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The new Fuji GFX 50S II is the most affordable medium-format ever released - it's so cheap that it competes with high-end 35mm full-frame cameras like the Sony Alpha 7R IV, Canon EOS R5 and Nikon Z7 II. But surely there's a catch - is it just too affordable for its own good? Find out now by reading our in-depth Fujifilm GFX 50S II review, complete with full-size sample photos and videos...
The EOS R5 has been the hottest full-frame camera on the block ever since Canon pre-announced it back at the start of 2020, thanks to its headline grabbing twin features of a 45 megapixel sensor and 8K video recording. We've seen it a few times since then, but now we can finally bring you our final Canon R5 review, complete with full-size sample photos and videos!
The Hasselblad X1D II 50c is a modern medium-format mirrorless camera with a 51 megapixel sensor, large 3.6-inch touchscreen LCD and an improved electronic viewfinder, all housed in a beautifully crafted body. Read our in-depth Hasselblad X1D II 50c review now...
“Re-imagine mirrorless” is the official strapline for one of Canon's biggest ever product launches, as they introduce 11 new products in total today, including the hotly anticipated Canon EOS R5 mirrorless camera with its 45 megapixel full-frame sensor and ability to record 8K video.
Canon are still keen to point out that they are not stepping away from their other DSLR and APS-C mirrorless systems, just focusing on full-frame mirrorless for the next 6 months at least.
We've spent a little hands-on time with the Canon's brand new flagship camera, so ahead of our full review, check out our first impressions of the Canon EOS R5 now...
The Tokina Opera 16-28mm F2.8 FF is a brand new ultra-wide-angle zoom lens for Nikon and Canon DSLR cameras, boasting a fast, constant aperture of f/2.8 and an appealing price-tag. Read our in-depth Tokina Opera 16-28mm F2.8 FF review now, complete with full-size sample images...
The EF 70-200mm F4L IS II USM is a significantly upgraded version of Canon's popular 70-200mm F4 lens for full-frame and APS-C sensor DSLR cameras. Read our in-depth Canon EF 70-200mm F4L IS II USM review to find out just what the new Mark II version has to offer, complete with full-size sample images...
The EF 70-200mm F2.8L IS III USM is a refreshed version of Canon's extremely popular 70-200mm F2.8 lens for DSLR cameras. Read our in-depth Canon EF 70-200mm F2.8L IS III USM lens review to find out just what this update has to offer and if it still out-performs its rivals, complete with full-size sample images...
Ahead of our full review, here are some full-size JPEG and Raw sample images taken with the brand new Canon EF 70-200mm F2.8L IS III USM lens. The Canon EF 70-200mm F2.8L IS III USM is a professional telephoto zoom lens for Canon full-frame and APS-C DSLR cameras.
Ahead of our full review, here are some full-size JPEG and Raw sample images taken with the brand new Canon EF 70-200mm F4L IS II USM lens. The Canon EF 70-200mm F4L IS II USM is a professional telephoto zoom lens for Canon full-frame and APS-C DSLR cameras.
Ahead of our full review, here are some sample JPEG and Raw images taken with the brand new Tokina Opera 16-28mm F2.8 FF lens mounted on a Canon EOS 5DS R body. The Tokina Opera 16-28mm F2.8 FF is a high-quality ultra-wide-angle zoom lens for Canon and Nikon full-frame and APS-C DSLR cameras.
The Tokina Opera 50mm F1.4 FF is an ultra-fast standard prime lens for full-frame DSLR cameras. The weather-sealed Opera 50mm F1.4 lens features 15 optical elements in 9 groups and an ultrasonic focusing system which provides quiet, smooth and fast autofocusing. Priced at £879 / $949, read our in-depth Tokina Opera 50mm F1.4 FF now...
Ahead of our full review, here are some sample JPEG and Raw images taken with the Tokina Opera 50mm F1.4 FF lens mounted on a Canon EOS 5DS R body. The Tokina Opera 50mm F1.4 FF is a high-quality standard prime lens for Canon and Nikon full-frame mirrorless cameras.
The Sigma 28mm F1.4 DG HSM is a very fast, classic 28mm wide-angle prime lens for full-frame DSLR cameras. Available in Canon EF, Nikon F and Sigma SA mounts, the new Sigma 28mm Art lens retails for £1099.99 / $1399.99 - read our in-depth review to find out if its performance, features and image quality can justify that price-tag or not...
Ahead of our full review, here are some full-size sample JPEG and Raw images taken with the Sigma 28mm F1.4 DG HSM Art lens, mounted on a Canon EOS 5DS R body. The Sigma 28mm F1.4 DG HSM Art is a brand new fast wide-angle prime lens for full-frame DSLR cameras.
The Sigma 70-200mm f/2.8 DG OS HSM Sports is a brand new, no-holds-barred, fast telephoto zoom lens for Nikon and Canon full-frame cameras. Read our in-depth Sigma 70-200mm f/2.8 DG OS HSM Sports lens review to find out if it's the ultimate telephoto zoom for DSLR owners, complete with full-size sample images...
Interested in buying a 70-200mm telephoto zoom that doesn't break either your back or your bank?! Then take a look at the Tamron 70-210mm f4 Di VC USD lens, which only weighs 860g and only costs £699 / $799. Read our Tamron 70-210mm f4 review to find out if it's cut too many corners or not...
The Fujifilm GFX 50R is a rangefinder-style medium-format mirrorless camera with a 50 megapixel sensor, 3.2-inch tilting touchscreen LCD, electronic viewfinder, ISO range of 50-102400, dual memory card slots and 3fps continuous shooting. Oh, and it only costs £3999 / $4499, making it the cheapest medium format camera on the market. Read our detailed Fujifilm GFX 50R review now...
Ahead of our full review, here are some sample JPEG and Raw images taken with the Tamron 70-210mm f4 Di VC USD telephoto lens mounted on the Canon EOS 5DS R DSLR camera.
The Sigma 40mm F1.4 DG HSM is a brand new prime lens designed specifically for Canon, Nikon and Sigma DSLR cameras that offers a unique focal length. Read our Sigma 40mm F1.4 DG HSM review to find out if it's worth the £1199 / $1399 asking price...
Ahead of our full review, here are some sample images taken with the Sigma 40mm f/1.4 DG HSM Art lens mounted on a 50-megapixel Canon EOS 5DS R DSLR camera. The Sigma 40mm f/1.4 DG HSM Art is a new fast standard prime lens for full-frame cameras.
The Sigma 105mm F1.4 DG HSM is a very fast, short telephoto prime lens for full-frame DSLR cameras and mirrorless cameras. The Sigma 105mm f/1.4 Art is a no-holds-barred lens that's designed to produce lovely bokeh effects and buttery-smooth backgrounds. Retailing for £1,499 / $1,599, read our Sigma 105mm F1.4 DG HSM review to find out if it can deliver the goods...
The Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports is a new professional hyper-telephoto zoom lens for full-frame and APS-C DSLR cameras (Canon, Nikon and Sigma mounts). Offering a much larger focal range than comparable lenses from Nikon, Canon and Tamron, is this 60-600mm "Bigma" lens worth considering? Read our Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports review to find out...
