camera.
The Sony A7R II is a hotly-anticipated full-frame compact system camera that promises to outclass the DSLR competition. Is this the best full-frame camera on the market? Read our Sony A7R II review to find out...
We've just tested the brand new Sony A7R II compact system camera with the Canon EF 11-24mm f/4L USM lens. Here are 53 JPEG and 53 Raw images taken with a final production version of the Sony A7R II compact system camera with the Canon EF 11-24mm f/4L USM lens and the <a href="http://www.metabones.com/products/details/MB-EF-E-BT4">Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV)</a>. Auto-focusing is supported on the Canon EF 11-24mm f/4L USM lens, and it's very fast indeed (certainly as fast on mounting the same lens on the Canon EOS 5DS R).
We've just tested the brand new Sony A7R II compact system camera with the Canon EF 24-70mm f/2.8L II USM lens. Here are 49 JPEG and 49 Raw images taken with a final production version of the Sony A7R II compact system camera with the Canon EF 24-70mm f/2.8L II USM lens and the Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV). Auto-focusing is supported on the Canon EF 24-70mm f/2.8L II USM lens, and it's very fast indeed (certainly as fast on mounting the same lens on the Canon EOS 5DS R).
We've just tested the brand new Sony A7R II compact system camera with the SSigma 24-35mm f/2 DG HSM Art lens. Here are 41 JPEG and 41 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sigma 24-35mm f/2 DG HSM Art lens and the <a href="http://www.metabones.com/products/details/MB-EF-E-BT4">Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV)</a>. Auto-focusing is supported on the Sigma 35mm f/1.4 Art lens, and it's very fast indeed (certainly as fast on mounting the same lens on the Canon EOS 5DS R).
We've just tested the brand new Sigma 24-35mm f/2 DG HSM Art lens mounted on the Canon EOS 5DS R camera. Here are 43 JPEG and 43 Raw images taken with a final production version of the Sigma 24-35mm f/2 DG HSM Art lens.
We've just tested the brand new Sony A7R II compact system camera with the Canon EF 70-200mm f/4 L lens. Here are 62 JPEG and 62 Raw images taken with a final production version of the Sony A7R II compact system camera with the Canon EF 70-200mm f/4 L lens and the <a href="http://www.metabones.com/products/details/MB-EF-E-BT4">Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV)</a>.
We've just tested the Sony A7R II compact system camera with the Zeiss Loxia 50mm f/2 lens. Here are 21 JPEG and 21 Raw images taken with a final production version of the Sony A7R II compact system camera with the Zeiss Loxia 50mm f/2 lens.
We've just tested the brand new Sony A7R II compact system camera with the Sony Distagon T* FE 35mm f/1.4 ZA prime lens. Here are 24 JPEG and 24 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony Distagon T* FE 35mm f/1.4 ZA lens.
We've just tested the Sony A7R II compact system camera with the Sony FE 28-70mm f/3.5-5.6 lens. Here are 37 JPEG and 37 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony FE 28-70mm f/3.5-5.6 lens.
We've just tested the Sony A7R II compact system camera with the Sony FE 70-200mm f/4 lens. Here are 52 JPEG and 52 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony FE 70-200mm f/4 lens.
We've just tested the Sony A7R II compact system camera with the Sony FE 24-70mm f/4 lens. Here are 34 JPEG and 34 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony FE 24-70mm f/4 lens.
We've just tested the Sony A7R II compact system camera with the Sony FE 16-35mm f/4 lens. Here are 44 JPEG and 44 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony FE 16-35mm f/4 lens.
We've just tested the Sony A7R II compact system camera with the brand new Zeiss Batis 85mm f/1.8 prime lens. Here are 65 JPEG and 65 Raw images taken with a final production version of the Sony A7R II compact system camera with the Zeiss Batis 85mm f/1.8 lens.
We've just tested the brand new Sony A7R II compact system camera with the Sony Sonnar T* FE 55mm f/1.8 ZA prime lens. Here are 45 JPEG and 45 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony Sonnar T* FE 55mm f/1.8 ZA lens.
We've just tested the brand new Sony A7R II compact system camera with the Sony Sonnar T* FE 35mm f/2.8 ZA prime lens. Here are 34 JPEG and 34 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony Sonnar T* FE 35mm f/2.8 ZA lens.
We've just tested the brand new Sony A7R II compact system camera with the Sony FE 28mm f/2 prime lens. Here are 58 JPEG and 58 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony FE 28mm f/2 lens.
We've just tested the Sony A7R II compact system camera with the brand new Sony FE 90mm f/2.8 Macro G OSS prime lens. Here are 83 JPEG and 83 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sony FE 90mm f/2.8 Macro G OSS lens.