Ahead of our full review, here are some full-size sample images taken with the Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports lens mounted on a Canon EOS 5DS R body. The Sigma 60-600mm f/4.5-6.3 DG OS HSM is a very versatile 10x telephoto zoom lens for full-frame and APS-C DSLR cameras.
The Z7 is Nikon's first foray into the brave new world of full-frame mirrorless cameras, and what an entry it is. Boasting 45.7 megapixels, 4K video recording, built-in image stabilsation, a 3.6-million dot EVF and a 2.1-million dot tilting screen, can the exciting new Nikon Z7 give market-leader Sony a run for its money? Find out by reading our in-depth Nikon Z7 review, complete with full size JPEGs, Raw files and movies...
The Sigma 70mm f/2.8 DG Macro Art is the first 1:1 macro lens in Sigma's so-far impressive range of Art branded premium lenses, effectively replacing the popular Sigma MACRO 70mm F2.8 EX DG lens. Read our Sigma 70mm f/2.8 DG Macro Art review to find out just what this new optic is capable of...
The Pentax K-1 Mark II is a modest upgrade of the 18-month-old K-1 35mm full-frame DSLR camera, principally adding just three new features. Are they enough to warrant upgrading and do they keep the Mark II competitive? Find out by reading our Pentax K-1 Mark II review...
The brand new Sigma 14-24mm F2.8 is a premium ultra-wide-angle zoom lens, boasting a fast, constant aperture of f/2.8 and full weather-sealing. Read our in-depth Sigma 14-24mm F2.8 DG HSM Art review now, complete with full-size sample images...
Ahead of our full review, here are some sample images taken with the Sigma 14-24mm F2.8 DG HSM Art lens, mounted on a 50-megapixel Canon EOS 5DS R DSLR camera. The Sigma 14-24mm F2.8 DG HSM Art is a new professional ultra-wide-angle zoom lens with a constant aperture of f/2.8.
The Samyang XP 50mm F1.2 is a brand new super-fast standard prime lens for high-resolution Canon DSLR cameras. Read our review of the Samyang XP 50mm F1.2 lens (also known as the Rokinon SP 50mm f/1.2 in the US) mounted on the 50 megapixel Canon EOS 5DS R camera to find out just what it's capable of...
Ahead of our full review, here are some sample images taken with the Samyang XP 50mm f/1.2 lens, mounted on a 50-megapixel Canon EOS 5DS R camera. The Samyang XP 50mm f/1.2 is a new premium manual focus telephoto lens for full-frame DSLR and mirrorless cameras.
One of the main criticisms that we've seen aimed at the Fujifilm X-H1 since its launch last week is about its size, with lots of online comments that it's just too big for a mirrorless camera.
To that end, we've gathered a number of different cameras from the far-flung corners of the Photography Blog office, lined them up one-by-one next to the X-H1, and shot each combination from various angles to give you an idea of how they compare in real life.
The cameras are: Fujifilm X-T2, Fujifilm GFX, Panasonic GH5S, Sony A7R II, Sony A6500, Canon EOS 5DSR, Canon EOS 5D Mark III and the Canon EOS 80D.
Remember, this isn't meant to be a scientific test of the X-H1 - we don't have obvious rivals like the the Olympus O-MD E-M1 II to hand - but it does give you an idea of how it compares to cameras from most of the various systems available today (APS-C mirroless, Medium Format, Micro Four Thirds, 35mm Full-frame mirrorless, 35mm Full-frame DSLR, APS-C DSLR).
Take a look and let us know what you think in the comments section - is the Fujifilm X-H1 too big for its boots, or is its size irrelevant?
The Samyang AF 14mm f/2.8 EF is a fast and affordable ultra-wide-angle prime lens for Canon full-frame DSLR cameras. Priced at £649 / €749, much cheaper than the Canon equivalent, is the auto-focusing Samyang 14mm for Canon worth considering? Read our Samyang AF 14mm f/2.8 EF review to find out...
The Sony A7R III is a 42 megapixel camera that can shoot at 10fps with continuous auto-focusing. Yes, you read that right - 42 megapixels at 10fps. Find out why we think this is one of the best cameras available today by reading our full Sony A7R III review, complete with full-size sample images and videos...
The new Canon TS-E 135mm f/4L MACRO introduces a new focal length for Canon’s specialist range of tilt shift optics. This professional L-series lens offers a minimum focusing distance of 49cm, tilt, shift and rotate movements, plus 1:2 macro functionality. Read our Canon 135mm tilt shift lens review now, complete with full-size sample images...
The new Canon TS-E 90mm f/2.8L MACRO is a specialist portrait and product lens for full-frame Canon DSLR cameras. This professional L-series lens offers tilt, shift and rotate movements, plus 1:2 macro functionality. Read our Canon 90mm tilt shift lens review now, complete with full-size sample images...
The new Canon TS-E 50mm f/2.8L MACRO is a specialist lens for full-frame Canon DSLR cameras that offers tilt, shift and rotate movements, plus 1:2 macro functionality. Read our Canon 50mm tilt shift lens review now, complete with full-size sample images...
The Tamron 100-400mm F/4.5-6.3 Di VC USD is a very versatile telephoto zoom lens for full-frame and APS-C DSLR cameras. Costing much less than rival lenses from Nikon and Canon, whilst being lighter and more compact, is this new Tamron 100-400mm lens worth considering? Read our in-depth Tamron 100-400mm F/4.5-6.3 Di VC USD review, complete with full-size sample images, to find out...
We've already published our full review of the exciting Nikon D850 DSLR camera, and it's fair to say that we were more than impressed. Now we're following-up with an in-depth look at using the Nikon D850 for portrait photography, something that its 45.4-million pixels make it eminently suitable for.
The Tamron SP 24-70mm F/2.8 Di VC USD G2 is a fast standard zoom lens for Nikon and Canon full-frame DSLR shooters. Crucially offering built-in image stabilisation worth up to a claimed 5 stops of shutter speed, the Tamron 24-70mm is also weather-sealed and cheaper than the Big Two. Read our Tamron SP 24-70mm F/2.8 Di VC USD G2 review to find out if it's the best standard zoom for full-frame users.
The Canon EF 70-300mm f/4-5.6 IS II USM is an affordable telephoto zoom lens for full-frame DSLR camera. Read our Canon EF 70-300mm f/4-5.6 IS II USM review to find out if this is all the telephoto lens that you actually need...
The Sigma 24-70mm F2.8 DG OS HSM Art is an exciting new professional standard zoom lens for full-frame DSLR cameras. Retailing for £1399 / $1299, can the Sigma 24-70mm f/2.8 compete with the equivalent lenses from Canon and Nikon? Read our Sigma 24-70mm F2.8 DG OS HSM Art review to find out...
Ahead of our full review, here are some full-size sample images (JPEG and Raw) taken with the Sigma 24-70mm F2.8 DG OS HSM Art lens mounted on a Canon EOS 5DS R body. The Sigma 24-70mm F2.8 DG OS HSM Art is a new stabilised standard zoom lens for full-frame cameras.
The Sigma 100-400mm F5-6.3 DG OS HSM is a versatile telephoto zoom lens for full-frame and APS-C DSLR cameras. Offering a much cheaper price-tag than comparable lenses from Nikon and Canon, is this third-party lens worth considering? Read our Sigma 100-400mm F5-6.3 DG OS HSM review to find out...
Ahead of our full review, here are some full-size sample images taken with the Sigma 100-400mm F5-6.3 DG OS HSM Contemporary lens mounted on a Canon EOS 5DS R body. The Sigma 100-400mm F5-6.3 DG OS HSM Contemporary is a versatile 4x telephoto zoom lens for full-frame and APS-C DSLR cameras.
The Irix 15mm f/2.4 is a super-wide-angle prime lens for Nikon, Pentax and Canon full-frame DSLR camera, offering a 115-degree angle of view. Designed in Switzerland and manufactured in Korea, is this manual focus lens from a brand new manufacturer worth a look? Read our expert Irix 15mm f/2.4 review to find out...
Ahead of our full review, here are some sample images taken with the Irix 15mm f/2.4 lens, mounted on a Canon EOS 5DS R camera. The Irix 15mm f/2.4S is a manual focus ultra-wide-angle prime lens for 35mm full-frame DSLR cameras.
The Fujifilm GFX 50S is a new medium-format mirrorless camera, offering a 50 megapixel sensor, a 3.2-inch tilting touchscreen LCD and a removable electronic viewfinder in a body that's no bigger than a 35mm full-frame DSLR. Read our in-depth Fujifilm GFX 50S review now...
The Hasselblad X1D-50c is a new medium-format compact system camera, offering a 50 megapixel sensor, a 3-inch touchscreen LCD and an electronic viewfinder in a stunningly-designed body that's smaller than many DSLRs. Read our in-depth Hasselblad X1D-50c review now...
The Irix 11mm f/4 is an ultra-wide-angle prime lens for Nikon, Pentax and Canon full-frame DSLR camera, offering an incredible 126-degree angle of view. Designed in Switzerland and manufactured in Korea, is this manual focus lens from a brand new manufacturer worth a look? Read our expert Irix 11mm f/4 review to find out...
The Tamron SP 70-200mm F/2.8 Di VC USD G2 is a brand new fast telephoto zoom lens for Nikon and Canon full-frame DSLRs. Offering improved built-in image stabilisation, the compact Tamron 70-200mm lens has a constant aperture of f/2.8 throughout the range. Read our Tamron SP 70-200mm F/2.8 Di VC USD G2 review to find out if it's the best fast telephoto zoom for full frame users.
Ahead of our full review, here are some sample images taken with the Tamron SP 70-200mm F/2.8 Di VC USD G2 lens, mounted on a Canon EOS 5DS R body. The Tamron SP 70-200mm F/2.8 Di VC USD G2 is a brand new telephoto zoom lens for 35mm full-frame and APS-C DSLR cameras.
Ahead of our full review, here are some sample images taken with the Irix 11mm f/4 lens, mounted on a Canon EOS 5DS R camera. The Irix 11mm f/4S is a brand new manual focus ultra-wide-angle lens for 35mm full-frame DSLR cameras.
The KeyMission 170 is Nikon's first attempt at an action camera, featuring 4K video recording and a 170-degree lens. Can it compete with the similarly priced GoPro Hero 5? Find out by reading our Nikon KeyMission 170 review.
The Sigma 12-24mm F4 DG HSM Art is a new, affordable ultra-wide-angle zoom lens, boasting an incredibly wide focal length of 12mm and a constant f/4 aperture. Read our in-depth Sigma 12-24mm F4 DG HSM Art review now, complete with full-size sample images.
The Samyang Premium MF 85mm f/1.2 is a very fast short telephoto prime lens for full-frame DSLR cameras. The Samyang 85mm f/1.2 is a manual-focus lens comprised of 10 elements arranged in 7 groups. Retailing for £899 / $999, read our in-depth Samyang Premium MF 85mm f/1.2 review...
The Samyang Premium MF 14mm f/2.4 is a fast ultra-wide-angle prime lens for full-frame DSLR and mirrorless cameras. Priced at £899, is the manual focus Samyang Premium MF 14mm f/2.4 worth a look? Read our Samyang Premium MF 14mm f/2.4 review to find out...
The Sigma 85mm F1.4 DG HSM is a fast short telephoto prime lens for full-frame DSLR cameras. The 85mm f/1.4 features 14 optical elements in 12 groups and a HSM focusing system which provides quiet, smooth and fast autofocus with full-time manual focus override. Retailing for £1099 / $1199, read our expert Sigma 85mm F1.4 DG HSM review to find out if it's the ultimate 85mm lens...
The Tamron SP 150-600mm F/5-6.3 Di VC USD G2 is a premium super-telephoto zoom lens for full-frame and APS-C Canon, Nikon and Sony DSLR cameras. Read our in-depth Tamron SP 150-600mm F/5-6.3 Di VC USD G2 to find out if it can improve on the popular original version...
Ahead of our full review, here are 72 sample images taken with the brand new Tamron SP 150-600mm f/5-6.3 DI VC USD G2 lens, mounted on a 50 megapixel Canon EOS 5DS R DSLR camera. The Tamron SP 150-600mm f/5-6.3 Di VC USD G2 is a super-telephoto zoom lens designed for full-frame and APS-C DSLR cameras.
Unveiled at Photokina 2016, the Fujifilm GFX 50S is the first digital medium-format camera body in Fuji's brand new GFX system. Having attended the launch event in Cologne, we now bring you our first hands-on preview of this exciting new product. Do note that all of our remarks are based on a prototype/pre-production sample.
Canon are showcasing a 120 megapixel EOS DSLR camera at Photokina 2016. The new concept model is actually a current Canon EOS 5DS body with a 120 megapixel sensor inside, instead of the normal 50 megapixel sensor, paied with a standard EF 24-70mm f/2.8 lens. In an impressive macro demo setup, fine detail from a tiny portion of the scene was replayed on a computer monitor, making things visible that weren't apparent to the naked eye. No mention was made of how fast the continuous shooting rate is though!
The Canon Wi-Fi Adapter W-E1 is a dedicated Wi-Fi adapter for Canon’s EOS 7D Mark II, EOS 5DS and EOS 5DS R DSLR cameras. Portable and lightweight, the Wi-Fi Adapter W-E1 is the size of an SD card. A firmware update is required for all compatible models. The EOS 7D Mark II new firmware is available September 2016 and the EOS 5DS and EOS 5DS R new firmware is available November 2016. The Canon Wi-Fi Adapter W-E1 will cost £39.99 / €49.99, available in October.
Alpine Labs have announced the upcoming launch of their "Pulse" camera release. Offering a pocket-sized solution to wireless control of DSLRs and CSCs, Pulse facilitates remote control from your mobile device using Bluetooth connectivity and a free mobile app. Unlike other remotes that utilise a camera’s trigger port, the USB connection allows Pulse to wirelessly control ISO, shutter speed, aperture, start / stop video, preview images on the screen of your device, and boasts an operational range of up to 100 ft. Expected to retail for $99, Pulse is currently available to preorder via the website below.