We've just tested the Sony A7R II compact system camera with the brand new Zeiss Batis 25mm f/2 prime lens. Here are 66 JPEG and 66 Raw images taken with a final production version of the Sony A7R II compact system camera with the Zeiss Batis 25mm f/2 lens.
Ahead of our full review, here are 99 sample images, both JPEG and Raw, taken with the new Sony A7R II compact system camera. We've included the full ISO range from 50-102,400 (indoor and outdoor test scenes), and 71 additional samples taken with five different lenses - the Zeiss Batis 25mm f/2, Sony FE 28mm f/2, Sony FE 35mm f/2.8, Sony FE 55mm f/1.8, and Sony FE 90mm f/2.8 Macro. Many thanks to <a href="http://www.hireacamera.com/">Hireacamera</a> for providing the 25mm, 28mm and 90mm lenses - they're definitely worth checking out if you want to hire or rent camera kit in the UK.
The Sony FE 28mm f/2 is a brand new wide-angle prime lens for the Sony A7 full-frame compact system camera. Is this small and affordable lens worth considering? Read our Sony FE 28mm f/2 review to find out...
The Sony Distagon T* FE 35mm f/1.4 ZA is a premium moderate wide-angle prime lens for Sony's 35mm full-frame E-mount camera system. The FE 35mm offers a fast F1.4 maximum aperture, 9-blade aperture, dust and moisture resistance, and a unique T* surface coating. Is the Sony FE 35mm f/1.4 an essential lens for your A7/A7R/A7S camera? Read our Sony Distagon T* FE 35mm f/1.4 ZA review to find out...
The Sony A7 II is the first full-frame compact system camera in the World to feature built-in 5-axis stabilisation. Other key improvements include better ergonomics and build quality, faster auto-focusing and startup, a wider range of video options, and greater customisability. Is this the best ever Sony full-frame compact system camera? Read our Sony A7 II review to find out...
Ahead of our full review, here are 57 sample JPEG photos taken with the new Sony A7 II compact system camera, including the full ISO range.
The new silver edition of the Fujfilm X-T1 adds a more durable coating, ultra-fast electronic shutter, Natural Live View function, and a Classic Chrome film simulation mode to one of the year's most popular mirrorless cameras. Read our Fujifilm X-T1 Graphite Silver review to find out if this new edition is another hit for Fujifilm...
Shenyang Zhongyi Optics have released several high-resolution sample photos and a sample video captured using their new 42.5mm f/1.2 & 24mm f/1.7 lenses. Taken with a Panasonic DMC-GH4 & a Sony A7 (the latter in cropped mode), these official samples were shot at the company's Photokina booth. The company has also announced that the launch of the E and X-mount variants of the Zhongyi Mitakon 42.5mm f/1.2 has been postponed due to a "production issue" but the Micro Four Thirds version will go on sale later this month. The Mitakon 24mm f/1.7 will be available in all three mounts in late October.
Ahead of our full review, here are sample images taken with a full production version of the new Nikon D810 DSLR camera, including the entire ISO range. The Nikon D810 is a 36.3 megapixel full-frame DSLR with no optical low pass filter, an ISO range of 32-51,200, 1080/60p video recording, a 1299K-dot 3-inch LCD monitor and 5fps continuous shooting.
The new Sony A7S compact system camera offers an incredible ISO range of ISO 50-409,600, 15-stops of dynamic range when shooting RAW, and 12.2 megapixels on a 35mm full-frame sensor. Add in 4K and XAVC video recording, a truly silent shooting mode, and AF performance in light as low as EV-4, and it's clear that the Sony A7S could be one of the most exciting cameras of 2014. Find out how it really performs in our in-depth Sony A7S review...
Ahead of our full review, here are 73 sample JPEG and 30 RAW photos taken with the new Sony A7S compact system camera, including the astonishing full ISO range that runs from 50 to 409,600.
The Sony A77 II is a new interchangeable lens camera with a class-leading autofocus system, featuring 79-points with 15 cross-sensors and 40% frame coverage. The A77 II also offers a 24.3 megapixel sensor, 12fps burst shooting, weatherproof body, 1080p Full HD movies, high-resolution OLED viewfinder, 3-inch free-angle LCD built-in wi-fi / NFC connectivity and an ISO range of 50-25,600. Read our detailed Sony A77 II review now, complete with full-size JPEG and RAW files...
The Sony A6000 is a new compact system camera that features the fastest auto-focusing system in the world. With a 24.3 megapixel APS HD CMOS sensor, 1080p HD movies, high-res 3 inch OLED screen, electronic viewfinder and built-in flash, the Sony NEX-6 also offers 11fps burst shooting, wi-fi and NFC connectivity, and downloadable PlayMemories Camera Apps. Read our full Sony A6000 review to find out if it's the best Sony NEX camera yet...