Using patented image optimization technology, JPEG Mini Pro reduces the file size of your photos significantly (up to 80%), while preserving their full resolution and quality. Read our JPEG Mini Pro review to find out if those claims hold true...
The Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) is the third version of Tamron's classic macro lens. Read our Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) review to find out if this is the best one yet...
The Canon EOS 1D X Mark II is a brand new flagship DSLR camera for professionals. Aimed at sports, press and nature photographers, the 20 megapixel 1DX Mark II builds on the success of the previous 1D X camera with a wealth of improvements, including 4K video recording, a new 20.2 megapixel sensor, 16fps continuous shooting and an expanded ISO range. Can the Canon EOS 1D X Mark II justify its £5,199.99 / $5,999.95 price-tag? Find out by reading our in-depth Canon EOS 1D X Mark II review...
The new K-1 is the long-awaited full-frame DSLR camera from Pentax, based around a 36.4 megapixel CMOS sensor. Is this the best ever Pentax DSLR? Read our in-depth Pentax K-1 review to find out...
The new Tamron SP 85mm f/1.8 Di VC USD is a short telephoto prime lens for DSLR cameras which boasts several class-leading features. Can it beat its main rivals from Canon, Nikon and Sigma? Find out in our Tamron SP 85mm f/1.8 Di VC USD review...
Canon has been awarded five accolades by the Technical Image Press Association (TIPA). The "Best Professional/High-Res DSLR" title went to the Canon EOS 5DS / 5DSR (pictured), while the Canon EOS-1D X Mark II has been named the year's "Best Photo/Video Professional Camera." The Canon IXUS 285 HS has won the "Easy Compact Camera" category, and the Canon PowerShot G5 X has received the "Best Expert Compact Camera" award. Last but not least, the imagePROGRAF PRO-1000 has been selected as the world's best photo printer.
The Nikon D5 is a brand new flagship DSLR camera for professionals. Aimed at sports, press and nature photographers, the 20 megapixel D5 builds on the success of the previous D4s camera with a wealth of improvements, including a new 20.8 megapixel sensor, 4K video recording, touch-screen control, and an expanded ISO range. Can the Nikon D5 justify its £5,199.99 / $6,499.95 price-tag? Find out by reading our in-depth Nikon D5 review...
Canon is celebrating its 13th year at number one in the interchangeable-lens digital camera market. The success story began in 2003 with the introduction of the EOS 300D, the first affordable digital SLR camera that combined a competitive price with a compact, lightweight design and captured the top global market share upon release. The entire EOS series is supported by Canon’s extensive EF lens collection, with production surpassing the 110 million unit mark in June 2015, and currently comprises a total of 98 models.
The Canon EF 400mm f/4 DO IS II USM is a relatively lightweight and compact telephoto prime lens for sports and wildlife photographers. Read our in-depth Canon EF 400mm f/4 DO IS II USM review complete with full-size sample images...
Not content with launching 10 new photo products at CES, Vegas, at the start of the year, followed by the surprise announcement of the 1DX Mark II weeks later, photo stalwart Canon has launched a further five new products with May 2016 availability.
The Leica SL (Typ 601) is a new compact system camera for professionals, offering a 24 megapixel full-frame sensor, 4K video recording, 11fps burst shooting, a class-leading EVF, fast auto-focusing and a 3-inch touchscreen. Read our in-depth Leica SL (Typ 601) review now...
The Zeiss Otus 28mm f/1.4 APO Distagon T* is a premium wide-angle prime lens for Canon and Nikon 35mm full-frame DSLR cameras. The manual-focus Otus 28mm lens offers a fast f/1.4 maximum aperture, 9 aperture blades, and superlative build quality. Read our Zeiss Otus 28mm f/1.4 APO Distagon T* review now...
The Sony A7S II is a new compact system camera that can literally shoot in the dark. Building on last year's A7S model, the new mark II version offers more video features, enhanced ergonomics, built-in image stabilisation and faster focusing. Read our in-depth Sony A7S II review now...
The Zeiss Milvus 21mm f/2.8 is a brand new ultra-wide-angle prime lens for Canon and Nikon 35mm full-frame DSLR cameras. The manual-focus-only Milvus 21mm offers a fast f/2.8 maximum aperture, 9 aperture blades, and superlative build quality including weatherproofing. Read our Zeiss Milvus 21mm f/2.8 review now...
Wex Photographic has launched its ‘Win Christmas’ campaign, giving away three camera bundles that are featured in their ‘Which Photographer Are You?’ Christmas adverts. Each of the three winners will pick up a complete camera-and-accessory kit, featuring either the Canon EOS 5DS R, the Fuji X-T1 or the Sony HX90V. To be in with a chance of winning these prizes, entrants need to fill in their details online and answer a simple question on Wex's Win Christmas page.
The Canon EF 35mm f/1.4L II USM is a new moderate wide-angle prime lens for professionals. Boasting a very fast maximum aperture, the latest coatings, and fast and quiet auto-focusing, the Canon EF 35mm f/1.4L II USM is the most expensive 35mm Canon prime lens. Read our in-depth Canon EF 35mm f/1.4L II USM review complete with full-size sample images...
The Sigma 20mm F1.4 DG HSM is a fast ultra-wide-angle prime lens for full-frame DSLR cameras. Retailing for £849 / $999, read our in-depth Sigma 20mm F1.4 DG HSM review now...
Canon have surpassed a new camera-manufacturing milestone as combined production of the company’s film and digital EOS-series interchangeable-lens cameras surpassed the 80-million mark on 10 November 2015. Introduced in March 1987 as a new generation of AF SLR cameras, EOS (Electro Optical System) cameras were the world’s first to incorporate an electronic mount system enabling complete electronic control not only between the lens and body, but throughout the entire camera system. Following the introduction of digital SLR cameras in the early 2000s, production of the EOS-series cameras rapidly increased, surpassing the 70-million-unit mark in February 2014 and now, approximately one year and nine months later, reaching the 80-million-unit threshold.
The Zeiss Otus 55mm f/1.4 Distagon T* is a premium standard prime lens for Canon and Nikon 35mm full-frame DSLR cameras. The manual-focus Otus 55mm lens offers a fast f/1.4 maximum aperture, 9 aperture blades, and superlative build quality. Read our Zeiss Otus 55mm f/1.4 Distagon T* review now...
Ahead of our full review, here are 36 full-size sample images taken with the Sigma 20mm F1.4 DG HSM lens mounted on a Canon EOS 5DS R body. The Sigma 20mm F1.4 DG HSM is a fast ultra-wide-angle prime lens for full-frame DSLR cameras.
Ahead of our full review, here are 34 sample images taken with the Zeiss Otus 55mm f/1.4 lens mounted on a Canon EOS 5DS R DSLR camera.
Ahead of our full review, here are 41 sample images taken with the Canon EF 35mm f/1.4L II USM lens mounted on a Canon EOS 5DS R body. The Canon EF 35mm f/1.4L II USM is a fast wide-angle prime lens for full-frame DSLR cameras.
The Zeiss Milvus 50mm f/1.4 is a brand new standard prime lens for Canon and Nikon 35mm full-frame DSLR cameras. The manual-focus-only Milvus 50mm offers a fast f/1.4 maximum aperture, 9 aperture blades, and superlative build quality including weatherproofing. Read our Zeiss Milvus 50mm f/1.4 review now...
The Zeiss Milvus 85mm f/1.4 is a brand new short-telephoto prime lens for Canon and Nikon 35mm full-frame DSLR cameras. The manual-focus-only Milvus 85mm offers a fast f/1.4 maximum aperture, 9 aperture blades, and superlative build quality including weatherproofing. Read our Zeiss Milvus 85mm f/1.4 review now...
Last week we had the opportunity to shoot with a final production version of the brand new Zeiss Otus 28mm f/1.4 lens. Here are 34 JPEG and 34 Raw images taken with a final production version of the Zeiss Otus 28mm f/1.4 lens mounted on the Canon EOS 5DS R DSLR camera.
If you're interested in how the new Leica SL mirrorless camera compares in size to the Canon EOS 5DS R full-frame DSLR, then look no further, as we've compiled a gallery of side-by side product shots of the two cameras.
Profoto have today released a new firmware upgrade for their B1 and B2 off-camera flashes, adding workflow improvements and enabling TTL metering with the Canon EOS 5DS and EOS 5DS R cameras. When launched in November 2013, the Profoto B1 (pictured) was the world’s first off-camera flash to offer TTL functionality for both Canon and Nikon cameras. Earlier this year, the B1 was followed by the smaller and more portable Profoto B2, which offers the same TTL functionality as the B1. This latest firmware upgrade brings a series of improvements, including AirTTL compatiblity with the Canon EOS 5DS and EOS 5DS R cameras, improved Canon integration for faster shooting in Manual mode, an option to deactivate Auto Power-off on all units, an improved display sleep function on air remotes, plus a number of minor bug fixes.
The Sony A7R II is a hotly-anticipated full-frame compact system camera that promises to outclass the DSLR competition. Is this the best full-frame camera on the market? Read our Sony A7R II review to find out...
The Tamron SP 35mm f/1.8 Di VC USD is a new wide-angle prime lens for DSLR cameras which boasts image stabilisation, weather-proofing, a minimum focus distance of 0.2m and premium build quality. Read our in-depth Tamron SP 35mm f/1.8 Di VC USD review now...
The Tamron SP 45mm f/1.8 Di VC USD is a new standard prime lens for DSLR cameras which boasts several class-leading features. Can it beat its main rivals from Canon, Nikon and Sigma? Find out in our Tamron SP 45mm f/1.8 Di VC USD review...
Ahead of our review, we've just tested the brand new Tamron SP 35mm f/1.8 Di VC USD lens mounted on the Canon EOS 5DS R camera. Here are 52 JPEG and Raw images taken with a final production version of the Tamron SP 35mm f/1.8 Di VC USD lens.
Ahead of our review, we've just tested the brand new Tamron SP 45mm f/1.8 Di VC USD lens mounted on the Canon EOS 5DS R camera. Here are 49 JPEG and Raw images taken with a final production version of the Tamron SP 45mm f/1.8 Di VC USD lens.
We've just tested the brand new Zeiss Milvus 85mm F/1.4 lens mounted on the Canon EOS 5DS R camera. Here are 40 JPEG images taken with a final production version of the Zeiss Milvus 85mm F/1.4 lens.
We've just tested the brand new Zeiss Milvus 21mm F/2.8 lens mounted on the Canon EOS 5DS R camera. Here are 97 JPEG images taken with a final production version of the Zeiss Milvus 21mm F/2.8 lens.
We've just tested the brand new Zeiss Milvus 50mm F/1.4 lens mounted on the Canon EOS 5DS R and Sony A7R II cameras. Here are 23 JPEG images taken with a final production version of the Zeiss Milvus 50mm F/1.4 lens.
We've just tested the brand new Zeiss Milvus 35mm F/2 lens mounted on the Canon EOS 5DS R and Sony A7R II cameras. Here are 17 JPEG images taken with a final production version of the Zeiss Milvus 35mm F/2 lens.
We've just tested the brand new Zeiss Milvus 50mm F/2 Macro lens mounted on the Canon EOS 5DS R and Sony A7R II cameras. Here are 12 JPEG images taken with a final production version of the Zeiss Milvus 50mm F/2 Macro lens.
We've just tested the brand new Zeiss Milvus 100mm F/2 Macro lens mounted on the Canon EOS 5DS R and Sony A7R II cameras. Here are 11 JPEG images taken with a final production version of the Zeiss Milvus 100mm F/2 Macro lens.
The Sigma 24-35mm f/2 DG HSM Art is a fast wide-angle zoom lens for DSLR cameras. Retailing for £949 / $999, read our expert Sigma 24mm F1.4 DG HSM review to find out if it's as good as the 24mm and 35mm Art prime lenses...
We've just tested the brand new Sony A7R II compact system camera with the Canon EF 11-24mm f/4L USM lens. Here are 53 JPEG and 53 Raw images taken with a final production version of the Sony A7R II compact system camera with the Canon EF 11-24mm f/4L USM lens and the <a href="http://www.metabones.com/products/details/MB-EF-E-BT4">Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV)</a>. Auto-focusing is supported on the Canon EF 11-24mm f/4L USM lens, and it's very fast indeed (certainly as fast on mounting the same lens on the Canon EOS 5DS R).
We've just tested the brand new Sony A7R II compact system camera with the Canon EF 24-70mm f/2.8L II USM lens. Here are 49 JPEG and 49 Raw images taken with a final production version of the Sony A7R II compact system camera with the Canon EF 24-70mm f/2.8L II USM lens and the Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV). Auto-focusing is supported on the Canon EF 24-70mm f/2.8L II USM lens, and it's very fast indeed (certainly as fast on mounting the same lens on the Canon EOS 5DS R).
We've just tested the brand new Sony A7R II compact system camera with the SSigma 24-35mm f/2 DG HSM Art lens. Here are 41 JPEG and 41 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sigma 24-35mm f/2 DG HSM Art lens and the <a href="http://www.metabones.com/products/details/MB-EF-E-BT4">Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV)</a>. Auto-focusing is supported on the Sigma 35mm f/1.4 Art lens, and it's very fast indeed (certainly as fast on mounting the same lens on the Canon EOS 5DS R).
We've just tested the brand new Sigma 24-35mm f/2 DG HSM Art lens mounted on the Canon EOS 5DS R camera. Here are 43 JPEG and 43 Raw images taken with a final production version of the Sigma 24-35mm f/2 DG HSM Art lens.
We've just tested the brand new Sony A7R II compact system camera with the Canon EF 70-200mm f/4 L lens. Here are 62 JPEG and 62 Raw images taken with a final production version of the Sony A7R II compact system camera with the Canon EF 70-200mm f/4 L lens and the <a href="http://www.metabones.com/products/details/MB-EF-E-BT4">Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV)</a>.