The Fujifilm X-T1 is a brand new compact system camera that looks, feels and performs very much like a classic DSLR that''s been shrunk in the wash. Is this the best X-series camera that Fujifilm have released, and can it compete with the likes of the Sony A7/A7R and Olympus OM-D E-M1, not to mention DSLRs from Canon and Nikon? Read our in-depth Fujifilm X-T1 review to find out...
The Sony A7 is the second mirrorless camera in the World to offer a full-frame sensor, but this time it's a slightly more modest 24 megapixels, rather than the A7R's 36 megapixels. The cheaper Sony A7 also offers a more innovative and potentially quicker hybrid AF system, faster flash sync and burst shooting speeds, and a quieter electronic shutter. Is the Sony A7 just as good as its big brother? Read our Sony A7 review to find out...
Big sensor in a small body - that's the USP of the new Sony A7R camera. Offering a 35mm full-frame sensor inside a relatively compact body that takes interchangeable lenses, the A7R is a truly unique and genuinely exciting proposition. Is the Sony A7R the ultimate fusion of DSLR technology and compact system camera size? Read our Sony A7R review to find out...
Here are 46 sample JPEG photos taken with the new Sony A7R compact system camera, including the full ISO range. These sample images were taken at a press event held by Sony UK at City Hall, London. Please note that the sample images were taken using a pre-production Sony A7R camera, and are therefore not completely representative of the final shipping product.
Here are 31 sample JPEG photos taken with the new Sony A7 compact system camera, including the full ISO range. These sample images were taken at a press event held by Sony UK at City Hall, London. Please note that the sample images were taken using a pre-production Sony A7 camera, and are therefore not completely representative of the final shipping product.
The Tamron SP 24-70mm F/2.8 Di VC USD is a fast standard zoom lens for Nikon and Canon full-frame DSLR shooters. Crucially offering built-in image stabilisation, something that the Big Two don't offer, the Tamron 24-70mm is also weather-sealed and cheaper. Read our Tamron SP 24-70mm F/2.8 Di VC USD review to find out if it's the best standard zoom for full-frame users.
The Sony A77 is the flagship model in the second generation of Sony's SLT camera range. The A77 offers a 24.3 megapixel sensor, 12fps burst shooting, 1080p Full HD movies, high-resolution OLED viewfinder, 3-inch free-angle LCD, 19-point auto-focus with 11 cross-sensors, built-in GPS and an ISO range of 50-16000. Can it really challenge Nikon and Canon in the discerning prosumer market? Read our detailed Sony A77 review to find out...
The new Sony A65 has been rather overlooked in all the excitement surrounding the A77 and NEX-7 models, but we grabbed some quality time with this very capable mid-range DSLR . Here are 41 sample photos and a 1080p movie taken with the Sony A65 camera and two different lenses, the standard 18-55mm kit lens and the new 16-50mm f/2.8 DT lens. There's also a full ISO range from 50 to 16000 so that you can see exactly what the 24 megapixel sensor is capable of.
We spent yesterday shooting with the new Sony DT 16-50mm f/2.8 SSM telephoto zoom lens for the Alpha camera system. Here are 40 sample photos taken with the Sony A77 camera and the Sony DT 16-50mm lens.
We've spent the day shooting with the exciting new Sony A77 camera in the heat of Athens, Greece. Here are 60 sample photos and a 1080p movie taken with the Sony A77 SLT camera and the 16-50mm f/2.8 SSM kit zoom lens. There's also a full ISO range from 50 to 16000 so that you can see exactly what the new 24 megapixel sensor is capable of.
The Sony A850 is the most "affordable" full-frame DSLR camera, featuring a 24.6 megapixel sensor, 3 inch LCD screen and an anti-shake function integrated into the body. Retailing for around $1999 / 1999 Euros / £1700, does the Sony A850 have what it takes to compete with its main rivals? Read our in-depth Sony A850 Review to find out...
The Sony A230 is the third and final model that we're reviewing in Sony's revamped lineup of entry-level DSLR cameras for 2009. Heavily based on the previous A200 model, the new A230 features a new look and feel designed to make it easier to use for people new to SLR photography, whilst retaining all the key features of its predecessor. These include a 2.7 inch LCD screen, anti-dust system, ISO range of 100-3200, in-built anti-shake, eye-start auto-focus and Dynamic Range Optimiser. Is the £530 / $650 Sony A230 the best camera for DSLR first-timers? Mark Goldstein finds out...