We've just tested the brand new Sony A7R II compact system camera with the Sigma 24mm, 35mm and 50mm f/1.4 Art lenses. Here are 95 JPEG and 95 Raw images taken with a final production version of the Sony A7R II compact system camera with the Sigma 24mm, 35mm and 50mm f/1.4 Art lenses and the <a href="http://www.metabones.com/products/details/MB-EF-E-BT4">Metabones Canon EF Lens to Sony NEX Smart Adapter (Mark IV)</a>. Note that auto-focusing is only supported on the Sigma 35mm f/1.4 Art lens, and it's very fast indeed (certainly as fast on mounting the same lens on the Canon EOS 5DS R). Unfortunately, only manual-focus is currently supported on the Sigma 24mm and 50mm f/1.4 lenses, although the Sony A7R II's excellent viewfinder and focus-peaking makes it easy to accurately focus, if not as quick as auto-focusing.
The Canon EOS 5DS R DSLR boasts a massive 50 megapixel sensor with a low-pass cancellation filter to maximise the sharpness of the camera's sensor. Does the brand new Canon 5DS R offer the best image quality from a DSLR? Read our detailed Canon EOS 5DS R review to find out...
This Thursday, celebrity photographer Douglas Kirkland will hold a free presentation at the Crest Theatre in Los Angeles, showing images from his career that started in the 1950s. He will speak about the techniques he employs, about the approach to his work and the importance of the relationship he creates with his subjects as well as his continuing involvement with the latest evolving technology. In addition, he will do a short demonstration introducing the Canon EOS 5DS and 5DSR cameras to the audience. The event is free to attend but you need to sign up in advance.
DxO have released DxO OpticsPro 10.4.2, DxO FilmPack v5.1.4, and DxO ViewPoint 2.5.6 for Mac and Windows. These updates add support for the Canon EOS 5DS and 5DS R. Additionally, DxO OpticsPro 10.4.2 also adds 789 new camera/lens combinations to its DxO Optics Modules library, whilst DxO FilmPack 5.1.4 and DxO ViewPoint 2.5.6 gain full compatibility with Adobe Photoshop CC 2015.
The Zeiss Otus 85mm f/1.4 Planar T* is a premium short-telephoto prime lens for Canon and Nikon 35mm full-frame DSLR cameras. The manual-focus Otus 85mm offers a fast f/1.4 maximum aperture, 9 aperture blades, and superlative build quality. Read our Zeiss Otus 85mm f/1.4 Planar T* review now...
The Canon EF 50mm f/1.8 STM is a new standard prime lens for APS-C and full-frame DSLR cameras. Offering continuous AF while capturing video with compatible cameras, the compact Canon EF 50mm f/1.8 STM retails for just £129.99/€189.99/$125.99. Read our in-depth Canon EF 50mm f/1.8 STM review complete with full-size sample images to find out if it's worth the modest outlay...
Tamron USA have released a firmware update service for owners of select Tamron lenses who wish to use their lenses on the Canon EOS 5DS or 5DSR cameras. "We have learned that the AF functions of the following interchangeable lenses for Canon do not function in Live View mode when used on the EOS 5Ds and EOS 5DsR which went on sale in June 2015," the company says. "Firmware update service is already available as this is the same case when EOS Rebel T6s and the EOS Rebel T6i were released." Those who require the firmware update service are advised to consult Tamron's service department.
We've spent the last couple of weeks shooting 1000's of photos with the new 50-megapixel Canon EOS 5Ds DSLR camera and a variety of different lenses.
Here's a handy roundup of all the sample image galleries that we've published, just in case you've missed anything...
Canon EOS 5Ds with the Zeiss Otus 85mm f/1.4 Sample Images
Canon EOS 5Ds with the Canon EF 24-70mm f/2.8L II USM Sample Images
Canon EOS 5Ds with the Canon EF 70-200mm f/2.8L IS II USM (Fashion) Sample Images
Canon EOS 5Ds with the Canon EF 70-200mm f/2.8L IS II USM Sample Images
Canon EOS 5Ds with the Canon EF 17-40mm f/4L USM Sample Images
Canon EOS 5Ds with the Canon EF 70-200mm f/4 Sample Images
Canon EOS 5Ds with the Canon EF 100mm Macro Sample Images
Canon EOS 5Ds with the Sigma 24mm, 35mm and 50mm Art Sample Images
Last week we tested the new 50-megapixel Canon EOS 5Ds in the studio and on location at a fashion shoot. Here are a selection of edited and unedited photos that we particularly liked, all taken with a final production version of the Canon EOS 5Ds DSLR camera.
We've just tested the new 50-megapixel Canon EOS 5Ds with Canon's best standard zoom lens, the EF 24-70mm f/2.8L II USM lens. Here are 56 JPEG and 56 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Canon EF 24-70mm f/2.8L II USM lens.
We've just tested the new 50-megapixel Canon EOS 5Ds with the Canon EF 70-200mm f/2.8L IS II USM lens in the studio and on location. Here are 58 JPEG and 58 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Canon EF 70-200mm f/2.8L IS II USM lens.
Want to see what the highest-resolution DSLR camera is capable of with the sharpest lens in the world? You're in luck, as we've just tested the new 50-megapixel Canon EOS 5Ds with the Zeiss Otus 85mm f/1.4 lens in the studio and on location. Here are 25 JPEG (Fine Detail picture style) and 25 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Zeiss Otus 85mm f/1.4 lens. As always with our sample images, they're straight out of the camera with no post-processing...
The EOS 5Ds DSLR camera has finally arrived, boasting a massive 50 megapixel sensor and proven design. Does the brand new Canon 5Ds offer high enough image quality to justify its £2999 / $3699 asking price? Read our detailed Canon EOS 5Ds review with full-size JPEG, Raw and video samples to find out...
We've just tested the new 50-megapixel Canon EOS 5Ds with the Canon EF 70-200mm f/2.8L IS II USM lens, shooting candid street portraits in Covent Garden, London. Here are 80 JPEG and 42 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Canon EF 70-200mm f/2.8L IS II USM lens.
Canon have posted a firmware upgrade for their GP-E2 external GPS receiver. Version 2.0.0 adds support for the Canon EOS 5DS, EOS 5DS R, EOS 760D and EOS 750D cameras, and fixes bugs related to signal acquisition and the saving of log files. You can download the firmware update from the website below.
Website: Canon U.S.A.
Last night we took the new 50-megapixel Canon EOS 5Ds with the Canon EF 17-40mm f/4L USM lens to the financial City of London district to test out the 5Ds's long exposure capabilities. Here are 55 JPEG and 20 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Canon EF 17-40mm f/4L USM lens.
We've just tried out the new 50-megapixel Canon EOS 5Ds with the Canon EF 70-200mm f/4L USM lens at a local bike race. Conditions were poor - a tree-lined circuit, overcast skies, 8pm in the evening - so high ISO speeds were the order of the day. Here are 41 JPEG images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Canon EF 70-200mm f/4L USM lens.
We've been testing the new 50-megapixel Canon EOS 5Ds with the Canon EF 100mm f/2.8 Macro USM lens today. Here are 64 JPEG and 26 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Canon EF 100mm f/2.8 Macro USM lens.
We've been testing the new 50-megapixel Canon EOS 5Ds with the highly-regarded Sigma 24mm, 35mm and 50mm f/1.4 Art prime lenses today. Here are 93 JPEG and 20 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Sigma 24mm, 35mm and 50mm Art Lenses.
Ahead of our full review, here are 91 JPEG and 20 Raw images taken with a final production version of the new Canon EOS 5Ds DSLR camera, running v1.01 firmware. The Canon EOS 5Ds is a 35mm full-frame digital SLR camera with a 50.6 megapixel sensor.
Ahead of our full review, here are 42 full-size sample images taken with the Canon EF 50mm f/1.8 STM lens mounted on a Canon EOS 5DS body. The Canon EF 50mm f/1.8 STM is a fast standard prime lens for full-frame DSLR cameras.
Canon will be celebrating the 10th anniversary of the introduction of their EOS 5D series of dSLR cameras this fall. Launched in September 2005, the EOS 5D was the first 35mm dSLR camera to break the €3,000 barrier, enabling a wider range of photographers to experience the image quality of a full-frame CMOS sensor than ever before. Then, in November 2008, Canon launched the second-generation model in the series: the EOS 5D Mark II. This camera, which was the first in the EOS series to include a function enabling the capture of Full HD movies, facilitated the widespread adoption of DSLR cameras as a tool for capturing video. In March 2012, Canon introduced the EOS 5D Mark III, featuring improvements in still-image and video quality as well as enhanced AF precision and a faster maximum continuous shooting speed. This year, the company launched the latest models in the series, the Canon EOS 5DS and EOS 5DS R (pictured), which boast a record-breaking 50.6-megapixel CMOS sensor for ultra-high resolution stills.
Canon U.S.A. will showcase its latest 4K digital cinema products in Booth #12 at Cine Gear Expo Los Angeles from 5-6 June. Visitors will have an opportunity to receive hands-on experience with the latest cinema equipment offerings including the new EOS C300 Mark II digital camera (pictured), the XC10 4K digital camcorder, and the DP-V2410 4K reference display introduced in April. The company will also have its new CINE-Servo 50-1000mm T5.0-8.9 ultra-telephoto lens and EOS 5DS / 5DS R digital SLR cameras on display. In the Paramount Theatre during the Expo will be three Canon-hosted educational panel discussions, featuring industry professionals discussing their craft, and how Canon products have helped power their work. Click through / scroll down for the panel discussion schedule.
alumet UK are inviting photography enthusiasts to get their hands on the latest Canon products during the Canon Roadshow 2015. From 10am-11am, and 2pm-3pm, renowned photographer David Clapp will be demonstrating the new Canon EOS 5DS & EOS 5DS R with images to show the capabilities of the camera and its generous pixel count. He will also be taking a look at new lenses such as the 11-24mm and the 16-35mm F4 IS, which are making big waves in the industry. Then, from 11am-12pm and 3pm-4pm, Canon Explorer Danny Green will be giving a talk and hosting a Q&A session. The first event will take place on Wednesday 27 May in London, The second one will be held on Thursday 25 June in Glasgow, while the third roadshow event will be on Friday 26 June in Edinburgh.
Iridient Digital has released Iridient Developer 3.0.2. This update adds support for the Nikon 1 J5, the Olympus TG-4 and Stylus 1S, the Leica M Monochrom (Typ 246), the Canon EOS 760D (Rebel T6s, 8000D), EOS 750D (Rebel T6i, Kiss X8i) and the EOS M3. Additionally, it includes further improvements to the v3 noise reduction introduced in version 3. Both Luminance and Colour noise reduction adjustments in particular are now much more effective with some forms of noise, especially when strongly increasing shadow brightness and with high ISO images. The maximum strength of noise reduction has also been increased to give smoother, lower noise output when set to high levels while still retaining good detail and colour fidelity.
Ahead of our full review, here are 96 JPEG and 70 Raw images taken with the new Canon EOS 5DS R DSLR camera. Due to go on sale in June, the Canon EOS 5DS R is a 35mm full-frame digital SLR camera with a 50.6 megapixel sensor and low-pass filter effect cancellation.
Apple has posted a Digital Camera RAW Compatibility Update, which adds system-level support for raw image files generated by the Canon EOS 5DS, 5DS R, 750D and 760D, the Fujifilm X-A2, the Hasselblad CFV-50c and H5D-50c, the Leica C (Typ 112), the Nikon 1 S2 and D7200, the Olympus OM-D E-M5 Mark II, the Panasonic Lumix CM1 (pictured) and GF7, and the Pentax MX-1.
At the 2015 NAB Show, Canon will showcase its full line of professional, high definition imaging equipment at booth C432. During the show, the company will feature a live 4K Workflow Demonstration where visitors will have the opportunity to interact with industry-leading colourists and editors in a 4K HDR and DI (Digital Intermediate) suite, and. to demo the full range of Canon Cinema, HD Video and DSLR cameras and lenses. In addition, images taken with the new EOS 5DS 50.6-megapixel DSLR camera will be printed on site on the imagePROGRAF iPF8400 printer, and displayed as wall wraps. Canon 4K Reference Displays will be featured throughout the booth, including a non-linear editing system demonstrating the display’s compatibility with various digital cinema camera solutions. For more information and updates regarding the Canon Live Learning speaker schedule, visit the website below.
The Canon EF 11-24mm f/4L USM is a new professional ultra-wide-angle zoom lens. Boasting an incredibly wide focal lenght of 11mm, the new Canon EF 11-24mm f/4L USM really does offer a unique view of the world. Read our in-depth Canon EF 11-24mm f/4L USM review, complete with full-size sample images.
Canon is celebrating a 12th year as the global number one within the interchangeable-lens digital camera market. Canon’s run as market leader began in 2003 owing to the launch of the company’s first truly affordable dSLR, the EOS 300D. Since then, Canon has launched a host of interchangeable-lens cameras, including the EOS-1D series for professional users, and the EOS 5D series. More recently, Canon launched the EOS 7D Mark II (pictured), the EOS 5DS and 5DS R, which boasts the world’s highest pixel count among 35 mm full-frame sensor digital SLR cameras, the EOS M3 compact system camera plus the EOS 760D and EOS 750Do entry-level digital SLRs.
Issue 38 of David Noton's Chasing the Light online magazine is now available.In the Behind the Lens feature and Video Blog, David relates his adventures in the Republic of South Africa.In this month's Field Trial, Davidputs the Canon EOS 5DS and its whopping 50MP through its paces, laying out his own conclusions on its remarkable capabilities. And for Part Four of hisLow Down series on Exposure, David explores the vagaries of contrast and the tricky balancing act required to tame it.In Hoddinott’s Hangout, Ross Hoddinott takes us on a road trip all the way from his base in Cornwall, England north to the Isle of Skye in Scotland, whilefor this month’s Guest Feature world-class motorsport photographer Frits van Eldik talks about his career to date. Do note that the full contents of the magazine is available to full f11 subscribers only. Non-members can purchase individual issues of the magazine at a price of £4.20.
Canon UK will be at The Photography Show 2015 offering what they call "the most immersive imaging experience." The Canon EOS 7D Mark II, EOS 5DS and EOS 760D (pictured) digital SLR cameras and the newest Pixma and large-format printers will all be on display, while Canon Ambassadors and Explorers including Jeff Ascough, Phil Coats, Danny Green and Simeon Quarrie will be hosting talks throughout the show. Plus Canon is giving you the chance to be part of its show experience, offering lucky fans on its social media pages the chance to win tickets to the show, have their image displayed on the Canon stand and attend an exclusive after-show on-stand event with Canon experts. The Photography Show will take place from 21st – 24th March 2015 at the Birmingham NEC.
Canon has posted 4 full-resolution sample photos and 3 reduced-size sample videos recorded with the 50-megapixel Canon EOS 5Ds digital SLR camera. Captured using a variety of lenses including the EF70-200mm f/2.8L IS II USM, the EF200-400mm f/4L IS USM Extender 1.4x, the EF24-70mm f/2.8L IS USM and the EF24-70mm f/2.8L IS USM II; these Canon EOS 5Ds samples can be downloaded as full-resolution JPEG images from the website below. Note that unlike the stills, the sample movie has been resized for the Web.
Website: Canon EOS 5Ds Sample Images & Movies
Canon has published 3 high-resolution sample images captured with the Canon EOS 5Ds R digital SLR camera. Taken at sensitivity settings of ISO200/24° and ISO400/27°, these EOS 5Ds R samples show off the incredible resolution of the camera's 50.6-megapixel full-frame sensor. You can download the official sample photos from the website below.
Website: Official Canon EOS 5DS R Samples
We take a look at the brand new Canon EOS 5DS / 5DS R cameras in our detailed hands-on preview...
The Canon EOS 5DS and the EOS 5DS R are a new breed of ultra-high resolution full-frame DSLRs, offering the highest megapixels ever seen in a full frame sensor, an astonishing 50.6 MP. The EOS 5DS R also features a low pass cancellation filter to maximise the sensor’s resolution and visible image quality.
The EF 11-24mm f/4L USM is the world’s widest-angle rectilinear zoom lens, the perfect companion for landscape and architecture photographers.
The EOS 5DS is available from June 2015 with an RSP of £2999.99/€3999.99 body only.
The EOS 5DS R is available from June 2015 with an RSP of £3199.99/€4249.99 body only.
In the USA, the EOS 5DS and EOS 5DS R Digital SLR cameras are scheduled to be available through authorized Canon dealers in June 2015 for estimated retail prices of $3,699.00 and $3,899.00 for the body only, respectively.
The EF 11-24mm f/4L USM is available from March 2015 with an RSP of £2799.99/€3699.99. In the USA, it is scheduled to be available in late February 2015 for an estimated retail price of $2,999.00.
Canon has unveiled a collection of new models in its acclaimed PowerShot, IXUS and PIXMA PRO product ranges - the PowerShot SX410 IS, IXUS 275 HS (also known as the PowerShot ELPH 350 HS), PIXMA PRO-100S and PIXMA PRO-10S.
The compact PowerShot SX410 IS combines an incredible 40x optical zoom and 80x ZoomPlus technology in a small-scale body. The PowerShot SX410 IS will be available from March 2015 with an RSP of £249.99 / €299.99. In the USA the PowerShot SX410 IS camera is scheduled to be available in March 2015 in red or black for an estimated retail price of $279.99.
The Canon IXUS 275 HS' 12x optical zoom is teamed with Canon’s HS System and 20.2 Megapixel CMOS sensor. The IXUS 275 HS will be available from May 2015 with an RSP of £189.99 / €299.99. In the USA the PowerShot ELPH 350 HS camera is scheduled to be available in April 2015 in black and silver for an estimated retail price of $209.99.
The new PIXMA PRO-100S and PIXMA PRO-10S replace Canon’s existing PRO-100 and PRO-10 printers respectively. The PIXMA Pro-100S will be available from February 2015 with an RSP of £499.99/€599.99. The PIXMA Pro-10S will be available from February 2015 with an RSP of £699.99/€829.99.
Born out of a successful Kickstarter campaign, the Lomo Instant is the most advanced instant camera on the planet. Using the widely available Fujifilm Instax Mini film, the Lomo Instant offers advanced features like manual aperture control, a built-in flash, and a bulb mode for long exposures. Read our Lomo Instant review now...
The Lytro Illum is a new light field camera aimed at professional photographers. Boldly billed as "a new medium capable of capturing visual experiences in their purest form", is it worth adding the Lytro Illum to your kitbag? Read our Lytro Illum review to find out...
The new Kodak PixPro SP360 is an actioncam with a difference - it can capture a complete 360-degree view of the world. Is the Kodak PixPro SP360 worth considering alongside, or even instead of, the mighty GoPro? Read our in-depth Kodak PixPro SP360 review to find out...
The Canon IXUS 155 is a new stylish and affordable point-and-shoot compact camera. Stand-out features include a 20 megapixel sensor, 10x 24-240mm zoom lens, and a metal body, all for just £110. Read our in-depth Canon IXUS 155 review now...
The FinePix F900EXR is the range-topping camera from Fujifilm, sporting a 20x lens with a versatile focal range of 25-500mm. The 16 megapixel F900 EXR also features fast phase-detection autofocusing, wireless image transfer, GPS support, full 1080p movies, a high-contrast 3 inch LCD screen and 8fps continuous shooting. Read our in-depth Fujifilm FinePix F900EXR review now...
The Sony Xperia Z is a brand new smartphone that offers a lot of technologies from Sony's CyberShot camera range. The Xperia Z has a 13 megapixel sensor, 28mm fixed lens with fast f/2.2 aperture, 1080p video, sweep panoramas, a range of picture effects and 10fps burst shooting. Read our Sony Xperia Z review to find out if it really can replace a compact camera...
Tired of seeing the world in plain old two dimensions? Then Fujifilm have the answer - enter stage left the World's first 3D camera that doesn't require those dorky glasses, the Fujifilm FinePix Real 3D W1. This remarkable device uses two lenses, two image sensors and a special LCD screen to create an utterly convincing stereoscopic 3D photograph. And the W1 also doubles up as a perfectly functional 2D point and shoot camera too. Mark Goldstein catches a glimpse of the future as he reviews the Fujifilm W1...
Forget the new car, holiday or house extension - a mere £5499.99 / €7728.00 / $7999.95 will buy you the shiny new Nikon D3x. This 24.6 megapixel camera is the highest-resolution DSLR on the market, bettering the Sony A900 and Canon EOS 5D Mark II. As well as it's headline-grabbing megapixel count, the D3x also boasts a 51-point auto-focus system, 920,000-dot 3-inch LCD screen, 50-6400 ISO range and 16-bit image processing. Gavin Stoker discovers if the Nikon D3x really is the best ever DSLR...